[APA format] References - G

This page lists references with citation tags that begin with the letter G. For other references and a documentation on how these references are cited, see the main references page. You can also click on these direct links to the various pages:

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[APA format] References - G

[Gadalla 2000] Gadalla, M. (2000). Egyptian harmony — The visual music. Greensboro, North Carolina: Tehuti Research Foundation.

[Gadalla 2002] Gadalla, M. (2002). Egyptian rhythm — The heavenly melodies. Greensboro, North Carolina: Tehuti Research Foundation.

[Gadolou 2012] Gadolou, A. (2012). Life on board the antikythera shipwreck, contained in [Kaltsas 2012], 50–56.

[Gage 2001] Gage, B. (2001). The making of Native American style flutes, The Woodwind Quarterly, 22, 53–62.

[Gainza 2009] Gainza, M. (2009). Automatic musical meter detection.

[Gale-A 1949] Gale, A. (recordings, harmonization, and drawings); Gale, M. B. (explanatory material and glossary); Krones, B., & Krones, M. (accompaniments and English text); Fry, M. F. (illustrations) (1949). Songs and stories of the American Indians, Series: A World in Tune, Book 9. Park Ridge, Illinois: Neil A. Kjos Music Company.

[Galloway x] Galloway, S. Night chants — for solo Native American flute, Zalo / JP-Publications.

[Galpin 1903] Galpin, F. W. {. W. (1903). The whistles and reed instruments of the American Indians of the North-West Coast, Proceedings of the Musical Association, 29, 115–138. Publication 765327 on JSTOR (subscription access).

[Galpin 1929] Galpin, F. W. {. W. (1929). The Sumerian harp of Ur, Music & Letters, 10(2), 108–123, doi:10.1093/ml/X.2.108. Publication 726035 on JSTOR (subscription access).

[Galpin 1937] Galpin, F. W. {. W. (1937). The music of the Sumerians — And their immediate successors, the Babylonians and Assyrians. Cambridge University Press. Reissued in [Galpin 2011].

[Galpin 2011] Galpin, F. W. {. W. (2011). The music of the Sumerians — And their immediate successors, the Babylonians and Assyrians. Cambridge University Press. Originally published in 1937. Reissue of [Galpin 1937].

[Gamble 2004] Gamble, C., & Porr, M. (editors) (2004). The individual hominid in context: Archaeological investigations of lower and middle palaeolithic landscapes, locales and artefacts. Routledge.

[Garaj 2006] Garaj, B. (2006). The fujara — A symbol of Slovak folk music and new ways of its usage, Proceedings from the 16th International Meeting, ICTM Study Group on Folk Musical Instruments, Studia Instrumentorum Musicae Popularis, 16, 86–94. ISSN 1392–2831.

[Garcia 2010] Diaz-Castroverde, F. G. (2010). Acquisition and study of blowing pressure profiles in recorder playing (Masters dissertation, Universitat Pompeu, Fabra, Barcelona).

[Garcia 2011] Garcia, F., Vinceslas, L., Tubau, J., & Maestre, E. (2011). Acquisition and study of blowing pressure profiles in recorder playing, Proceedings of the International Conference on New Interfaces for Musical Expression, Oslo, Norway, May 30 – June 1, 2011, 124–127.

[Garcia-L 1989] Garcia, L.; Brewer, B. (illustrations) (1989). The whistle owner — An officer in the Grass Dance Society of the Sioux, Whispering Wind, 21, 12–15.

[Gardenhire 2003] Gardenhire, D. (text); Jernigan, J. (photographs) (2003). How a man saved a flute: The Stradivarius of America's original woodwind, the Indian flute, Oklahoma Today, 53(6), 46–49.

[Gardner-Z 2013] Gardner, Z. (2013). 440Hz music – Conspiracy to detune us from natural 432Hz harmonics?, retrieved July 6, 2015.

[GarnNunn 2004] Garn-Nunn, P. G., & Lynn, J. M. (2004). Calvert's descriptive phonetics transcription workbook, Third Edition. Thieme Medical Publishers.

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[Gasparyan 1983] Gasparyan, D. I will not be sad in this world.

[Gatliff 2003] Gatliff, R., & Bigham, M. (2003). Prehistoric flutes of the Southwest, International Native American Flute Convention, Taos, NM, July 10–13, 2003.

[Gatliff 2005] Gatliff, R. (2005). The last chapter in a flute collection, Voice of the Wind, 2005(4), 13–18.

[Gatliff 2006] Gatliff, R. (2006). Did Pocahontas play the flute?, Voice of the Wind, 2006(2), 4–5.

[Gatliff 2006a] Gatliff, R. (2006). Flutes and courting along the Upper Missouri, Voice of the Wind, 2006(3), 5–7.

[Gatliff 2007] Gatliff, R. (2007). The man with the red umbrella and the flute he collected in 1823, Voice of the Wind, 2007(2), 14–15.

[Gatliff 2010] Gatliff, R. (2010). Flutetree.com songbook, retrieved February 5, 2010. Nakai tablature notation, finger diagrams for many flute makers.

[Gatliff 2017] Gatliff, R. (2017). Early written accounts of the native flutes from 1528-1869 in North America. FluteTree Foundation.

[Gauldin 1983] Gauldin, R. (1983). The cycle-7 complex: Relations of diatonic set theory to the evolution of ancient tonal systems, Music Theory Spectrum, 5, 39–55. Publication 746094 on JSTOR (subscription access).

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[Gelo 1988a] Gelo, D. L. (1988). Comanche songs, English lyrics: Context, imagery, and continuity, Storia Nordamericana, 5(1), 137–146.

[George 1962] George, G. (1962). Songs of the Salish Indians of British Columbia, Journal of the International Folk Music Council, 14, 22–29.

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[George-AR 2003] George, A. R. (2003). The Babylonian Gilgamesh epic — Introduction, critical edition and cuneiform texts, Volume 1.

[George-AR 2003a] George, A. R. (2003). The epic of Gilgamesh: The Babylonian epic poem and other texts in Akkadian and Sumerian, Reprint edition. Penguin.

[George-AR 2007] George, A. (2007). Babylonian and Assyrian: A history of Akkadian, contained in [Postgate 2007], 31–71.

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[Goss 2008] Goss, C. (2008). Jam tracks in A minor, Native Flute Tracks series, Manifest Spirit Records, MSR-NT01.

[Goss 2008a] Goss, C. (2008). Jam tracks in G minor, Native Flute Tracks series, Manifest Spirit Records, MSR-NT02.

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