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[APA format] References - G

This page lists references with citation tags that begin with the letter G. For other references and a documentation on how these references are cited, see the main references page. You can also click on these direct links to the various pages:

 A   B   C   D   E   F   G   H   I   J   K   L   M   N   O   P   Q   R   S   T   U   V   W   X   Y   Z 

[APA format] References - G

[Gadalla 2000] Gadalla, M. (2000). Egyptian harmony — The visual music. Greensboro, North Carolina: Tehuti Research Foundation.

[Gadalla 2002] Gadalla, M. (2002). Egyptian rhythm — The heavenly melodies. Greensboro, North Carolina: Tehuti Research Foundation.

[Gadolou 2012] Gadolou, A. (2012). Life on board the antikythera shipwreck, contained in [Kaltsas 2012], 50–56.

[Gage 2001] Gage, B. (2001). The making of Native American style flutes, The Woodwind Quarterly, 22, 53–62.

[Gainza 2009] Gainza, M. (2009). Automatic musical meter detection.

[Gale-A 1949] Gale, A. (recordings, harmonization, and drawings); Gale, M. B. (explanatory material and glossary); Krones, B., & Krones, M. (accompaniments and English text); Fry, M. F. (illustrations) (1949). Songs and stories of the American Indians, Series: A World in Tune, Book 9. Park Ridge, Illinois: Neil A. Kjos Music Company.

[Galloway x] Galloway, S. Night chants — for solo Native American flute, Zalo / JP-Publications.

[Galpin 1903] Galpin, F. W. {. W. (1903). The whistles and reed instruments of the American Indians of the North-West Coast, Proceedings of the Musical Association, 29, 115–138. Publication 765327 on JSTOR (subscription access).

[Galpin 1929] Galpin, F. W. {. W. (1929). The Sumerian harp of Ur, Music & Letters, 10(2), 108–123, doi:10.1093/ml/X.2.108. Publication 726035 on JSTOR (subscription access).

[Galpin 1937] Galpin, F. W. {. W. (1937). The music of the Sumerians — And their immediate successors, the Babylonians and Assyrians. Cambridge University Press. Reissued in [Galpin 2011].

[Galpin 2011] Galpin, F. W. {. W. (2011). The music of the Sumerians — And their immediate successors, the Babylonians and Assyrians. Cambridge University Press. Originally published in 1937. Reissue of [Galpin 1937].

[Gamble 2004] Gamble, C., & Porr, M. (editors) (2004). The individual hominid in context: Archaeological investigations of lower and middle palaeolithic landscapes, locales and artefacts. Routledge.

[Garaj 2006] Garaj, B. (2006). The fujara — A symbol of Slovak folk music and new ways of its usage, Proceedings from the 16th International Meeting, ICTM Study Group on Folk Musical Instruments, Studia Instrumentorum Musicae Popularis, 16, 86–94. ISSN 1392–2831.

[Garcia 2010] Diaz-Castroverde, F. G. (2010). Acquisition and study of blowing pressure profiles in recorder playing (Masters dissertation, Universitat Pompeu, Fabra, Barcelona).

[Garcia 2011] Garcia, F., Vinceslas, L., Tubau, J., & Maestre, E. (2011). Acquisition and study of blowing pressure profiles in recorder playing, Proceedings of the International Conference on New Interfaces for Musical Expression, Oslo, Norway, May 30 – June 1, 2011, 124–127.

[Garcia-L 1989] Garcia, L.; Brewer, B. (illustrations) (1989). The whistle owner — An officer in the Grass Dance Society of the Sioux, Whispering Wind, 21, 12–15.

[Gardenhire 2003] Gardenhire, D. (text); Jernigan, J. (photographs) (2003). How a man saved a flute: The Stradivarius of America's original woodwind, the Indian flute, Oklahoma Today, 53(6), 46–49.

[Gardner-Z 2013] Gardner, Z. (2013). 440Hz music – Conspiracy to detune us from natural 432Hz harmonics?, retrieved July 6, 2015.

[GarnNunn 2004] Garn-Nunn, P. G., & Lynn, J. M. (2004). Calvert's descriptive phonetics transcription workbook, Third Edition. Thieme Medical Publishers.

[Garrett 1977] Garrett, S., & Stat, D. K. (Daniel K. Statnekov) (1977). Peruvian whistling bottles, Journal of the Acoustical Society of America, 62(2), 449–453, doi:10.1121/1.381507.

[Gary 2007] Gary, K. (2007). The flute — Origin, history, and symbology.

[Gasparyan 1983] Gasparyan, D. I will not be sad in this world.

