Flutopedia - an Encyclopedia for the Native American Flute

Comprehensive Scale Catalog: Five-Tone Scales in Alternate Temperaments

This page is part of Flutopedia's Comprehensive Scale Catalog ... a listing of many (many) scales that can be played on Native American flutes.

This page shows only scales with five tones per octave and using alternate temperaments.

The root note of each scale is shown in blue, such as .

Thai Mode 1

Temperament: 7-Tone Equal Temperament (7TET)
The 7 degrees of this temperament, in cents:
0–171–343–514–686–857–1029–1200

Scale steps in semitones: 1–1–2–1–2

Scale degrees:
  in cents: 0–171–343–686–857–1200
  intervals: 1–n2–n3–5–n6–8
  Root, Neutral 2nd, Neutral 3rd, Perfect 5th, Neutral 6th, Octave

Pitches starting from C: C D– E– G A– c

G cleff

Pitch Class Set: {0,1,2,4,5}

Pitch Class Mapping: 55 (Hex 37, Binary 0110111)

This scale is a mode (rotation) of these other scales:
Mode 5 of: Thai Mode 6

The name I use for this scale comes from: Scala

Scala name: Thai mode 1

Thai Mode 2

Temperament: 7-Tone Equal Temperament (7TET)
The 7 degrees of this temperament, in cents:
0–171–343–514–686–857–1029–1200

Scale steps in semitones: 1–2–1–2–1

Scale degrees:
  in cents: 0–171–514–686–1029–1200
  intervals: 1–n2–4–5–n7–8
  Root, Neutral 2nd, Perfect 4th, Perfect 5th, Neutral 7th, Octave

Pitches starting from C: C D– F G B– c

G cleff

Pitch Class Set: {0,1,3,4,6}

Pitch Class Mapping: 91 (Hex 5B, Binary 1011011)

The name I use for this scale comes from: Scala

Scala name: Thai mode 2

Thai Mode 3

Temperament: 7-Tone Equal Temperament (7TET)
The 7 degrees of this temperament, in cents:
0–171–343–514–686–857–1029–1200

Scale steps in semitones: 2–1–2–1–1

Scale degrees:
  in cents: 0–343–514–857–1029–1200
  intervals: 1–n3–4–n6–n7–8
  Root, Neutral 3rd, Perfect 4th, Neutral 6th, Neutral 7th, Octave

Pitches starting from C: C E– F A– B– c

G cleff

Pitch Class Set: {0,2,3,5,6}

Pitch Class Mapping: 109 (Hex 6D, Binary 1101101)

This scale is a mode (rotation) of these other scales:
Mode 2 of: Thai Mode 5

The name I use for this scale comes from: Scala

Scala name: Thai mode 3

Thai Mode 5

Temperament: 7-Tone Equal Temperament (7TET)
The 7 degrees of this temperament, in cents:
0–171–343–514–686–857–1029–1200

Scale steps in semitones: 1–2–1–1–2

Scale degrees:
  in cents: 0–171–514–686–857–1200
  intervals: 1–n2–4–5–n6–8
  Root, Neutral 2nd, Perfect 4th, Perfect 5th, Neutral 6th, Octave

Pitches starting from C: C D– F G A– c

G cleff

Pitch Class Set: {0,1,3,4,5}

Pitch Class Mapping: 59 (Hex 3B, Binary 0111011)

This scale is a mode (rotation) of these other scales:
Mode 5 of: Thai Mode 3

The name I use for this scale comes from: Scala

Scala name: Thai mode 5

Thai Mode 6

Temperament: 7-Tone Equal Temperament (7TET)
The 7 degrees of this temperament, in cents:
0–171–343–514–686–857–1029–1200

Scale steps in semitones: 2–1–1–2–1

Scale degrees:
  in cents: 0–343–514–686–1029–1200
  intervals: 1–n3–4–5–n7–8
  Root, Neutral 3rd, Perfect 4th, Perfect 5th, Neutral 7th, Octave

Pitches starting from C: C E– F G B– c

G cleff

Pitch Class Set: {0,2,3,4,6}

Pitch Class Mapping: 93 (Hex 5D, Binary 1011101)

This scale is a mode (rotation) of these other scales:
Mode 2 of: Thai Mode 1

The name I use for this scale comes from: Scala

Scala name: Thai mode 6

Patet Lima

Temperament: 7-Tone Pelog Temperament (Pelog7)
The 7 degrees of this temperament, in cents:
0–122–271–571–677–785–947–1200

Scale steps in semitones: 1–1–2–1–2

Scale degrees:
  in cents: 0–122–271–677–785–1200
  intervals: 1–m2–a2–5–m6–8
  Root, Minor 2nd, Quarter 2nd-3rd, Perfect 5th, Minor 6th, Octave

Pitches starting from C:
C C♯ D+ G G♯ c
C D♭ D+ G A♭ c

G cleff

Pitch Class Set: {0,1,2,4,5}

Pitch Class Mapping: 55 (Hex 37, Binary 0110111)

The name I use for this scale comes from: Scala

Scala names: Patet Lima, Patet Nem, Jawar, Selisir

Wikipedia pages related to this scale:

Pathet Nem ⇒ Pelog ⇒ Java
Pathet Lima ⇒ Pelog ⇒ Java
Selisir ⇒ Pelog ⇒ Bali

Nem

Temperament: 7-Tone Pelog Temperament (Pelog7)
The 7 degrees of this temperament, in cents:
0–122–271–571–677–785–947–1200

Scale steps in semitones: 1–2–1–1–2

Scale degrees:
  in cents: 0–122–571–677–785–1200
  intervals: 1–m2–a4–5–m6–8
  Root, Minor 2nd, Quarter-sharp 4th, Perfect 5th, Minor 6th, Octave

Pitches starting from C:
C C♯ F+ G G♯ c
C D♭ F+ G A♭ c

G cleff

Pitch Class Set: {0,1,3,4,5}

Pitch Class Mapping: 59 (Hex 3B, Binary 0111011)

This scale is a mode (rotation) of these other scales:
Mode 3 of: Tembung

The name I use for this scale comes from: Scala

Scala names: Patet Lima, Nem with Pelog

Pelog

Temperament: 7-Tone Pelog Temperament (Pelog7)
The 7 degrees of this temperament, in cents:
0–122–271–571–677–785–947–1200

Scale steps in semitones: 2–1–1–2–1

Scale degrees:
  in cents: 0–271–571–677–947–1200
  intervals: 1–a2–a4–5–a6–8
  Root, Quarter 2nd-3rd, Quarter-sharp 4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ F+ G A+ c

G cleff

Pitch Class Set: {0,2,3,4,6}

Pitch Class Mapping: 93 (Hex 5D, Binary 1011101)

The name I use for this scale comes from: Scala

Scala name: Pelog

Dangsoe

Temperament: 7-Tone Pelog Temperament (Pelog7)
The 7 degrees of this temperament, in cents:
0–122–271–571–677–785–947–1200

Scale steps in semitones: 1–3–1–1–1

Scale degrees:
  in cents: 0–122–677–785–947–1200
  intervals: 1–m2–5–m6–a6–8
  Root, Minor 2nd, Perfect 5th, Minor 6th, Quarter 6th-7th, Octave

Pitches starting from C:
C C♯ G G♯ A+ c
C D♭ G A♭ A+ c

G cleff

Pitch Class Set: {0,1,4,5,6}

Pitch Class Mapping: 115 (Hex 73, Binary 1110011)

The name I use for this scale comes from: Scala

Scala name: Dangsoe

Bem

Temperament: 7-Tone Pelog Temperament (Pelog7)
The 7 degrees of this temperament, in cents:
0–122–271–571–677–785–947–1200

Scale steps in semitones: 1–2–1–2–1

Scale degrees:
  in cents: 0–122–571–677–947–1200
  intervals: 1–m2–a4–5–a6–8
  Root, Minor 2nd, Quarter-sharp 4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C:
C C♯ F+ G A+ c
C D♭ F+ G A+ c

G cleff

Pitch Class Set: {0,1,3,4,6}

Pitch Class Mapping: 91 (Hex 5B, Binary 1011011)

The name I use for this scale comes from: Scala

Scala names: Bem, Pengenter

Miring

Temperament: 7-Tone Pelog Temperament (Pelog7)
The 7 degrees of this temperament, in cents:
0–122–271–571–677–785–947–1200

Scale steps in semitones: 2–1–2–1–1

Scale degrees:
  in cents: 0–271–571–785–947–1200
  intervals: 1–a2–a4–m6–a6–8
  Root, Quarter 2nd-3rd, Quarter-sharp 4th, Minor 6th, Quarter 6th-7th, Octave

Pitches starting from C:
C D+ F+ G♯ A+ c
C D+ F+ A♭ A+ c

G cleff

Pitch Class Set: {0,2,3,5,6}

Pitch Class Mapping: 109 (Hex 6D, Binary 1101101)

The name I use for this scale comes from: Scala

Scala names: Miring, Slendro 2

Manyura

Temperament: 7-Tone Pelog Temperament (Pelog7)
The 7 degrees of this temperament, in cents:
0–122–271–571–677–785–947–1200

