[MLA format] Musical Temperament References

This is a list of references related to Musical Temperaments cited throughout Flutopedia.

The references on this page are a sub-set of the complete list of Flutopedia references.

For information on the format and other details of these citations, see the main references page.

[MLA format] Musical Temperament References

[Asmussen 2001] Asmussen, Robert. Periodicity of Sinusoidal Frequencies as a Basis for the Analysis of Baroque and Classical Harmony: A Computer Based Study, Doctoral dissertation – School of Music, The University of Leeds, England (September 2001).

[Barbour 1951] Barbour, James Murray. Tuning and Temperament: A Historical Survey. East Lansing, Michigan: Michigan State College Press (1951). Publication tuningtemperamen00barb on Archive.org (open access).

[Boswell 1970] Boswell, George W. “The Neutral Tone as a Function of Folk-Song Text”, Yearbook of the International Folk Music Council, 2 (1970): 127–132. Publication 767430 on JSTOR (subscription access).

[Braun-M 2002] Braun, Martin. The Gamelan Pelog Scale of Central Java as an Example of a Non-harmonic Musical Scale (August 2002), retrieved January 20, 2015.

[Bronk 2010] Bronk, Beth. “It’s Just Intonation”, Bandmasters Review (December 2010): 15–21.

[Bucht 2004] Bucht, Saku, and Huovinen, Erkki. “Perceived Consonance of Harmonic Intervals in 19-tone Equal Temperament”, Proceedings of the Conference on Interdisciplinary Musicology (CIM04), Graz, Austria, April 15–18, 2004 (April 2004): 1–10.

[Carlos 1996] Carlos, Wendy. “Three Asymmetric Divisions of the Octave” (1996).

[Cazden 1958] Cazden, Norman. “Pythagoras and Aristoxenos Reconciled”, Journal of the American Musicological Society, 11.2/3 (Summer–Autumn 1958): 97–105. Publication 829897 on JSTOR (subscription access).

[Cox 2013] Cox, Trevor. Pitch Shifting to 432 Hz Doesn’t Improve Music (December 13, 2013), retrieved July 6, 2015.

[Duffin 2008] Duffin, Ross W. How Equal Temperament Ruined Harmony (and Why You Should Care). W. W. Norton (2008): 208 pages, ISBN 0-393-33420-1 (978-0-393-33420-3).

[Favaro 2003] Favaro, John. Slightly Out of Tune: The Story of Musical Temperament (April 12, 2003): 10 pages.

[Forinash 2015] Forinash, K. An Interactive eBook on the Physics of Sound. Indiana University Southeast (2015), retrieved January 28, 2015.

[Gardner-Z 2013] Gardner, Zen. 440Hz Music – Conspiracy to Detune Us from Natural 432Hz Harmonics? (August 6, 2013), retrieved July 6, 2015.

[Geringer 1976] Geringer, John M. “Tuning Preferences in Recorded Orchestral Music”, Journal of Research in Music Education, 24.4 (Winter 1976): 169–176, doi:10.2307/3345127. Publication 3345127 on JSTOR (subscription access).

[Hagerman 1980] Hagerman, B., and Sundberg, J. “Fundamental Frequency Adjustment in Barbershop Singing”, Journal of Research in Singing, 4.1 (1980): 3–17.

[Hahn-K 2002] Hahn, Kathrin, and Vitouch, Oliver. “Preference for Musical Tuning Systems: How Cognitive Anatomy Interacts with Cultural Shaping”, Proceedings of the 7th International Conference on Music Perception and Cognition, Sydney, Australia. Adelaide, Australia: Causal Productions (2002): 757–760, ISBN 1-876346-39-6.

[Hall 1984] Hall, Donald E., and Hess, Joan Taylor. “Perception of Musical Interval Tuning”, Music Perception: An Interdisciplinary Journal, 2.2 (Winter 1984): 166–195, doi:10.2307/40285290. Publication 40285290 on JSTOR (subscription access).

[Heathwaite 2010] Heathwaite, Andrew. Gallery of Just Intervals (Sepember 14, 2010), retrieved January 28, 2015.

[Heathwaite 2011] Heathwaite, Andrew. Overtone Scales (October 17, 2011), retrieved January 28, 2015.