[Gatliff 2005] Gatliff, R. (2005). The last chapter in a flute collection, Voice of the Wind, 2005(4), 13–18.

[Gatliff 2006] Gatliff, R. (2006). Did Pocahontas play the flute?, Voice of the Wind, 2006(2), 4–5.

[Gatliff 2006a] Gatliff, R. (2006). Flutes and courting along the Upper Missouri, Voice of the Wind, 2006(3), 5–7.

[Gatliff 2007] Gatliff, R. (2007). The man with the red umbrella and the flute he collected in 1823, Voice of the Wind, 2007(2), 14–15.

[Gatliff 2010] Gatliff, R. (2010). Flutetree.com songbook, retrieved February 5, 2010. Nakai tablature notation, finger diagrams for many flute makers.

[Gauldin 1983] Gauldin, R. (1983). The cycle-7 complex: Relations of diatonic set theory to the evolution of ancient tonal systems, Music Theory Spectrum, 5, 39–55. Publication 746094 on JSTOR (subscription access).

[Gelo 1988] Gelo, D. L. (1988). Comanche songs, English lyrics, and formal continuity, European Review of Native American Studies, 2(2), 2–7.

[Gelo 1988a] Gelo, D. L. (1988). Comanche songs, English lyrics: Context, imagery, and continuity, Storia Nordamericana, 5(1), 137–146.

[George 1962] George, G. (1962). Songs of the Salish Indians of British Columbia, Journal of the International Folk Music Council, 14, 22–29.

[George-AR 1979] George, A. R. (1979). Cuneiform texts in the Birmingham City Museum, Iraq, 41(2), 121–140. Publication 4200108 on JSTOR (subscription access).

[George-AR 1999] George, A. R. (1999). What’s new in the Gilgamesh Epic?, Bulletin of the Canadian Society for Mesopotamian Studies, 34, 51–58.

[George-AR 2003] George, A. R. (2003). The Babylonian Gilgamesh epic — Introduction, critical edition and cuneiform texts, Volume 1.

[George-AR 2003a] George, A. R. (2003). The epic of Gilgamesh: The Babylonian epic poem and other texts in Akkadian and Sumerian, Reprint edition. Penguin.

[George-AR 2007] George, A. (2007). Babylonian and Assyrian: A history of Akkadian, contained in [Postgate 2007], 31–71.

[Geringer 1976] Geringer, J. M. (1976). Tuning preferences in recorded orchestral music, Journal of Research in Music Education, 24(4), 169–176, doi:10.2307/3345127. Publication 3345127 on JSTOR (subscription access).

[Geringer 2010] Geringer, J. M. (2010). Musicians' preferences for tempo pitch levels in recorded orchestral music, Journal of Research in Music Education, 58(3), 294–308. Publication 40961671 on JSTOR (subscription access).

[GersonKiwi 1952] Gerson-Kiwi, E. (1952). Migrations and mutations of oriental folk instruments, Journal of the International Folk Music Council, 4, 16–19. Publication 835835 on JSTOR (subscription access).

[Gevirtz 2008] Gevirtz, R., & Dalenberg, C. (2008). Heart rate variability biofeedback in the treatment of trauma symptoms, Biofeedback, 36(1), 22–23.

[Gevirtz 2011] Gevirtz, R. (2011). Cardio-respiratory psychophysiology: Gateway to mind-body medicine, BFE conference workshop.

[Giardino 2004] Giardino, N. D., Chan, L., & Borson, S. (2004). Combined heart rate variability and pulse oximetry biofeedback for chronic obstructive pulmonary disease: Preliminary findings, Applied Psychophysiology and Biofeedback, 29(2), 121–133, doi:10.1023/B:APBI.0000026638.64386.89. Publication 15208975 on PubMed/NCBI (subscription access).

[Giatti 2001] Giatti, A., & Miniati, M. (2001). Acoustics and its instruments «l'acustica e i suoi strumenti». Giunti Industrie Grafiche S.p.A., in Italian and English.

[Gibbon 2003] Gibbon, G. E. (2003). The Sioux: The Dakota and Lakota Nations. Wiley-Blackwell.

[Gibbs 2003] Gibbs, V. (principal investigator) (2003). A Cultural Resources Overview of the San Andres National Wildlife Refuge, New Mexico.

[Gibbs-G 1856] Gibbs, G.; Milhau, J. J., Mowry, S., & Oatman, O. (contributors) (1856). Observations on the Indians of the Colorado River, California; Accompanying vocabularies of the Yuma and Mohave tribes, 1043. National Anthropological Archives, Smithsonian Institution. Gibbs states that his paper is based on data received from Milhau and Mowry; the latter in turn obtained data from Olive Oatman, Apache captive, 1851-55.

