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Audio Recordings

This is a list of audio recordings cited throughout Flutopedia.

The references on this page are a sub-set of the complete list of Flutopedia references.

For information on the format and other details of these citations, see the main references page.

Audio Recordings

[Abdo-J 1976] Joe Abdo, Sr., Quentin Bruguier, Lorenzo Dion, Asa Primeaux, Sr., Francis Primeaux, Duane Shields, Joseph Shields, Sr., and Philomene Dion; Joseph Shields, Sr. and Joe Abdo, Sr. (program notes and translations of songs). Yankton Sioux Peyote Songs, Taos, New Mexico, Indian Records, IH 4371-4374, 1976, set of 33⅓ rpm 12" vinyl audio discs (four), monophonic. Recorded at Lake Andes, South Dakota, July 6, 1976. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Accord 2005] Accord Song. Indian Legend — Last Frontier, published by Blue Music SRL, Accord Song, 528, 10 tracks, 2005, EAN 5-901448-275287. See the Accord Song web site. Contains 10 songs. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Akikazu 1999] Nakamura Akikazu. Saji — The World of Zen Music, Denon, COCJ-30465, 1999, Audio CD. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Three citations: Hon Shirabe - Sheet Music for Native American Flute (3)

[Allen 2004] Michael Graham Allen. Rainbird, Coyote Oldman Recordings, 2 CD set, 17 tracks, 2004, ASIN B0002235DK. Rainbird Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

One citation: Indigenous North American Flutes

[Amirkhanian 1972] Charles Amirkhanian. Early American Music, KPFA-FM, Broadcast date November 30, 1972. Contains 1 song. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[ARC 2006] ARC Music. Bushmen of the Kalahari, Arc Music, EUCD1995, 35 tracks, 2006, total time 72:36, ASIN B000EHSV6Y Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Two citations: Ethnographic Flute Recordings of Africa (2)

Publisher's description: This album documents the almost extinct Bushman culture in Southern Africa. It contains Bushmen shaman healing rituals, hunting songs, rain-making songs, tracking songs, a spoken history of the Qwii… accompanied on authentic self-built instruments by some of the last Bushmen of the Kalahari Desert.

[Azzurra 2001] Azzurra Music. American Natives, Azzura Music, TBP-11052, 11 tracks, 2001, total time 44:50, EAN 8-028980-045929. See the Azzurra Music web site. Contains 11 songs. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Ballard 2002] L. W. Ballard. American Indian Music for the Classroom, published by New Southwest Music Publications, P.O. Box 4552, Santa Fe NM 87502, 2002, audio CD. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Description by First Nations Composers Initiative: This is a reissue of a classic publication and is a well-documented collection of songs, dances, games, and information for teachers from many tribes. Includes teacher’s book, recordings (available on cassette or CD), packet of photographs and transparencies.

[Beach 1998] Amy Beach, Arthur Foote, Preston Ware Orem, and Arthur Farwell (composers). Music of Amy Beach / Arthur Foote / Arthur Farwell / Preston Ware Orem, New World Records, 80542, 13 tracks, 1998, total time 75:54, ASIN B000009V36, audio CD. See the New World Records web site. Contains 13 songs. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Bhattacharya 2004] Deben Bhattacharya. Bedouins of the Middle East — Field Recordings by Deben Bhattacharya (1955, 1960), Arc Music, EUCD1910, 14 tracks, 2004, total time 53:38, ASIN B00BURMREO Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

One citation: Ethnographic Flute Recordings of the Middle East

Publisher's description: Field recordings made in 1955 and 1960 by ethnomusicologist Deben Bhattacharya. Recorded in Bedouin camps in the desert no-man’s land between Jordan and Iraq. Communal coffee grinding and drinking ritual in the tents after sundown. Pictures and an excerpt from Bhattacharya’s journal, plus extensive notes about music and instruments in four languages.

[Bhattacharya 2013] Deben Bhattacharya. The Music of Uzbekistan — Field Recordings by Deben Bhattacharya, Arc Music, EUCD2438, 14 tracks, 2013, total time 54:55, ASIN B00ARWDS4Q Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Two citations: Ethnographic Flute Recordings of Asia (2)

Publisher's description: Uzbekistan was the half-way point of the fabled "Silk Road" from the Mediterranean to Xian in China. The music which was recorded in 1970 in Tashkent by ethnomusicologist Deben Bhattacharya, recalls the ancient oriental beauty and mystery. Traditional instruments: chang, (dulcimer), rubab (lute), dutar (lute), ney (flute), doira (frame drum) and more.

[Bierhorst 1979a] John Bierhorst (producer, editor). A Cry from the Earth: Music of the North American Indians, Folkways Records, FA 37777, 11 bands, 33 songs, 1979, 33⅓ rpm 12" vinyl audio disc. Reissued in [Bierhorst 1992a] and [Bierhorst 2006]. Contains 2 songs. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

56 citations: Ethnographic Flute Recordings of North America - Organized Chronologically (28), Ethnographic Flute Recordings of North America - Organized by Culture (28)

[Bierhorst 1992a] John Bierhorst (producer, editor). A Cry from the Earth: Music of the North American Indians, Folkways Records, 37777, 33 bands, 1992, audio cassette. Reissue of [Bierhorst 1979a]; Reissued in [Bierhorst 2006]. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

52 citations: Ethnographic Flute Recordings of North America - Organized Chronologically (26), Ethnographic Flute Recordings of North America - Organized by Culture (26)

[Bierhorst 2006] John Bierhorst (producer, editor). A Cry from the Earth: Music of the North American Indians, Smithsonian / Folkways, FA 37777, 33 tracks, 2006, UPC 0-93073-77772-6, ASIN B00242VZ2Y, audio CD. Source archive: Smithsonian Center for Folklife and Cultural Heritage. Reissue of [Bierhorst 1979a]. See the Smithsonian / Folkways Recordings web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

60 citations: Ethnographic Flute Recordings of North America - Organized Chronologically (30), Ethnographic Flute Recordings of North America - Organized by Culture (30)

Liner notes: This album is representative of the vast variety of American Indian music found across the United States and Canada. A complement to the book of the same name by John Bierhorst, this collection delineates the different regional musical styles in North America (including The Northwestern Coast, The Great Basin, The Plains, and the Eastern Woodlands) and explores the close relationship between music and culture.

[Bonnie 1968] Boniface Bonnie, Autisdy Smith, M.D. Johnson, Roy Bonnie, Ben J. Johnson, Benny Roan Horse, Ted Bonnie, Donald Deal (performers); Tony Isaacs (recording engineer). Night and Daylight Yeibichei, Taos, New Mexico, Indian House, IH 1502, 10 tracks, 1968, 33⅓ rpm 12" vinyl audio disc. Recorded at: Klagetoh, Arizona, March 2, 1968. See [McAllester 1971] for review. See the Indian House web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Boyadjian 2010] Hayg Boyadjian. Vientos, Albany Records, 6 tracks, 2010, ASIN B0041DVVUU Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Cajune 2011] Julie Cajune (director, producer); Jan Nickman (co-producer); Jennifer Greene (writer); Joanne Bigcrane (narrator); Paul Thompson, Fernando Cellicion, Gary Stroutsos, and Florentine Johnson (performers). Remembering the Songs: Music Traditions from the Zuni, Navajo, and Salish, Center for American Indian Policy and Applied Research, Salish Kootenai College and Npustin Press, Pablo, Montana and Arlee, Montana, 2011. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

WorldCat Summary: While the CD includes both traditional Zuni, Navajo and Salish songs, performed by American Indian musicians, the DVD features interviews with musicians Paul Thompson and Fernando Cellicion whose performances are featured on the CD. Additionally, the DVD includes an interview with Lucy Vanderburg, daughter of Salish musician Jerome Vanderburg. Vanderburg not only composed songs, but was on of the last Salish men to make and play the traditional Salish flute.

[Candelario 1948] John S. Candelario; Gerald Nailor (cover art). Indian Songs of the Southwest, Gems for Collectors Series, Taos, New Mexico, Thunderbird Records, C-481, C-484, C-487, 1948, set of 78 rpm 10" audio discs (four). Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Track Listing: C-481 Apache Songs: Mountain Sprits Dance / Sun Greeting Ceremony
C-484 Hopi Songs: Butterfly Dance / War Dance
C-484 Navajo Songs: Yeibichai / Squaw Dance
C-487 Taos Songs: War Dance / Moonlight Song

[Cellicion 1988] Fernando Cellicion; Millard Clark (producer). The Traditional Indian Flute of Fernando Cellicion, Lawton, Oklahoma, Indian Sounds, IS-5060, 9 tracks, 1988, audio cassette. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Twenty citations: Ethnographic Flute Recordings of North America - Organized Chronologically (10), Ethnographic Flute Recordings of North America - Organized by Culture (10)

[Cellicion 1990] Fernando Cellicion; Millard Clark (producer). The Traditional and Contemporary Indian Flute of Fernando Cellicion, Lawton, Oklahoma, Indian Sounds, IS-5061, 14 tracks, 1990, ASIN B00GUP4N7K, audio cassette. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

28 citations: Ethnographic Flute Recordings of North America - Organized by Culture (14), Ethnographic Flute Recordings of North America - Organized Chronologically (14)

[Charters 1978] Samuel Charters. African Flutes (Gambia), Ethnic Folkways, FE-4230, 10 tracks, 1978, 33⅓ rpm 12" vinyl audio disc. Reissued in [Charters 2004]. See the Smithsonian / Folkways Recordings web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Ten citations: Ethnographic Flute Recordings of Africa (10)

Liner Notes: Recorded in the vi lIages of Basse and Diabugu Tenda in the upper Gambia basin in November, 1976.

