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[Flutopedia format] References - G

This page lists references with citation tags that begin with the letter G. For other references and a documentation on how these references are cited, see the main references page. You can also click on these direct links to the various pages:

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[Flutopedia format] References - G

[Gadalla 2000] Moustafa Gadalla. Egyptian Harmony — The Visual Music, published by the Tehuti Research Foundation, Greensboro, North Carolina, 2000, 191 pages.

[Gadalla 2002] Moustafa Gadalla. Egyptian Rhythm — The Heavenly Melodies, published by the Tehuti Research Foundation, Greensboro, North Carolina, 2002, 239 pages, ISBN 1-931446-02-4 (978-1-931446-02-0).

[Gadolou 2012] Anastasia Gadolou. “Life on Board the Antikythera Shipwreck”, contained in [Kaltsas 2012], 2012, pages 50–56.

[Gage 2001] Bruce Gage. “The Making of Native American Style Flutes”, The Woodwind Quarterly, Number 22, 2001, pages 53–62.

[Gainza 2009] Mikel Gainza. “Automatic Musical Meter Detection”, 2009.

[Gale-A 1949] Albert Gale (recordings, harmonization, and drawings); Martha Brockway Gale (explanatory material and glossary); Beatrice Krones and Max Krones (accompaniments and English text); Mary Finley Fry (illustrations). Songs and Stories of the American Indians, Series: A World in Tune, Book 9, published by the Neil A. Kjos Music Company, Park Ridge, Illinois, 1949, ASIN B002AE2KWK.

[Galloway x] SantaFe Galloway (1938–2003). Night Chants — for Solo Native American Flute, Colorado Springs, Colorado, Zalo / JP-Publications.

[Galpin 1903] F. W. {Francis William} Galpin. “The Whistles and Reed Instruments of the American Indians of the North-West Coast”, Proceedings of the Musical Association, Volume 29, March 10, 1903, pages 115–138. Publication 765327 on JSTOR (subscription access).

[Galpin 1929] F. W. {Francis William} Galpin. “The Sumerian Harp of Ur”, Music & Letters, Volume 10, Number 2, published by Oxford University Press, April 1929, pages 108–123, doi:10.1093/ml/X.2.108. Publication 726035 on JSTOR (subscription access).

[Galpin 1937] F. W. {Francis William} Galpin. The Music of the Sumerians — And Their Immediate Successors, the Babylonians and Assyrians, published by Cambridge University Press, 1937, ASIN B002N1WMZ0. Reissued in [Galpin 2011].

[Galpin 2011] F. W. {Francis William} Galpin. The Music of the Sumerians — And Their Immediate Successors, the Babylonians and Assyrians, published by Cambridge University Press, February 17, 2011, 160 pages, ISBN 0-521-18063-5 (978-0-521-18063-4). Originally published in 1937. Reissue of [Galpin 1937].

[Gamble 2004] Clive Gamble and Martin Porr (editors). The Individual Hominid In Context: Archaeological Investigations of Lower and Middle Palaeolithic Landscapes, Locales and Artefacts, published by Routledge, 2004, 336 pages, ISBN 0-415-28433-3 (978-0-415-28433-2).

[Garaj 2006] Bernard Garaj. “The Fujara — A Symbol of Slovak Folk Music and New Ways of its Usage”, Proceedings from the 16th International Meeting, ICTM Study Group on Folk Musical Instruments, Studia Instrumentorum Musicae Popularis, Volume 16, 2006, pages 86–94. ISSN 1392–2831.

[Garcia 2010] Francisco Garcia Diaz-Castroverde. Acquisition and Study of Blowing Pressure Profiles in Recorder Playing, Masters dissertation – Universitat Pompeu, Fabra, Barcelona, 2010, 117 pages.

[Garcia 2011] Francisco Garcia, Leny Vinceslas, Josep Tubau, and Esteban Maestre. “Acquisition and Study of Blowing Pressure Profiles in Recorder Playing”, Proceedings of the International Conference on New Interfaces for Musical Expression, Oslo, Norway, May 30 – June 1, 2011, 2011, pages 124–127.

