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[APA format] References - H

This page lists references with citation tags that begin with the letter H. For other references and a documentation on how these references are cited, see the main references page. You can also click on these direct links to the various pages:

 A   B   C   D   E   F   G   H   I   J   K   L   M   N   O   P   Q   R   S   T   U   V   W   X   Y   Z 

[APA format] References - H

[Haapaniemi 2001] Haapaniemi, T. (2001). Autonomic dysfunction in Parkinson's disease and its correlates to medication and dopamine transporter binding (Doctoral dissertation, University of Oulu, Finland).

[Habibi 2013] Habibi, A., Wirantana, V., & Starr, A. (2013). Cortical activity during perception of musical pitch, Music Perception: An Interdisciplinary Journal, 30(5), 463–479, doi:10.1525/mp.2013.30.5.463. Publication 10.1525/mp.2013.30.5.463 on JSTOR (subscription access).

[Hacker 1995] Hacker, P.; Papayik, S. (compositions); Hacker, J. (illustrations) (1995). Winds of the past — Guide to playing the Native American flute. no staff notation, six-hole finger diagrams.

[Hackett 1942] Hackett, C. W.; Shelby, C. C. (translations of original documents) (1942). Revolt of the Pueblo Indians of New Mexico and Otermin's attempted reconquest 1680-1682. Albuquerque, New Mexico: University of New Mexico Press.

[Hadlock 1941] Hadlock, W. S. (1941). Three shell-heaps on Frenchman's Bay, Bulletin of the Robert Abbe Museum, 6.

[Hadlock 1943] Hadlock, W. S. (1943). Bone implements from shell heaps around Frenchman's Bay, Maine, American Antiquity, 8(4), 341–353. Publication 275866 on JSTOR (subscription access).

[Haeberli 1979] Haeberli, J. (1979). Twelve Nasca panpipes: A study, Ethnomusicology, 23(1), 57–74. Publication 851338 on JSTOR (subscription access).

[Haefer 1972] Haefer, J. R. (1972). An anthology of Papago traditional music, may be contained in [Heth 1980]. Canyon Records, C6084.

[Haefer 1975] Haefer, J. R. (1975). North American Indian musical instruments: Some organological distribution problems, American Musical Instrument Society Journal, 1, 56–85.

[Hafiz 1999] Shīrāzī, K. S. M. H.; Ladinsky, D. (translation) (1999). The gift. Penguin Compass.

[Hafiz 2003] Shīrāzī, K. S. M. H.; Ladinsky, D. (translation) (2003). The subject tonight is love: 60 wild and sweet poems of Hafiz. Penguin Compass.

[Hagel 2006] Hagel, S. (2006). Music of the Ancient Near East.

[Hagel 2008] Hagel, S. (2008). Re-evaluating the Pompeii auloi, The Journal of Hellenic Studies, 128, 52–71. Publication 40651723 on JSTOR (subscription access).

[Hagel 2009] Hagel, S. (2009). Ancient Greek music: A new technical history. Cambridge University Press.

[Hagen 2009] Hagen, E. H., & Hammerstein, P. (2009). Did neanderthals and other early humans sing? — Seeking the biological roots of music in the territorial advertisements of primates, lions, hyenas, and wolves, Musicae Scientiae, 291–320, retrieved January 10, 2012.

[Hagen 2010] Hagen, E. H., & Bryant, G. A. (2010). Music and dance as a coalition signaling system, retrieved April 20, 2010.

[Hagerman 1980] Hagerman, B., & Sundberg, J. (1980). Fundamental frequency adjustment in barbershop singing, Journal of Research in Singing, 4(1), 3–17.

[Hague 1915] Hague, E. (1915). Eskimo songs, The Journal of American Folklore, 28(107), 96–98. Publication 534562 on JSTOR (subscription access). Publication jstor-534562 on Archive.org (open access).

[Hahn 1995] Hahn, J., & Münzel, S. C. (1995). Knochenflöten aus dem aurignacien des geißenklösterle bei blaubeuren, alb-donau-kries «Bone flutes from the Aurignacian of Geißenklösterle at Blaubeuren, Alb-Donau-Kries», Fundberichte aus Baden-Württemberg, 20, in German, 1–12.