[Charters 2004] Samuel Charters. African Flutes (Gambia), Smithsonian / Folkways, FW04230, 10 tracks, 2004, audio CD. Originally issued as Folkways Ethnic FE-4230. Reissue of [Charters 1978]. See the Smithsonian / Folkways Recordings web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Liner Notes: Recorded in the vi lIages of Basse and Diabugu Tenda in the upper Gambia basin in November, 1976.

[Chico 1980] Leo “Chico”. Her Many Horses — Memoirs of a Lakota (Sioux) Fancy Dance Champion, published by St. Francis Mission Records, Marquette University Libraries, 1980. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Coope 2016a] Coope; Various Artists. Music of the Native American Indians Vol. I, Spiritual Songs, Coope, 10264344, 15 tracks, March 18, 2016, audio digital download. Reissue of CD #1 of [Retro 1997]. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Coope 2016b] Coope; Various Artists. Music of the Native American Indians Vol. II, The Indian Flute, Coope, 10264345, 12 tracks, March 18, 2016, audio digital download. Reissue of CD #2 of [Retro 1997]. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

24 citations: Ethnographic Flute Recordings of North America - Organized Chronologically (12), Ethnographic Flute Recordings of North America - Organized by Culture (12)

[Cope 2004] Gary Cope. The Background Music Project for Native American Flute, 14 tracks, 2004. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

One citation: The Huron Carol - Sheet Music for Native American Flute

[Coppens-W 1975] Walter Coppens, Barbara Brändli, and Jean François Nothomb. Music of the Venezuelan Yekuana (Makiritare) Indians, Smithsonian / Folkways, FW04104, 15 tracks, 1975. See the Smithsonian / Folkways Recordings web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Two citations: Ethnographic Flute Recordings of South America (2)

Publisher's description: "The Yekuana Indians, also known as Makiritare, whose total population is estimated at 1,500 to 2,000 persons, are the people whose life is closely related to the rivers as is suggested by their tribal name, which can be translated as ‘curiara (dugout canoa) people’ or ‘river people.’ When discovered around 1758-59 by the Spaniards, the Yekuana lived along several tributaries of the Upper Orinoco."

[Courlander 1957] Harold Courlander (compiler); Alan P. Merriam (liner notes). Africa South of the Sahara, Smithsonian / Folkways, FW04503, 38 tracks, 1957. See the Smithsonian / Folkways Recordings web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

One citation: Ethnographic Flute Recordings of Africa

Publisher's description: This 1957 compilation attempts to provide a musical overview of the entire Sub–Saharan region, and also represents the scholarly contribution of American ethnomusicologist Alan P. Merriam (1923 — 1980) to the Folkways catalog. Merriam, who is best remembered for the book The Anthropology of Music, produced the album and provided an essay and track notes. This title went a long way towards dispelling prejudices and misconceptions listeners of the time may have had about African music. Merriam wrote, “The African music system works by its own rules and satisfies those who play it and sing it; it is neither necessarily older nor younger nor better nor worse.”

[Cowell 1952] John Coloff (performance); Willard Rhodes (recording). Music of the World's Peoples, Volume 2, Smithsonian / Folkways, FW04505, 16 tracks, 1952, audio CD. Originally issued as Folkways Ethnic P-505. See the Smithsonian / Folkways Recordings web site. Contains 1 song. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Two citations: Ethnographic Flute Recordings of North America - Organized Chronologically, Ethnographic Flute Recordings of North America - Organized by Culture

Publisher's description: Continuing where Volume 1 left off, this album includes traditional musics of twelve different cultures, from Cuban to Sioux, Azerbaijani and Congolese. There are dances, work songs, songs of love and farewell. This is an extraordinarily diverse sampling of music from around the world. Three more volumes were published in this series.

[Cowell 1962] Henry Cowell (editor). Primitive Music of the World, New York, Folkways Records, FE 4581, 34 tracks, 1962, 33⅓ rpm 12" vinyl audio disc. two 12-inch, 33⅓ rpm, monophonic discs. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Two citations: Ethnographic Flute Recordings of North America - Organized Chronologically, Ethnographic Flute Recordings of North America - Organized by Culture

[Coyote 1975] Coyote Man (Robert Rathbun). Songs of the Californa Indians, Volume 1: Concow, Nisenan, Mountain Maidu, published by Pacific Western Traders, Folsom, California, 1975. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[CR 1966] Canyon Records. The Great Plains, Indian Singers and Songs, Canyon Records, CR-6052, 20 tracks, 1966, 33⅓ rpm 12" vinyl audio disc. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Four citations: Ethnographic Flute Recordings of North America - Organized Chronologically (2), Ethnographic Flute Recordings of North America - Organized by Culture (2)

Liner notes: Following many requests, Canyon Records presents on Long Play record the music of the Indians of the Great American Plains. In this memorable collection are 14 songs not previously released on Canyon Records, and 5 of the more-often asked for songs from Canyon Records library of single records.
The music has been recorded under varying conditions – on-location at actual dances, at celebrations and Pow-Wows, and in a modern studio setting. All recordings were originally obtained by Canyon Records through negotiation with the singers or song-owners, who expresses their pride in being able to be part of the growing archives of authentic Indian music–to be made known to today's listeners, and preserved in its integrity for the future.
Efrem Zimbalist, Sr., who studied primitive music all over the world, has been quoted as saying that American Indian music is the most difficult he has known. "Lacking in harmony, the Indian achieves his effects entirely by rhythm, often combining several rhythms in on song, and always using short intervals and very baffling pauses." (Fergusson - "Dancing Gods.")
The singing of the Plains is characterized by loudness and great vocal tension. The drumming is strong, almost heavy. Sometimes the song is faster, sometimes slower than the drum. Like much Indian music, it has a descending pattern.
As indicated in the descriptions of the individual selections, some of these singing groups are no longer together; some of the dance customs are disappearing. Recordings like the following may never again be possible. Here, for posterity, are some Great Plains Singers and Songs!

[Crow 2002] Taylor Crow. Indian Village, published by the San Juan Music Group, Delta Music GmbH, 13-673, 2 tracks, 2002, total time 71:53, EAN 4-006408-136736. Contains 2 songs. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Darling 2007] David Darling and Julie Weber. The Darling Conversations, Volume 1, Westport, Connecticut, Manifest Spirit Records, MSR-075, 3 CD set, 25 tracks, December 4, 2007, total time 3:11:49, UPC 8-37101-43075-3, audio CD. See the Darling Conversations Web Site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Densmore 1965] Frances Densmore (field recording); Charles Hofmann (producer, liner notes). Healing Songs of the American Indians, Ethnic Folkways Library Series, Folkways Records and Service Corp., FE 4251, 19 tracks, 1965, 33⅓ rpm 12" vinyl audio disc. Reissued in [Densmore 2007b]. Library of Congress call number RA-67-26. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Cover description: From the Smithsonian-Densmore Collection of the Archive of Folksong, Library of Congress. 19 songs with descriptive notes from 7 tribes Edited by Charles Hofmann. Recorded on location by Dr. Frances Densmore for the Bureau of American Ethnololgy, Smithsonian Institution.

[Densmore 2007b] Frances Densmore (field recording); Charles Hofmann (producer, liner notes). Healing Songs of the American Indians, Smithsonian / Folkways Archival Series, Smithsonian / Folkways Recordings, FE 4251, 19 tracks, 2007, UPC 0-93070-42512-5, ASIN B00242VZVK, audio CD. Source archive: Smithsonian Center for Folklife and Cultural Heritage. Reissue of [Densmore 1965]. See the Smithsonian / Folkways Recordings web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Publisher's description: When some American Indian medicine men and women were called upon to heal an ailing tribesmember, they would fast in order to receive a song in dream or vision instructing them in how to carry out the treatment of their patient. This is one of the many insights on American Indian healing practices reported by Dr. Frances Densmore. Over the course of 50 years, Dr. Densmore collected more than 2000 recordings of American Indian customs and traditions in song. Compiled in this CD are recordings of medicine men from a diverse representation of tribes singing and chanting those songs, delivered to them in dream by external powers and spirits, that they used to heal the sick.

[DeRuby 1998] Stephen DeRuby. Rhythms to Accompany the Native Flute, SD52, 14 tracks, 1998, total time 47:00. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

One citation: Getting Out of a RUT on the Native American Flute

[DuBois 1905] Constance Goddard DuBois (collector); José Trinidad, Laguna Jim, Ha-ta-kek, and other unidentified musicians (performers). Diegueño Indians Circa 1905 Sound Recording, 1905, audio cylinder. 15 cylinders: 170 rpm, coarse groove; 2 1/8″ x 4 1/4″. Recorded by DuBois ca. 1905 at Warner's Ranch in San Jose [?] and at other unidentified locations in California during the Ethnological and Archeological survey of California conducted by University of California, Berkeley; sound quality fair to good. Indiana University, Bloomington - Archives of Traditional Music (B-ATM) call number 54-113-F ATL 8790 and ATL 8790. Diegueño Indians Circa 1905 Sound Recording Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Edwards 1971] Charles Edwards, Mark Merrick, and Rudolph Clark of Macy. Songs of the Omaha Tribe, February 26, 1971, total time 15:25, Audio stream. Publication AM_1971_02_26 on Archive.org (open access). See the web page on Archive.org Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Description on Archive.org: Laura Reichek of the Alcatraz Solidarity Committee introduces three elderly members of the Omaha Tribe who visited the KPFA studios on November 24, 1970, to record a short program of Omaha songs. The performers are Charles Edwards, Mark Merrick and Rudolph Clark of Macy, Nebraska, who came to Berkeley to help celebrate the first anniversary of the Indian landing of Alcatraz Island. The drum used in these songs is made of a wooden frame covered with cowhide. It weighs about 35 pounds and has a wooden bottom. The sticks used are covered on the hitting end with leather and lamb’s wool on the other end. One single drum was used with two players hitting it from different angles. The drum is usually held from handles on its side by four men while it is being played. In this recording it sat on the floor.