[Garcia-L 1989] Louis Garcia; Bill Brewer (illustrations). “The Whistle Owner — An Officer in the Grass Dance Society of the Sioux”, Whispering Wind, Volume 21, Fall 1989, pages 12–15.

[Gardenhire 2003] Damon Gardenhire (text); John Jernigan (photographs). “How a Man Saved a Flute: The Stradivarius of America's Original Woodwind, the Indian Flute”, Oklahoma Today, Volume 53, Number 6, November/December 2003, pages 46–49.

[Gardner-Z 2013] Zen Gardner. 440Hz Music – Conspiracy to Detune Us from Natural 432Hz Harmonics?, August 6, 2013, retrieved July 6, 2015.

[GarnNunn 2004] Pamela G. Garn-Nunn and James M. Lynn. Calvert's Descriptive Phonetics Transcription Workbook, Third Edition, published by Thieme Medical Publishers, 2004.

[Garrett 1977] Steven Garrett and Daniel K. Stat (Daniel K. Statnekov). “Peruvian Whistling Bottles”, Journal of the Acoustical Society of America, Volume 62, Number 2, August 1977, pages 449–453, doi:10.1121/1.381507.

[Gary 2007] Ken Gary. The Flute — Origin, History, and Symbology, 2007.

[Gasparyan 1983] Djivan Gasparyan (born 1928). I Will Not Be Sad in this World.

[Gatliff 2005] Robert Gatliff. “The Last Chapter in a Flute Collection”, Voice of the Wind, Year 2005, Volume 4, published by the International Native American Flute Association, Suffolk, Virginia, 2005, pages 13–18.

[Gatliff 2006] Robert Gatliff. “Did Pocahontas Play the Flute?”, Voice of the Wind, Year 2006, Volume 2, published by the International Native American Flute Association, Suffolk, Virginia, 2006, pages 4–5.

[Gatliff 2006a] Robert Gatliff. “Flutes and Courting Along the Upper Missouri”, Voice of the Wind, Year 2006, Volume 3, published by the International Native American Flute Association, Suffolk, Virginia, 2006, pages 5–7.

[Gatliff 2007] Robert Gatliff. “The Man With the Red Umbrella and the Flute He Collected in 1823”, Voice of the Wind, Year 2007, Volume 2, published by the International Native American Flute Association, Suffolk, Virginia, 2007, pages 14–15.

[Gatliff 2010] Robert Gatliff. FluteTree.com Songbook, 2010, retrieved February 5, 2010. Nakai tablature notation, finger diagrams for many flute makers. Contains 112 songs.

[Gauldin 1983] Robert Gauldin. “The Cycle-7 Complex: Relations of Diatonic Set Theory to the Evolution of Ancient Tonal Systems”, Music Theory Spectrum, Volume 5, published by the University of California Press on behalf of the Society for Music Theory, Spring 1983, pages 39–55. Publication 746094 on JSTOR (subscription access).

[Gelo 1988] Daniel L. Gelo. “Comanche Songs, English Lyrics, and Formal Continuity”, European Review of Native American Studies, Volume 2, Number 2, 1988, pages 2–7.

[Gelo 1988a] Daniel L. Gelo. “Comanche Songs, English Lyrics: Context, Imagery, and Continuity”, Storia Nordamericana, Volume 5, Number 1, 1988, pages 137–146.

[George 1962] Graham George. “Songs of the Salish Indians of British Columbia”, Journal of the International Folk Music Council, Volume 14, published by the International Council for Traditional Music, January 1962, pages 22–29.

[George-AR 1979] Andrew R. George. “Cuneiform Texts in the Birmingham City Museum”, Iraq, Volume 41, Number 2, published by the British Institute for the Study of Iraq, Autumn 1979, pages 121–140. Publication 4200108 on JSTOR (subscription access).

