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[APA format] References - N

This page lists references with citation tags that begin with the letter N. For other references and a documentation on how these references are cited, see the main references page. You can also click on these direct links to the various pages:

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[APA format] References - N

[Nachmanovitch 1991] Nachmanovitch, S. (1991). Free play. G.P. Putnam's Sons.

[Nagel 2010] Nagel, H. (2010). Mantras für die Neue Zeit: 333 spirituelle lieder «Mantras for the New Age: 333 spiritual songs». Norderstedt, Germany: Books on Demand GmbH, in German.

[Nakahara 2009] Nakahara, H., Furuya, S., Obata, S., Masuko, T., & Kinoshita, H. (2009). Emotion-related changes in heart rate and its variability during performance and perception of music, Annals of the New York Academy of Sciences, 1169(1), 359–362, doi:10.1111/j.1749-6632.2009.04788.x. Publication 19673808 on PubMed/NCBI (subscription access).

[Nakai 1982] Nakai, R. C. (1982). Native American flute music, Synchestry Studios, NAMF1.

[Nakai 1983] Nakai, R. C. (1983). Changes, Canyon Records, CR-615.

[Nakai 1987] Nakai, R. C. (1987). Earth spirit, Canyon Records, CR-612 (Volume 4).

[Nakai 1996] Nakai, R. C., & DeMars, J.; McAllister, D. P., & Light, K. (additional material) (1996). The art of the Native American flute. Phoenix, Arizona: Canyon Records Productions.

[Nakai 2007] Nakai, R. C., & Bar-David, U. (2007). Voyagers, Canyon Records, CR-7078.

[Nash 1999] Nash, S. E. (1999). Tularosa cave. The Field Museum.

[Nashoni 2004] Nahshoni, E., Aravot, D., Aizenberg, D., Sigler, M., Zalsman, G., Strasberg, B., Imbar, S., Adler, E., & Weizman, A. (2004). Heart rate variability in patients with major depression, Psychosomatics, 45(2), 129–134. Publication 15016926 on PubMed/NCBI (subscription access).

[Natay 1951] Natay, E. L.; Boley, R. A. (producer); Boley, M., & McAllester, D. (liner notes) (1951). Natay - Navajo singer, Arizona Recording Productions, C-6160. Reissued in [Natay 1968], [Natay 1972], and [Natay 1996].

[Natay 1968] Natay, E. L.; Boley, R. A. (producer); Boley, M., & McAllester, D. (liner notes) (1968). Natay - Navajo singer, Canyon Records, C-6160. Reissue of [Natay 1951].

[Natay 1972] Natay, E. L.; Boley, R. A. (producer); Boley, M., & McAllester, D. (liner notes) (1972). Natay - Navajo singer, Canyon Records, C-6160-C. Reissue of [Natay 1951].

[Natay 1996] Natay, E. L.; Boley, R. A. (producer); Boley, M., & McAllester, D. (liner notes); Miller, J. (digital re0mastering) (1996). Natay, Navajo singer — The music of Ed Lee Natay, Canyon Records, CR-6160. Reissue of [Natay 1951].

[Nattiez 1983] Nattiez, J. (1983). The Rekkukara of the Ainu (Japan) and the Katajjaq of the Inuit (Canada) — A comparison, Le monde de la musique, 25(2), 33–44.

[Nattiez 1989] Nattiez, J. (1989). Reflections on the development of semiology in music, Music Analysis, 8(1 and 2), 21–75.

[Nattiez 1993] Nattiez, J. (1993). Chants des inuit iglulik «Songs of the Iglulik Inuit», Museum Collection Berlin series, CD 19. Berlin: Ethnologisches Museum Staatliche Museen zu Berlin Preußischer Kulturbesitz, in French and English. Series Editor: Artur Simon.

[Nederveen 1998] Nederveen, C. J. (1998). Acoustical aspects of woodwind instruments. DeKalb, Illinois: Northern Illinois University Press.

[Neilan 2002] Neilan, R. (2002). The Native American flute and hospice: Healing music for the end of life, Voice of the Wind, 2002(3), 21–23.