[Farwell 1977] A. G. Farwell, P. W. Orem, and C. W. Cadman (composers). Farwell, Orem, and Cadman, Recorded Anthology of American Music, New York, New World Records, NW 213, 1977, total time 39 minutes. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Fenton 1942] William N. Fenton. Songs from the Iroquois Longhouse, Folk Music of the United States, Music of the American Indian Series, Volume 6, Album 6, published by the Library of Congress, AFS L6, 1942. Accompanying booklet published in [Fenton 1942a]. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Fenton 1948] William N. Fenton. Seneca Songs from Coldspring Longhouse, Folk Music of the United States, Music of the American Indian Series, Volume 17, published by the Library of Congress, AFS L17, 1948. Accompanying booklet published in [John 1947]. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[FirstRider 1973] George First Rider. Blood Musical Instruments and Flutes, AT-180, George First Rider Oral History Project Collection, archives of the Glenbow Museum, Calgary, Alberta, in Blackfoot, 1973. See the Glenbow Museum web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

One citation: Roster of Museums, Libraries, and Cultural Sites Related to the Native American Flute

Description from the Glenbow Museum: Consists of an interview about musical instruments and flutes of the Blood tribe (part of the Blackfoot Nation) of Southern Alberta. Original is in Blackfoot. No audio cassette is available.

[Goss 2006] Clint Goss and Eric Miller. SpiritGrass, Westport, Connecticut, Manifest Spirit Records, MSR-061, 12 tracks, 2006, UPC 8-37101-22955-5, audio CD. See the SpiritGrass Web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Goss 2008] Clint Goss. Jam Tracks in A Minor, Native Flute Tracks series, Westport, Connecticut, Manifest Spirit Records, MSR-NT01, 20 tracks, February 19, 2008, total time 79:08, UPC 7-96873-02719-9, audio CD. See the Native Flute Tracks Web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

One citation: Getting Out of a RUT on the Native American Flute

[Goss 2008a] Clint Goss. Jam Tracks in G Minor, Native Flute Tracks series, Westport, Connecticut, Manifest Spirit Records, MSR-NT02, 20 tracks, December 9, 2008, total time 77:11, UPC 8-84501-08018-7, audio CD. See the Native Flute Tracks Web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

One citation: Getting Out of a RUT on the Native American Flute

[Goss 2009] Clint Goss. Jam Tracks in F# Minor, Native Flute Tracks series, Westport, Connecticut, Manifest Spirit Records, MSR-NT03, 24 tracks, August 11, 2009, total time 79:43, UPC 8-84501-17450-3, audio CD. See the Native Flute Tracks Web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

One citation: Getting Out of a RUT on the Native American Flute

[Goss 2009a] Clint Goss. Jam Tracks in E Minor, Native Flute Tracks series, Westport, Connecticut, Manifest Spirit Records, MSR-NT04, 21 tracks, December 8, 2009, total time 76:57, UPC 8-84501-23951-6, audio CD. See the Native Flute Tracks Web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

One citation: Getting Out of a RUT on the Native American Flute

[Govenar 2016] Alan Govenar (recordings and producer); Nancy Lamb (editor and narration). Doc Tate Nevaquaya, Masters of Traditional Arts series, Documentary Arts, Inc., Dallas, TX, 5 tracks, 2016, audio stream. See the Masters of Traditional Arts web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Ten citations: Ethnographic Flute Recordings of North America - Organized Chronologically (5), Ethnographic Flute Recordings of North America - Organized by Culture (5)

Introduction: Doc Tate Nevaquaya was born to Comanche parents in Fletcher, Oklahoma. He was delivered by Dr. C. W. Joyce, after whom he was named, although the name "Joyce" was replaced by "Doc" at an early age. The name "Tate" was taken from his grandfather's partner when a Christian name was required upon entering the Fort Sill Indian School. His Indian name is Nevaquaya, which in English means "well-dressed."

[Groeschel 1988] Gene Groeschel. Hawk Eyes Dreaming, Wild Wing, 501, 1988, ASIN B00006JUIU, Audio CD. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Publisher's Description: Naturalist Gene Groeschel began his study of songbirds and Native American music in New Mexico. A photographer and parachutist, his initial published work presented a skydiver's view of human flight in free fall. Later focus on birds led to international publication. Hearing Native American music at powwows, Gene began studying the Comanche, Aztecan double and Mayan turtle flutes. The Corrales Adobe Theatre in New Mexico was the site of his 1985 premiere performance of original flute music coupled with his wilderness photography. He then began blending his flute music with his wild songbird recordings. This blending is Hawk Eyes Dreaming, presenting a unique and provocative spiritual combination of earth, man and sky.

[Halpern-I 1986] Ida Halpern (field recordings and annotations). Haida — Indian Music of the Pacific Northwest, Folkways Records and Service Corp., FE 4119, 1986, 33⅓ rpm 12" vinyl audio disc. Reissued in [Halpern-I 2006]. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Halpern-I 2006] Ida Halpern (field recordings and annotations). Haida — Indian Music of the Pacific Northwest, Smithsonian / Folkways Archival Series, Smithsonian / Folkways Recordings, FE 4119, 2 CD set, 29 tracks, 2006, UPC 0-93070-41192-0, ASIN B00242VZJC, audio CD. Source archive: Smithsonian Center for Folklife and Cultural Heritage. Reissue of [Halpern-I 1986]. See the Smithsonian / Folkways Recordings web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Publisher's description: The music of the Haida tribe in the Pacific Northwest is shrouded in secrecy from outsiders because of its sacred role in society. However, musicologist Ida Halpern managed to collect a number of recordings of Haida songs from tribespeople eager to keep their heritage alive. This album contains songs about love, celebration, war, drinking, and dialogue between Halpern and the singers.

[Harris-R 2009] Richard Harris. A Little Flute Music To Warm The Cave, National Public Radio, All Things Considered, June 24, 2009, total time 3:52. See the story on the NPR web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

One citation: The Development of Flutes in Europe and Asia

[Harrison 1971] Lou Harrison. The Tuning of the Babylonian Harp, Recorded date February 12, 1957, total time 26:08, retrieved December 9, 2011. Publication AM_1971_02_12 on Archive.org (open access). Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Abstract: Harrison discusses the recent translation of an ancient Sumerian cuneiform tablet, in which the musical scale used by the Babylonian’s is described. This discovery has pushed back the origin of musical theory by at least 1,500 years. Harrison accompanies his talk with auditory illustrations of ancient scales and other plectrum pleasantries. The musical knowledge developed by the ancient Babylonians was passed on and refined by Pythagorus and Ptolemy and eventually influenced the Western musical tradition.

[Hawk 2002] Samuel Hawk. The Old Indian, published by the San Juan Music Group, Delta Music GmbH, 13-674, 2 tracks, 2002, total time 59:00, EAN 4-006408-136743. Contains 2 songs. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Heth 1976] Charlotte Heth (producer); Michael Moore and Lee Miller (recording engineers). Songs of Earth, Water, Fire and Sky, New World Records, 80246, 9 tracks, 1976, total time 41:50, audio CD. See the New World Records web site. Contains 9 songs. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Eight citations: Ethnographic Flute Recordings of North America - Organized by Culture (4), Ethnographic Flute Recordings of North America - Organized Chronologically (4)

Publisher's description: Music of the San Juan Pueblo, Seneca, Northern Arapaho, Northern Plains, Creek, Yurok, Navajo, Cherokee, and Southern Plains Indians

Produced and annotated by Charlotte Heth, a member of the Cherokee nation of Oklahoma and a noted ethnomusicologist.

The importance of American Indian music is found not in its impact on modern scholarship and composition but in the traditions and values it expresses to and for the Indian people. This oral tradition has survived solely because the music was too important to be allowed to die. The emphasis in this recording is on musical value: the music of the first Americans can speak for itself.

This excellent collection documents a wide swath of American Indian music recorded on location in a variety of settings in 1975, complete with a historic and musicological analysis of each piece.