[Hahn-K 2002] Hahn, K., & Vitouch, O. (2002). Preference for musical tuning systems: How cognitive anatomy interacts with cultural shaping, Proceedings of the 7th International Conference on Music Perception and Cognition, Sydney, Australia. Adelaide, Australia: Causal Productions, 757–760.

[Hahnengress 2012] Hahnengress, M. L. (2012). Cardiopulmonary changes during clarinet playing.

[Hail 1980] Hail, B. (1980). Hau, Kóla! The Plains Indian collection of the Haffenreffer Museum of Anthropology, Brown University, Studies in Anthropology and Material Culture, Volume 3. Providence, Rhode Island: Haffenreffer Museum of Anthropology, Brown University.

[Haines 1888] Haines, E. J. (1888). The American Indian «Un-nish-in-na-ba». Chicago: The Mas-sin-na-gan Company. Chapter XLIV, pages 525-534: Indian Music and Poetry.

[Haines-B 2012] Haines, B. (2012). Caring for your Native American flute, Voice of the Wind, 2012(3).

[Halbmayer 2008] Halbmayer, E. (2008). Meanings of suicide and conceptions of death among the Yukpa and other Amerindians of Lowland South America «Die bedeutung des selbstmords und konzeptionen des todes bei den yupka und anderen indigenen des südamerikanischen tieflandes», Curare, 31(1), in English and German, 72–86.

[Hale-H 1883] Hale, H. (1883). The Iroquois book of rites, Library of Aboriginal American Literature Native American Legal Materials Collection, Issue 2. Philadelphia, Pennsylvania: D. G. Brinton.

[Hall 1984] Hall, D. E., & Hess, J. T. (1984). Perception of musical interval tuning, Music Perception: An Interdisciplinary Journal, 2(2), 166–195, doi:10.2307/40285290. Publication 40285290 on JSTOR (subscription access).

[Hall 1997] Hall, B. (1997). Favorite hymns — In tablature for the Native American courting flute. Butch Hall Flutes. No staff notation, six-hole finger diagrams.

[Hall 2000] Hall, B. (2000). Lesson and song book for the Native American flute, First Edition. Butch Hall Flutes.

[Hall 2002] Hall, B. (2002). Lesson and song book for the Native American flute, Second Revised Edition. Butch Hall Flutes.

[Hall 2004] Hall, B. (2004). Mother Earth and Father Sky song book for Native American flute. Butch Hall Flutes.

[Hall-JC 1955] Hall, J. C., & Nettl, B. (1955). Musical style of the Modoc, Southwestern Journal of Anthropology, 11(1), 58–66. Publication 3628997 on JSTOR (subscription access).

[Hall-RL 1997] Hall, R. L. (1997). An archaeology of the soul: North American Indian belief and ritual. University of Illinois Press.

[Hall-RW 2001] Hall, R. W., & Josić, K. (2001). The mathematics of musical instruments, American Mathematical Monthly, 108, 347–357. Original monograph is dated August 29, 2000 and is 11 pages.

[Hallman 2011] DM, H., EM, O., B, v. S., L, M., & E., L. (2011). Effects of heart rate variability biofeedback in subjects with stress-related chronic neck pain: A pilot study, doi:10.1007/s10484-011-9147-0. Publication 21365308 on PubMed/NCBI (subscription access).

[Halloran 1999] Halloran, J. A. (1999). Sumerian lexicon, Version 3.0.

[Halperin 2008] Halperin, D. (2008). Musical reconstruction of the Hurrian material by statistical analysis, Proceedings of the International Conference of Near Eastern Archaeomusicology (ICONEA 2008), The British Museum, London, December 4–6, 2008, editors: Richard Dumbrill and Irving Finkel. London: Iconea Publications, 29–32.

[Halpern 1997] Halpern, A. M.; Miller, A., & Langdon, M. (editors) (1997). Kar'uk: Native accounts of the Quechan mourning ceremony, University of California publications in linguistics, Volume 128. Berkeley, California: University of California Press.

[Halpern-I 1986] Halpern, I. (field recordings and annotations) (1986). Haida — Indian music of the Pacific Northwest, Folkways Records and Service Corp., FE 4119. Reissued in [Halpern-I 2006].