[NekaneOnakwa 2009] NekaneOnakwa, H. K. (2009). Recording studio for Native American flute music. Powder River Flutes. Author's Tuscarora name is NekaneOnakwa, pronounced __PRONUNCIATION__[nek-ah-__BOLD__nah__END_BOLD__-eh-koh-ah]__END_PRONUNCIATION__, means “hawk”.

[Nelson 1997] Nelson, D. E., & Ku, T. L. (1997). Radiocarbon dating of bone and charcoal from Divje Babe I cave, contained in [Turk 1997], 51–64.

[Nelson-E 2009] Nelson, E. M. (2009). Cultural survival and the Omaha way — Eunice Woodhull Stabler's legacy of preservation on the twentieth century Plains, Great Plains Quarterly, 29, 219–236. Also published by the University of Nebraska Digital Commons, paper 1231.

[Neskahi 1995] Neskahi, A. (1995). Flute and whistle traditions, retrieved June 5, 2015.

[Nettl 1953] Nettl, B. (1953). Observations on meaningless Peyote Song texts, Journal of American Folk-lore, 66(260), 161–164.

[Nettl 1953a] Nettl, B. (1953). The Shawnee musical style: Historical perspective in primitive music, Southwestern Journal of Anthropology, 9(3), 277–285. Publication 3628699 on JSTOR (subscription access).

[Nettl 1953b] Nettl, B. (1953). Stylistic variety in North American Indian music, Journal of the American Musicological Society, 6(2), 160–168. Publication 829796 on JSTOR (subscription access).

[Nettl 1954] Nettl, B. (1954). North American Indian musical styles, Memoirs Series, Volume 54. Philadelphia, Pennsylvania: The American Folklore Soceity.

[Nettl 1954a] Nettl, B. (1954). North American Indian musical styles, Sections 1-2, The Journal of American Folklore, 67(263), 44–56. This article and the two that follow constitute the bulk of the writer's doctoral dissertation, accepted by the faculty of Indiana University in June 1953. Publication 536807 on JSTOR (subscription access).

[Nettl 1954b] Nettl, B. (1954). North American Indian musical styles, Sections 3-5, The Journal of American Folklore, 67(265), 297–307. Publication 536785 on JSTOR (subscription access).

[Nettl 1954c] Nettl, B. (1954). North American Indian musical styles, Sections 6-8, The Journal of American Folklore, 67(266), 351–368. Publication 536412 on JSTOR (subscription access).

[Nettl 1955] Nettl, B. (1955). Musical culture of the Arapaho, The Musical Quarterly, 41(3), 325–331, doi:10.1093/mq/XLI.3.325. Publication 739795 on JSTOR (subscription access).

[Nettl 1956] Nettl, B. (1956). Music in primitive culture, Second Edition. Harvard University Press.

[Nettl 1958] Nettl, B. (1958). Historical aspects of ethnomusicology, American Anthropologist, 60(3), 518–532, doi:10.1525/aa.1958.60.3.02a00100.

[Nettl 1958a] Nettl, B. (1958). Transposition as a composition technique in folk and primitive music, Ethnomusicology, 2(2), 56–65. Publication 924384 on JSTOR (subscription access).

[Nettl 1960] Nettl, B. (1960). Cheremis musical styles, Indiana University Folklore series, volume 14. Bloomington, Indiana: Indiana University Press.

[Nettl 1961] Nettl, B. (1961). Polyphony in North American Indian music, The Musical Quarterly, 47(3), 354–362, doi:10.1093/mq/XLVII.3.354. Publication 740167 on JSTOR (subscription access).

[Nettl 1965] Nettl, B. (1965). The songs of Ishi: Musical style of the Yahi Indians, The Musical Quarterly, 51(3), 460–477, retrieved March 13, 2010, doi:10.1093/mq/LI.3.460. Publication 740835 on JSTOR (subscription access).

[Nettl 1967] Nettl, B. (1967). Studies in Blackfoot Indian musical culture — Part i: traditional uses and functions, Ethnomusicology, 11(2), 141–160. Publication 849814 on JSTOR (subscription access).

[Nettl 1967a] Nettl, B. (1967). Studies in Blackfoot Indian musical culture — Part II: Musical life of the Montana Blackfoot, Ethnomusicology, 11(3), 293–309. Publication 850267 on JSTOR (subscription access).