[Heth 1977] Charlotte Heth (producer). Songs of Love, Luck, Animals, and Magic: Music of the Yurok and Tolowa Indians, New World Records, 80297-2, 20 tracks, 1977, total time 35:40, audio CD. See the New World Records web site. Contains 20 songs. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Heth 1979] Charlotte Heth (producer). Oku Shareh: Turtle Dance Songs of San Juan Pueblo, New World Records, 80301-2, 4 tracks, 1979, total time 39:45, audio CD. See the New World Records web site. Contains 4 songs. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Heth 1992] Charlotte Heth (producer); Michael Moore (recording engineer). Powwow Songs: Music of the Plains Indians, New World Records, 80343-2, 11 tracks, CD release date December 8, 1992, total time 0:00, ASIN B00005KHFA, audio CD. Originally released 1986. See the New World Records web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Heth 1992a] Charlotte Heth (producer); Michael Moore (recording engineer). Songs and Dances of the Eastern Indians from Medicine Spring and Allegany, New World Records, 80337-2, 7 tracks, CD release date December 8, 1992, total time 0:00, UPC 0-93228-03372-1, audio CD. Originally released 1985. See the New World Records web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Heth 1997] Charlotte Heth (executive producer); Nicholas R. Spitzer and Terence Winch (producers); David Glasser (mastering engineer). Wood That Sings: Indian Fiddle Music of the Americas, National Museum of the American Indian and Smithsonian / Folkways, SFW40472, 23 tracks, 1997, total time 71:12. See the Smithsonian / Folkways Recordings web site. Contains 23 songs. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Abstract: This anthology of Indian fiddle music of the Americas features performances by Indian musicians from Nova Scotia and Manitoba to North Dakota and Arizona, to Mexico, Peru, and elsewhere in Latin America. Using this most popular of instruments as a way to explore the great variety and creativity of Indian musical traditions—from chicken scratch to the indigenous Apache fiddle—this recording expresses the capacity of Native cultures to adapt and synthesize non-Native influences.

[Hofmann 1947a] Charles Hofmann (collector and editor). American Indian Songs and Dances, Ethnic Series of World Folkways, DISC Company of America, No. 161, 21 songs, 1947, set of 78 rpm 10" audio discs (six). Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Eight citations: Ethnographic Flute Recordings of North America - Organized by Culture (4), Ethnographic Flute Recordings of North America - Organized Chronologically (4)

Introduction: The recordings included in this disc were collected in Wisconsin at the Upper Dells of the Wisconsin River where morc than 200 American Indians from five different tribes assembled for the annual Stand Rock Indian Ceremonial. The neighboring Winnebago people were joined by the Chippewa, Sioux, Zuni and Acoma - distinct groups of Ihe Woodlands, the Plains and the Southwest.

[Hofmann 1964] Charles Hofmann (collector and editor). War Whoops and Medicine Songs — The Music of the American Indians Including Songs of the Winnebago, Chippewa, Sioux, Zuni & Acoma, Ethnic Folkways Library, Folkways Records, FE-4381, 32 tracks, 1964, 33⅓ rpm 12" vinyl audio disc. Originally issued as Folkways Ethnic FE-4381. [Hofmann 1952] is a related book. Reissued in [Hofmann 2001]. See the Smithsonian / Folkways Recordings web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Fifteen citations: Ethnographic Flute Recordings of North America - Organized by Culture (7), Instrumental and Vocal Love Songs of the North American Indians, Ethnographic Flute Recordings of North America - Organized Chronologically (7)

Introduction: The recordings included in this disc were collected in Wisconsin at the Upper Dells of the Wisconsin River where morc than 200 American Indians from five different tribes assembled for the annual Stand Rock Indian Ceremonial. The neighboring Winnebago people were joined by the Chippewa, Sioux, Zuni and Acoma - distinct groups of Ihe Woodlands, the Plains and the Southwest.

[Hofmann 2001] Charles Hofmann (collector and editor). War Whoops and Medicine Songs: The Music of the American Indians Including Songs of the Winnebago, Chippewa, Sioux, Zuni & Acoma, Smithsonian / Folkways, F-4381, 32 tracks, 2001, audio CD. Originally issued as Folkways Ethnic FE-4381. [Hofmann 1952] is a related book. Reissue of [Hofmann 1964]. See the Smithsonian / Folkways Recordings web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Ishi 1992] Ishi; T. T. Waterman (recording engineer); Bernie Krause (audio restoration). Ishi: The Last Yahi — Recorded 1911-14 on wax cylinder, Wild Sanctuary, 12 tracks, 1992, audio cassette. Reissued in [Ishi 2008]. See the Wild Sanctuary web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Review by Backroads Music/Heartbeats from All Music Guide: Originally recorded in 1911 and 1915, these remastered recordings feature Ishi, speaking and singing in his native language for Professor A.E. Kroeber's wax cylinder machine. Ishi was the last surviving member of the Yahi who was found in 1911 and taken to the University of California Anthropology Museum in San Francisco. Bernie Krause recently de-noised the original recordings, providing an exceptional window through which we can sense the spiritual symmetries of Ishi's life and his haunting presence.

[Ishi 2008] Ishi; T. T. Waterman (recording engineer); Bernie Krause (audio restoration). Ishi: The Last Yahi — Recorded 1911-14 on wax cylinder, Wild Sanctuary, 12 tracks, 2008, audio CD. All Music Guide Album ID R-170081. Reissue of [Ishi 1992]. See the Wild Sanctuary web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Eight citations: Ethnographic Flute Recordings of North America - Organized by Culture (4), Ethnographic Flute Recordings of North America - Organized Chronologically (4)

Publisher's description: Originally recorded on Edison wax cylinder machines in 1911-14, mostly by T.T. Waterman of the U.C. Museum of Anthropology in San Francisco (now the Phoebe Hearst Museum, Berkeley, CA), this material features ISHI, the last surviving member of the California Yahi tribe. The last native speaker of the Yahi language, he sings traditional songs and tells stories in his native tongue. NOTE: This is an archival recording -- over 100 years old! Many of the unwanted surface noises, clicks and distortions of the original, century-old recordings have been reduced; what breaks through is Ishi's own remarkable voice -- emerging, like an echo from the past.

[Jishie 1992] Frank Jishie, Jr., Raymond K. Yazzie, Sam Yazzie, Jr., and Sam Yazzie. Navajo Songs from Canyon De Chelly, New World Records, 80406-2, 12 tracks, December 8, 1992, total time 47:35, ASIN B0000030GS, audio CD. See the New World Records web site. Contains 13 songs. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Johnson-R 1977] Ragnar Johnson (engineer, liner notes, photography); Jessica Mayer (engineer). Sacred Flute Music From New Guinea — Volume 1: Madang, Quartz Publications, Quartz 001, 4 tracks, 1977, 33⅓ rpm 12" vinyl audio disc. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Four citations: Ethnographic Flute Recordings of Oceana (4)

[Johnson-R 1999] Ragnar Johnson (engineer, liner notes, photography); Jessica Mayer (engineer). Sacred Flute Music From New Guinea — Volume 1: Madang, Rounder Records, CD 5154, 4 tracks, 1999, ASIN B00000K2A8, audio CD. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Four citations: Ethnographic Flute Recordings of Oceana (4)

AllMusic review by Rovi: Recorded by Ragnar Johnson in 1976 and considered by some to be the grail of all ethnographic field recordings, MADANG: SACRED FLUTE MUSIC FROM NEW GUINEA is an essential for anyone interested in the margins of recorded sound. In New Guinea the wind has many supernatural connotations. Flute blowing is a mediator between the human and spirit worlds. These nearly six-foot-long flutes are made of bamboo and are brought out exclusively for ceremonial purposes. The sounds released are believed by the players to be actual cries of spirits. These recordings are absolutely transcendent. In four extended tracks, spherical sounds rise and build in otherworldly force with hypnotic results. This album presents a vanishing musical form that expresses the essence of music itself.

[Johnson-R 1999a] Ragnar Johnson (engineer, liner notes, photography); Jessica Mayer (engineer). Sacred Flute Music From New Guinea — Volume 2: Windim Mambu, Rounder Records, CD 5155, 12 tracks, 1999, ASIN B00001R3K1, audio CD. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Twelve citations: Ethnographic Flute Recordings of Oceana (12)

AllMusic review by Stacia Proefrock: Part of a series in Rounder reissues of great world music recordings, Sacred Flute Music from New Guinea was originally issued by Quartz in 1979. This album features the "Windim Mambu," or sacred flute music of the Madang region of New Guinea; exclusively performed by men, the music is believed to literally become the cries of the spirits for the women and children who hear it coming from the forest. Flute playing of this type is greatly respected within the tribal culture and both the making of the instruments (which are thought to improve with age, having a life span of about 10 years) and the learning of the music are time-consuming processes for which skill is gained slowly. The style itself is highly regulated -- the flutes may not be played outside of certain ceremonial occasions and must remain hidden at other times, away from those who are not allowed to play them. The flutes are also always played in pairs, and they're usually accompanied by percussion, often with slit gongs called garamuts; different pairs are used for different occasions and there is a prohibition on playing for a period of time after someone has died. The music itself is clear and haunting and this collection offers a variety of flute types for occasions ranging from rites of passage to fertility rituals, births, and marriages. All of the tracks are interesting documents of New Guinean music. The final track, however, is one of the most fascinating, featuring a style of flute called a mo-mo, which is a resonating tube into which the user yodels. This instrument had historically been used during male initiation ceremonies and the sense of mystery around that rite has remained in the music.