[Halpern-I 2006] Halpern, I. (field recordings and annotations) (2006). Haida — Indian music of the Pacific Northwest, Smithsonian / Folkways Archival Series, Smithsonian / Folkways Recordings, FE 4119. Source archive: Smithsonian Center for Folklife and Cultural Heritage. Reissue of [Halpern-I 1986].

[Hambly 1937] Hambly, W. D., & Martin, P. S. (1937). Source book for African anthropology, Part 1, Publications of Field Museum of Natural History, Publication 394, Anthropological Series, 26. Publication sourcebookforafr261hamb on Archive.org (open access).

[Hamer 1996] Hamer, M. (1996). Haunting tunes from ghostly players, New Scientist, 151(2048), 12.

[Hamilton 1953] Hamilton, E. (1953). The modes of Ancient Greece.

[Hamilton-A 1896] Hamilton, A. (1896). The art workmanship of the Maori race in New Zealand: A series of illustrations from specially taken photographs, with descriptive notes and essays on the canoes, habitations, weapons, ornaments, and dress of the maoris, together with lists of words in the maori language used in relation to the subjects, Volumes 1-5. Fergusson & Mitchell. Publication cu31924029890153 on Archive.org (open access).

[Hamilton-AH 1945] Hamilton, A. H. (1945). The music of the North American Indians, The Etude Music Magazine.

[Hammarlund 2005] Hammarlund, A., Olsson, T., & Özdalga, E. (editors) (2005). Sufism, music and society in Turkey and the Middle East, Swedish Research Institute in Istanbul, Transactions Volume 10, Papers Read at a Conference Held at the Swedish Research Institute, Istanbul, Turkey, November 27–29, 1997.

[Hammerer 1890] Hammerer, J. D.; Ford, P. L. (editor) (1890). An account of a plan for civilizing the North American Indians, Proposed in the eighteenth century, retrieved March 30, 2010. Publication accountofplanfor00hammuoft on Archive.org (open access).

[Hammond 1991] Hammond, N. (editor) (1991). Cuello: An early Maya community in Belize. Cambridge University Press. Reissued in [Hammond 2009].

[Hammond 1994] Hammond, N. (1994). Ancient Maya civilization, Fifth Edition. Cambridge University Press and Rutgers University Press.

[Hammond 1995] Hammond, N., Clarke, A., & Donaghey, S. (1995). The long goodbye: Middle preclassic Maya archaeology at Cuello, Belize, Latin American Antiquity, 6(2), 120–128. Publication 972147 on JSTOR (subscription access).

[Hammond 2009] Hammond, N. (editor) (2009). Cuello: An early Maya community in Belize. Cambridge University Press. Reissue of [Hammond 1991].

[Hammond-GP 1940] Hammond, G. P., & Rey, A. (editors and translation) (1940). Narratives of the Coronado Expedition 1540-42, Coronado Historical Series, Volume 1. Albuquerque, New Mexico: University of New Mexico Press.

[HannaPladdy 2011] Hanna-Pladdy, B., & MacKay, A. (2011). The relation between instrumental musical activity and cognitive aging, Neuropsychology, 25(3), 378–386, doi:10.1037/a0021895.

[Hardin 2003] Hardin, J. (2003). The archive of folk culture at 75: A national project with many workers, Folklife Center News, 25(2), 3–15.

[Harding 1999] Harding, A. F. (editor) (1999). Experiment and design. Archaeological studies in honour of John Coles. Oxford, England: Oxbow Books.

[Hargreaves 1995] Hargreaves, D. J., Comber, C., & Colley, A. (1995). Effects of age, gender, and training on musical preferences of british secondary school students, Journal of Research in Music Education, 43(3), 242–250, doi:10.2307/3345639. Publication 3345639 on JSTOR (subscription access).

[Harmat 2010] Harmat, L., & Theorell, T. (2010). Heart rate variability during singing and flute playing, Music and Medicine, 2(1), 10–17, doi:10.1177/1943862109354598.

[Harmat 2011] Harmat, L., Ullén, F., Manzano, . d., Olsson, E., Elofsson, U., Schéele, B. v., & Theorell, T. (2011). Heart rate variability during piano playing: A case study of three professional solo pianists playing a self-selected and a difficult prima vista piece, Music and Medicine, 3(2), 102–107, doi:10.1177/1943862110387158.