Scale steps in semitones: 1–1–1–3–1

Scale degrees:
  in cents: 0–122–271–571–947–1200
  intervals: 1–m2–a2–a4–a6–8
  Root, Minor 2nd, Quarter 2nd-3rd, Quarter-sharp 4th, Quarter 6th-7th, Octave

Pitches starting from C:
C C♯ D+ F+ A+ c
C D♭ D+ F+ A+ c

G cleff

Pitch Class Set: {0,1,2,3,6}

Pitch Class Mapping: 79 (Hex 4F, Binary 1001111)

The name I use for this scale comes from: Scala

Scala name: Manyura

Pathet Barang

Temperament: 7-Tone Pelog Mode 2 Temperament (Pelog7m2)
The 7 degrees of this temperament, in cents:
0–149–449–555–663–825–1078–1200

Scale steps in semitones: 1–2–1–1–2

Scale degrees:
  in cents: 0–149–555–663–825–1200
  intervals: 1–n2–a4–b5–n6–8
  Root, Neutral 2nd, Quarter-sharp 4th, Quarter-flat 5th, Neutral 6th, Octave

Pitches starting from C: C D– F+ G– A– c

G cleff

Pitch Class Set: {0,1,3,4,5}

Pitch Class Mapping: 59 (Hex 3B, Binary 0111011)

This scale is a mode (rotation) of these other scales:
Mode 3 of: Sunaren

The name I use for this scale comes from: Wikipedia

Wikipedia page related to this scale:

Pathet Barang ⇒ Pelog ⇒ Java

Tembung

Temperament: 7-Tone Pelog Mode 4 Temperament (Pelog7m4)
The 7 degrees of this temperament, in cents:
0–106–214–376–629–751–900–1200

Scale steps in semitones: 1–1–2–1–2

Scale degrees:
  in cents: 0–106–214–629–751–1200
  intervals: 1–m2–2–b5–a5–8
  Root, Minor 2nd, Major 2nd, Quarter-flat 5th, Quarter-sharp 5th, Octave

Pitches starting from C:
C C♯ D G– G+ c
C D♭ D G– G+ c

G cleff

Pitch Class Set: {0,1,2,4,5}

Pitch Class Mapping: 55 (Hex 37, Binary 0110111)

This scale is a mode (rotation) of these other scales:
Mode 4 of: Nem

The name I use for this scale comes from: Wikipedia

Wikipedia page related to this scale:

Tembung ⇒ Pelog ⇒ Bali

Sunaren

Temperament: 7-Tone Pelog Mode 5 Temperament (Pelog7m5)
The 7 degrees of this temperament, in cents:
0–108–270–523–645–794–1094–1200

Scale steps in semitones: 1–1–2–1–2

Scale degrees:
  in cents: 0–108–270–645–794–1200
  intervals: 1–m2–a2–b5–m6–8
  Root, Minor 2nd, Quarter 2nd-3rd, Quarter-flat 5th, Minor 6th, Octave

Pitches starting from C:
C C♯ D+ G– G♯ c
C D♭ D+ G– A♭ c

G cleff

Pitch Class Set: {0,1,2,4,5}

Pitch Class Mapping: 55 (Hex 37, Binary 0110111)

This scale is a mode (rotation) of these other scales:
Mode 4 of: Pathet Barang

The name I use for this scale comes from: Wikipedia

Wikipedia page related to this scale:

Sunaren ⇒ Pelog ⇒ Bali

Agmon Diatonic DS1

Temperament: 8-Tone Equal Temperament (8TET)
The 8 degrees of this temperament, in cents:
0–150–300–450–600–750–900–1050–1200

Scale steps in semitones: 2–1–2–2–1

Scale degrees:
  in cents: 0–300–450–750–1050–1200
  intervals: 1–m3–b4–a5–n7–8
  Root, Minor 3rd, Quarter 3rd-4th, Quarter-sharp 5th, Neutral 7th, Octave

Pitches starting from C:
C D♯ E+ G+ B– c
C E♭ E+ G+ B– c

G cleff

Pitch Class Set: {0,2,3,5,7}

Pitch Class Mapping: 173 (Hex AD, Binary 10101101)

This scale is a mode (rotation) of these other scales:
Mode 3 of: Father-5

The name I use for this scale comes from: Name from Scala, applied to a different temperament.

Scala name: Agmon Diatonic DS1

Father-5

Temperament: 8-Tone Equal Temperament (8TET)
The 8 degrees of this temperament, in cents:
0–150–300–450–600–750–900–1050–1200

Scale steps in semitones: 2–2–1–2–1

Scale degrees:
  in cents: 0–300–600–750–1050–1200
  intervals: 1–m3–d5–a5–n7–8
  Root, Minor 3rd, Diminished 5th, Quarter-sharp 5th, Neutral 7th, Octave

Pitches starting from C:
C D♯ F♯ G+ B– c
C E♭ G♭ G+ B– c

G cleff

Pitch Class Set: {0,2,4,5,7}

Pitch Class Mapping: 181 (Hex B5, Binary 10110101)

This scale is a mode (rotation) of these other scales:
Mode 4 of: Agmon Diatonic DS1

The name I use for this scale comes from: Name from Scala, applied to a different temperament.

Scala name: Father-5

Symmetrical Pentatonic

Temperament: 9-Tone Equal Temperament (9TET)
The 9 degrees of this temperament, in cents:
0–133–267–400–533–667–800–933–1067–1200

Scale steps in semitones: 1–3–1–3–1

Scale degrees:
  in cents: 0–133–533–667–1067–1200
  intervals: 1–n2–a4–b5–n7–8
  Root, Neutral 2nd, Quarter-sharp 4th, Quarter-flat 5th, Neutral 7th, Octave

Pitches starting from C: C D– F+ G– B– c

G cleff

Pitch Class Set: {0,1,4,5,8}

Pitch Class Mapping: 307 (Hex 133, Binary 100110011)

The name I use for this scale comes from: Name from Scala, applied to a different temperament.

Scala name: Symmetrical Pentatonic

Pelog Pancanada

Temperament: 9-Tone Equal Temperament (9TET)
The 9 degrees of this temperament, in cents:
0–133–267–400–533–667–800–933–1067–1200

Scale steps in semitones: 3–1–1–3–1

Scale degrees:
  in cents: 0–400–533–667–1067–1200
  intervals: 1–3–a4–b5–n7–8
  Root, Major 3rd, Quarter-sharp 4th, Quarter-flat 5th, Neutral 7th, Octave

Pitches starting from C: C E F+ G– B– c

G cleff

Pitch Class Set: {0,3,4,5,8}

Pitch Class Mapping: 313 (Hex 139, Binary 100111001)

The name I use for this scale comes from: Name from Scala, applied to a different temperament.

Scala name: Pelog Pancanada: Sunda

Sorog Nine-tone

Temperament: 9-Tone Equal Temperament (9TET)
The 9 degrees of this temperament, in cents:
0–133–267–400–533–667–800–933–1067–1200

Scale steps in semitones: 3–1–3–1–1

Scale degrees:
  in cents: 0–400–533–933–1067–1200
  intervals: 1–3–a4–a6–n7–8
  Root, Major 3rd, Quarter-sharp 4th, Quarter 6th-7th, Neutral 7th, Octave

Pitches starting from C: C E F+ A+ B– c

G cleff

Pitch Class Set: {0,3,4,7,8}

Pitch Class Mapping: 409 (Hex 199, Binary 110011001)

The name I use for this scale comes from: Name from Scala, applied to a different temperament. Name modified by Clint to satisfy XML restrictions.

Scala names: Nine tone "Sorog": Sunda

Noll Pseudo-diatonic

Temperament: 9-Tone Equal Temperament (9TET)
The 9 degrees of this temperament, in cents:
0–133–267–400–533–667–800–933–1067–1200

Scale steps in semitones: 2–1–2–2–2

Scale degrees:
  in cents: 0–267–400–667–933–1200
  intervals: 1–a2–3–b5–a6–8
  Root, Quarter 2nd-3rd, Major 3rd, Quarter-flat 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ E G– A+ c

G cleff

Pitch Class Set: {0,2,3,5,7}

Pitch Class Mapping: 173 (Hex 0AD, Binary 010101101)

The name I use for this scale comes from: Name from Scala, applied to a different temperament.

Scala name: Noll Pseudo-diatonic

Pelog Degung

Temperament: 10-Tone Equal Temperament (10TET)
The 10 degrees of this temperament, in cents:
0–120–240–360–480–600–720–840–960–1080–1200

Scale steps in semitones: 3–1–2–3–1

Scale degrees:
  in cents: 0–360–480–720–1080–1200
  intervals: 1–n3–4–5–7–8
  Root, Neutral 3rd, Perfect 4th, Perfect 5th, Major 7th, Octave

Pitches starting from C: C E– F G B c

G cleff

Pitch Class Set: {0,3,4,6,9}

Pitch Class Mapping: 601 (Hex 259, Binary 1001011001)

The name I use for this scale comes from: Name from Scala, applied to a different temperament.

