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Poetry References

This is a list of poetry references cited throughout Flutopedia. See the Poetry for the Native American Flute page for a collection of poems.

The references on this page are a sub-set of the complete list of Flutopedia references.

For information on the format and other details of these citations, see the main references page.

Poetry References

[Berry 1999] Wendell Berry. The Selected Poems of Wendell Berry, published by Counterpoint Press, 1999, 192 pages, ISBN 1-58243-037-3 (978-1-58243-037-9). Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Two citations: Poetry for the Native American Flute, Poetry and Readings for Memorial Services

[Bettermann 2002] H. Bettermann, D. von Bonin, M. Frühwirth, D. Cysarz, M. Moser. “Effects of Speech Therapy with Poetry on Heart Rate Rhythmicity and Cardiorespiratory Coordination”, International Journal of Cardiology, Volume 84, Number 1, July 2002, pages 77–88. Publication 12104068 on PubMed/NCBI (subscription access). Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Abstract: Our objective was to study the effects of guided rhythmic speech with poetry, referred to as anthroposophical therapeutic speech (ATS), on binary differential heart rate dynamics (also called musical heart rate rhythmicity or HRR) as well as on classical spectral parameters during the 15 min after a speech exercise had ended. A total of 105 1-h sessions with speech or control exercises were performed in seven healthy subjects, with 15 sessions each. Heart rate was recorded with ambulatory solid state recorders. Sessions were divided into a 15-min baseline measurement (S1), 30 min of exercise and a 15-min effect measurement (S2). The overall binary pattern predominance (PP) as well as the frequency of predominant and cyclically recurrent cardiorespiratory phase locking patterns were calculated from HRR and their changes from S1 to S2 were compared with the changes in low and high frequency heart rate variability. The results showed that: (i) ATS provokes alterations in heart rate dynamics which are different from those after control exercises and which persist at least for 15 min following exercise; (ii) in comparison to spectral parameters of heart rate variability, pattern predominance discloses the effects of rhythmic speech exercises best; and (iii) cardiorespiratory phase locking patterns, which contribute most to the rhythm pattern predominance, are more prominent after ATS.

[Cysarz 2004] Dirk Cysarz, Dietrich von Bonin, Helmut Lackner, Peter Heusser, Maximilian Moser, and Henrik Bettermann. “Oscillations of Heart Rate and Respiration Synchronize during Poetry Recitation”, Am J Physiol Heart Circ Physiol, Volume 287, 2004, pages H579–H587, doi:10.1152/ajpheart.01131.2003. Oscillations of Heart Rate and Respiration Synchronize during Poetry Recitation Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Abstract: The objective of this study was to investigate the synchronization between low-frequency breathing patterns and respiratory sinus arrhythmia (RSA) of heart rate during guided recitation of poetry, i.e., recitation of hexameter verse from ancient Greek literature performed in a therapeutic setting. Twenty healthy volunteers performed three different types of exercises with respect to a cross-sectional comparison: 1) recitation of hexameter verse, 2) controlled breathing, and 3) spontaneous breathing. Each exercise was divided into three successive measurements: a 15-min baseline measurement (S1), 20 min of exercise, and a 15-min effect measurement (S2). Breathing patterns and RSA were derived from respiratory traces and electrocardiograms, respectively, which were recorded simultaneously using an ambulatory device. The synchronization was then quantified by the index , which has been adopted from the analysis of weakly coupled chaotic oscillators. During recitation of hexameter verse, was high, indicating prominent cardiorespiratory synchronization. The controlled breathing exercise showed cardiorespiratory synchronization to a lesser extent and all resting periods (S1 and S2) had even fewer cardiorespiratory synchronization. During spontaneous breathing, cardiorespiratory synchronization was minimal and hardly observable. The results were largely determined by the extent of a low-frequency component in the breathing oscillations that emerged from the design of hexameter recitation. In conclusion, recitation of hexameter verse exerts a strong influence on RSA by a prominent low-frequency component in the breathing pattern, generating a strong cardiorespiratory synchronization.

[Dreamer 1999] Oriah Mountain Dreamer. The Invitation, First Edition, published by HarperOne, 1999, 136 pages, ISBN 0-06-251584-5 (978-0-06-251584-1), hardcover. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

One citation: Poetry for the Native American Flute

[Fuller 1843] Margaret Fuller. Summer on the Lakes, in 1843, published by Charles C. Little and James Brown, Charles S. Francis and Company, Boston and New York, 1844, 256 pages. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Two citations: Poetry for the Native American Flute, Readings and Quotations on Music

[Hafiz 1999] Khwāja Shams-ud-Dīn Muhammad Hāfez-e Shīrāzī; Daniel Ladinsky (translation). The Gift, published by Penguin Compass, 1999, 333 pages, ISBN 0-14-019581-5 (978-0-14-019581-1). Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Abstract:
Publisher's description: More than any other Persian poet—even Rumi—Hafiz expanded the mystical, healing dimensions of poetry. Because his poems were often ecstatic love songs from God to his beloved world, many have called Hafiz the "Invisible Tongue." Indeed, Daniel Ladinsky has said that his work with Hafiz is an attempt to do the impossible: to render Light into words—to make the Luminous Resonance of God tangible to our finite senses.