[Harmless 2008] Harmless, W. (2008). Mystics. Oxford University Press.

[Harmon 2009] Harmon, K. (2009). Researchers uncover 1.5 million-year-old footprints, Scientific American, retrieved August 2009.

[Harmon-Jones 2009] Harmon-Jones, E., & Beer, J. S. (editors) (2009). Methods in social neuroscience. New York: Guilford Press.

[Harper 1992] Harper, P. O., Aruz, J., Tallon, F., & Art, M. M. o. (editors) (1992). The royal city of Susa: Ancient Near Eastern treasures in the Louvre, Illustrated Edition. Metropolitan Museum of Art.

[Harrington 1933] Harrington, M. R. (1933). Gypsum Cave, Nevada — Report of the second sessions expedition, Southwest Museum Papers, 8. Reissued in [Harrington 1963].

[Harrington 1942] Harrington, J. P. (1942). Culture element distributions: XIX - Central California Coast, Anthropological Records, 7(1), 1–46.

[Harrington 1963] Harrington, M. R. (1963). Gypsum Cave, Nevada — Report of the second sessions expedition, Southwest Museum Papers, 8. Reissue of [Harrington 1933].

[Harrington-JP 1928] Harrington, J. P., & Roberts, H. H. {. (1928). Picurís children's stories, with texts and songs, Forty-Third Annual Report of the Bureau of American Ethnology to the Secretary of the Smithsonian Institution, 1925-1926, 293–397, retrieved March 15, 2010. Publication annualreportofbu43smithso on Archive.org (open access).

[Harris 1918] Harris, W. R. (1918). Prehistoric man in America. Toronto, Ontario: Ryerson Press. Reprinted from Archaeological reports of the Ontario provincial museum, 1913-1918. Publication prehistoricmanin00harruoft on Archive.org (open access).

[Harris-C 2016] Harris, C. (2016). Heartbeat, warble, and the electric powwow: American Indian music. University of Oklahoma Press.

[Harris-LR 1996] Harris, L. R. (1996). Horn playing and blood pressure, The Lancet, 348(9033), 1042, doi:10.1016/S0140-6736(05)64982-3.

[Harris-R 2009] Harris, R. (2009). A little flute music to warm the cave, National Public Radio, All Things Considered.

[Harrison 1971] Harrison, L. (1957). The tuning of the Babylonian harp, retrieved December 9, 2011. Publication AM_1971_02_12 on Archive.org (open access).

[Hart 1852] Hart, J. S. (editor) (1852). The Iris, an illuminated souvenir for 1852. Philadelphia, Pennsylvania: Lippincott, Grambo & Co.

[Harvey 1997] Harvey, A. (1997). The lind method of stress reduction through music, The LIND Institute.

[Hashemi 2008] Hashemi, V., & Ramezani, S. (2008). Inducing meter for a rhythm and measures for rhythm complexity.

[Hasselbach 2005] Hasselbach, R. (2005). Sargonic Akkadian — A historical and comparative study of the syllabic texts. Otto Harrassowitz Verlag.

[Hassett 2007] Hassett, A. L., Radvanski, D. C., Vaschillo, E. G., Vaschillo, B., Sigal, L. H., Karavidas, M. K., Buyske, S., & Lehrer, P. M. (2007). A pilot study of the efficacy of heart rate variability (HRV) biofeedback in patients with fibromyalgia, Applied Psychophysiology and Biofeedback, 32, 1–10, doi:10.1007/s10484-006-9028-0. Publication 17219062 on PubMed/NCBI (subscription access).

[Hassrick 1964] Hassrick, R. B. (1964). The Sioux: Life and customs of a warrior society. University of Oklahoma Press.

[Haury 1940] Haury, E. W. (1940). Excavations in the Forestdale Valley, East-Central Arizona, University of Arizona Bulletin, 11(4). With appendix, the skeletal remains of the Bear Ruin, Norman E. Gabel.

[Haury 1950] Haury, E. W. (1950). The stratigraphy and archeology of Ventana Cave, Arizona. Tuscon, Arizona: University of Arizona Press.

[Hauser 1978] Hauser, M. (1978). Inuit songs from southwest Baffin Island in cross-cultural context, Études Inuit Studies, 2(1 and 2), issue Number 1, 55–83, issue Number 2 s 71–105. ISSN 0701-1008.