[Gibson 2004] Gibson, S. (2004). Aristoxenus of Tarentum and the birth of musicology, Studies in Classics, Volume 9. Psychology Press.

[Gifford 1931] Gifford, E. W. (1930). The Kamia of Imperial Valley, Smithsonian Institution, Bureau of American Ethnology, 97. Publication bulletin971931smit on Archive.org (open access).

[Gifford 1936] Gifford, E. W., & Klimek, S. (1936). Culture element distributions: II - Yana, University of California Publications in American Archaeology and Ethnology, 37(2), 71–100.

[Gifford 1937] Gifford, E. W., & Kroeber, A. L. (1937). Culture element distributions: IV - Pomo, University of California Publications in American Archaeology and Ethnology, 37(4), 117–253.

[Gifford 1940] Gifford, E. W. (1940). Culture element distributions: XII - Apache-Pueblo, Anthropological Records, 4(1), 1–208.

[Giglio 1994] Giglio, V. (1994). Southern Cheyenne women's songs. Norman, Oklahoma: University of Oklahoma Press.

[Gil 2010] Gil, E., Orini, M., Bailón, R., Vergara, J. M., Mainardi, L., & Laguna, P. (2010). Photoplethysmography pulse rate variability as a surrogate measurement of heart rate variability during non-stationary conditions, Physiological Measurement, 31, 1271–1290, doi:10.1088/0967-3334/31/9/015. Publication 20702919 on PubMed/NCBI (subscription access).

[Gilbert 1998] Gilbert, T. B. (1998). Breathing difficulties in wind instrument players, Maryland Medical Journal, 47(1). Publication 9448412 on PubMed/NCBI (subscription access).

[Gilbert-HFB 1912] Gilbert, H. F. B. (1912). Indian scenes — Five pieces for the pianoforte. New York: H. W. Gray Co.

[Gilbert-WH 1942] Gilbert, W. H., Jr. (1942). The Eastern Cherokees, Smithsonian Institution, Bureau of American Ethnology, 133, 169–414 + plates. Anthropological paper number 23. Publication bulletin1331943smit on Archive.org (open access).

[Giles 1984] Giles, M. M. (1984). Improvising on an Indian flute, Music Educators Journal, 70(6), 61–62, doi:10.2307/3400798. Publication 3400798 on JSTOR (subscription access).

[Gill 2009] Gill, K. Z., & Purves, D. (2009). A biological rationale for musical scales, PLoS ONE, 4(12), doi:10.1371/journal.pone.0008144.

[Gillessen 2002] Gillessen, K. (2002). Simple reed-pipes from Crete and Turkey, The Galpin Society Journal, 55, 379–381. Publication 4149061 on JSTOR (subscription access).

[Gilman 1891] Gilman, B. I. (1891). Zuñi melodies, A Journal of American Ethnology and Archaeology, 1, 63–92.

[Gilman 1908] Gilman, B. (1908). Hopi songs, Hemenway Southwestern Archaeological Expedition, A Journal of American Ethnology and Archaeology, 5.

[Gilman-EF 1993] Gilman, E. F., & Watson, D. G. (1993). Acer negundo boxelder, Fact Sheet ST-20. U. S. Department of Agriculture, Forest Service.

[Gilmore 1919] Gilmore, M. R. (1919). Uses of plants by the Indians of the Missouri River region, Thirty-third Annual Report of the Bureau of American Ethnology to the Secretary of the Smithsonian Institution, 1911-1912, 43–154 + plates 1–30a, retrieved March 15, 2010. Publication annualreportofbu33smithso on Archive.org (open access).

[Gilreath 2011] Gilreath, A. (2011). Gypsum cave, retrieved April 21, 2012.

[Gioia 2006] Gioia, T. (2006). Healing songs. Durham, North Carolina: Duke University Press.

[Giorgi 1897] Giorgi, C. T. (1897). Flute, United States Patent 594,735, retrieved December 5, 2009.

[Giroux 1953] Giroux, P. H. (1953). The history of the flute and its music in the United States, Journal of Research in Music Education, 1(1), 68–73. Publication 3344568 on JSTOR (subscription access).

[Girvin 2000] Girvin, P. (2000). Mendocino County Intertribal Repatriation Project — An interview with Polly Girvin, Grace Millennium, 4–8.

[Gladwell 2011] Gladwell, V., Kuoppa, P., Tarvainen, M., Pretty, J., & Brown, D. (2011). Reducing cardiovascular risk: night-time heart rate variability is increased following a lunchtime walk in nature. University of Essex.