Scala name: Pelog Degung: Sunda

Sorog Madenda

Temperament: 10-Tone Equal Temperament (10TET)
The 10 degrees of this temperament, in cents:
0–120–240–360–480–600–720–840–960–1080–1200

Scale steps in semitones: 3–1–3–2–1

Scale degrees:
  in cents: 0–360–480–840–1080–1200
  intervals: 1–n3–4–n6–7–8
  Root, Neutral 3rd, Perfect 4th, Neutral 6th, Major 7th, Octave

Pitches starting from C: C E– F A– B c

G cleff

Pitch Class Set: {0,3,4,7,9}

Pitch Class Mapping: 665 (Hex 299, Binary 1010011001)

The name I use for this scale comes from: Name from Scala, applied to a different temperament.

Scala name: Sorog Madenda: Sunda

Machine-5

Temperament: 11-Tone Equal Temperament (11TET)
The 11 degrees of this temperament, in cents:
0–109–218–327–436–545–655–764–873–982–1091–1200

Scale steps in semitones: 2–3–2–2–2

Scale degrees:
  in cents: 0–218–545–764–982–1200
  intervals: 1–2–a4–a5–m7–8
  Root, Major 2nd, Quarter-sharp 4th, Quarter-sharp 5th, Minor 7th, Octave

Pitches starting from C:
C D F+ G+ A♯ c
C D F+ G+ B♭ c

G cleff

Pitch Class Set: {0,2,5,7,9}

Pitch Class Mapping: 677 (Hex 2A5, Binary 01010100101)

The name I use for this scale comes from: Name from Scala, applied to a different temperament.

Scala name: Machine-5

Sentry-5

Temperament: 11-Tone Equal Temperament (11TET)
The 11 degrees of this temperament, in cents:
0–109–218–327–436–545–655–764–873–982–1091–1200

Scale steps in semitones: 1–3–1–3–3

Scale degrees:
  in cents: 0–109–436–545–873–1200
  intervals: 1–m2–b4–a4–n6–8
  Root, Minor 2nd, Quarter 3rd-4th, Quarter-sharp 4th, Neutral 6th, Octave

Pitches starting from C:
C C♯ E+ F+ A– c
C D♭ E+ F+ A– c

G cleff

Pitch Class Set: {0,1,4,5,8}

Pitch Class Mapping: 307 (Hex 133, Binary 00100110011)

The name I use for this scale comes from: Name from Scala, applied to a different temperament.

Scala name: Sentry-5

Swooning Rushes

Temperament: 11-Tone Equal Temperament (11TET)
The 11 degrees of this temperament, in cents:
0–109–218–327–436–545–655–764–873–982–1091–1200

Scale steps in semitones: 2–3–1–3–2

Scale degrees:
  in cents: 0–218–545–655–982–1200
  intervals: 1–2–a4–b5–m7–8
  Root, Major 2nd, Quarter-sharp 4th, Quarter-flat 5th, Minor 7th, Octave

Pitches starting from C:
C D F+ G– A♯ c
C D F+ G– B♭ c

G cleff

Pitch Class Set: {0,2,5,6,9}

Pitch Class Mapping: 613 (Hex 265, Binary 01001100101)

The name I use for this scale comes from: Name from Scala, applied to a different temperament.

Scala name: Swooning Rushes

Minor Pentatonic

Temperament: 12-Tone Overtone Temperament (Over12)
The 12 degrees of this temperament, in cents:
0–139–267–386–498–603–702–796–884–969–1049–1126–1200

Scale steps in semitones: 3–2–2–3–2

Scale degrees:
  in cents: 0–386–603–796–1049–1200
  intervals: 1–3–d5–m6–n7–8
  Root, Major 3rd, Diminished 5th, Minor 6th, Neutral 7th, Octave

Pitches starting from C:
C E F♯ G♯ B– c
C E G♭ A♭ B– c

G cleff

Pitch Class Set: {0,3,5,7,10}

Pitch Class Mapping: 1193 (Hex 4A9, Binary 010010101001)

The name I use for this scale comes from: Name from Scala, applied to a different temperament.

Blackwood Pentatonic

Temperament: 13-Tone Equal Temperament (13TET)
The 13 degrees of this temperament, in cents:
0–92–185–277–369–462–554–646–738–831–923–1015–1108–1200

Scale steps in semitones: 3–3–2–3–2

Scale degrees:
  in cents: 0–277–554–738–1015–1200
  intervals: 1–m3–a4–a5–m7–8
  Root, Minor 3rd, Quarter-sharp 4th, Quarter-sharp 5th, Minor 7th, Octave

Pitches starting from C:
C D♯ F+ G+ A♯ c
C E♭ F+ G+ B♭ c

G cleff

Pitch Class Set: {0,3,6,8,11}

Pitch Class Mapping: 2377 (Hex 0949, Binary 0100101001001)

The name I use for this scale comes from: Name from Scala, applied to a different temperament.

Scala names: Blackwood Pentatonic, Quasi Slendro, Father-5

A-Team-5

Temperament: 13-Tone Equal Temperament (13TET)
The 13 degrees of this temperament, in cents:
0–92–185–277–369–462–554–646–738–831–923–1015–1108–1200

Scale steps in semitones: 3–2–3–2–3

Scale degrees:
  in cents: 0–277–462–738–923–1200
  intervals: 1–m3–b4–a5–6–8
  Root, Minor 3rd, Quarter 3rd-4th, Quarter-sharp 5th, Major 6th, Octave

Pitches starting from C:
C D♯ E+ G+ A c
C E♭ E+ G+ A c

G cleff

Pitch Class Set: {0,3,5,8,10}

Pitch Class Mapping: 1321 (Hex 0529, Binary 0010100101001)

The name I use for this scale comes from: Name from Scala, applied to a different temperament.

Scala name: A-Team-5

Lovecraft-5

Temperament: 13-Tone Equal Temperament (13TET)
The 13 degrees of this temperament, in cents:
0–92–185–277–369–462–554–646–738–831–923–1015–1108–1200

Scale steps in semitones: 3–3–3–3–1

Scale degrees:
  in cents: 0–277–554–831–1108–1200
  intervals: 1–m3–a4–n6–7–8
  Root, Minor 3rd, Quarter-sharp 4th, Neutral 6th, Major 7th, Octave

Pitches starting from C:
C D♯ F+ A– B c
C E♭ F+ A– B c

G cleff

Pitch Class Set: {0,3,6,9,12}

Pitch Class Mapping: 4681 (Hex 1249, Binary 1001001001001)

The name I use for this scale comes from: Name from Scala, applied to a different temperament.

Scala name: Lovecraft-5

Symmetrical Pentatonic

Temperament: 13-Tone Equal Temperament (13TET)
The 13 degrees of this temperament, in cents:
0–92–185–277–369–462–554–646–738–831–923–1015–1108–1200

Scale steps in semitones: 4–1–3–1–4

Scale degrees:
  in cents: 0–369–462–738–831–1200
  intervals: 1–n3–b4–a5–n6–8
  Root, Neutral 3rd, Quarter 3rd-4th, Quarter-sharp 5th, Neutral 6th, Octave

Pitches starting from C: C E– E+ G+ A– c

G cleff

Pitch Class Set: {0,4,5,8,9}

Pitch Class Mapping: 817 (Hex 0331, Binary 0001100110001)

The name I use for this scale comes from: Name from Scala, applied to a different temperament.

Scala name: Symmetrical Pentatonic

Columns

Temperament: 13-Tone Equal Temperament (13TET)
The 13 degrees of this temperament, in cents:
0–92–185–277–369–462–554–646–738–831–923–1015–1108–1200

Scale steps in semitones: 4–2–1–2–4

Scale degrees:
  in cents: 0–369–554–646–831–1200
  intervals: 1–n3–a4–b5–n6–8
  Root, Neutral 3rd, Quarter-sharp 4th, Quarter-flat 5th, Neutral 6th, Octave

Pitches starting from C: C E– F+ G– A– c

G cleff

Pitch Class Set: {0,4,6,7,9}

Pitch Class Mapping: 721 (Hex 02D1, Binary 0001011010001)

The name I use for this scale comes from: Name from Scala, applied to a different temperament.

