[Flutopedia format] References - V

This page lists references with citation tags that begin with the letter V. For other references and a documentation on how these references are cited, see the main references page. You can also click on these direct links to the various pages:

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[Flutopedia format] References - V

[Vaca 1528] Alvar Nuñez Cabeca de Vaca; Frederick W. Hodge (editor). “The Narrative of Alvar Nuñez Cabeca de Vaca”, contained in [Jameson 1907], 1528.

[Vaca 1922] Alvar Nuñez Cabeca de Vaca; Ad. F. Bandelier (editor). The Journey of Alvar Nuñez Cabeca de Vaca and his Companions from Florida to the Pacific 1528–1536, published by the Allerton Book Co., New York, 1922, xxii + 231 pages. Copyright 1904, William-Barker Co. Original publication in 1542.

[Vames 2003] John Vames. The Native American Flute: Understanding the Gift, First Edition, published by Molly Moon Arts & Publishing, Scottsdale, Arizona, 2003, 94 pages, ISBN 0-9740486-0-7, comb binding. Nakai tablature notation, no finger diagrams, CD included. Contains 25 songs.

[Vames 2005] John Vames. The Native American Flute: Understanding the Gift, Second Edition, published by Molly Moon Arts & Publishing, Scottsdale, Arizona, 2005, ISBN 0-9740486-2-3, comb binding. Same as First Edition, except for the cover and price. Contains 25 songs.

[Vames 2005a] John Vames. Song for Koko: Jazz for Native American Flute, First Edition, published by Molly Moon Arts & Publishing, Scottsdale, Arizona, 2005, 65 pages, ISBN 0-9740486-1-5, spiral binding. Nakai tablature notation, no finger diagrams, CD included. Contains 14 songs.

[Vames 2006] John Vames. The Native American Flute: Understanding the Gift, Third Edition, published by Molly Moon Arts & Publishing, Scottsdale, Arizona, 2006, ISBN-13 978-0-9740486-3-5, comb binding. Same as First Edition, except for the cover and price.

[Vames 2007] John Vames. The Native American Flute: Understanding the Gift, Fourth Edition, published by Molly Moon Arts & Publishing, Scottsdale, Arizona, 2007, ISBN 0-9740486-3-1 (978-0-9740486-3-5), comb binding. Same as First Edition, except for the cover and price.

[Vames 2007a] John Vames. Song for Koko: Jazz for Native American Flute, Second Edition, published by Molly Moon Arts & Publishing, Scottsdale, Arizona, 2007, 65 pages, ISBN-13 978-0-9740486-1-1, spiral binding. Same as First Edition, except for the cover and price.

[Vames 2010] John Vames; Sherry Vames (producer); Auggie Mendoza (musical transcriptions and arrangements). Remembrance — Songs from a Journey, First Edition (song book), published by Molly Moon Arts & Publishing, Scottsdale, Arizona, 2010, 47 pages, ISBN-13 978-0-9740486-6-6. Thirteen original songs written in Nakai Tab Traditional & Jazz.

[VanAlstyne 1903] Egbert Van Alstyne (1882–1951). Navajo Indian Characteristic March and Two-Step, published by Shapiro, Bernstein and Co., Chicago and New York, 1903, 6 pages.

[Vander 1986] Judith Vander. Ghost Dance Songs and Religion of a Wind River Shoshone Woman, Monograph Series in Ethnomusicology, Number 4, published by the, Department of Music, University of California, Los Angeles, 1986, 102 pages, ISBN 0-88287-021-1. Library of Congress call number 86-50726.

[Vander 1995] Judith Vander. “The Shoshone Ghost Dance and Numic Myth: Common Heritage, Common Themes”, Journal of California and Great Basin Anthropology, Volume 17, Number 2, 1995, pages 174–190.

[Vander 1996] Judith Vander. Songprints: The Musical Experience of Five Shoshone Women, published by the, University of Illinois Press, 1996, 317 pages.

[Vanderburgh 1908] Frederick Augustus Vanderburgh (1847–1923). Sumerian Hymns from Cuneiform Texts in the British Museum, published by Columbia University Press, 1908. Publication sumerianhymnsfro00vandiala on Archive.org (open access).

[Vandermeersch 2007] Bernard Vandermeersch and Bruno Maureille (editors); Yves Coppens (preface). “Les Néandertaliens.: Biologie et Cultures «The Neanderthals - Biology and Culture»”, Documents préhistoriques, volume 23, Éditions du Comité des travaux historiques et scientifiques (CTHS), Paris, in French, 2007, 342 pages, ISBN 2-7355-0638-X (978-2-7355-0638-5).

[vanDeursen 2008] J. A. van Deursen, E. F. P. M. Vuurman, F. R. J. Verhey, V. H. J. M. van Kranen-Mastenbroek, and W. J. Riedel. “Increased EEG Gamma Band Activity in Alzheimer’s Disease and Mild Cognitive Impairment”, Journal of Neural Transmission, Volume 115, Number 9, September 2008, pages 1301–1311, doi:10.1007/s00702-008-0083-y. Publication 18607528 on PubMed/NCBI (subscription access).