[Nettl 1968] Nettl, B. (1968). Studies in Blackfoot Indian musical culture — Part iv: notes on composition, text settings, and performance, Ethnomusicology, 12(2), 192–207. Publication 849929 on JSTOR (subscription access).

[Nettl 1974] Nettl, B. (1974). Thoughts on improvisation: A comparative approach, The Musical Quarterly, 60(1), 1–19. Publication 741663 on JSTOR (subscription access).

[Nettl 1979] Nettl, B. (editor) (1979). An historical album of Blackfoot Indian music, Ethnic Folkways Records, FE 34001.

[Nettl 1995] Nettl, B. (1995). The seminal eighties: A North American perspective of the beginnings of musicology and ethnomusicology, Revista Transcultural de Música / Transcultural Music Review, 1, in Spanish and English, retrieved December 19, 2010. ISSN:1697-0101.

[Nettl 1996] Nettl, B. (1996). Relating the present to the past: Thoughts on the study of musical change and culture change in ethnomusicology, Journal of Musical Anthropology of the Mediterranean, 1, retrieved April 26, 2010. available in English and Italian.

[Neuenfeldt 2002] Neuenfeldt, K. (editor) (2002). Indigenous popular music in North America: Continuations and innovations, The World of Music, 44(1).

[Neuman-GS 1999] Neuman, G. S. (strings, voice, percussion); Neuman, P. (winds, strings, percussion, voice) (1999). Music of the ancient Sumerians, Egyptians & Greeks, Pandourion, PRCD 1005.

[Nevaquaya 1976] Nevaquaya, D. T.; Edwards, K. D. (recording) (1976). Indian flute songs from Comanche land, Native American Music.

[Nevaquaya 1979] Nevaquaya, D. T.; Gillis, V. (recording) (1979). Doc Tate Nevaquaya: Comanche flute music, Smithsonian / Folkways, F-4328. Originally issued as Folkways Ethnic FE-4328. Reissued in [Nevaquaya 2004].

[Nevaquaya 1992] Nevaquaya, D. T.; Ford, G. (producer, recording, mixing) (1992). The master, Semihoye-Shawnee. alternate title: "Legends Are Forever".

[Nevaquaya 2004] Nevaquaya, D. T.; Gillis, V. (recording) (2004). Comanche flute music — Played by Doc Tate Nevaquaya, Smithsonian Folkways Recordings, SFW CD 50403. Reissue of [Nevaquaya 1979].

[Nevin 1920] Nevin, A. (1920). Impressions of Indian music as heard in the woods, prairies, mountains and wigwams, The Etude, 38(10), 663–664.

[Newcomb 1940] Newcomb, F. J. (1940). Origin Legend of the Navajo Eagle chant, The Journal of American Folklore, 53(207), 50–77. Publication 535373 on JSTOR (subscription access).

[Newhauser 2009] Newhauser, D. (2009). Taking rhythm to heart, Wavelength.

[Newman 1999] Newman, L. M. (1999). White women's rights. New York: Oxford University Press.

[Newton 1704] Newton, I. (1704). Opticks.

[Newton-J 1779] Newton, J., & Cowper, W. (1779). Olney hymns.

[Nicholas 2006] Nicholas, N. (2006). Unicode technical note: Byzantine musical notation, Version 1.1. The Unicode Consortium.

[Nicholls 1998] Nicholls, D. (editor) (1998). The Cambridge history of American music. Cambridge, United Kingdom: The Press Syndicate of the University of Cambridge.

[Nichols 2005] Nichols, E. (2005). The art of improvising, Voice of the Wind, 2005(1), 24–25.

[Nicholson 1930] Nicholson, R. A. (1930). The Mathnawí of Jalálu’ddín Rúmí — Edited from the oldest manuscripts available: with critical notes, translation & commentary.

[Nickens 1991] Nickens, P. R. (editor) (1991). Perspectivss on archeological site protection and preservation, Technical Report EL-91-6.

[Nickolaenko 2002] Nickolaenko, A. P., & Hayakawa, M. (2002). Resonances in the Earth-ionosphere cavity, Modern approaches in geophysics, Volume 19. Springer.

[Nicol 1993] Nicol, J. J. (1993). The relationship between creativity and stress levels in female musicians (M.A. dissertation, University of British Columbia). University of British Columbia.