Scala name: Columns

Godzilla-5

Temperament: 14-Tone Equal Temperament (14TET)
The 14 degrees of this temperament, in cents:
0–86–171–257–343–429–514–600–686–771–857–943–1029–1114–1200

Scale steps in semitones: 2–3–3–3–3

Scale degrees:
  in cents: 0–171–429–686–943–1200
  intervals: 1–n2–b4–5–a6–8
  Root, Neutral 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D– E+ G A+ c

G cleff

Pitch Class Set: {0,2,5,8,11}

Pitch Class Mapping: 2341 (Hex 0925, Binary 00100100100101)

The name I use for this scale comes from: Scala

Scala name: Godzilla-5

Semaphore-5

Temperament: 14-Tone Equal Temperament (14TET)
The 14 degrees of this temperament, in cents:
0–86–171–257–343–429–514–600–686–771–857–943–1029–1114–1200

Scale steps in semitones: 3–3–2–3–3

Scale degrees:
  in cents: 0–257–514–686–943–1200
  intervals: 1–a2–4–5–a6–8
  Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ F G A+ c

G cleff

Pitch Class Set: {0,3,6,8,11}

Pitch Class Mapping: 2377 (Hex 0949, Binary 00100101001001)

The name I use for this scale comes from: Scala

Scala name: Semaphore-5

Seventeen-tone Major Pentatonic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Temperament: 17-Tone Equal Temperament (17TET)
The 17 degrees of this temperament, in cents:
0–71–141–212–282–353–424–494–565–635–706–776–847–918–988–1059–1129–1200

Scale steps in semitones: 3–3–4–3–4

Scale degrees:
  in cents: 0–212–424–706–918–1200
  intervals: 1–2–3–5–6–8
  Root, Major 2nd, Major 3rd, Perfect 5th, Major 6th, Octave

Pitches starting from C: C D E G A c

G cleff

Pitch Class Set: {0,3,6,10,13}

Pitch Class Mapping: 9289 (Hex 02449, Binary 00010010001001001)

This scale is a mode (rotation) of these other scales:
Mode 2 of: Seventeen-tone Suspended Pentatonic
Mode 5 of: Seventeen-tone Minor Pentatonic

The name I use for this scale comes from: Scala

Scala name: Seventeen-tone Major Pentatonic

Seventeen-tone Minor Pentatonic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Temperament: 17-Tone Equal Temperament (17TET)
The 17 degrees of this temperament, in cents:
0–71–141–212–282–353–424–494–565–635–706–776–847–918–988–1059–1129–1200

Scale steps in semitones: 4–3–3–4–3

Scale degrees:
  in cents: 0–282–494–706–988–1200
  intervals: 1–m3–4–5–m7–8
  Root, Minor 3rd, Perfect 4th, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
C D♯ F G A♯ c
C E♭ F G B♭ c

G cleff

Pitch Class Set: {0,4,7,10,14}

Pitch Class Mapping: 17553 (Hex 04491, Binary 00100010010010001)

This scale is a mode (rotation) of these other scales:
Mode 2 of: Seventeen-tone Major Pentatonic
Mode 3 of: Seventeen-tone Suspended Pentatonic

The name I use for this scale comes from: Scala

Scala names: Seventeen-tone Minor Pentatonic, Salendro Sejati: Sunda

Seventeen-tone Suspended Pentatonic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Temperament: 17-Tone Equal Temperament (17TET)
The 17 degrees of this temperament, in cents:
0–71–141–212–282–353–424–494–565–635–706–776–847–918–988–1059–1129–1200

Scale steps in semitones: 3–4–3–4–3

Scale degrees:
  in cents: 0–212–494–706–988–1200
  intervals: 1–2–4–5–m7–8
  Root, Major 2nd, Perfect 4th, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
C D F G A♯ c
C D F G B♭ c

G cleff

Pitch Class Set: {0,3,7,10,14}

Pitch Class Mapping: 17545 (Hex 04489, Binary 00100010010001001)

This scale is a mode (rotation) of these other scales:
Mode 4 of: Seventeen-tone Minor Pentatonic
Mode 5 of: Seventeen-tone Major Pentatonic

The name I use for this scale comes from: Scala

Scala name: Seventeen-tone Suspended Pentatonic

Pelog Degung Sejati

Temperament: 17-Tone Equal Temperament (17TET)
The 17 degrees of this temperament, in cents:
0–71–141–212–282–353–424–494–565–635–706–776–847–918–988–1059–1129–1200

Scale steps in semitones: 6–1–3–6–1

Scale degrees:
  in cents: 0–424–494–706–1129–1200
  intervals: 1–3–4–5–b8–8
  Root, Major 3rd, Perfect 4th, Perfect 5th, Quarter-flat Octave, Octave

Pitches starting from C: C E F G B+ c

G cleff

Pitch Class Set: {0,6,7,10,16}

Pitch Class Mapping: 66753 (Hex 104C1, Binary 10000010011000001)

The name I use for this scale comes from: Scala

Scala name: Pelog Degung Sejati: Sunda

Sorog Madenda Sejati

Temperament: 17-Tone Equal Temperament (17TET)
The 17 degrees of this temperament, in cents:
0–71–141–212–282–353–424–494–565–635–706–776–847–918–988–1059–1129–1200

Scale steps in semitones: 6–1–6–3–1

Scale degrees:
  in cents: 0–424–494–918–1129–1200
  intervals: 1–3–4–6–b8–8
  Root, Major 3rd, Perfect 4th, Major 6th, Quarter-flat Octave, Octave

Pitches starting from C: C E F A B+ c

G cleff

Pitch Class Set: {0,6,7,13,16}

Pitch Class Mapping: 73921 (Hex 120C1, Binary 10010000011000001)

The name I use for this scale comes from: Scala

Scala name: Sorog Madenda Sejati: Sunda

Malaysian Pelog

Temperament: 17-Tone Equal Temperament (17TET)
The 17 degrees of this temperament, in cents:
0–71–141–212–282–353–424–494–565–635–706–776–847–918–988–1059–1129–1200

Scale steps in semitones: 2–5–3–2–5

Scale degrees:
  in cents: 0–141–494–706–847–1200
  intervals: 1–n2–4–5–n6–8
  Root, Neutral 2nd, Perfect 4th, Perfect 5th, Neutral 6th, Octave

Pitches starting from C: C D– F G A– c

G cleff

Pitch Class Set: {0,2,7,10,12}

Pitch Class Mapping: 5253 (Hex 01485, Binary 00001010010000101)

The name I use for this scale comes from: Scala

Scala name: Malaysian Pelog

Machine-5

Temperament: 17-Tone Equal Temperament (17TET)
The 17 degrees of this temperament, in cents:
0–71–141–212–282–353–424–494–565–635–706–776–847–918–988–1059–1129–1200

Scale steps in semitones: 3–5–3–3–3

Scale degrees:
  in cents: 0–212–565–776–988–1200
  intervals: 1–2–a4–m6–m7–8
  Root, Major 2nd, Quarter-sharp 4th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
C D F+ G♯ A♯ c
C D F+ A♭ B♭ c

G cleff

Pitch Class Set: {0,3,8,11,14}

Pitch Class Mapping: 18697 (Hex 04909, Binary 00100100100001001)

The name I use for this scale comes from: Scala

Scala name: Machine-5

Father-5

Temperament: 18-Tone Equal Temperament (18TET)
The 18 degrees of this temperament, in cents:
0–67–133–200–267–333–400–467–533–600–667–733–800–867–933–1000–1067–1133–1200

Scale steps in semitones: 4–4–3–4–3

Scale degrees:
  in cents: 0–267–533–733–1000–1200
  intervals: 1–a2–a4–a5–m7–8
  Root, Quarter 2nd-3rd, Quarter-sharp 4th, Quarter-sharp 5th, Minor 7th, Octave

Pitches starting from C:
C D+ F+ G+ A♯ c
C D+ F+ G+ B♭ c

G cleff

Pitch Class Set: {0,4,8,11,15}

Pitch Class Mapping: 35089 (Hex 08911, Binary 001000100100010001)

The name I use for this scale comes from: Scala

Scala name: Father-5

Five out of 19

Temperament: 19-Tone Equal Temperament (19TET)
The 19 degrees of this temperament, in cents:
0–63–126–189–253–316–379–442–505–568–632–695–758–821–884–947–1011–1074–1137–1200

Scale steps in semitones: 4–4–4–4–3

Scale degrees:
  in cents: 0–253–505–758–1011–1200
  intervals: 1–a2–4–a5–m7–8
  Root, Quarter 2nd-3rd, Perfect 4th, Quarter-sharp 5th, Minor 7th, Octave

Pitches starting from C:
C D+ F G+ A♯ c
C D+ F G+ B♭ c

G cleff

Pitch Class Set: {0,4,8,12,16}

Pitch Class Mapping: 69905 (Hex 11111, Binary 0010001000100010001)

The name I use for this scale comes from: Scala

Scala names: Five out of 19, Godzilla-5 inverse

Nineteen-tone Major Pentatonic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–3–5–3–5

Scale degrees:
  in cents: 0–189–379–695–884–1200
  intervals: 1–2–3–5–6–8
  Root, Major 2nd, Major 3rd, Perfect 5th, Major 6th, Octave

Pitches starting from C: C D E G A c

G cleff

Pitch Class Set: {0,3,6,11,14}

Pitch Class Mapping: 18505 (Hex 04849, Binary 0000100100001001001)

This scale is a mode (rotation) of these other scales:
Mode 5 of: Nineteen-tone Minor Pentatonic

The name I use for this scale comes from: Scala

Scala name: Nineteen-tone Major Pentatonic

Nineteen-tone Minor Pentatonic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 5–3–3–5–3