[Hausler 1960] Häusler, A. (1960). Neue Funde steinzeitlicher Musikinstrumente in Osteuropa «New finds of Stone Age musical instruments in Eastern Europe», Acta Musicologica, 32(2/3), in German, 151–155. Publication 931665 on JSTOR (subscription access).

[Hawk 2002] Hawk, S. (2002). The old Indian. San Juan Music Group, Delta Music GmbH, 13-674.

[Hawkins 1868] Hawkins, S. J. (1868). A general history of the science and practice of music, Volume 1.

[Hawley 1937] Hawley, F. (1937). Kokopelli, of the prehistoric Southwestern Pueblo pantheon, American Anthropologist, 39(4), 644–646.

[Hays 2011] Hays, J. (2011). Jiahu culture and the first rice, wine and flutes in China, retrieved October 4, 2011. Original copyright 2008.

[Hays-Gilpin 1998] Hays-Gilpin, K., Deegan, A. C., & Morris, E. A. (1998). Prehistoric sandals from Northeastern Arizona: The Earl H. Morris and Ann Axtell Morris research, Anthropological Papers of the University of Arizona, paper #62. Tuscon, Arizona: University of Arizona Press.

[Hays-Gilpin 2004] Hays-Gilpin, K. A. (2004). “Maidens” and flute players in the Southwest, contained in [Hays-Gilpin 2004a], 127–146.

[Hays-Gilpin 2004a] Hays-Gilpin, K. A. (2004). Ambiguous images: Gender and rock art. Walnut Creek, California: AltaMira Press.

[Hays-TE 1986] Hays, T. E. (1986). Sacred flutes, fertility, and growth in the Papua New Guinea highlands, Anthropos, 81, 435–453.

[Haywood 1951] Haywood, C. (1951). A bibliography of North American folklore and folksong. New York: Greenburg. Reissued in [Haywood 1961].

[Haywood 1961] Haywood, C. (1961). A bibliography of North American folklore and folksong, Two Volumes, Second Revised Edition. New York: Dover Publications. Reissue of [Haywood 1951].

[Healy 2010] Healy, P. F., Dennett, C. L., Harris, M. H., & Both, A. A. (2010). A musical nature: Pre-Columbian ceramic flutes of Northeast Honduras, contained in [Eichmann 2010], 189–212.

[Heard 1969] Heard, J. N. (1969). The black frontiersmen: Adventures of Negroes among American Indians, 1528-1918. New York: John Day Co.

[Heathwaite 2010] Heathwaite, A. (2010). Gallery of just intervals, retrieved January 28, 2015.

[Heathwaite 2011] Heathwaite, A. (2011). Overtone scales, retrieved January 28, 2015.

[Heckroth 1996] Heckroth, J. (1996). Complete MIDI 1.0 detailed specification. MIDI Manufacturers Association.

[Hedden 1981] Hedden, S. K. (1981). Music listening skills and music listening preferences, Bulletin of the Council for Research in Music Education, 65, 16–26. Publication 40317638 on JSTOR (subscription access).

[Heichelheim 1952] Heichelheim, F. M. (1952). Toronto scholar believes music led to alphabet, The Globe and Mail, 1–2.

[Heick 1953] Parrish, E. (performer); Heick, W., & Mueller, G. (writers and directors) (1953). Pomo shaman. University of California.

[Heidel 1963] Heidel, A. (1963). The Gilgamesh Epic and Old Testament parallels, First Phoenix Edition. Chicago, Illinois: The University of Chicago Press. first published in 1946.

[Heidsiek 1966] Heidsiek, R. G. (1966). Music of the Luiseño Indians of Southern California: A study of music in Indian culture with relation to a program in music education (Ph.D. dissertation, University of California, Los Angeles).

[Heimpel 2011] Heimpel, W., & Frantz-Szabó, G. (editors) (2011). Strings and threads — A celebration of the work of Anne Draffkorn Kilmer. Winona Lake, Indiana: Eisenbrauns.

[Heinrich 1977] Heinrich, J. S. (1977). Native Americans: What not to teach, contained in [RSRCE 1977].