[Gladwell 2012] Gladwell, V. F., Brown, D. K., Barton, J. L., Tarvainen, M. P., Kuoppa, P., Pretty, J., Suddaby, J. M., & Sandercock, G. R. H. (2012). The effect of views of nature on autonomic control, European Journal of Applied Physiology, 112(9), 3379–3386, doi:10.1007/s00421-012-2318-8.

[Goble 1992] Goble, P. (1992). Love flute. New York: Aladdin Paperbacks, Simon & Shuster. for ages 5-8.

[Goddard 1918] Goddard, P. E. (1918). Myths and tales from the San Carlos Apache, Athropological Papers of the American Museum of Natural History, 24, 1–86.

[Goddard 1919] Goddard, P. E. (1919). Myths and tales from the White Mountain Apache, Athropological Papers of the American Museum of Natural History, 24, 87–140.

[Goddard 1919a] Goddard, P. E. (1919). San Carlos Apache texts, Athropological Papers of the American Museum of Natural History, 24, 141–368.

[Goddard 1920] Goddard, P. E. (1920). White Mountain Apache texts, Athropological Papers of the American Museum of Natural History, 24, 369–528.

[Goddard-I 1996] Goddard, I. (volume editor); Sturtevant, W. C. (general editor) (1996). Handbook of North American Indians, Volume 17: Languages. Washington, D. C.: Smithsonian Institution.

[Goebel 1995] Goebel, G. H. (1995). New evidence on the echo flute, The Galpin Society Journal, 48, 205–207. Publication 842814 on JSTOR (subscription access).

[Goedicke 1971] Goedicke, H. (editor) (1971). Near Eastern studies in honor of William Foxwell Albright. The Johns Hopkins University Press, in German and English.

[Goldberger 1988] Goldberger, A. L., Rigney, D. R., Mietus, J., Antman, E. M., & Greenwald, S. (1988). Nonlinear dynamics in sudden cardiac death syndrome: Heartrate oscillations and bifurcations, Cellular and Molecular Life Sciences, 44(11-12), 983–987, doi:10.1007/BF01939894.

[Goldberger 1991] Goldberger, A. L. (1991). Is the normal heartbeat chaotic or homeostatic?, News in Physiological Science, 6, 87–91. Publication 11537649 on PubMed/NCBI (subscription access).

[Goldman 2011] Goldman, J., & Goldman, A. (2011). Chakra frequencies: Tantra of sound. Inner Traditions / Bear & Co.

[Gombert 1994] Gombert, G. (1994). A guide to Native American music recordings. Fort Collins, Colorado: Multi Cultural Publishing.

[Gomez 2007] Gomez, M. A. (2007). Música y neurología «Music and neurology», Neurologia, 22(1), in Spanish, 39–45.

[Goncharova 2003] Goncharova, I. I., McFarland, D. J., M., T., Vaughan, & Wolpaw, J. R. (2003). EMG contamination of EEG: Spectral and topographical characteristics, Clinical Neurophysiology,, 114(9), 1580–1593, doi:10.1016/S1388-2457(03)00093-2.

[Gong 2006] Gong, H. (2006). Missionaries, reformers, and the beginnings of Western music in Late Imperial China (1839–1911) (Doctoral dissertation in Asian Studies, University of Auckland, New Zealand).

[Gonzato 2015] Gonzato, G. (2015). The "low-tech" whistle: How to make a fine PVC whistle.

[Goodheart 2002] Goodheart, A. (2002). Commedia dell'arte, Conde Nast Traveler.

[Gooding 1998] Gooding, E. D. (1998). Songs of the people: Plains Indian music and recordings, 1968-1996, Music Library Association Notes - Second Series, 55(1), 37–67. Publication 900346 on JSTOR (subscription access).

[Goodman 1977] Goodman, L. (1977). Music and dance in Northwest Coast Indian life. Tsaile, Arizona: Navajo Community College Press.

[Goodwin 1952] Goodwin, A. J. H. (1952). Jan van Riebeeck and the Hottentots 1652-1662, The South African Archaeological Bulletin, 7(25), 2–6. Publication 3887530 on JSTOR (subscription access).

[Goosman 1990] Goosman, J. P. (1990). Flute headjoint, United States Patent 4,896,579, retrieved December 5, 2009.

[Goranson 2011] Goranson, C. (2011). Hurrian Hymn no. 6, retrieved March 20, 2011.

[Goss 2006] Goss, C., & Miller, E. (2006). Spiritgrass, Manifest Spirit Records, MSR-061.