[George-AR 1999] Andrew R. George. “What’s New in the Gilgamesh Epic?”, Bulletin of the Canadian Society for Mesopotamian Studies, Volume 34, 1999, pages 51–58.

[George-AR 2003] Andrew R. George. The Babylonian Gilgamesh Epic — Introduction, Critical Edition and Cuneiform Texts, Volume 1, 2003, 986 pages.

[George-AR 2003a] Andrew R. George. The Epic of Gilgamesh: The Babylonian Epic Poem and Other Texts in Akkadian and Sumerian, Reprint edition, published by Penguin, 2003, 228 pages, ISBN 0-14-044919-1 (978-0-14-044919-8).

[George-AR 2007] Andrew George. “Babylonian and Assyrian: A History of Akkadian”, contained in [Postgate 2007], 2007, pages 31–71.

[Geringer 1976] John M. Geringer. “Tuning Preferences in Recorded Orchestral Music”, Journal of Research in Music Education, Volume 24, Number 4, Winter 1976, pages 169–176, doi:10.2307/3345127. Publication 3345127 on JSTOR (subscription access).

[Geringer 2010] John M. Geringer. “Musicians' Preferences for Tempo Pitch Levels in Recorded Orchestral Music”, Journal of Research in Music Education, Volume 58, Number 3, October 2010, pages 294–308. Publication 40961671 on JSTOR (subscription access).

[GersonKiwi 1952] Edith Gerson-Kiwi. “Migrations and Mutations of Oriental Folk Instruments”, Journal of the International Folk Music Council, Volume 4, 1952, pages 16–19. Publication 835835 on JSTOR (subscription access).

[Gevirtz 2008] Richard Gevirtz and Constance Dalenberg. “Heart Rate Variability Biofeedback in the Treatment of Trauma Symptoms”, Biofeedback, Volume 36, Number 1, Spring 2008, pages 22–23.

[Gevirtz 2011] R. Gevirtz. Cardio-respiratory Psychophysiology: Gateway to Mind-body Medicine, BFE conference workshop, Munich, Germany, 2011.

[Giardino 2004] Nicholas D. Giardino, Leighton Chan, and Soo Borson. “Combined Heart Rate Variability and Pulse Oximetry Biofeedback for Chronic Obstructive Pulmonary Disease: Preliminary Findings”, Applied Psychophysiology and Biofeedback, Volume 29, Number 2, June 2004, pages 121–133, doi:10.1023/B:APBI.0000026638.64386.89. Publication 15208975 on PubMed/NCBI (subscription access).

[Giatti 2001] Anna Giatti and Mara Miniati. Acoustics and Its Instruments «l'Acustica e I Suoi Strumenti», published by Giunti Industrie Grafiche S.p.A., in Italian and English, 2001, 144 pages, ISBN 88-09-02183-5 (978-88-09-02183-9), softcover.

[Gibbon 2003] Guy E. Gibbon. The Sioux: The Dakota and Lakota Nations, published by Wiley-Blackwell, 2003, 328 pages, ISBN 1-55786-566-3 (978-1-55786-566-3).

[Gibbs 2003] Victor Gibbs (principal investigator). A Cultural Resources Overview of the San Andres National Wildlife Refuge, New Mexico, March 2003, 111 pages.

[Gibbs-G 1856] George Gibbs; John J. Milhau, Silvester Mowry, and Olive Oatman (contributors). Observations on the Indians of the Colorado River, California; Accompanying Vocabularies of the Yuma and Mohave tribes, Manuscript 1043, published by the National Anthropological Archives, Smithsonian Institution, 1856, 22 pages. Gibbs states that his paper is based on data received from Milhau and Mowry; the latter in turn obtained data from Olive Oatman, Apache captive, 1851-55.

[Gibson 2004] Sophie Gibson. Aristoxenus of Tarentum and the Birth of Musicology, Studies in Classics, Volume 9, published by Psychology Press, 2004, 176 pages, ISBN 0-203-49104-1 (978-0-203-49104-1).