[Nicolescu 2007] Nicolescu, A. (2007). Walter Maioli's sonorous journey: The nature of music, ICOM News, 2, 3.

[Nikolsky 2015] Nikolsky, A. (2015). Evolution of tonal organization in music mirrors symbolic representation of perceptual reality — Part 1: Prehistoric, Frontiers in Psychology, 6(1405), doi:10.3389/fpsyg.2015.01405. significant supplemental material accompanies this paper. Publication 26528193 on PubMed/NCBI (subscription access).

[Nikolsky 2016] Nikolsky, A. (2016). Evolution of tonal organization in music mirrors symbolic representation of perceptual reality — Part 2: Ancient to Seventeenth century, Frontiers in Psychology, 7(211), doi:10.3389/fpsyg.2016.00211. significant supplemental material accompanies this paper. Publication 27065893 on PubMed/NCBI (subscription access).

[Nlarchaeology 2014] Nlarchaeology. (2014). Archaeology in the Strait of Belle Isle, Labrador: The L’Anse Amour burial mound.

[NMAH 1992] Programs, D. o. P., & History, N. M. o. A. (producer); Wahpeconiah, E. W. (liner notes) (1992). Music of New Mexico: Native American traditions, Smithsonian / Folkways, CD SF 40408.

[NMM-USD 2011] Dakota, N. M. M. a. T. U. o. S. (2011). Chamber organ by David Dutton, Mont Vernon, New Hampshire, about 1850, retrieved April 7, 2011.

[Noble 1938] Noble, R. (1938). Cherokee (“Indian love song”). New York: Shapiro, Bernstein & Co.

[Noble-DG 2006] Noble, D. G. (editor). The mesa verde world: Explorations in ancestral pueblo archaeology. SAR Press.

[Noble-J 2008] Noble, J. (2008). Mexico.

[Norborg 1987] Norborg, . (1987). A handbook of musical and other sound-producing instruments from Namibia and Botswana.

[Nordenskiold 1893] Nordenskiöld, G.; Morgan, D. L. (translation) (1893). The cliff dwellers of the Mesa Verde «Ruiner af klippboningar i Mesa Verde's cañons». Stockholm, Sweden and Chicago, Illinois: P. A. Norstedt & Söner, in Swedish and English. Reissued in [Nordenskiold 1990].

[Nordenskiold 1990] Nordenskiöld, G. (1990). The cliff dwellers of the Mesa Verde, Antiquities of the New World, Volume 12. Mesa Verde Museum Association. Reissue of [Nordenskiold 1893].

[Norman 2007] Norman, G. (2007). The Beltrami flutes, Voice of the Wind, 2007(3), 13–15.

[Norris 1993] Norris, R. N. (1993). The musician's survival manual — A guide to preventing and treating injuries in instrumentalists, First edition. International Conference of Symphony and Opera Musicians (ICSOM).

[Norris 2011] Norris, R. N. (2011). The musician's survival manual — A guide to preventing and treating injuries in instrumentalists, Fifth Edition. Northampton, Massachussets: the author.

[Nott 1886] Nott, J. F. (1886). Wild animals photographed and described. London: Sampson Low, Marston, Searle, & Rivington. Publication cu31924024782561 on Archive.org (open access).

[Nougayrol 1955] Nougayrol, J., Boyer, G., Laroche, E., & Schaeffer, C. (1955). Textes accadiens et hourrites des archives est, ouest et centrales «Akkadian texts and Hurrian archives East, West and Central», Two Volumes. Paris, France: C. Klincksieck, in French.

[NPL 2010] National Physical Laboratory. (2010). Pressure units.

[NPS 2006] Interior, U. D. o. t., & Service, N. P. (2006). The archeology of Horseshoe Canyon.

[NPSMMP 2007] Program, N. P. S. M. M. (2007). Nez Perce flutes, Teaching with Museum Collections Management Program. National Park Service.

[Nunns 2004] Nunns, R. (2004). Te Ara Puoro: The pathway of sound — An introduction to traditional instruments of the Maori, Voice of the Wind, 2004(3), 5–7.

[NYStateMuseum 1908] Museum, N. Y. S. (1908). New York State Museum 60th annual report, 1906, Volume 1. Albany: New York State Education Department.

 
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