[Heins 1976] Heins, E. (1976). On Jaap Kunst's Music in Java, Ethnomusicology, 20(1), 97–101. Publication 850823 on JSTOR (subscription access).

[Heizer 1965] Heizer, R. F., & Whipple, M. A. (editors) (1965). The California Indians: A source book. Berkeley, California: University of California Press.

[Heizer 1978] Heizer, R. F. (volume editor); Sturtevant, W. C. (general editor) (1978). Handbook of North American Indians, Volume 8: California. Washington, D. C.: Smithsonian Institution.

[Heizer 1981] Heizer, R. F., & Kroeber, T. (editors) (1981). Ishi: The last Yahi — A documentary history. Berkeley and Los Angeles, California: University of California Press.

[Helm 1981] Helm, J. (volume editor); Sturtevant, W. C. (general editor) (1981). Handbook of North American Indians, Volume 6: Subarctic. Washington, D. C.: Smithsonian Institution.

[Helmholtz 1912] Helmholtz, H. L. F., & M.D.; Ellis, A. J. (translator) (1912). On the sensations of tone as a physiological basis for the theory of music, Fourth Edition. London, New York, Bombay, and Calcutta: Longmans, Green, and Co. translated from the Fourth German edition of 1877. First German Edition published in 1863.

[Helvaci 2008] Helvacı, Z. (2007). Lirin tarixi: eski ön asya ve yunan uyqarlıqlarında kullanılan lirlerin karşılaşdırılması «Ancient musical instruments in Asia Minor» (Doctoral dissertation, Julius-Maximilians University Würzburg, Institute for Music Research, Germany), in Turkish.

[Henderson 2004] Henderson, A. G. (2004). Fort Ancient Period, contained in Volume 2 of [Pollack 2008], 739–902.

[Hendrix 2000] Hendrix, T. (2000). If the legends fade. Florence, AL: Country Lane Printing.

[Henriques 2011] Henriques, G., Keffer, S., Abrahamson, C., & Horst, S. J. (2011). Exploring the effectiveness of a computer-based heart rate variability biofeedback program in reducing anxiety in college students, Applied Psychophysiology and Biofeedback, 36(2), 101–112. Publication 21533678 on PubMed/NCBI (subscription access).

[Henry 2010] Henry, R. (2010). Culture and the pentatonic scale: Exciting information on pentatonic scales, Kindle Edition. World Wide Jazz.

[Henshilwood 2004] Henshilwood, C. s., & d’Errico, F. (2004). Being modern in the middle stone age: Individuals and innovation, chapter 14 of [Gamble 2004].

[Hensley 1985] Hensley, B. A. (1985). Love and legend speak: Some Native American flutes, The Flutist Quarterly, 11(2), 14–21.

[Hensley 2002] Hensley, B. A. (2002). Thurlow Lieurance Indian flutes, Second Edition. The Oregon Flute Store.

[Henvell 2011] Henvell, R. (2011). Maritime New England and Eastern Canada 11000–6000 BCE.

[Herbermann 1913] Herbermann, C. G. (chief editor) (1913). The Catholic Encyclopedia: An international work of reference on the constitution, doctrine, discipline, and history of the Catholic Church, 15 Volumes. Robert Appleton Company. Volumes originally published sequentially between 1907 and 1912. Also known as the Old Catholic Encyclopedia and the Original Catholic Encyclopedia.

[Herman 1882] Herman, R. L., & Satterlee, W. (1882). Cradle songs of many nations. New York: Dodd, Mead & Company. Reissued in [Herman 1975].

[Herman 1975] Herman, R. L., & Satterlee, W. (1975). Cradle songs of many nations. Merrimack Publishing. Reissue of [Herman 1882].

[Hermann 2004] Hermann, H. R. (2004). Enjoying the Native American-style flute. Happy Camp, California: Naturegraph Publisher, Inc.

[Hermann 2004a] Hermann, H. R. (2004). Naming Native American-style flutes, A silent controversy, Voice of the Wind, 2004(1), 18–20.

[Hermann 2004b] Hermann, H. R. (2004). To seal or not to seal the slow air chamber and flue, Voice of the Wind, 2004(4), 3–6.

[Hermann 2005] Hermann, H. R., & Broussard, R. (2005). Using radiographic techniques to study the internal structure of Native American flutes, Voice of the Wind, 2005(2), 6–8.