[Jones-OR 1972] Owen R. Jones, Jr. (field recordings and editor). Music of the Algonkians — Woodland Indians, Cree, Montagnais, Naskapi, Folkways Records and Service Corp., FE 4253, 19 bands, 1972, 33⅓ rpm 12" vinyl audio disc. Reissued in [Jones-OR 2007]. Library of Congress call number 72-750895. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Two citations: Ethnographic Flute Recordings of North America - Organized Chronologically, Ethnographic Flute Recordings of North America - Organized by Culture

[Jones-OR 2007] Owen R. Jones, Jr. (field recordings and editor). Music of the Algonkians — Woodland Indians, Cree, Montagnais, Naskapi, Smithsonian / Folkways Archival Series, Smithsonian / Folkways Recordings, FE 4253, 19 tracks, 2007, UPC 0-93070-42532-3, ASIN B00242VZW4, audio CD. Source archive: Smithsonian Center for Folklife and Cultural Heritage. Reissue of [Jones-OR 1972]. See the Smithsonian / Folkways Recordings web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Two citations: Ethnographic Flute Recordings of North America - Organized by Culture, Ethnographic Flute Recordings of North America - Organized Chronologically

Publisher's description: For the Cree, Montagnais, and Naskapi hunters whose songs are represented on this album, success in hunting was crucial because for a time it provided the only means of subsistence. Hunters treated their hunting trips with great devotion and seriousness. Before heading off to hunt, the men would sing songs that had originated in or described dreams they had of the location of game and of their success; all songs, having materialized in dream, were personal and no hunter sang another’s song. Presented here is a collection of personal hunting songs recorded on an Indian settlement in Scheffervilee, P.Q., Canada in 1964.

[Kaoru 2003] Kakizakai Kaoru. Koten Shakuhachi, Victor, VZCG-304, 2003, Audio CD. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

One citation: Hon Shirabe - Sheet Music for Native American Flute

[Khantoke 2003] Na Khantoke. Khlui - Bamboo in a Skyscraper, DAPP Record Co. Ltd., Chiang Mai, Thailand, 11 tracks, 2003. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

One citation: World Flutes

[Kilmer 1976] Anne D. Kilmer, Richard L. Crocker, and Robert R. Brown. Sounds from Silence: Recent Discoveries in Ancient Near Eastern Music, Bit Enki Publications, Berkeley, California, BTNK 101, 1976, 23 pages, ASIN B0006WYP4Y, 33⅓ rpm 12" vinyl audio disc and 23-page booklet. Library of Congress call number 76-16729. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Four citations: Flutes of Gilgamesh and Ancient Mesopotamia (4)

Description from the Johns Hopkins University Libraries Catalyst service: Lecture-demonstrations on ancient Near Eastern music; music transcribed and arr. by Anne Draffkorn Kilmer; performed and narrated by Kilmer and Richard L. Crocker, using replicas of ancient lyres constructed by Robert R. Brown.
Demonstration of old Babylonian tuning procedure for a lyre (ca. 1800 B.C.)
A Hurrian cult song from ancient Ugarit (ca. 1400 B.C.)
Notes on the research, musical theory, song text, and instruments, with bibliography (23 p. ill.) laid in container.

[Krispijn 2008a] Theo J. H. Krispijn. Hymn of Ugarit, Tigershade Recordings, TISH002, 2008. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Kurath 1956] Gertrude Prokosch Kurath (recording); Wilson Roberts (Meskwaki, performance). Songs and Dances of the Great Lakes Indians, Smithsonian / Folkways, FW04003, 15 tracks, 1956, audio CD. Originally issued as Folkways Ethnic FE-4003. See the Smithsonian / Folkways Recordings web site. Contains 1 song. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Five citations: Instrumental and Vocal Love Songs of the North American Indians (3), Ethnographic Flute Recordings of North America - Organized Chronologically, Ethnographic Flute Recordings of North America - Organized by Culture

Abstract: Gertrude Prokosch Kurath recorded and comments on music performed by the Great Lakes tribes of Algonquin, Meskwaki, Ojibwa, Iroquois and others. On this collection you’ll find a fish dance, peace pipe dance and powwow dance; a bear dance, eagle dance and deer song; a medicine song, drinking song and canoe song.

[Laade 1971] Wolfgang Laade (producer, recording engineer). Music from South New Guinea, Folkways Records, FW04216, 26 tracks, 1971. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Three citations: Ethnographic Flute Recordings of Oceana (3)

Publisher's description: Music from South New Guinea presents the music of tribes settled between the Fly River and the West Arian. Included are songs and dances such as the badara, a traditional dance performed at social events and holidays that is characterized by an “elastic syncopation…created by the drum being slightly faster than the metre of the song….” Among native instruments featured are the burari (flute), the dárombi (similar to a jew’s harp), tátaro (bundled panpipe), and búrubur (hour-glass-shaped drum). Liner notes provide an overview of the history and music of South New Guinea, track notes, pictures, and musical transcriptions.

[LaserLight 1995] LaserLight Digital. Authentic Native American Music, published by Delta Music Inc., LaserLight Digital, 12-551, 26 tracks, 1995, EAN 4-006408-125518. Contains 26 songs. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Four citations: The Evolution of Music - Flutopedia.com (2), Ethnographic Flute Recordings of North America - Organized by Culture, Ethnographic Flute Recordings of North America - Organized Chronologically

[LaserLight 1995a] LaserLight Digital. Ceremonial and War Dances, published by Delta Music Inc., LaserLight Digital, 12-552, 20 tracks, 1995, EAN 4-006408-125525. Contains 20 songs. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Lee 1985] Dorothy Sara Lee and Maria La Vigna. Omaha Indian Music: Historical Recordings from the Fletcher/La Flesche Collection, published by the Library of Congress, Washington, D.C., American Folklife Center, 44 wax cylinder transfers, 1985, 33⅓ rpm 12" vinyl audio disc. See the Omaha Indian Music web site. Contains 1 song. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

88 citations: Ethnographic Flute Recordings of North America - Organized Chronologically (44), Ethnographic Flute Recordings of North America - Organized by Culture (44)

[Locke 1983] Kevin Locke. Lakota Wiikijo Olowan: Lakota Flute Music, Brookings, South Dakota, Featherstone, FS-4001-C, 1983, audio cassette. Notes by Kevin Locke, 2 pages, photo. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Twenty citations: Ethnographic Flute Recordings of North America - Organized by Culture (10), Ethnographic Flute Recordings of North America - Organized Chronologically (10)

[Locke 1986] Kevin Locke. Lakota Wiikijo Olowan: Lakota Flute Music, Volume 2, Brookings, South Dakota, Featherstone, FS-4004-C, 1986, audio cassette. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

22 citations: Ethnographic Flute Recordings of North America - Organized Chronologically (11), Ethnographic Flute Recordings of North America - Organized by Culture (11)

[Manning 2005] Aubrey Manning. The Sounds of Life, Eight Episodes, published by BBC Radio 4, Broadcast dates July–September 2005. Contains 8 songs. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Mathieu 2008] W. A. Mathieu. The Listening Book and The Musical Life, Westport, Connecticut, Manifest Spirit Records, MSR-082, 2 CD set, 49 tracks, November 11, 2008, total time 2:33:00, UPC 8-84501-04992-4, audio CD. See the Listening Book and the Musical Life web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Mauchahty-Ware 1978] Tom Mauchahty-Ware. Flute Songs Of The Kiowa and Comanche, Taos, New Mexico, Indian House, IH 2512, 13 tracks, 1978, 33⅓ rpm 12" vinyl audio disc. Recorded at Hog Creek, Oklahoma on June 1, 1978. Includes liner notes by Tom Mauchahty-Ware and Tony Isaacs. Reissued in [Mauchahty-Ware 1995]. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

26 citations: Ethnographic Flute Recordings of North America - Organized Chronologically (13), Ethnographic Flute Recordings of North America - Organized by Culture (13)

[Mauchahty-Ware 1989] Tom Mauchahty-Ware; Millard Clark and Paul Pahdocony (percussion); Sands-B (engineering and mixing); Carolyn McBride (photography). Sunrise — American Indian Flute, Moore, Oklahoma, Indian Sounds, IS-5051, 13 tracks, Released 1989, audio cassette. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

26 citations: Ethnographic Flute Recordings of North America - Organized by Culture (13), Ethnographic Flute Recordings of North America - Organized Chronologically (13)

[Mauchahty-Ware 1995] Tom Mauchahty-Ware. Flute Songs Of The Kiowa and Comanche, Taos, New Mexico, Indian House, IH 2512, 13 tracks, Released September 29, 1995, UPC 7-04724-25122-8, ASIN B000008PY2, audio CD. Recorded at Hog Creek, Oklahoma on June 1, 1978. Includes liner notes by Tom Mauchahty-Ware and Tony Isaacs. Reissue of [Mauchahty-Ware 1978]. See the Indian House web site. Contains 13 songs. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[McCormack 1997] John McCormack. The Victor and HMV Recordings (1912–14), England, Romophone, 1997. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Merriam-AP 1953] Alan P. Merriam (field recording, liner notes); Barbara W. Merriam (field recording). Songs and Dances of the Flathead Indians, Folkways Ethnic Library Series, Folkways Records and Service Corp., FW04445, 19 bands, 1953, ASIN B003UP4E86, 33⅓ rpm 12" vinyl audio disc. [Merriam-AP 1951] is a related paper. Reissued in [Merriam-AP 2007]. Library of Congress call number R 59-29. Contains 1 song. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Fourteen citations: Ethnographic Flute Recordings of North America - Organized by Culture (7), Ethnographic Flute Recordings of North America - Organized Chronologically (7)

[Merriam-AP 2007] Alan P. Merriam (field recording, liner notes); Barbara W. Merriam (field recording). Songs and Dances of the Flathead Indians, Smithsonian / Folkways Archival Series, Smithsonian / Folkways Recordings, FE 4445, 19 tracks, 2007, UPC 0-93070-44452-2, ASIN B00242W0V4, audio CD. [Merriam-AP 1951] is a related paper. Reissue of [Merriam-AP 1953]. See the Smithsonian / Folkways Recordings web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Fourteen citations: Ethnographic Flute Recordings of North America - Organized Chronologically (7), Ethnographic Flute Recordings of North America - Organized by Culture (7)

Publisher's description: When different ways of life – white and American Indian – met one another on the Flathead Indian Reservation in western Montana, many of the tribe’s customs began to disappear. However, their indigenous music continued to be an extremely important source of pride and culture on the reservation. This album contains songs used for entertainment, religious practice, and personal power.