Scale degrees:
  in cents: 0–316–505–695–1011–1200
  intervals: 1–m3–4–5–m7–8
  Root, Minor 3rd, Perfect 4th, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
C D♯ F G A♯ c
C E♭ F G B♭ c

G cleff

Pitch Class Set: {0,5,8,11,16}

Pitch Class Mapping: 67873 (Hex 10921, Binary 0010000100100100001)

This scale is a mode (rotation) of these other scales:
Mode 2 of: Nineteen-tone Major Pentatonic

The name I use for this scale comes from: Scala

Scala name: Nineteen-tone Minor Pentatonic

Nineteen-tone Suspended Pentatonic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–5–3–5–3

Scale degrees:
  in cents: 0–189–505–695–1011–1200
  intervals: 1–2–4–5–m7–8
  Root, Major 2nd, Perfect 4th, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
C D F G A♯ c
C D F G B♭ c

G cleff

Pitch Class Set: {0,3,8,11,16}

Pitch Class Mapping: 67849 (Hex 10909, Binary 0010000100100001001)

The name I use for this scale comes from: Scala

Scala name: Nineteen-tone Suspended Pentatonic

Quasi-equal Pentatonic

Scale steps in semitones: 4–4–3–4–4

Scale degrees:
  in cents: 0–253–505–695–947–1200
  intervals: 1–a2–4–5–a6–8
  Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ F G A+ c

G cleff

Pitch Class Set: {0,4,8,11,15}

Pitch Class Mapping: 35089 (Hex 08911, Binary 0001000100100010001)

The name I use for this scale comes from: Scala

Scala names: Quasi-equal Pentatonic, Semaphore-5

Godzilla-5

Scale steps in semitones: 3–4–4–4–4

Scale degrees:
  in cents: 0–189–442–695–947–1200
  intervals: 1–2–b4–5–a6–8
  Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D E+ G A+ c

G cleff

Pitch Class Set: {0,3,7,11,15}

Pitch Class Mapping: 34953 (Hex 08889, Binary 0001000100010001001)

The name I use for this scale comes from: Scala

Scala name: Godzilla-5

Score-5

Temperament: 20-Tone Equal Temperament (20TET)
The 20 degrees of this temperament, in cents:
0–60–120–180–240–300–360–420–480–540–600–660–720–780–840–900–960–1020–1080–1140–1200

Scale steps in semitones: 7–2–7–2–2

Scale degrees:
  in cents: 0–420–540–960–1080–1200
  intervals: 1–3–a4–a6–7–8
  Root, Major 3rd, Quarter-sharp 4th, Quarter 6th-7th, Major 7th, Octave

Pitches starting from C: C E F+ A+ B c

G cleff

Pitch Class Set: {0,7,9,16,18}

Pitch Class Mapping: 328321 (Hex 50281, Binary 01010000001010000001)

The name I use for this scale comes from: Scala

Scala name: Score-5

Quasi-equal Pentatonic

Temperament: 21-Tone Equal Temperament (21TET)
The 21 degrees of this temperament, in cents:
0–57–114–171–229–286–343–400–457–514–571–629–686–743–800–857–914–971–1029–1086–1143–1200

Scale steps in semitones: 4–4–5–4–4

Scale degrees:
  in cents: 0–229–457–743–971–1200
  intervals: 1–a2–b4–a5–a6–8
  Root, Quarter 2nd-3rd, Quarter 3rd-4th, Quarter-sharp 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ E+ G+ A+ c

G cleff

Pitch Class Set: {0,4,8,13,17}

Pitch Class Mapping: 139537 (Hex 022111, Binary 000100010000100010001)

The name I use for this scale comes from: Scala

Scala name: Quasi-equal Pentatonic

Orwell-5

Temperament: 22-Tone Equal Temperament (22TET)
The 22 degrees of this temperament, in cents:
0–55–109–164–218–273–327–382–436–491–545–600–655–709–764–818–873–927–982–1036–1091–1145–1200

Scale steps in semitones: 5–5–5–5–2

Scale degrees:
  in cents: 0–273–545–818–1091–1200
  intervals: 1–a2–a4–m6–7–8
  Root, Quarter 2nd-3rd, Quarter-sharp 4th, Minor 6th, Major 7th, Octave

Pitches starting from C:
C D+ F+ G♯ B c
C D+ F+ A♭ B c

G cleff

Pitch Class Set: {0,5,10,15,20}

Pitch Class Mapping: 1082401 (Hex 108421, Binary 0100001000010000100001)

The name I use for this scale comes from: Scala

Scala name: Orwell-5

Septimal Minor Pentatonic

Scale steps in semitones: 5–4–4–5–4

Scale degrees:
  in cents: 0–273–491–709–982–1200
  intervals: 1–a2–4–5–m7–8
  Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
C D+ F G A♯ c
C D+ F G B♭ c

G cleff

Pitch Class Set: {0,5,9,13,18}

Pitch Class Mapping: 270881 (Hex 042221, Binary 0001000010001000100001)

The name I use for this scale comes from: Scala

Scala names: Septimal Minor Pentatonic, Supra-5

Bhupali

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Temperament: 22-Tone Shruti Temperament (Shruti22)
The 22 degrees of this temperament, in cents:
0–90–112–182–204–294–316–386–408–498–520–590–612–702–792–814–884–906–996–1018–1088–1110–1200
Notes: Scala: 256/243 65536/59049 9/8 32/27 8192/6561 81/64 4/3 1024/729 262144/177147 3/2 128/81 32768/19683 27/16 16/9 4096/2187 1048576/531441 2/1

Scale steps in semitones: 4–3–6–4–5

Scale degrees:
  in cents: 0–204–386–702–906–1200
  intervals: 1–2–3–5–6–8
  Root, Major 2nd, Major 3rd, Perfect 5th, Major 6th, Octave

Pitches starting from C: C D E G A c

G cleff

Pitch Class Set: {0,4,7,13,17}

Pitch Class Mapping: 139409 (Hex 022091, Binary 0000100010000010010001)

The name I use for this scale comes from: Scala

Scala name: Raga Bhupali

Deskar

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–4–6–3–6

Scale degrees:
  in cents: 0–182–386–702–884–1200
  intervals: 1–2–3–5–6–8
  Root, Major 2nd, Major 3rd, Perfect 5th, Major 6th, Octave

Pitches starting from C: C D E G A c

G cleff

Pitch Class Set: {0,3,7,13,16}

Pitch Class Mapping: 73865 (Hex 012089, Binary 0000010010000010001001)

This scale is a mode (rotation) of these other scales:
Mode 3 of: Malkauns

The name I use for this scale comes from: Scala

Scala name: Raga Deskar

Durga

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 4–5–4–4–5

Scale degrees:
  in cents: 0–204–498–702–906–1200
  intervals: 1–2–4–5–6–8
  Root, Major 2nd, Perfect 4th, Perfect 5th, Major 6th, Octave

Pitches starting from C: C D F G A c

G cleff

Pitch Class Set: {0,4,9,13,17}

Pitch Class Mapping: 139793 (Hex 022211, Binary 0000100010001000010001)

The name I use for this scale comes from: Scala

Scala name: Raga Durga

Hamsadhvani

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 4–3–6–7–2

Scale degrees:
  in cents: 0–204–386–702–1088–1200
  intervals: 1–2–3–5–7–8
  Root, Major 2nd, Major 3rd, Perfect 5th, Major 7th, Octave

Pitches starting from C: C D E G B c

G cleff

Pitch Class Set: {0,4,7,13,20}

Pitch Class Mapping: 1056913 (Hex 102091, Binary 0100000010000010010001)

The name I use for this scale comes from: Scala

Scala name: Raga Hamsadhvani

Malkauns

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 6–3–6–3–4

Scale degrees:
  in cents: 0–316–498–814–996–1200
  intervals: 1–m3–4–m6–m7–8
  Root, Minor 3rd, Perfect 4th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
C D♯ F G♯ A♯ c
C E♭ F A♭ B♭ c

G cleff

Pitch Class Set: {0,6,9,15,18}

Pitch Class Mapping: 295489 (Hex 048241, Binary 0001001000001001000001)

This scale is a mode (rotation) of these other scales:
Mode 4 of: Deskar

The name I use for this scale comes from: Scala

Scala name: Raga Malkauns

Saveri

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–7–4–1–8

Scale degrees:
  in cents: 0–112–498–702–792–1200
  intervals: 1–m2–4–5–m6–8
  Root, Minor 2nd, Perfect 4th, Perfect 5th, Minor 6th, Octave

Pitches starting from C:
C C♯ F G G♯ c
C D♭ F G A♭ c

G cleff

Pitch Class Set: {0,2,9,13,14}

Pitch Class Mapping: 25093 (Hex 006205, Binary 0000000110001000000101)

The name I use for this scale comes from: Scala

Scala name: Raga Saveri

Suddha Malhar

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–6–4–3–6

Scale degrees:
  in cents: 0–182–498–702–884–1200
  intervals: 1–2–4–5–6–8
  Root, Major 2nd, Perfect 4th, Perfect 5th, Major 6th, Octave