[VanMiddlesworth 1978] Jane L. Van Middlesworth. An Analysis of Selected Respiratory and Cardiovascular Characteristics of Wind Instrument Performers, Masters dissertation – Eastman School of Music of the University of Rochester, March 22, 1978, 56 pages.

[vanSchaik 2010] Wilhelm van Schaik, Mart Grooten, Twan Wernaart, and Cees van der Geld. “High Accuracy Acoustic Relative Humidity Measurement in Duct Flow with Air”, Sensors, Volume 10, August 9, 2010, pages 7421–7433, doi:10.3390/s100807421. sensors ISSN 1424-8220 www.mdpi.com/journal/sensors.

[Vargyas 1964] Lajos Vargyas. “Bartók's Melodies in the Style of Folk Songs”, Journal of the International Folk Music Council, Volume 16, published by the International Council for Traditional Music, 1964, pages 30–34.

[Varhalamas 2011] Terence A. Varhalamas. Harmonic Spectral Analysis of Indigenous Musical Instruments from Taiwan and New Zealand «諧波頻譜分析台灣和紐西蘭之土著樂器», Masters dissertation – Institute of Austronesian Studies, National Taitung University, Taitung City, Taiwan, June 2011, 113 pages.

[Vaschillo-E 2006] Evgeny G. Vaschillo, Bronya Vaschillo, and Paul M. Lehrer. “Characteristics of Resonance in Heart Rate Variability Stimulated by Biofeedback”, Applied Psychophysiology and Biofeedback, Volume 31, Number 2, June 2006, pages 129–142, doi:10.1007/s10484-006-9009-3. Publication 16838124 on PubMed/NCBI (subscription access).

[Vasquez 2007] Carlos M. Mansilla Vásquez. “El Sonido de Otros Tiempos — Las antaras de cerámica de la tumba S-III-CQT-5 de Las Trancas, Nasca «The Sound of Another Time - The Ceramic Antaras Tomb S-III-5 CQT of Las Trancas, Nasca», Part 2”, Arariwa, Year 3, Number 7, in Spanish, February 2007, pages 23–27.

[Vaughn 2013] Kevin J. Vaughn, Hendrik Van Gijseghem, Verity H. Whalen, Jelmer W. Eerkens, and Moises Linares Grados. “The Organization of Mining in Nasca During the Early Intermediate Period: Recent Evidence from Mina Primavera”, contained in [Tripcevich 2013], 2013, pages 157–182.

[Veblen 2007] Kari K. Veblen. “The Many Ways of Community Music”, International Journal of Community Music, Volume 1, Number 1, August 2007, pages 5–22, doi:10.1386/ijcm.1.1.5/1.

[Veenhoven 2008] R. Veenhoven. “Healthy Happiness: Effects of Happiness on Physical Health and the Consequences for Preventive Health Care”, Journal of Happiness Studies, Volume 9, Issue 3, September 2008, pages 449–469, doi:10.1007/s10902-006-9042-1.

[Veenstra 1958] A. J. F. Veenstra. “The Begu Zulu Vertical Flute”, African Music, Volume 2, Number 1, published by the International Library of African Music, 1958, pages 40–45. Publication 30249473 on JSTOR (subscription access).

[Vega 2012] María Alejandra Vega. Una Aproximación a la Música de las Bandas de Sikus en Tilcara y Buenos Aires «An Approach to the Music of Sikus Bands in Tilcara and Buenos Aires», Novena Jornada de la Música y la Musicología, published by the Biblioteca Digital de la Universidad Católica Argentina, in Spanish, 2012, 20 pages.

[Vega-G 1609] Garcilaso de la Vega (1539–1616). Los Comentarios Reales de los Incas «Royal Commentaries of the Incas», In Two Volumes, published by Pedro Crasbeeck, Lisbon, Portugal, in Spanish, 1609.

[Vega-G 1688] Garcilaso de la Vega; Paul Rycaut (translation) (1629–1700). Royal Commentaries of the Incas, In Two Parts, published by Miles Flescher for Jacob Tonson, London, England, 1688, 1072 pages. Publication royalcommentarie00vega on Archive.org (open access).

[Vega-G 1918] Garcilaso de la Vega; James Cook Bardin (editor) (born 1887). El Reino de los Incas del Perú — Arranged from the Text of "Los Comentarios Reales de los Incas", published by Allyn and Bacon, Boston, Massachussets, in Spanish and English, 1918, 248 pages. Publication elreinodelosinc00vegagoog on Archive.org (open access).

[Vega-G 1966] Garcilaso de la Vega; Harold V. Livermore (translation). Royal Commentaries of the Incas, And General History of Peru, Volume 1, published by the University of Texas Press, 1966, 1530 pages.