[Gifford 1931] E. W. Gifford (1887–1959). The Kamia of Imperial Valley, Smithsonian Institution, Bureau of American Ethnology, Bulletin 97, published by the United States Government Printing Office, Washington, D.C., 1930, 128 pages. Publication bulletin971931smit on Archive.org (open access).

[Gifford 1936] Edward Winslow Gifford and S. Klimek. Culture Element Distributions: II - Yana, University of California Publications in American Archaeology and Ethnology, Volume 37, Number 2, published by the University of California Press, Berkeley and Los Angeles, California, 1936, pages 71–100.

[Gifford 1937] Edward Winslow Gifford and Alfred L. Kroeber. Culture Element Distributions: IV - Pomo, University of California Publications in American Archaeology and Ethnology, Volume 37, Number 4, published by the University of California Press, Berkeley and Los Angeles, California, 1937, pages 117–253.

[Gifford 1940] E. W. Gifford. Culture Element Distributions: XII - Apache-Pueblo, Anthropological Records, Volume 4, Number 1, published by the University of California Press, Berkeley and Los Angeles, California, May 18, 1940, pages 1–208.

[Giglio 1994] Virginia Giglio. Southern Cheyenne Women's Songs, published by the University of Oklahoma Press, Norman, Oklahoma, 1994, 272 pages, ISBN 0-8061-2605-1 (978-0-8061-2605-0), hardcover.

[Gil 2010] E. Gil, M. Orini, R. Bailón, J. M. Vergara, L. Mainardi, and P. Laguna. “Photoplethysmography Pulse Rate Variability as a Surrogate Measurement of Heart Rate Variability During Non-stationary Conditions”, Physiological Measurement, Volume 31, 2010, pages 1271–1290, doi:10.1088/0967-3334/31/9/015. Publication 20702919 on PubMed/NCBI (subscription access).

[Gilbert 1998] T. B. Gilbert. “Breathing Difficulties in Wind Instrument Players”, Maryland Medical Journal, Volume 47, Number 1, January 1998. Publication 9448412 on PubMed/NCBI (subscription access).

[Gilbert-HFB 1912] Henry Franklin Belknap Gilbert (1866–1928). Indian Scenes — Five Pieces for the Pianoforte, published by H. W. Gray Co., New York, 1912.

[Gilbert-WH 1942] William Harlen Gilbert, Jr. “The Eastern Cherokees”, Smithsonian Institution, Bureau of American Ethnology, Bulletin 133, published by the United States Government Printing Office, Washington, D.C., 1942, pages 169–414 + plates. Anthropological paper number 23. Publication bulletin1331943smit on Archive.org (open access).

[Giles 1984] Martha Mead Giles. “Improvising on an Indian Flute”, Music Educators Journal, Volume 70, Number 6, February 1984, pages 61–62, doi:10.2307/3400798. Publication 3400798 on JSTOR (subscription access).

[Gill 2009] Kamraan Z. Gill and Dale Purves. “A Biological Rationale for Musical Scales”, PLoS ONE, Volume 4, Number 12, e8144, December 3, 2009, 9 pages, doi:10.1371/journal.pone.0008144.

[Gillessen 2002] Klaus Gillessen. “Simple Reed-Pipes from Crete and Turkey”, The Galpin Society Journal, Volume 55, published by the Galpin Society, April 2002, pages 379–381. Publication 4149061 on JSTOR (subscription access).

[Gilman 1891] Benjamin Ives Gilman (1852–1933). “Zuñi Melodies”, A Journal of American Ethnology and Archaeology, Volume 1, published by The Riverside Press, Massachusetts, 1891, pages 63–92. Contains 1 song.

[Gilman 1908] Benjamin Gilman. “Hopi Songs”, Hemenway Southwestern Archaeological Expedition, A Journal of American Ethnology and Archaeology, Volume 5, published by The Riverside Press, Massachusetts, 1908, 235 pages. Contains 18 songs.