Pitches starting from C: C D F G A c

G cleff

Pitch Class Set: {0,3,9,13,16}

Pitch Class Mapping: 74249 (Hex 012209, Binary 0000010010001000001001)

This scale is a mode (rotation) of these other scales:
Mode 3 of: Chromatic and Chromatic

The name I use for this scale comes from: Scala

Scala name: Raga Suddha Malhar

Vibhas

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–6–6–3–6

Scale degrees:
  in cents: 0–90–386–702–884–1200
  intervals: 1–m2–3–5–6–8
  Root, Minor 2nd, Major 3rd, Perfect 5th, Major 6th, Octave

Pitches starting from C:
C C♯ E G A c
C D♭ E G A c

G cleff

Pitch Class Set: {0,1,7,13,16}

Pitch Class Mapping: 73859 (Hex 012083, Binary 0000010010000010000011)

The name I use for this scale comes from: Scala

Scala name: Raga Vibhas (marva)

Anchi Hoy

Temperament: 24-Tone Equal Temperament (24TET)
The 24 degrees of this temperament, in cents:
0–50–100–150–200–250–300–350–400–450–500–550–600–650–700–750–800–850–900–950–1000–1050–1100–1150–1200

Scale steps in semitones: 2–8–3–6–5

Scale degrees:
  in cents: 0–100–500–650–950–1200
  intervals: 1–m2–4–b5–a6–8
  Root, Minor 2nd, Perfect 4th, Quarter-flat 5th, Quarter 6th-7th, Octave

Pitches starting from C:
C C♯ F G– A+ c
C D♭ F G– A+ c

G cleff

Pitch Class Set: {0,2,10,13,19}

Pitch Class Mapping: 533509 (Hex 082405, Binary 000010000010010000000101)

The name I use for this scale comes from: Scala

Scala name: Anchihoye: Ethiopia

Quasi-equal Pentatonic

Scale steps in semitones: 5–5–4–5–5

Scale degrees:
  in cents: 0–250–500–700–950–1200
  intervals: 1–a2–4–5–a6–8
  Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ F G A+ c

G cleff

Pitch Class Set: {0,5,10,14,19}

Pitch Class Mapping: 541729 (Hex 084421, Binary 000010000100010000100001)

This scale is a mode (rotation) of these other scales:
Mode 3 of: Godzilla-5

The name I use for this scale comes from: Scala

Scala names: Quasi-equal Pentatonic, Semaphore-5

Spondeion

Scale steps in semitones: 3–7–4–3–7

Scale degrees:
  in cents: 0–150–500–700–850–1200
  intervals: 1–n2–4–5–n6–8
  Root, Neutral 2nd, Perfect 4th, Perfect 5th, Neutral 6th, Octave

Pitches starting from C: C D– F G A– c

G cleff

Pitch Class Set: {0,3,10,14,17}

Pitch Class Mapping: 148489 (Hex 024409, Binary 000000100100010000001001)

The name I use for this scale comes from: Scala

Scala name: Spondeion

de Vries 5-tone

Scale steps in semitones: 9–2–2–9–2

Scale degrees:
  in cents: 0–450–550–650–1100–1200
  intervals: 1–b4–a4–b5–7–8
  Root, Quarter 3rd-4th, Quarter-sharp 4th, Quarter-flat 5th, Major 7th, Octave

Pitches starting from C: C E+ F+ G– B c

G cleff

Pitch Class Set: {0,9,11,13,22}

Pitch Class Mapping: 4205057 (Hex 402A01, Binary 010000000010101000000001)

The name I use for this scale comes from: Scala

Scala name: de Vries 5-tone

Godzilla-5

Scale steps in semitones: 4–5–5–5–5

Scale degrees:
  in cents: 0–200–450–700–950–1200
  intervals: 1–2–b4–5–a6–8
  Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D E+ G A+ c

G cleff

Pitch Class Set: {0,4,9,14,19}

Pitch Class Mapping: 541201 (Hex 084211, Binary 000010000100001000010001)

This scale is a mode (rotation) of these other scales:
Mode 4 of: Quasi-equal Pentatonic

The name I use for this scale comes from: Scala

Scala name: Godzilla-5

Quasi-equal Pentatonic

Temperament: 26-Tone Equal Temperament (26TET)
The 26 degrees of this temperament, in cents:
0–46–92–138–185–231–277–323–369–415–462–508–554–600–646–692–738–785–831–877–923–969–1015–1062–1108–1154–1200

Scale steps in semitones: 5–5–6–5–5

Scale degrees:
  in cents: 0–231–462–738–969–1200
  intervals: 1–a2–b4–a5–a6–8
  Root, Quarter 2nd-3rd, Quarter 3rd-4th, Quarter-sharp 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ E+ G+ A+ c

G cleff

Pitch Class Set: {0,5,10,16,21}

Pitch Class Mapping: 2163745 (Hex 0210421, Binary 00001000010000010000100001)

The name I use for this scale comes from: Scala

Scala names: Quasi-equal Pentatonic, Mothra-5

Septimal Minor Pentatonic

Temperament: 27-Tone Equal Temperament (27TET)
The 27 degrees of this temperament, in cents:
0–44–89–133–178–222–267–311–356–400–444–489–533–578–622–667–711–756–800–844–889–933–978–1022–1067–1111–1156–1200

Scale steps in semitones: 6–5–5–6–5

Scale degrees:
  in cents: 0–267–489–711–978–1200
  intervals: 1–a2–4–5–m7–8
  Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
C D+ F G A♯ c
C D+ F G B♭ c

G cleff

Pitch Class Set: {0,6,11,16,22}

Pitch Class Mapping: 4261953 (Hex 0410841, Binary 000010000010000100001000001)

The name I use for this scale comes from: Scala

Scala name: Septimal Minor Pentatonic

Quasi-equal Pentatonic

Temperament: 29-Tone Equal Temperament (29TET)
The 29 degrees of this temperament, in cents:
0–41–83–124–166–207–248–290–331–372–414–455–497–538–579–621–662–703–745–786–828–869–910–952–993–1034–1076–1117–1159–1200

Scale steps in semitones: 6–6–5–6–6

Scale degrees:
  in cents: 0–248–497–703–952–1200
  intervals: 1–a2–4–5–a6–8
  Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ F G A+ c

G cleff

Pitch Class Set: {0,6,12,17,23}

Pitch Class Mapping: 8523841 (Hex 00821041, Binary 00000100000100001000001000001)

The name I use for this scale comes from: Scala

Scala names: Quasi-equal Pentatonic, Semaphore-5

Immunity-5

Scale steps in semitones: 5–6–6–6–6

Scale degrees:
  in cents: 0–207–455–703–952–1200
  intervals: 1–2–b4–5–a6–8
  Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D E+ G A+ c

G cleff

Pitch Class Set: {0,5,11,17,23}

Pitch Class Mapping: 8521761 (Hex 00820821, Binary 00000100000100000100000100001)

The name I use for this scale comes from: Scala

Scala name: Immunity-5

Madenda: Sunda

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Temperament: 30-Tone Equal Temperament (30TET)
The 30 degrees of this temperament, in cents:
0–40–80–120–160–200–240–280–320–360–400–440–480–520–560–600–640–680–720–760–800–840–880–920–960–1000–1040–1080–1120–1160–1200

Scale steps in semitones: 10–3–10–5–2

Scale degrees:
  in cents: 0–400–520–920–1120–1200
  intervals: 1–3–4–6–7–8
  Root, Major 3rd, Perfect 4th, Major 6th, Major 7th, Octave

Pitches starting from C: C E F A B c

G cleff

Pitch Class Set: {0,10,13,23,28}

Pitch Class Mapping: 276833281 (Hex 10802401, Binary 010000100000000010010000000001)

The name I use for this scale comes from: Scala

Scala name: Madenda: Sunda

Quasi-equal Pentatonic

Temperament: 31-Tone Equal Temperament (31TET)
The 31 degrees of this temperament, in cents:
0–39–77–116–155–194–232–271–310–348–387–426–465–503–542–581–619–658–697–735–774–813–852–890–929–968–1006–1045–1084–1123–1161–1200

Scale steps in semitones: 6–6–7–6–6

Scale degrees:
  in cents: 0–232–465–735–968–1200
  intervals: 1–a2–b4–a5–a6–8
  Root, Quarter 2nd-3rd, Quarter 3rd-4th, Quarter-sharp 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ E+ G+ A+ c

G cleff

Pitch Class Set: {0,6,12,19,25}

Pitch Class Mapping: 34082881 (Hex 02081041, Binary 0000010000010000001000001000001)

The name I use for this scale comes from: Scala

Scala names: Quasi-equal Pentatonic, Mothra-5

Orwell-5

Scale steps in semitones: 7–7–7–7–3

Scale degrees:
  in cents: 0–271–542–813–1084–1200
  intervals: 1–a2–a4–m6–7–8
  Root, Quarter 2nd-3rd, Quarter-sharp 4th, Minor 6th, Major 7th, Octave