[Goss 2007] Goss, C. (2007). A room full of flute players, Voice of the Wind, 2007(3), 6–8.

[Goss 2008] Goss, C. (2008). Jam tracks in A minor, Native Flute Tracks series, Manifest Spirit Records, MSR-NT01.

[Goss 2008a] Goss, C. (2008). Jam tracks in G minor, Native Flute Tracks series, Manifest Spirit Records, MSR-NT02.

[Goss 2008b] Goss, C. (2008). Nudge, nudge, Voice of the Wind, 2008(3), 7.

[Goss 2008c] Goss, C. (2008). Right in tune, Voice of the Wind, 2008(4), 15–17.

[Goss 2009] Goss, C. (2009). Jam tracks in F# minor, Native Flute Tracks series, Manifest Spirit Records, MSR-NT03.

[Goss 2009a] Goss, C. (2009). Jam tracks in E minor, Native Flute Tracks series, Manifest Spirit Records, MSR-NT04.

[Goss 2009b] Goss, C. (2009). Widening the circle, Voice of the Wind, 2009(2), 4–5.

[Goss 2012] Goss, C. (2012). Lessons on lessons, Voice of the Wind, 2012(2), 13–15.

[Goss 2012a] Goss, C. (2012). This is my music, Voice of the Wind, 2012(1).

[Goss 2013] Goss, C. F. (2013). Intraoral pressure in ethnic wind instruments, arXiv:1308.5214.

[Goss 2013a] Goss, C. F., & Miller, E. B. (2013). Dynamic metrics of heart rate variability, arXiv:1308.6018.

[Goss 2013p] Goss, C. (2013). Rounding the circle, Overtones!, 2013(1), 15–17.

[Goss 2013q] Goss, C. (2013). Success for all!, Overtones!, 2013(2), 7–8.

[Goss 2013r] Goss, C. (2013). Ensembles, Overtones!, 2013(3), 14–16.

[Goss 2014] Goss, C., & Miller, E. B. (2014). Flute playing physiology — A collection of papers on the physiological effects of the Native American flute, doi:10.13140/2.1.4064.0643.

[Goss 2014p] Goss, C., & Miller, L. (2014). Exploring the voice, Overtones!, 2014(1), 18–20.

[Goss 2014q] Goss, C. (2014). Acceptance, Overtones!, 2014(2), 25–27.

[Goss 2014r] Goss, C., & Miller, E. (2014). Your brain on flute, Overtones!, 2014(2), 10–14.

[Goss 2014s] Goss, C. (2014). Warming up!, Overtones!, 2014(3), 12–14.

[Goss 2014t] Goss, C. (2014). Deep listening!, Overtones!, 2014(4), 11–13.

[Goss 2015] Goss, C. F. (2015). Native American flute ergonomics, Revised version, arxiv:1501.00910.

[Goss 2015p] Goss, C., & Knysh, M. (2015). Facilitating with rhythm, Overtones!, 2015(1), 12–14.

[Goss 2015q] Goss, C. (2015). Keyboards in the circle, Overtones!, 2015(2), 13–16.

[Goss 2015r] Goss, C. (2015). Keyboards in the circle, Overtones!, 2015(3), 8–12.

[Goss 2015s] Goss, C. (2015). Thriving flute circles, Overtones!, 2015(4), 9–11.

[Goss-WP 1992] Goss, W. P., & Miller, R. G. (1992). Thermal properties of wood and wood products, Proceedings of the Thermal Performance of the Exterior Envelopes of Whole Buildings International Conference, 1992, 28.

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[Govenar 2016] Govenar, A. (recordings and producer); Lamb, N. (editor and narration) (2016). Doc tate nevaquaya, Masters of Traditional Arts series. Dallas, TX: Documentary Arts, Inc.

[Grammatopoulos 2009] Grammatopoulos, E. (2009). A study of the effects of playing a wind instrument on the occlusion (M.Phil. dissertation, Department of Orthodontics, The Dental School, University of Birmingham, Birmingham, England).

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[Granger 2015] Granger, R. (2015). Playing the Native American flute in hospice and hospital settings.

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[Groenewald 2008] Groenewald, L. H. (2008). Bushman imagery and its impact on the visual constructs of Pippa Skotnes (Master in Visual Art, University of South Africa).

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[Groneberg 2003] Groneberg, B. (2003). Searching for Akkadian lyrics: From Old Babylonian to the "Liederkatalog" KAR 158, Journal of Cuneiform Studies, 55, 55–74. Publication 3515954 on JSTOR (subscription access).

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