[Hafiz 2003] Khwāja Shams-ud-Dīn Muhammad Hāfez-e Shīrāzī; Daniel Ladinsky (translation). The Subject Tonight Is Love: 60 Wild and Sweet Poems of Hafiz, published by Penguin Compass, 2003, 88 pages, ISBN 0-14-019623-4 (978-0-14-019623-8). Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

One citation: Poetry for the Native American Flute

Abstract:
Publisher's description: To Persians, the fourteenth-century poems of Hafiz are not classical literature from a remote past, but cherished love, wisdom, and humor from a dear and intimate friend. Perhaps, more than any other Persian poet, it is Hafiz who most fully accesses the mystical, healing dimensions of poetry. Daniel Ladinsky has made it his life's work to create modern, inspired translations of the world's most profound spiritual poetry. Through Ladinsky's translations, Hafiz's voice comes alive across the centuries singing his message of love.

[Lehmer 1929] Norman Derrick Lehmer. “The Music and Poetry of the American Indians”, The Poetry Review, London, 1929, pages 333–340. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Machado 1983] Antonio Machado; Robert Bly (editor, translation). Times Alone: Selected Poems of Antonio Machado, published by the Wesleyan University Press, 1983, 173 pages, ISBN 0-8195-6081-2 (978-0-8195-6081-0). Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Two citations: Poetry for the Native American Flute, Poetry and Readings for Memorial Services

[Padilla 1996] Stan Padilla. Chants and Prayers, First Edition, published by the Book Publishing Company, Tennessee, 1996, 112 pages, ISBN 1-57067-020-X (978-1-57067-020-6), softcover. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

One citation: Poetry for the Native American Flute

Publisher's description: Stan Padilla has drawn from the rich oral traditions of many Native American tribes to bring you this collection of prayers, chants, and thoughts. These words of wisdom have been spoken, sung, and danced to by countless generations, and are imbued with a timeless magic. They are as relevant today as when first crafted and still capable of moving the heart and mind to consider greater things.

[Rabearivelo 1954] Jean Joseph Rabéarivelo; Langston Hughes (translator). “Flute Players”, Phylon (1940-1956), Volume 15, Number 4, published by Clark Atlanta University, 1954, pages 363–364. Publication 272845 on JSTOR (subscription access). Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

[Roberts-E 1991] Elizabeth Roberts and Elias Amidon. Earth Prayers from Around the World: 365 Prayers, Poems, and Invocations for Honoring the Earth, published by HarperOne, 1991, 480 pages, ISBN 0-06-250746-X (978-0-06-250746-4), softcover. Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Two citations: Poetry and Readings for Memorial Services, Poetry for the Native American Flute

[Santarpia 2015] Alfonso Santarpia, Eric Dudoit, and Melanie Paul. “The Discursive Effects of the Haiku-based SADUPA Poetry Technique in Palliative Care”, Journal of Poetry Therapy, 2015, doi:10.1080/08893675.2015.1051288 Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Abstract: This qualitative study seeks to present the discursive effects of SADUPA, a new poetry-based technique centered on haiku, in the context of psycho-oncological treatment. The technique is used with a terminal cancer patient, Mr A. The psychological processes involved with and the poetic writings arising from the technique are discussed. In particular, the discursive variations in Mr A’s narrative of his illness are described as they occurred before and after his poetry writing. The authors suggest that writing workshops based on the brief poetic structures of the haiku can enable patients to produce a larger and more singular narrative about their end-of-life experiences.

[Shamir 1999] Ilan Shamir. Advice from a Tree: Guided Journal, published by Your True Nature, 1999, 120 pages, ISBN 1-930175-03-5 (978-1-930175-03-7). Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

One citation: Poetry for the Native American Flute

[Wilson-CG 1994] Chesley Goseyun Wilson. When the Earth Was Like New: Western Apache Songs and Stories, published by World Music Press, Danbury, Connecticut, 1994, ISBN 0-937203-57-2 Search Google Scholar Flutopedia format citation APA format citation Chicago format citation MLA format citation Wikipedia format citation

Twelve citations: Ethnographic Flute Recordings of North America - Organized by Culture (6), Ethnographic Flute Recordings of North America - Organized Chronologically (6)

 
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