Pitches starting from C:
C D+ F+ G♯ B c
C D+ F+ A♭ B c

G cleff

Pitch Class Set: {0,7,14,21,28}

Pitch Class Mapping: 270549121 (Hex 10204081, Binary 0010000001000000100000010000001)

The name I use for this scale comes from: Scala

Scala name: Orwell-5

Slendric-5

Scale steps in semitones: 6–6–6–7–6

Scale degrees:
  in cents: 0–232–465–697–968–1200
  intervals: 1–a2–b4–5–a6–8
  Root, Quarter 2nd-3rd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ E+ G A+ c

G cleff

Pitch Class Set: {0,6,12,18,25}

Pitch Class Mapping: 33820737 (Hex 02041041, Binary 0000010000001000001000001000001)

This scale is a mode (rotation) of these other scales:
Mode 4 of: Wonder-5

The name I use for this scale comes from: Scala

Scala name: Slendric-5

Wonder-5

Scale steps in semitones: 7–6–6–6–6

Scale degrees:
  in cents: 0–271–503–735–968–1200
  intervals: 1–a2–4–a5–a6–8
  Root, Quarter 2nd-3rd, Perfect 4th, Quarter-sharp 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ F G+ A+ c

G cleff

Pitch Class Set: {0,7,13,19,25}

Pitch Class Mapping: 34087041 (Hex 02082081, Binary 0000010000010000010000010000001)

This scale is a mode (rotation) of these other scales:
Mode 3 of: Slendric-5

The name I use for this scale comes from: Scala

Scala name: Wonder-5

Septimal Minor Pentatonic

Temperament: 32-Tone Equal Temperament (32TET)
The 32 degrees of this temperament, in cents:
0–38–75–113–150–188–225–263–300–338–375–413–450–488–525–563–600–638–675–713–750–788–825–863–900–938–975–1013–1050–1088–1125–1163–1200

Scale steps in semitones: 7–6–6–7–6

Scale degrees:
  in cents: 0–263–488–713–975–1200
  intervals: 1–a2–4–5–m7–8
  Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
C D+ F G A♯ c
C D+ F G B♭ c

G cleff

Pitch Class Set: {0,7,13,19,26}

Pitch Class Mapping: 67641473 (Hex 04082081, Binary 00000100000010000010000010000001)

The name I use for this scale comes from: Scala

Scala name: Septimal Minor Pentatonic

Godzilla-5

Temperament: 33-Tone Equal Temperament (33TET)
The 33 degrees of this temperament, in cents:
0–36–73–109–145–182–218–255–291–327–364–400–436–473–509–545–582–618–655–691–727–764–800–836–873–909–945–982–1018–1055–1091–1127–1164–1200

Scale steps in semitones: 5–7–7–7–7

Scale degrees:
  in cents: 0–182–436–691–945–1200
  intervals: 1–2–b4–5–a6–8
  Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D E+ G A+ c

G cleff

Pitch Class Set: {0,5,12,19,26}

Pitch Class Mapping: 67637281 (Hex 004081021, Binary 000000100000010000001000000100001)

The name I use for this scale comes from: Scala

Scala name: Godzilla-5

Quasi-equal Pentatonic

Temperament: 34-Tone Equal Temperament (34TET)
The 34 degrees of this temperament, in cents:
0–35–71–106–141–176–212–247–282–318–353–388–424–459–494–529–565–600–635–671–706–741–776–812–847–882–918–953–988–1024–1059–1094–1129–1165–1200

Scale steps in semitones: 7–7–6–7–7

Scale degrees:
  in cents: 0–247–494–706–953–1200
  intervals: 1–a2–4–5–a6–8
  Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ F G A+ c

G cleff

Pitch Class Set: {0,7,14,20,27}

Pitch Class Mapping: 135282817 (Hex 008104081, Binary 0000001000000100000100000010000001)

This scale is a mode (rotation) of these other scales:
Mode 3 of: Immunity-5

The name I use for this scale comes from: Scala

Scala name: Quasi-equal Pentatonic

Immunity-5

Scale steps in semitones: 6–7–7–7–7

Scale degrees:
  in cents: 0–212–459–706–953–1200
  intervals: 1–2–b4–5–a6–8
  Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D E+ G A+ c

G cleff

Pitch Class Set: {0,6,13,20,27}

Pitch Class Mapping: 135274561 (Hex 008102041, Binary 0000001000000100000010000001000001)

This scale is a mode (rotation) of these other scales:
Mode 4 of: Quasi-equal Pentatonic

The name I use for this scale comes from: Scala

Scala name: Immunity-5

Nam Hue: Vietnam

Temperament: 36-Tone Equal Temperament (36TET)
The 36 degrees of this temperament, in cents:
0–33–67–100–133–167–200–233–267–300–333–367–400–433–467–500–533–567–600–633–667–700–733–767–800–833–867–900–933–967–1000–1033–1067–1100–1133–1167–1200

Scale steps in semitones: 5–10–6–5–10

Scale degrees:
  in cents: 0–167–500–700–867–1200
  intervals: 1–n2–4–5–n6–8
  Root, Neutral 2nd, Perfect 4th, Perfect 5th, Neutral 6th, Octave

Pitches starting from C: C D– F G A– c

G cleff

Pitch Class Set: {0,5,15,21,26}

Pitch Class Mapping: 69238817 (Hex 004208021, Binary 000000000100001000001000000000100001)

The name I use for this scale comes from: Scala

Scala name: Nam Hue: Vietnam

Quasi-equal Pentatonic

Scale steps in semitones: 7–7–8–7–7

Scale degrees:
  in cents: 0–233–467–733–967–1200
  intervals: 1–a2–b4–a5–a6–8
  Root, Quarter 2nd-3rd, Quarter 3rd-4th, Quarter-sharp 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ E+ G+ A+ c

G cleff

Pitch Class Set: {0,7,14,22,29}

Pitch Class Mapping: 541081729 (Hex 020404081, Binary 000000100000010000000100000010000001)

The name I use for this scale comes from: Scala

Scala name: Quasi-equal Pentatonic

Slendric-5

Scale steps in semitones: 7–7–7–8–7

Scale degrees:
  in cents: 0–233–467–700–967–1200
  intervals: 1–a2–b4–5–a6–8
  Root, Quarter 2nd-3rd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ E+ G A+ c

G cleff

Pitch Class Set: {0,7,14,21,29}

Pitch Class Mapping: 538984577 (Hex 020204081, Binary 000000100000001000000100000010000001)

This scale is a mode (rotation) of these other scales:
Mode 4 of: Wonder-5

The name I use for this scale comes from: Scala

Scala name: Slendric-5

Wonder-5

Scale steps in semitones: 8–7–7–7–7

Scale degrees:
  in cents: 0–267–500–733–967–1200
  intervals: 1–a2–4–a5–a6–8
  Root, Quarter 2nd-3rd, Perfect 4th, Quarter-sharp 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ F G+ A+ c

G cleff

Pitch Class Set: {0,8,15,22,29}

Pitch Class Mapping: 541098241 (Hex 020408101, Binary 000000100000010000001000000100000001)

This scale is a mode (rotation) of these other scales:
Mode 3 of: Slendric-5

The name I use for this scale comes from: Scala

Scala name: Wonder-5

Immunity-5

Temperament: 39-Tone Equal Temperament (39TET)
The 39 degrees of this temperament, in cents:
0–31–62–92–123–154–185–215–246–277–308–338–369–400–431–462–492–523–554–585–615–646–677–708–738–769–800–831–862–892–923–954–985–1015–1046–1077–1108–1138–1169–1200

Scale steps in semitones: 7–8–8–8–8

Scale degrees:
  in cents: 0–215–462–708–954–1200
  intervals: 1–2–b4–5–a6–8
  Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D E+ G A+ c

G cleff

Pitch Class Set: {0,7,15,23,31}

Pitch Class Mapping: 2155905153 (Hex 0080808081, Binary 000000010000000100000001000000010000001)

The name I use for this scale comes from: Scala

Scala name: Immunity-5

Quasi-equal Pentatonic

Scale steps in semitones: 8–8–7–8–8

Scale degrees:
  in cents: 0–246–492–708–954–1200
  intervals: 1–a2–4–5–a6–8
  Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ F G A+ c

G cleff

Pitch Class Set: {0,8,16,23,31}

Pitch Class Mapping: 2155938049 (Hex 0080810101, Binary 000000010000000100000010000000100000001)

The name I use for this scale comes from: Scala

Scala name: Quasi-equal Pentatonic

Surupan Melog jawar: Java

Temperament: 40-Tone Equal Temperament (40TET)
The 40 degrees of this temperament, in cents:
0–30–60–90–120–150–180–210–240–270–300–330–360–390–420–450–480–510–540–570–600–630–660–690–720–750–780–810–840–870–900–930–960–990–1020–1050–1080–1110–1140–1170–1200

Scale steps in semitones: 4–5–13–4–14

Scale degrees:
  in cents: 0–120–270–660–780–1200
  intervals: 1–m2–a2–b5–m6–8
  Root, Minor 2nd, Quarter 2nd-3rd, Quarter-flat 5th, Minor 6th, Octave