[Gilman-EF 1993] Edward F. Gilman and Dennis G. Watson. Acer negundo Boxelder, Fact Sheet ST-20, published by the U. S. Department of Agriculture, Forest Service, November 1993, 4 pages.

[Gilmore 1919] Melvin Randolph Gilmore (1868–1940). “Uses of Plants by the Indians of the Missouri River Region”, Thirty-third Annual Report of the Bureau of American Ethnology to the Secretary of the Smithsonian Institution, 1911-1912, published by the United States Government Printing Office, Washington, D.C., 1919, pages 43–154 + plates 1–30a, retrieved March 15, 2010. Publication annualreportofbu33smithso on Archive.org (open access).

[Gilreath 2011] Amy Gilreath. Gypsum Cave, January 4, 2011, retrieved April 21, 2012.

[Gioia 2006] Ted Gioia. Healing Songs, published by Duke University Press, Durham, North Carolina, 2006, 264 pages, ISBN 0-8223-3702-9 (978-0-8223-3702-7).

[Giorgi 1897] Carlo T. Giorgi. “Flute”, United States Patent 594,735, Granted November 30, 1897, 4 pages, retrieved December 5, 2009.

[Giroux 1953] Paul H. Giroux. “The History of the Flute and Its Music in the United States”, Journal of Research in Music Education, Volume 1, Number 1, Spring 1953, pages 68–73. Publication 3344568 on JSTOR (subscription access).

[Girvin 2000] Polly Girvin. “Mendocino County Intertribal Repatriation Project — An Interview with Polly Girvin”, Grace Millennium, Winter 2000, pages 4–8.

[Gladwell 2011] Valerie Gladwell, Pekka Kuoppa, Mika Tarvainen, Jules Pretty, and Daniel Brown. Reducing Cardiovascular Risk: Night-time Heart Rate Variability is Increased Following a Lunchtime Walk in Nature, published by University of Essex, 2011, 1 page.

[Gladwell 2012] Valerie F. Gladwell, Daniel K. Brown, J. L. Barton, Mika P. Tarvainen, Pekka Kuoppa, Jules Pretty, J. M. Suddaby, and Gavin R. H. Sandercock. “The Effect of Views of Nature on Autonomic Control”, European Journal of Applied Physiology, Volume 112, Issue 9, September 2012, pages 3379–3386, doi:10.1007/s00421-012-2318-8.

[Goble 1992] Paul Goble. Love Flute, published by Aladdin Paperbacks, Simon & Shuster, New York, 1992, ISBN 0-689-81683-9. for ages 5-8.

[Goddard 1918] Pliny Earle Goddard (1869–1928). “Myths and Tales From the San Carlos Apache”, Athropological Papers of the American Museum of Natural History, Volume 24, 1918, pages 1–86.

[Goddard 1919] Pliny Earle Goddard. “Myths and Tales from the White Mountain Apache”, Athropological Papers of the American Museum of Natural History, Volume 24, 1919, pages 87–140.

[Goddard 1919a] Pliny Earle Goddard. “San Carlos Apache Texts”, Athropological Papers of the American Museum of Natural History, Volume 24, 1919, pages 141–368.

[Goddard 1920] Pliny Earle Goddard. “White Mountain Apache Texts”, Athropological Papers of the American Museum of Natural History, Volume 24, 1920, pages 369–528.

[Goddard-I 1996] Ives Goddard (volume editor); William C. Sturtevant (general editor). Handbook of North American Indians, Volume 17: Languages, published by the Smithsonian Institution, Washington, D. C., 1996, 958 pages, ISBN 0-87474-197-1 (978-0-87474-197-1).

[Goebel 1995] George H. Goebel. “New Evidence on the Echo Flute”, The Galpin Society Journal, Volume 48, March 1995, pages 205–207. Publication 842814 on JSTOR (subscription access).

[Goedicke 1971] Hans Goedicke (editor). Near Eastern Studies in Honor of William Foxwell Albright, published by The Johns Hopkins University Press, in German and English, 1971, 503 pages, ISBN 0-8018-1235-6 (978-0-8018-1235-4).