[Veldhuis 1999+A2936] Niek Veldhuis. “Continuity and Change in the Mesopotamian Lexical Tradition”, contained in [Roest 1999], 1999, pages 101–118.

[Vennum 1982] Thomas Vennum, Jr. The Ojibwa Dance Drum, Smithsonian Folklife Studies, Number 2, published by the Smithsonian Institution Press, Washington, D.C., 1982, 320 pages.

[Vennum A] T. Vennum, Jr. Ojibway Music from Minnesota: A Century of Song for Voice and Drum, published by the Minnesota Historical Society Press, audio CD and book.

[Vernon 2005] David J. Vernon. “Can Neurofeedback Training Enhance Performance? — An Evaluation of the Evidence with Implications for Future Research”, Applied Psychophysiology and Biofeedback, Volume 30, Number 4, December 2005, pages 347–364, doi:10.1007/s10484-005-8421-4. Publication 16385423 on PubMed/NCBI (subscription access).

[Vey 2010] G. Le Vey. “Optimal Control Theory: A Method for the Design of Wind Instruments”, January 19, 2012, 14 pages, arXiv:1001.3217.

[Vianello 2004] Andrea Vianello. “Gestures and Rituals: The archaeological evidence”, published by the author, 2004, 17 pages.

[Victor 2006] S. Victor. “Bell Rocks”, Imvubu, Volume 18, Number 3, published by the Amathole Museum, King William's Town, South Africa, 2006, page 6.

[Villalva 2015] Daniela La Chioma Silvestre Villalva. “The Social Roles of Musicians in the Moche world: An Iconographic Analysis of their Attributes in Middle Moche Period’s Ritual Pottery”, Representations of musicians in the coroplastic art of the ancient world: iconography, ritual contexts and functions, Institute of Fine Arts, New York University, New York, March 2015, March 7, 2015, 16 pages.

[Villanueva 2011] Jari Villanueva. Twenty-Four Notes That Tap Deep Emotions: The Story of America’s Most Famous Bugle Call, Revised Edition, 60 pages. initially published in 2001.

[Viola 2008] Antoine U. Viola, Lynette M. James, Simon N. Archer, and Derk-Jan Dijk. “PER3 Polymorphism and Cardiac Autonomic Control: Effects of Sleep Debt and Circadian Phase”, American Journal of Physiology - Heart and Circulatory Physiology, Volume 295, Number 5, November 1, 2008, pages H2156–H2163, doi:10.1152/ajpheart.00662.2008.

[Virk 2014] Zakaria Virk. Religious Beliefs of North American Indians, May 5, 2014, 26 pages.

[Vitale 1982] R{aoul}. Vitale. “La Musique sumero-accadienne: gamme et notation musicale «Sumero-Akkadian Music - Range and Musical Notation»”, Ugarit-Forschungen, Volume 14, in French, 1982, pages 241–263.

[Vivian 1978] R. Gwinn Vivian, Dulce N. Dodgen, and Gayle H. Hartmann. Wooden Ritual Artifacts from Chaco Canyon, New Mexico: The Chetro Ketl Collection, Anthropological Papers of the University of Arizona, Number 32, published by the University of Arizona Press, Tucson, Arizona, 1978, viii + 152 pages.

[Voegelin 1942] Erminie W. Voegelin. “Shawnee Musical Instruments”, American Anthropologist, New Series, Volume 44, Number 3, published by Blackwell Publishing, on behalf of the American Anthropological Association, July–September 1942, pages 462–475, doi:10.1525/aa.1942.44.3.02a00110.

[Voegelin 1942a] Erminie W. Voegelin. Culture Element Distributions: XX - Northeast California, Anthropological Records, Volume 7, Number 2, published by the University of California Press, Berkeley and Los Angeles, California, 1942, pages 47–251.

[vonMuggenthaler 1992] Elizabeth K. von Muggenthaler, John W. Stoughton, and Joseph C. Daniel, Jr. “Infrasound from the Rhinocerotidae”, Proceedings from the International Conference of Rhinoceros Biology and Conservation, 1992, pages 136–140. authors from Old Dominion University, Norfolk, Virginia.

[vonMuggenthaler 2006] Elizabeth K. von Muggenthaler. “The Felid Purr: A Biomechanical Healing Mechanism”, Proceedings from he 12th International Low Frequency Noise and Vibration Conference, 2006, pages 189–208.

[Vurma 2006] Allan Vurma and Jaan Ross. “Production and Perception of Musical Intervals”, Music Perception: An Interdisciplinary Journal, Volume 23, Number 4, published by the University of California Press, April 2006, pages 331–344. Publication 10.1525/mp.2006.23.4.331 on JSTOR (subscription access).

[Vyse 1840] Howard Vyse. The Pyramids of Gizeh in 1837, Three Volumes, published by James Fraser, London, 1840. Publications operationscarrie01howa, operationscarrie02howa, operationscarri00vysegoog, operationscarri01vysegoog, operationscarri02vysegoog, and operationscarri03vysegoog on Archive.org (open access).