[Hermann 2005a] Hermann, H. R. (2005). Preservation and decay of ancient flutes in North America, Voice of the Wind, 2005(4), 27–29.

[Hermann 2006] Hermann, H. (2006). Recognizing an early American icon and the origin of the warble in Native American fipple flutes, Voice of the Wind, 2006(3), 11–12.

[Hermann 2011] Hermann, H. R. (2011). Making the wind sing: Native American music and the connected breath. Masterwork Books.

[Herndon 1980] Herndon, M. (1980). Native American music. Darby, Pennsylvania: Norwood Editions.

[Herndon 1982] Herndon, M. (1982). Native American music, Second Edition. Darby, Pennsylvania: Norwood Editions.

[Hertzberg 1966] Hertzberg, H. W. (1966). The great tree and the longhouse: The culture of the Iroquois. MacMillan.

[Herzog 1928] Herzog, G. (1928). The Yuman musical style, The Journal of American Folk-lore, 41, 183–231. Publication 534896 on JSTOR (subscription access).

[Herzog 1930] Herzog, G. (1930). Musica styles in North America, Proceedings of the 23rd International Congress of Americanists, New York, September 17, 1928, 455–458.

[Herzog 1933] Herzog, G. (1933). The collections of phonograph records in North America and Hawaii, Zeitschrift für vergleichende Musikwissenschaft, 1, 58–62.

[Herzog 1933a] Herzog, G. (1933). Maricopa music, contained in [Spier 1933], 271–279.

[Herzog 1934] Herzog, G. (1934). Speech-melody and primitive music, The Musical Quarterly, 20(4), 452–466, doi:10.1093/mq/XX.4.452. Publication 738932 on JSTOR (subscription access).

[Herzog 1934a] Herzog, G. (1934). Appendix of song transcriptions, contained in [Adamson 1934], 422–430.

[Herzog 1935] Herzog, G. (1935). Plains Ghost Dance and Great Basin Music, American Anthropologist, 37(3), 403–419. Publication 661963 on JSTOR (subscription access).

[Herzog 1935a] Herzog, G. (1935). Special song types in North American Indian music, Zeitschrift for Vergleichende Musikwissenschaft, 3, 1–11 or 1–6 and 23–33.

[Herzog 1936] Herzog, G. (1936). A comparison of Pueblo and Pima musical styles, The Journal of American Folk-lore, 49(194), 283–418. Note that the title is cited in some publciations as "A Comparison of Pima and Pueblo Musical Style". Publication 535645 on JSTOR (subscription access).

[Herzog 1938] Herzog, G. (1938). Music in the thinking of the American Indian, Peabody Bulletin, 34(1), 8–12.

[Herzog 1940] Herzog, G. (1940). The study of Native music in America, Proceedings of the Eighth American Scientific Congress, Washington, D.C., May 10–18, 1940, 2, 203–209.

[Herzog 1944] Herzog, G. (1944). African influences in North American Indian music, International Congress of Musicology, New York, September 11–16, 1939, contained in [Mendel 1944], 130–143. Publication papersreadatinte00amer on Archive.org (open access).

[Herzog 1947] Herzog, G. (1947). Recent publications on music in the Dutch East Indies, American Anthropologist, 49(2), 299–304, doi:10.1525/aa.1947.49.2.02a00220.

[Herzog 1949] Herzog, G. (1949). Salish music, contained in [Smith-MW 1949], 93–109.

[Hesser 2011] Hesser, B., & Heinemann, H. N. (editors) (2011). Music as a global resource: Solutions for social and economic issues, Third Edition.

[Heth 1976] Heth, C. (producer); Moore, M., & Miller, L. (recording engineers) (1976). Songs of earth, water, fire and sky, New World Records, 80246.

[Heth 1977] Heth, C. (producer) (1977). Songs of love, luck, animals, and magic: Music of the Yurok and Tolowa Indians, New World Records, 80297-2.

[Heth 1979] Heth, C. (producer) (1979). Oku shareh: Turtle dance songs of San Juan Pueblo, New World Records, 80301-2.

[Heth 1979a] Heth, C. (1979). Stylistic similarities in Cherokee and Iroquois music, Journal of Cherokee Studies, 4, 128–162.

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