[Mills-A 1960] Alan Mills. Canada's Story in Song, Smithsonian / Folkways, FW03000, 42 tracks, 1960, audio CD. See the Smithsonian / Folkways Recordings web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Five citations: Ethnographic Flute Recordings of North America - Organized by Culture, The Huron Carol - Sheet Music for Native American Flute (3), Ethnographic Flute Recordings of North America - Organized Chronologically

Abstract: Chants of the Inuit, ballads of French settlers, battle tunes of the British, and songs of Canadian self-rule: singer Alan Mills combines all four to present a rich tapestry of Canadian history in music. Extensive liner notes with full lyrics accompany this collection, which includes and expands upon the material released on Folkways FW03001, O’Canada: A History in Song.

[Miyata 1991] Kōhachirō Miyata; David Lewiston (producer); David Loeb (liner notes). Shakuhachi — The Japanese Flute, Elektra Nonesuch Records, 9-72076-2, 5 tracks, May 14, 1991, total time 33:17, ASIN B000005IWN, Audio CD. First released in 1977 on an LP record (33⅓ rpm 12" vinyl audio disc) as Nonesuch H-72076. Contains 5 songs. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Three citations: Ethnographic Flute Recordings of Asia, Hon Shirabe - Sheet Music for Native American Flute (2)

Review by Bruno Deschênes on AllMusic.com: This CD is re-release of an LP issued in 1997 by Nonesuch. It is probably one of the most known and most sold shakuhachi records in the West. When one looks around for Japanese music, it may be the one found the most often. Kôhachiro Miyata is considered one of the leading shakuhachi players in Japan, along such musicians as Katsuya Yokoyama, Goro Yamaguchi, or Aoki Reibo, for example, as well as being an active composer of works for traditional Japanese instruments. On this CD, he presents us with five of the most known pieces of the Japanese honkyoku repertoire (honkyoku referring to solo pieces for shakuhachi). The one thing that strikes the most about Miyata's playing is the purity and quality of his sound. There are many different styles of playing the shakuhachi, some breathy, some more technical, some with particular playing techniques, generally according to the style of a particular school of playing. Miyata's style is natural, looking for a quality and purity of sound in each and every note. A must!

[Mockingbird 2005] Mockingbird. Drenched, 2005. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

One citation: Simple Gifts - Sheet Music for Native American Flute

[Mooney 1894a] James Mooney. The Collected Works of James Mooney, Part One, published on Archive.org, 7 tracks, 1894, retrieved on April 16, 2010. Publication CollectedWorksOfJamesMooney on Archive.org (open access). Contains 7 songs. The Collected Works of James Mooney Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Mooney 1894b] James Mooney. The Collected Works of James Mooney, Part Two, published on Archive.org, 5 tracks, 1894, retrieved on April 16, 2010. Publication CollectedWorksOfJamesMooneyPartTwo on Archive.org (open access). Contains 5 songs. The Collected Works of James Mooney Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Morey A] Robert James Morey. Fanfare for the American Indian Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Muller 1996] Dario Müller. The American Indianists, two CDs, Volume 1 and 2, Marco Polo, 8.223715 and 8.223738, October 31, 1996, ASIN B00000463I, audio CD. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

One citation: The Indianist Movement

[Nakai 1983] R. Carlos Nakai. Changes, Canyon Records, CR-615, 15 tracks, 1983, ASIN B000001377 Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Nine citations: Ethnographic Flute Recordings of North America - Organized Chronologically (4), A Brief History of the Native American Flute, Ethnographic Flute Recordings of North America - Organized by Culture (4)

Review by J. Poet: Nakai's first recording of Native flute music, originally released in a limited edition of 250 cassettes, taps into something deeply spiritual in the human psyche. There are traditional Native songs from the Zuni, Lakota, and Blood tribes, but most of the material is original, inspired by Nakai's travels throughout the Southwest. The tone of Nakai's flute is always full and warm; it caresses your ears like the memory of a summer breeze. Yet despite the measured tempos and the pastoral mood, there is an energetic quality to the improvisations that makes the heart want to spread its wings and take flight. Nakai's success shows once again how powerful simple, folk-based melodies can be when they're played by a master musician.

[Nakai 1987] R. Carlos Nakai. Earth Spirit, Canyon Records, CR-612 (Volume 4), 15 tracks, 1987, ASIN B000001377 Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Six citations: Ethnographic Flute Recordings of North America - Organized Chronologically (3), Ethnographic Flute Recordings of North America - Organized by Culture (3)

[Nakai 2007] R. Carlos Nakai and Udi Bar-David. Voyagers, Canyon Records, CR-7078, 14 tracks, 2007, ASIN B000001377 Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Four citations: Ethnographic Flute Recordings of North America - Organized Chronologically (2), Ethnographic Flute Recordings of North America - Organized by Culture (2)

[Natay 1951] Edward Lee Natay; Raymond A. Boley (producer); Mary Boley and David McAllester (liner notes). Natay - Navajo Singer, Phoenix, Arizona, Arizona Recording Productions, C-6160, 8 tracks, 1951, set of 78 rpm 10" audio discs (four); also issued as four 45 rpm 7" vinyl audio discs. Reissued in [Natay 1968], [Natay 1972], and [Natay 1996]. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Two citations: Ethnographic Flute Recordings of North America - Organized by Culture, Ethnographic Flute Recordings of North America - Organized Chronologically

Review by Howard LaFay, High Fidelity Magazine, April 1955, page 68: This disk is a real sleeper. Apparently Canyon's first LP release, it is a brilliant success by any criterion. It also fills - in what may well prove definitive fashion - a gaping hole in the catalog.

According to the note on the jacket, "Canyon Records has sought out the foremost Indian singers and arranged with them and through tribal councils to collaborate in this memorable collection." Dances, ceremonies and songs have been taped on the spot. All are thoroughly authentic - or as authentic as any Indian music can be in this era of tribal break-up.

The gem of the collection is "Acoma - Song of the Sky City," sung by a Navajo named Natay. Indian music is supposed to be unmelodic, but not this song, which possesses an indescribable, haunting loveliness; its melody conveys a heartbreaking nostalgia for the endless plains and the ancient glory. Natay's voice is as surprisingly beautiful as the song. He has the vocal equipment to sing any material in any league.

The sound is spacious, full and crystal-clear.

[Natay 1968] Edward Lee Natay; Raymond A. Boley (producer); Mary Boley and David McAllester (liner notes). Natay - Navajo Singer, Phoenix, Arizona, Canyon Records, C-6160, 8 tracks, 1968, 33⅓ rpm 12" vinyl audio disc. Reissue of [Natay 1951]. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Two citations: Ethnographic Flute Recordings of North America - Organized by Culture, Ethnographic Flute Recordings of North America - Organized Chronologically

[Natay 1972] Edward Lee Natay; Raymond A. Boley (producer); Mary Boley and David McAllester (liner notes). Natay - Navajo Singer, Phoenix, Arizona, Canyon Records, C-6160-C, 8 tracks, 1972, audio cassette. Reissue of [Natay 1951]. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Two citations: Ethnographic Flute Recordings of North America - Organized by Culture, Ethnographic Flute Recordings of North America - Organized Chronologically

[Natay 1996] Edward Lee Natay; Raymond A. Boley (producer); Mary Boley and David McAllester (liner notes); Jack Miller (digital re0mastering). Natay, Navajo Singer — The Music of Ed Lee Natay, Phoenix, Arizona, Canyon Records, CR-6160, 19 tracks, 1996, UPC 7-29337-61602-8, audio CD. Reissue of [Natay 1951]. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Two citations: Ethnographic Flute Recordings of North America - Organized by Culture, Ethnographic Flute Recordings of North America - Organized Chronologically

Liner notes: In 1951, Navajo singer Ed Lee Natay was Canyon Records' first artist. His beautiful voices lives on in this collection of Navajo, Hopi, Kiowa, Tewa, Zuni and Pueblo songs.

[Nattiez 1993] Jean-Jacques Nattiez. Chants des Inuit Iglulik «Songs of the Iglulik Inuit», Museum Collection Berlin series, CD 19, published by the Ethnologisches Museum Staatliche Museen zu Berlin Preußischer Kulturbesitz, Berlin, in French and English, 1993, audio CD. Series Editor: Artur Simon. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Nettl 1979] Bruno Nettl (editor). An Historical Album of Blackfoot Indian Music, Ethnic Folkways Records, FE 34001, 1979. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Neuman-GS 1999] Gayle Stuwe Neuman (strings, voice, percussion); Philip Neuman (winds, strings, percussion, voice). Music of the Ancient Sumerians, Egyptians & Greeks, Pandourion, PRCD 1005, 24 tracks, 1999, total time 46:45, ASIN B000044U1S Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Publisher's description: De Organographia: Philip Neuman, Gayle Stuwe Neuman combine astute musicology, performance practice and instrument crafting in the realization of this amazing collection of music from 1950 BC to 300 AD. From the world's oldest notated music, vocal renderings are accompanied with performed lyres, kithara, pandoura, double reed pipes, flutes and other ancient instruments. the collection is frequently presented at conferences of The American Musicological Society. The collection is frequently presented at conferences of The American Musicological Society.