[Goldberger 1988] Ary L. Goldberger, D. R. Rigney, J. Mietus, E. M. Antman, and S. Greenwald. “Nonlinear Dynamics in Sudden Cardiac Death Syndrome: Heartrate Oscillations and Bifurcations”, Cellular and Molecular Life Sciences, Volume 44, Number 11–12, December 1, 1988, pages 983–987, doi:10.1007/BF01939894.

[Goldberger 1991] Ary L. Goldberger. “Is the Normal Heartbeat Chaotic or Homeostatic?”, News in Physiological Science, Volume 6, April 1991, pages 87–91. Publication 11537649 on PubMed/NCBI (subscription access).

[Goldman 2011] Jonathan Goldman and Andi Goldman. Chakra Frequencies: Tantra of Sound, published by Inner Traditions / Bear & Co, May 24, 2011, 208 pages.

[Gombert 1994] Greg Gombert. A Guide to Native American Music Recordings, published by Multi Cultural Publishing, Fort Collins, Colorado, 1994, ix + 134 pages.

[Gomez 2007] M. Arias Gomez. “Música y Neurología «Music and Neurology»”, Neurologia, Volume 22, Number 1, in Spanish, January–February 2007, pages 39–45.

[Goncharova 2003] I. I. Goncharova, D. J. McFarland, T. M., Vaughan, and J. R. Wolpaw. “EMG Contamination of EEG: Spectral and Topographical Characteristics”, Clinical Neurophysiology,, Volume 114, Number 9, 2003, pages 1580–1593, doi:10.1016/S1388-2457(03)00093-2.

[Gong 2006] Hong-yu Gong. Missionaries, Reformers, and the Beginnings of Western Music in Late Imperial China (1839–1911), Doctoral dissertation in Asian Studies – University of Auckland, New Zealand, 2006, 421 pages.

[Gonzato 2015] Guido Gonzato. The "Low-Tech" Whistle: How to Make a Fine PVC Whistle, November 23, 2015, 33 pages.

[Goodheart 2002] Adam Goodheart. “Commedia dell'Arte”, Conde Nast Traveler, December 2002.

[Gooding 1998] Erik D. Gooding. “Songs of the People: Plains Indian Music and Recordings, 1968-1996”, Music Library Association Notes - Second Series, Volume 55, Number 1, September 1998, pages 37–67. Publication 900346 on JSTOR (subscription access).

[Goodman 1977] Linda Goodman. Music and Dance in Northwest Coast Indian Life, published by the Navajo Community College Press, Tsaile, Arizona, 1977, 249 pages.

[Goodwin 1952] A. J. H. Goodwin. “Jan van Riebeeck and the Hottentots 1652-1662”, The South African Archaeological Bulletin, Volume 7, Number 25, March 1952, pages 2–6. Publication 3887530 on JSTOR (subscription access).

[Goosman 1990] Jack P. Goosman. “Flute Headjoint”, United States Patent 4,896,579, Granted January 30, 1990, 7 pages, retrieved December 5, 2009.

[Goranson 2011] Casey Goranson. Hurrian Hymn No. 6, 2011, retrieved March 20, 2011.

[Goss 2006] Clint Goss (born 1957) and Eric Miller. SpiritGrass, Westport, Connecticut, Manifest Spirit Records, MSR-061, 12 tracks, 2006, UPC 8-37101-22955-5, audio CD.

[Goss 2007] Clint Goss. “A Room Full of Flute Players”, Voice of the Wind, Year 2007, Volume 3, published by the International Native American Flute Association, Suffolk, Virginia, 2007, pages 6–8.

[Goss 2008] Clint Goss. Jam Tracks in A Minor, Native Flute Tracks series, Westport, Connecticut, Manifest Spirit Records, MSR-NT01, 20 tracks, February 19, 2008, total time 79:08, UPC 7-96873-02719-9, audio CD.