[Johnson-HB 1963] Johnson, Hugh Bailey. An Investigation of the Tuning Preferences of a Selected Group of Singers with Reference to Just Intonation, Pythagorean Tuning, and Equal Temperament, Mus.Ed.D. dissertation – Indiana University (1963): 116 pages.

[Jorgensen 1991] Jorgensen, Owen H. {Henry}. Tuning — Containing The Perfection of Eighteenth-Century Temperament, The Lost Art of Nineteenth-Century Temperament, and The Science of Equal Temperament, Complete With Instructions for Aural and Electronic Tuning. Michigan State University Press: published by, East Lansing, Michigan (June 1991): 798 pages, ISBN 0-87013-290-3 (978-0-87013-290-2).

[Jorgensen 2009] Jorgensen, Owen H. {Henry}. About the Temperament Used by J. S. Bach and Others. Frank French on Tuner's Art: published by (2009): 8 pages, retrieved November 24, 2011.

[Jorgensen 2006] Jorgensen, Owen, and Kanter, Jason. Temperaments Visualized (October 2, 2006): 130 pages.

[Kanter 2006] Kanter, Jason. Temperaments Visualized (September 29, 2006), retrieved December 6, 2011.

[Kappraff 2005] Kappraff, Jay, and McClain, Ernest G. “The System of Proportions of the Parthenon: A Work of Musically Inspired Architecture”, Music in Art, 30.1/2 (Spring–Fall 2005): 5–16. Publication 41818772 on JSTOR (subscription access).

[Keenan 2003] Keenan, David C. Harmonic Errors in Equal Tempered Musical Scales (February 24, 2003). Originally published February 19, 1998.

[Keislar 1991] Keislar, Douglas, Blackwood, Easley, Eaton, John, Harrison, Lou, Johnston, Ben, Mandelbaum, Joel, and Schottstaedt, William. “Six American Composers on Nonstandard Tunings”, Perspectives of New Music, 29.1 (Winter 1991): 176–211. Publication 833076 on JSTOR (subscription access).

[Kellner 1979] Kellner, Herbert Anton. “A Mathematical Approach Reconstituting J. S. Bach's Keyboard-Temperament”, Bach, 10.4 (October 1979): 2–8. Publication 41640089 on JSTOR (subscription access).

[Kellner 1999] Kellner, Herbert Anton. “A Mathematical Approach Reconstituting J. S. Bach's Keyboard-Temperament”, Bach, 30.1 (Spring–Summer 1999): 1–9. Publication 41640471 on JSTOR (subscription access).

[Kopiez 2003] Kopiez, Reinhard. “Intonation of Harmonic Intervals: Adaptability of Expert Musicians to Equal Temperament and Just Intonation”, Music Perception: An Interdisciplinary Journal, 20.4 (Summer 2003): 383–410, doi:10.1525/mp.2003.20.4.383. Publication 10.1525/mp.2003.20.4.383 on JSTOR (subscription access).

[Ladd 2008] Ladd, D. Robert. Intonational Phonology, Cambridge Studies in Linguistics. Cambridge University Press (2008): 349 pages, ISBN 0-521-67836-6 (978-0-521-67836-0).

[Lee-KM 2015] Lee, Kyung Myun, Skoe, Erika, Kraus, Nina, and Ashley, Richard. “Neural Transformation of Dissonant Intervals in the Auditory Brainstem”, Music Perception: An Interdisciplinary Journal, 32.5 (June 2015): 445–459, doi:10.1525/mp.2015.32.5.445. Publication 10.1525/mp.2015.32.5.445 on JSTOR (subscription access).

[Lehman 1967] Lehman, Paul R. Review of An Investigation of the Tuning Preferences of a Selected Group of Singers with Reference to Just Intonation, Pythagorean Tuning, and Equal Temperament, Bulletin of the Council for Research in Music Education, 10 (Summer 1967): 51–53. Publication 40316936 on JSTOR (subscription access).

[Lewis-P 1998] Lewis, Pierre. Understanding Temperaments, Version 1.2 (1998).

[Long 2008] Long, Derle Ray. Coincidence Theory: Seeking a Perceptual Preference for Just Intonation, Equal Temperament, and Pythagorean Intonation in Excerpts for Wind Instruments, Ph.D. dissertation – The University of Southern Mississippi (2008).