[Nevaquaya 1979] Doc Tate Nevaquaya; Verna Gillis (recording). Doc Tate Nevaquaya: Comanche Flute Music, Smithsonian / Folkways, F-4328, 25 tracks, 1979, audio cassette. Originally issued as Folkways Ethnic FE-4328. Reissued in [Nevaquaya 2004]. See the Smithsonian / Folkways Recordings web site. Contains 12 songs. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

51 citations: Ethnographic Flute Recordings of North America - Organized Chronologically (25), A Brief History of the Native American Flute, Ethnographic Flute Recordings of North America - Organized by Culture (25)

[Nevaquaya 2004] Doc Tate Nevaquaya; Verna Gillis (recording). Comanche Flute Music — Played by Doc Tate Nevaquaya, Smithsonian Folkways Recordings, SFW CD 50403, 25 tracks, 2004, total time 43 minutes, ASIN B000GJJGI2, audio CD. Reissue of [Nevaquaya 1979]. See the Smithsonian / Folkways Recordings web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

54 citations: Ethnographic Flute Recordings of North America - Organized by Culture (26), A Brief History of the Native American Flute, Ethnographic Flute Recordings of North America - Organized Chronologically (26), Flutopedia Image Detail: Doc Tate Nevaquaya

Abstract: Doc Tate Nevaquaya (1932-1996) expressed his Comanche heritage musically through the Native American flute. His compositions and arrangements of a variety of Native American vocal genres have inspired a new generation of Native American and nonnative flute players. Although the older flute tradition declined during the first half of the 20th century, when many of the old melodies are no longer played, Nevaquaya inspired the creation of new and innovative flute compositions, creating an extensive repertoire for the instrument. With the flute’s revival during the 1970s, the flute’s context, function, and music changed. Nevaquaya played an important role in this movement, retaining tradition on one level, but manifesting ideas for change. 43 minutes. Originally issued as in 1979 as Folkways Records 04328.

[Payne 1999a] Richard W. Payne. The Native American Plains Flute & Friends, published by Toubat Trails Publishing Co., Oklahoma City, Oklahoma, 33 tracks, 1999, audio CD. Contains 21 songs. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

67 citations: A Brief History of the Native American Flute, Ethnographic Flute Recordings of North America - Organized Chronologically (33), Ethnographic Flute Recordings of North America - Organized by Culture (33)

[Payne 2004] Richard W. Payne. The Diatonic Native American Flute Sings: Original Stories and Songs by Dr. Richard W. Payne, 26 tracks, 2004, audio CD. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

56 citations: Ethnographic Flute Recordings of North America - Organized by Culture (26), Ethnographic Flute Recordings of North America - Organized Chronologically (26), A Brief History of the Native American Flute (4)

[Pellerite 1999] James J. Pellerite. Echoes & Boundaries, Colorado Springs, Colorado, Zalo / JP-Publications, 23 tracks, 1999, audio CD. See the James Pellerite web site. Contains 1 song. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Perkins 2000] Laura Lee Perkins and Ken Green. First Light — Traditional Wabanaki Music: Abenaki - Maliseet - Mic-Mac - Passamaquoddy - Penobscot, New Approach Studio, WO 8201, 19 tracks, 2000, total time 45:55, ASIN B002ROIPY0, audio CD. See the White Owl Products web site. Contains 19 songs. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

39 citations: Ethnographic Flute Recordings of North America - Organized by Culture (19), Ethnographic Flute Recordings of North America - Organized Chronologically (19), Maliseet Love Song - Sheet Music for Native American Flute

[Phippen 2009] Peter Phippen. Woodnotes Wyld: Historic Flute Sounds from the Dr. Richard W. Payne Collection, INAFA Productions Historic Recordings Series, INAFA Productions, 16 tracks, 2009, total time 51:01, ASIN B003MRBD90 Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

One citation: A Brief History of the Native American Flute

[Powell 1987] E. Dave Powell. Learn to Play Native American Flute, in two volumes, Phoenix, Arizona, EDP-01 and EDP-02, 1987, total time 32 minutes, ASIN B00GE5EF0Q, audio cassette and booklet. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Primeaux-A 1980] Asa Primeaux and sons (Cleveland, Mike, Gerald), Stuart Snake, Terry Foolbull, and Asa Primeaux, Sr., with speical Assistance from Time Stricker. 32 Yankton Sioux Peyote Songs, Volume 1, Taos, New Mexico, Indian Records, 1171A, 1980, audio cassette, monophonic. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Pueblo 1972] . Pueblo Songs of the Southwest — Recorded Live at the Gallup Inter-Tribal Ceremonial, Taos, New Mexico, Indian House, 1972, ASIN B004A2BQZM, 33⅓ rpm 12" vinyl audio disc. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[RedRock 1992] Red Rock Records. The Indian Flute — Spiritual Songs of the American Indian, Red Rock Records, 7002, 12 tracks, 1992, UPC 0-16726-70024-7, audio cassette. Anonymous reissue of [Rainer 1996]. Reissued in CD #2 of [Retro 1997]. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

24 citations: Ethnographic Flute Recordings of North America - Organized by Culture (12), Ethnographic Flute Recordings of North America - Organized Chronologically (12)

[Retro 1997] Retro Music; Various Artists. Spiritual Songs, Chants & Flute Music of the Native American Indian, Retro Music, R2CD 40-31, 2 CD set, 27 tracks, 1997, UPC 0-76119-40312-4, ASIN B000005RIM, audio CD. Alternate titles: "Spiritual Songs, Traditional Chants & Flute Music of the American Indian" (alternate packaging released by Retro Music), "Songs Chants & Flute Music of the American Indian" (title on Amazon.com), and "Spiritual Songs, Traditional Chants & Flute Music of the American Indian" (title on Discogs.com). AMG Album ID R472827. Copyright listed as "Proper BIEM MCPS 1997". CD #2 is an anonymous reissue of [Rainer 1986] reissue of [RedRock 1992]. See the Proper Music web site. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

28 citations: Ethnographic Flute Recordings of North America - Organized Chronologically (14), Ethnographic Flute Recordings of North America - Organized by Culture (14)

[Rhodes 1949] Willard Rhodes (recording and liner notes). Music of the Sioux and the Navajo, Ethnic Folkways Library, Folkways Records, EFL-1420 to EFL-1423, 15 tracks, 1949, ASIN B006P2RU50, four 10", 78 RPM vinylite discs (two black and two brown) in leatherette album folder box set, with notes. Reissued in [Rhodes 1949a], [Rhodes 1966], and [Rhodes 2004]. See the Smithsonian / Folkways Recordings web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Four citations: Ethnographic Flute Recordings of North America - Organized Chronologically (2), Ethnographic Flute Recordings of North America - Organized by Culture (2)

[Rhodes 1949a] Willard Rhodes (recording and liner notes). Music of the Sioux and the Navajo, Ethnic Folkways Library, Folkways Records, EFL-1401, 15 tracks, 1949, 33⅓ rpm 12" vinyl audio disc with 6-page booklet. Reissue of [Rhodes 1949]. See the Smithsonian / Folkways Recordings web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Two citations: Ethnographic Flute Recordings of North America - Organized by Culture, Ethnographic Flute Recordings of North America - Organized Chronologically

[Rhodes 1954] Willard Rhodes (recording and editing). Music of the American Indian, Library of Congress, Music Division, Recording Laboratory, AAFS L43-43, 1954, audio phonodisc set. 10 slipcases (20 sides). Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Rhodes 1954b] Willard Rhodes (recording). Music of the American Indians: Sioux, Folk Music of the United States from the Archive of Folk-song, Volume 40, Library of Congress Music Division, AFS L40, 1954, 33⅓ rpm 12" vinyl audio disc. See the American Folk Life Center, Folk Recordings web page Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Eight citations: Ethnographic Flute Recordings of North America - Organized by Culture (4), Ethnographic Flute Recordings of North America - Organized Chronologically (4)

[Rhodes 1954c] Willard Rhodes (recording). Music of the American Indians: Plains: Comanche, Cheyenne, Kiowa, Caddo, Wichita, Pawnee, Folk Music of the United States from the Archive of Folk-song, Volume 39, Library of Congress Music Division, AFS L39, 1954, ASIN B004P0K7RW, 33⅓ rpm 12" vinyl audio disc. See the American Folk Life Center, Folk Recordings web page Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Six citations: Ethnographic Flute Recordings of North America - Organized by Culture (3), Ethnographic Flute Recordings of North America - Organized Chronologically (3)

[Rhodes 1966] Willard Rhodes (recording and liner notes). Music of the Sioux and the Navajo, Ethnic Folkways Library, Folkways Records, FE 4401, 15 tracks, 1966, 33⅓ rpm 12" vinyl audio disc. Reissue of [Rhodes 1949]. See the Smithsonian / Folkways Recordings web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Rhodes 1982] Willard Rhodes (recording). Music of the American Indians: Plains: Comanche, Cheyenne, Kiowa, Caddo, Wichita, Pawnee: From the Archive of Folk Culture, published by the Library of Congress, Motion picture, Broadcasting, and Recorded Sound Division., Washington, D.C., 1982. Liner notes for [Rhodes 1954c] published in 1982. LCCN call number 82-743369. See the American Folk Life Center, Folk Recordings web page. Music of the American Indians: Plains: Comanche, Cheyenne, Kiowa, Caddo, Wichita, Pawnee Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Six citations: Ethnographic Flute Recordings of North America - Organized Chronologically (3), Ethnographic Flute Recordings of North America - Organized by Culture (3)