[Goss 2008a] Clint Goss. Jam Tracks in G Minor, Native Flute Tracks series, Westport, Connecticut, Manifest Spirit Records, MSR-NT02, 20 tracks, December 9, 2008, total time 77:11, UPC 8-84501-08018-7, audio CD.

[Goss 2008b] Clint Goss. “Nudge, Nudge”, Voice of the Wind, Year 2008, Volume 3, published by the International Native American Flute Association, Suffolk, Virginia, 2008, page 7.

[Goss 2008c] Clint Goss. “Right in Tune”, Voice of the Wind, Year 2008, Volume 4, published by the International Native American Flute Association, Suffolk, Virginia, 2008, pages 15–17.

[Goss 2009] Clint Goss. Jam Tracks in F# Minor, Native Flute Tracks series, Westport, Connecticut, Manifest Spirit Records, MSR-NT03, 24 tracks, August 11, 2009, total time 79:43, UPC 8-84501-17450-3, audio CD.

[Goss 2009a] Clint Goss. Jam Tracks in E Minor, Native Flute Tracks series, Westport, Connecticut, Manifest Spirit Records, MSR-NT04, 21 tracks, December 8, 2009, total time 76:57, UPC 8-84501-23951-6, audio CD.

[Goss 2009b] Clint Goss. “Widening the Circle”, Voice of the Wind, Year 2009, Volume 2, published by the International Native American Flute Association, Suffolk, Virginia, 2009, pages 4–5.

[Goss 2012] Clint Goss. “Lessons on Lessons”, Voice of the Wind, Year 2012, Volume 2, published by the International Native American Flute Association, Suffolk, Virginia, 2012, pages 13–15.

[Goss 2012a] Clint Goss. “This is My Music”, Voice of the Wind, Year 2012, Volume 1, published by the International Native American Flute Association, Suffolk, Virginia, 2012.

[Goss 2013] Clinton F. Goss. “Intraoral Pressure in Ethnic Wind Instruments”, August 21, 2013, 16 pages, arXiv:1308.5214.

[Goss 2013a] Clinton F. Goss and Eric B. Miller. “Dynamic Metrics of Heart Rate Variability”, August 29, 2013, 4 pages, arXiv:1308.6018.

[Goss 2013p] Clint Goss. “Rounding the Circle”, Overtones!, Year 2013, Volume 1, May 2013, pages 15–17.

[Goss 2013q] Clint Goss. “Success for All!”, Overtones!, Year 2013, Volume 2, August 2013, pages 7–8.

[Goss 2013r] Clint Goss. “Ensembles”, Overtones!, Year 2013, Volume 3, November 2013, pages 14–16.

[Goss 2014] Clint Goss and Eric B. Miller. Flute Playing Physiology — A Collection of Papers on the Physiological Effects of the Native American Flute, June 6, 2014, 54 pages, doi:10.13140/2.1.4064.0643.

[Goss 2014p] Clint Goss and Lynn Miller. “Exploring the Voice”, Overtones!, Year 2014, Volume 1, February 2014, pages 18–20.

[Goss 2014q] Clint Goss. “Acceptance”, Overtones!, Year 2014, Volume 2, May 2014, pages 25–27.

[Goss 2014r] Clint Goss and Eric Miller. “Your Brain on Flute”, Overtones!, Year 2014, Volume 2, May 2014, pages 10–14.

[Goss 2014s] Clint Goss. “Warming Up!”, Overtones!, Year 2014, Volume 3, August 2014, pages 12–14.

[Goss 2014t] Clint Goss. “Deep Listening!”, Overtones!, Year 2014, Volume 4, November 2014, pages 11–13.

[Goss 2015] Clinton F. Goss. “Native American Flute Ergonomics, Revised version”, January 6, 2015, 13 pages, arxiv:1501.00910.

[Goss 2015p] Clint Goss and Mary Knysh. “Facilitating With Rhythm”, Overtones!, Year 2015, Volume 1, February 2015, pages 12–14.

[Goss 2015q] Clint Goss. “Keyboards in the Circle”, Overtones!, Year 2015, Volume 2, May 2015, pages 13–16.