[Loosen 1993] Loosen, Franz. “Intonation of Solo Violin Performance with Reference to Equally Tempered, Pythagorean, and Just Intonations”, Journal of the Acoustical Society of America, 93.1 (January 1993): 525–539, doi:10.1121/1.405632.

[Loosen 1995] Loosen, Franz. “The Effect of Musical Experience on the Conception of Accurate Tuning”, Music Perception: An Interdisciplinary Journal, 12.3 (Spring 1995): 291–306. Publication 40286185 on JSTOR (subscription access).

[Mandelbaum 1961] Mandelbaum, Mayer Joel. Multuple Division of the Octave and the Tonal Resources of 19-Tone Temperament, Doctoral dissertation – Indiana University (June 1961): 461 pages.

[Marcus 1993] Marcus, Scott. “The Interface between Theory and Practice: Intonation in Arab Music”, Asian Music, 24.2 (Spring–Summer 1993): 39–58. Publication 834466 on JSTOR (subscription access).

[Mason-JA 1960] Mason, James A. “Comparison of Solo and Ensemble Performances with Reference to Pythagorean, Just, and Equi-Tempered Intonations”, Journal of Research in Music Education, 8.1 (Spring 1960): 31–38. Publication 3344235 on JSTOR (subscription access).

[McClain 1979] McClain, Ernest G.; Hung, Ming Shui (translations). “Chinese Cyclic Tunings in Late Antiquity”, Ethnomusicology, 23.2 (May 1979): 205–224.

[Messiaen 1944] Messiaen, Olivier; Satterfield, John (translation). The Technique of My Musical Language — La technique de mon langage musical. Paris, France: Alfonse Leduc (1944).

[Missin 2004] Missin, Pat. Audio Examples of Just Intonation and Equal Temperament Applied to the Harmonica (2004), retrieved July 6, 2015.

[Monzo 2004] Monzo, Joseph L. “The Measurement of Aristoxenus's Divisions of the Tetrachord” (2004).

[Renold 2004] Renold, Maria; Stevens, Bevis (translation); Meuss, Anna R. (editor). Intervals, Scales, Tones and the Concert Pitch C = 128 HZ. East Sussex, England: Temple Lodge Publishing (2004): 198 pages, ISBN 1-902636-46-5 (978-1-902636-46-7).

[Rich-R 2010] Rich, Robert. Tuning Presets in the MOTM 650 (2010): 3 pages.

[Russell-J 2013] Russell, Jim. Towards a Difference Limen of Pitch Perception. 21harmony.com (August 13, 2013): 4 pages.

[Schellenberg 1996] Schellenberg, E. Glenn, and Trehub, Sandra E. “Natural Musical Intervals: Evidence from Infant Listeners”, Psychological Science, 7.5 (September 1996): 272–277. Publication 40062961 on JSTOR (subscription access).

[Schellenberg 2001] Schellenberg, E. Glenn. “Asymmetries in the Discrimination of Musical Intervals: Going Out-of-Tune Is More Noticeable Than Going In-Tune”, Music Perception: An Interdisciplinary Journal, 19.2 (Winter 2001): 223–248. Publication 10.1525/mp.2001.19.2.223 on JSTOR (subscription access).

[Surjodiningrat 1972] Surjodiningrat, Wasisto, Sudarjana, P. J., and Susanto, Adhi. Tone Measurements of Outstanding Javanese Gamelan in Jogjakarta and Surakata, Second Revised Edition. Jogjakarta, Indonesia: Gadjah Mada University Press (1972): vi + 59 pages.

[Vurma 2006] Vurma, Allan, and Ross, Jaan. “Production and Perception of Musical Intervals”, Music Perception: An Interdisciplinary Journal, 23.4 (April 2006): 331–344. Publication 10.1525/mp.2006.23.4.331 on JSTOR (subscription access).

[Zaw 1940] Zaw, Khin. “Burmese Music — A Preliminary Enquiry”, Bulletin of the School of Oriental and African Studies, University of London, 10.3 (1940): 717–754, doi:10.1017/S0041977X0008873X. Publication 608839 on JSTOR (subscription access).

[Zaw 1940a] Zaw, Khin. “Burmese Music — A Preliminary Enquiry”, Journal of the Burma Research Society, 30 (December 1940): 387–422.