[Rhodes 1987] Willard Rhodes (recording). Music of the American Indians: Sioux: From the Archive of Folk Culture, published by the Library of Congress, Motion picture, Broadcasting, and Recorded Sound Division., Washington, D.C., 1987, 20 pages. Liner notes for [Rhodes 1954b] published in 1987. LCCN call number 82-743370. See the American Folk Life Center, Folk Recordings web page. Music of the American Indians: Sioux Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Eight citations: Ethnographic Flute Recordings of North America - Organized by Culture (4), Ethnographic Flute Recordings of North America - Organized Chronologically (4)

[Rhodes 2004] Willard Rhodes (recording and liner notes). Music of the Sioux and the Navajo, Smithsonian / Folkways, FW04401, 15 tracks, 2004, ASIN B000S98PRS, audio CD. Reissue of [Rhodes 1949]. See the Smithsonian / Folkways Recordings web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Two citations: Ethnographic Flute Recordings of North America - Organized by Culture, Ethnographic Flute Recordings of North America - Organized Chronologically

[Roshi 2000] Watazumi Doso Roshi. Hotchiku, Universal Music K.K., UDC-499, 2000, Audio CD. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Two citations: Hon Shirabe - Sheet Music for Native American Flute (2)

[Rough 1999] Rough Guides, Phil Stanton (compilation); Various artists. The Rough Guide to Native American Music, published by Rough Guides, 18 tracks, 1999, ISBN 1-85828-372-8 (978-1-85828-372-2), UPC 6-05633-10292-5, audio CD. Contains 5 songs. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Seeberger 2003] Friedrich Seeberger. Klangwelten der Altsteinzeit «Sound World of the Old Stone Age», published by the Urgeschichtliches Museum, Karlstraße 21, 89143 Blaubeuren, Germany, 2003, total time 21:03. See the Museum web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

One citation: The Development of Flutes in Europe and Asia

[Shostak 1982] Marjorie Shostak (recorder, producer; photographer); Nicholas M. England (recorder); Megan Biesele (recorder); Ronald Clyne (designer). Instrumental Music of the Kalahari San, Ethnic Folkways, FE-4315, 13 tracks, 1982, 33⅓ rpm 12" vinyl audio disc. Reissued in [Shostak 2004]. See the Smithsonian / Folkways Recordings web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Thirteen citations: Ethnographic Flute Recordings of Africa (13)

[Shostak 2004] Marjorie Shostak (recorder, producer; photographer); Nicholas M. England (recorder); Megan Biesele (recorder); Ronald Clyne (designer). Instrumental Music of the Kalahari San, Smithsonian / Folkways, FW04315, 13 tracks, 2004, audio CD. Originally issued as Folkways Ethnic FE-4315. Reissue of [Shostak 1982]. See the Smithsonian / Folkways Recordings web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Publisher's description: Rather than performing for an audience, the !Kung San people from the northwestern Kalahari Desert region "play [music] for themselves, when the mood strikes them." Perhaps that’s what makes it so compelling. Here is a demonstration of music played on gut pluriarc (bow lute), gut hunting bow and sitengena (thumb piano), with vocal accompaniment.

[Simon 2000] Artur Simon and Ulrich Wegner (editors). CD-Konvolut: Music! 100 Recordings «100 Years of the Berlin Phonogramm-Archiv 1990-2000», Museum Collection Berlin series, in cooperation with Schott-Wergo (Mainz), CD SM 1701-2, published by the Ethnologisches Museum Staatliche Museen zu Berlin Preußischer Kulturbesitz, Berlin, in French and English, 2000, set of audio CDs (four) plus 284-page booklet. EAM Code 4010 2281 70122. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Four citations: Ethnographic Flute Recordings of North America - Organized by Culture (2), Ethnographic Flute Recordings of North America - Organized Chronologically (2)

[SM 1971] Scholastic Magazines. The First Americans, Art and Man series, published by Scholastics Magazines, 10 tracks, 1971, 33⅓ rpm 12" vinyl audio disc with 16-page magazine. FS 12506 B. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Two citations: Ethnographic Flute Recordings of North America - Organized Chronologically, Ethnographic Flute Recordings of North America - Organized by Culture

[Smith-J 2003] Janet Smith. Seven Modes for an Ancient Lyre — Music in Seven Ancient Tunings Using Samples from a Replica of the Silver Lyre from Ur, Bella Roma Music, BRM 101, 14 tracks, 2003, audio CD. See the Bella Roma Music web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Snow 2010] James Yellow Hawk Snow. On-Line Recordings on Myspace, retrieved April 12, 2010. See the James Yellow Hawk Snow MySpace web page. Contains 9 songs. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Spottswood 1976] Richard K. Spottswood (editor). Songs of Love, Courtship & Marriage, Folk Music in America Series, Volume 2, Library of Congress Music Division, LBC 2, 1976, ASIN B009UDIKGY, 33⅓ rpm 12" vinyl audio disc, monophonic. Recorded 1925-1964. LCCN call number 75-750855. See the American Folk Life Center, Folk Recordings web page Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Four citations: Ethnographic Flute Recordings of North America - Organized Chronologically (2), Ethnographic Flute Recordings of North America - Organized by Culture (2)

[Stroutsos 2002] Gary Stroutsos; Paul Thompson (special guest). Echoes of Canyon de Chelly, Red Feather Music, RFP 7008, 17 tracks, 2002, ASIN B000060OWO, audio CD. Contains 7 songs. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Tadashi 1999] Tajima Tadashi. Japan — Tajima Tadashi, Master of Shakuhachi, World Network Volume 49, Network Germany, 1999, ASIN B00000IMRJ, Audio CD. Library of Congress call number 6759. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

One citation: Hon Shirabe - Sheet Music for Native American Flute

[Taniguchi 2001] Yoshinobu Taniguchi. Ajikan, Volume 1, Chikuzen Shakuhachi Series, Tai Hei Shakuhachi, CSS-1, 2001, Audio CD. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

One citation: Hon Shirabe - Sheet Music for Native American Flute

[Turnbull 1992] Colin Turnbull and Francis S. Chapman (original recordings, compilation, and editing); Michelle Kisliuk (reissue compilation and editing); Alan Yoshida (remastering). Mbuti Pygmies of the Ituri Rainforest, Smithsonian / Folkways, CD SF 40401, 26 tracks, 1992. Originally issued as Folkways FE 4457 in 1957 and FE 4483 in 1958. See the Smithsonian / Folkways Recordings web site Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Two citations: Ethnographic Flute Recordings of Africa (2)

Publisher's description: "Mbuti Pygmies of the Ituri Rainforest captures the variety and tonal quality of the solo and choral traditions present in Mbuti vocal music. Songs are primarily concerned with Mbuti's nomadic life and the forest, from which their lives and those of the animal kingdom are sustained. These prized recordings have been remastered and resequenced to reflect Dr. Turnbull's original mode: the recording begins in the forest with music associated with hunting and gathering, moves to the village for a Bantu initiation ritual, and finally returns to the forest for the Mbuti rituals. This record documents the music discussed in the book The Forest People, read by many anthropology classes."

[Wade 1997] Stephen Wade (music selection and annotation). Library of Congress: A Treasury of Library of Congress Field Recordings, Rounder Records, CD 1500, 30 tracks, 1997, total time 1:10:34, UPC 7-12136-15002-2, ASIN B0010W0MW8 Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Two citations: Ethnographic Flute Recordings of North America - Organized Chronologically, Ethnographic Flute Recordings of North America - Organized by Culture

Abstract: One anthology CD containing thirty previously published selections from the Library's series of folk recordings, digitally remastered from original acetate and aluminum discs made between 1933 and 1946. Selected and annotated by Stephen Wade. Forty-page booklet with notes by Wade has introductory historical essay, song histories, and some new information on performers.

[Zimbelman 2005] Don Zimbelman. Howling at the Moon, 15 tracks, July 2005. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

One citation: Which Flutes Play Together?

[Zundel 1994] Claus Zundel, Ralf Hamm, and Markus Staab. Chants and Dances of the Native Americans, Virgin Records, CDV 2753, 11 tracks, 1994, ASIN B000009CIO, audio CD. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Two citations: Ethnographic Flute Recordings of North America - Organized by Culture, Ethnographic Flute Recordings of North America - Organized Chronologically

Clint Goss composite information: The first album release of the gorup "Sacred Spirit" in 1994 was re-released at least 27 times in of times in at least 14 countries, based on information provided by Discogs.com. Frank Peterson reports (http://home.global.co.za/~jvd/right_n.htm) that the album has sold seven million copies. According to http://www.firstpeople.us/native-american/videos.html, the song "The Counterclockwise Circle Dance" is presented as a Native American chant, however the main vocals are an authentic Sami yoik ("Normo Jovnna" by Terje Tretnes), recorded in 1994 by Dutch Channel 4 during an interview as an example of a yoik. According to AllMusicSite.com, the recording, despite Channel 4's denial of having sold it, then ended up in a Virgin Records studio in the Netherlands. The Sami organisation Sámi kopiija demanded royalties from Virgin Records but this has so far been unsuccessful.

 
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To cite this page on Wikipedia: <ref name="Goss_2017_refs_audio"> {{cite web |last=Goss |first=Clint |title= Audio Recordings for the Native American Flute |url=http://www.Flutopedia.com/refs_audio.htm |date=15 April 2017 |website=Flutopedia |access-date=<YOUR RETRIEVAL DATE> }}</ref>