[Goss 2015r] Clint Goss. “Keyboards in the Circle”, Overtones!, Year 2015, Volume 3, August 2015, pages 8–12.

[Goss 2015s] Clint Goss. “Thriving Flute Circles”, Overtones!, Year 2015, Volume 4, November 2015, pages 9–11.

[Goss-WP 1992] W. P. Goss and R. G. Miller. “Thermal Properties of Wood and Wood Products”, Proceedings of the Thermal Performance of the Exterior Envelopes of Whole Buildings International Conference, 1992, Paper 28, 1992, 12 pages, ISBN 0-910110-93-X.

[Gosvami 1957] O. Gosvami. The Story of Indian Music: Its Growth and Synthesis, December 1957, 332 pages.

[Goswami 2011] Damodar Prasad Goswami, Dewaki Nandan Tibarewala, and Dilip Kumar Bhattacharya. “Analysis of Heart Rate Variability Signal in Meditation Using Second-order Difference Plot”, Journal of Applied Physics, Volume 109, Number 114703, 2011, 6 pages, doi:10.1063/1.3586270.

[Govenar 2016] Alan Govenar (recordings and producer); Nancy Lamb (editor and narration). Doc Tate Nevaquaya, Masters of Traditional Arts series, Documentary Arts, Inc., Dallas, TX, 5 tracks, 2016, audio stream.

[Grammatopoulos 2009] Ektor Grammatopoulos. A Study of the Effects of Playing a Wind Instrument on the Occlusion, M.Phil. dissertation – Department of Orthodontics, The Dental School, University of Birmingham, Birmingham, England, December 2009, 145 pages.

[Granger 2005] Randy Granger. “Learning to Play with an Open Heart”, Voice of the Wind, Year 2005, Volume 1, published by the International Native American Flute Association, Suffolk, Virginia, 2005, page 2.

[Granger 2015] Randy Granger. Playing the Native American Flute in Hospice and Hospital Settings, 2015, 3 pages.

[Grantham 2002] Bill Grantham. Creation Myths and Legends of the Creek Indians, published by the University Press of Florida, 15 Northwest 15th Street, Gainsville, FL 32611-2079, 2002, ISBN 0-8130-2451-X.

[Grauer 2006] Victor A. Grauer. “Echoes of Our Forgotten Ancestors”, The World of Music, Volume 48, Number 2, 2006, pages 5–58. Publication 41699695 on JSTOR (subscription access).

[Grauer 2007] Victor A. Grauer. “New Perspectives on the Kalahari Debate: A Tale of Two ‘Genomes’”, Before Farming, Article 4, February 2007, 14 pages.

[Grauer 2010] Victor A. Grauer. “Some Notable Features of Pygmy and Bushmen Polyphonic Practice, with Special Reference to Survivals of Traditional Vocal Polyphony in Europe”, The Fourth International Symposium on Traditional Polyphony, Tbilisi, Georgia, September 15–19, 2008, editors: Rusudan Tsurtsumia (editor); Maia Kachkachishvili (translator), published by Nova Science, 2010, pages 147–157.

[Grauer 2011] Victor A. Grauer. Sounding the Depths: Tradition and the Voices of History, published by CreateSpace, 2011, 314 pages, ISBN 1-4637-4175-8 (978-1-4637-4175-4).

[Gray 1985] Judith A. Gray and Dorothy Sara Lee (editors). The Federal Cylinder Project: A Guide to Field Cylinder Collections in Federal Agencies, Volume 2: Northeastern Indian Catalog and Southeastern Indian Catalog, Studies in American Folklife, Number 3, Volume 2, published by the Library of Congress, American Folklife Center, Washington, D.C., 1984, 421 pages.

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[Gray 1989] Judith A. Gray. “Ponca Indian Song Collection Presented to Folk Archive”, Folklife Center News, Volume 11, Number 1, published by The Library of Congress, American Folklife Center, Winter 1989, pages 9–11.

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