Pitches starting from C:
C C♯ D+ G– G♯ c
C D♭ D+ G– A♭ c

G cleff

Pitch Class Set: {0,4,9,22,26}

Pitch Class Mapping: 71303697 (Hex 0004400211, Binary 0000000000000100010000000000001000010001)

The name I use for this scale comes from: Scala

Scala name: Surupan Melog jawar: Java

Surupan Miring: Java

Scale steps in semitones: 5–4–14–4–13

Scale degrees:
  in cents: 0–150–270–690–810–1200
  intervals: 1–n2–a2–5–m6–8
  Root, Neutral 2nd, Quarter 2nd-3rd, Perfect 5th, Minor 6th, Octave

Pitches starting from C:
C D– D+ G G♯ c
C D– D+ G A♭ c

G cleff

Pitch Class Set: {0,5,9,23,27}

Pitch Class Mapping: 142606881 (Hex 0008800221, Binary 0000000000001000100000000000001000100001)

The name I use for this scale comes from: Scala

Scala name: Surupan Miring: Java

Surupan Ajeng: Java

Scale steps in semitones: 5–4–13–5–13

Scale degrees:
  in cents: 0–150–270–660–810–1200
  intervals: 1–n2–a2–b5–m6–8
  Root, Neutral 2nd, Quarter 2nd-3rd, Quarter-flat 5th, Minor 6th, Octave

Pitches starting from C:
C D– D+ G– G♯ c
C D– D+ G– A♭ c

G cleff

Pitch Class Set: {0,5,9,22,27}

Pitch Class Mapping: 138412577 (Hex 0008400221, Binary 0000000000001000010000000000001000100001)

The name I use for this scale comes from: Scala

Scala name: Surupan Ajeng: Java

Rodan-5

Temperament: 41-Tone Equal Temperament (41TET)
The 41 degrees of this temperament, in cents:
0–29–59–88–117–146–176–205–234–263–293–322–351–380–410–439–468–498–527–556–585–615–644–673–702–732–761–790–820–849–878–907–937–966–995–1024–1054–1083–1112–1141–1171–1200

Scale steps in semitones: 8–8–8–9–8

Scale degrees:
  in cents: 0–234–468–702–966–1200
  intervals: 1–a2–b4–5–a6–8
  Root, Quarter 2nd-3rd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ E+ G A+ c

G cleff

Pitch Class Set: {0,8,16,24,33}

Pitch Class Mapping: 8606777601 (Hex 00201010101, Binary 00000001000000001000000010000000100000001)

This scale is a mode (rotation) of these other scales:
Mode 2 of: Quasi-equal Pentatonic

The name I use for this scale comes from: Scala

Scala name: Rodan-5

Quasi-equal Pentatonic

Scale steps in semitones: 8–8–9–8–8

Scale degrees:
  in cents: 0–234–468–732–966–1200
  intervals: 1–a2–b4–a5–a6–8
  Root, Quarter 2nd-3rd, Quarter 3rd-4th, Quarter-sharp 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ E+ G+ A+ c

G cleff

Pitch Class Set: {0,8,16,25,33}

Pitch Class Mapping: 8623554817 (Hex 00202010101, Binary 00000001000000010000000010000000100000001)

This scale is a mode (rotation) of these other scales:
Mode 5 of: Rodan-5 and Guiron-5

The name I use for this scale comes from: Scala

Scala name: Quasi-equal Pentatonic

Godzilla-5

Temperament: 43-Tone Equal Temperament (43TET)
The 43 degrees of this temperament, in cents:
0–28–56–84–112–140–167–195–223–251–279–307–335–363–391–419–447–474–502–530–558–586–614–642–670–698–726–753–781–809–837–865–893–921–949–977–1005–1033–1060–1088–1116–1144–1172–1200

Scale steps in semitones: 7–9–9–9–9

Scale degrees:
  in cents: 0–195–447–698–949–1200
  intervals: 1–2–b4–5–a6–8
  Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D E+ G A+ c

G cleff

Pitch Class Set: {0,7,16,25,34}

Pitch Class Mapping: 17213489281 (Hex 00402010081, Binary 0000000010000000010000000010000000010000001)

The name I use for this scale comes from: Scala

Scala name: Godzilla-5

Rodan-5

Temperament: 46-Tone Equal Temperament (46TET)
The 46 degrees of this temperament, in cents:
0–26–52–78–104–130–157–183–209–235–261–287–313–339–365–391–417–443–470–496–522–548–574–600–626–652–678–704–730–757–783–809–835–861–887–913–939–965–991–1017–1043–1070–1096–1122–1148–1174–1200

Scale steps in semitones: 9–9–9–10–9

Scale degrees:
  in cents: 0–235–470–704–965–1200
  intervals: 1–a2–b4–5–a6–8
  Root, Quarter 2nd-3rd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ E+ G A+ c

G cleff

Pitch Class Set: {0,9,18,27,37}

Pitch Class Mapping: 137573433857 (Hex 002008040201, Binary 0000000010000000001000000001000000001000000001)

The name I use for this scale comes from: Scala

Scala name: Rodan-5

Supra-5

Temperament: 49-Tone Equal Temperament (49TET)
The 49 degrees of this temperament, in cents:
0–24–49–73–98–122–147–171–196–220–245–269–294–318–343–367–392–416–441–465–490–514–539–563–588–612–637–661–686–710–735–759–784–808–833–857–882–906–931–955–980–1004–1029–1053–1078–1102–1127–1151–1176–1200

Scale steps in semitones: 11–9–9–11–9

Scale degrees:
  in cents: 0–269–490–710–980–1200
  intervals: 1–a2–4–5–m7–8
  Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
C D+ F G A♯ c
C D+ F G B♭ c

G cleff

Pitch Class Set: {0,11,20,29,40}

Pitch Class Mapping: 1100049549313 (Hex 0010020100801, Binary 0000000010000000000100000000100000000100000000001)

The name I use for this scale comes from: Scala

Scala name: Supra-5

Godzilla-5

Temperament: 52-Tone Equal Temperament (52TET)
The 52 degrees of this temperament, in cents:
0–23–46–69–92–115–138–162–185–208–231–254–277–300–323–346–369–392–415–438–462–485–508–531–554–577–600–623–646–669–692–715–738–762–785–808–831–854–877–900–923–946–969–992–1015–1038–1062–1085–1108–1131–1154–1177–1200

Scale steps in semitones: 8–11–11–11–11

Scale degrees:
  in cents: 0–185–438–692–946–1200
  intervals: 1–2–b4–5–a6–8
  Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D E+ G A+ c

G cleff

Pitch Class Set: {0,8,19,30,41}

Pitch Class Mapping: 2200097521921 (Hex 0020040080101, Binary 0000000000100000000001000000000010000000000100000001)

The name I use for this scale comes from: Scala

Scala name: Godzilla-5

Orwell-5

Temperament: 53-Tone Equal Temperament (53TET)
The 53 degrees of this temperament, in cents:
0–23–45–68–91–113–136–158–181–204–226–249–272–294–317–340–362–385–408–430–453–475–498–521–543–566–589–611–634–657–679–702–725–747–770–792–815–838–860–883–906–928–951–974–996–1019–1042–1064–1087–1109–1132–1155–1177–1200

Scale steps in semitones: 12–12–12–12–5

Scale degrees:
  in cents: 0–272–543–815–1087–1200
  intervals: 1–a2–a4–m6–7–8
  Root, Quarter 2nd-3rd, Quarter-sharp 4th, Minor 6th, Major 7th, Octave

Pitches starting from C:
C D+ F+ G♯ B c
C D+ F+ A♭ B c

G cleff

Pitch Class Set: {0,12,24,36,48}

Pitch Class Mapping: 281543712968705

The name I use for this scale comes from: Scala

Scala name: Orwell-5

Supra-5

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Temperament: 56-Tone Equal Temperament (56TET)
The 56 degrees of this temperament, in cents:
0–21–43–64–86–107–129–150–171–193–214–236–257–279–300–321–343–364–386–407–429–450–471–493–514–536–557–579–600–621–643–664–686–707–729–750–771–793–814–836–857–879–900–921–943–964–986–1007–1029–1050–1071–1093–1114–1136–1157–1179–1200

Scale steps in semitones: 13–10–10–13–10

Scale degrees:
  in cents: 0–279–493–707–986–1200
  intervals: 1–m3–4–5–m7–8
  Root, Minor 3rd, Perfect 4th, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
C D♯ F G A♯ c
C E♭ F G B♭ c

G cleff

Pitch Class Set: {0,13,23,33,46}

Pitch Class Mapping: 70377342509057

The name I use for this scale comes from: Scala

Scala name: Supra-5

Quasi-equal Pentatonic

Temperament: 57-Tone Equal Temperament (57TET)
The 57 degrees of this temperament, in cents:
0–21–42–63–84–105–126–147–168–189–211–232–253–274–295–316–337–358–379–400–421–442–463–484–505–526–547–568–589–611–632–653–674–695–716–737–758–779–800–821–842–863–884–905–926–947–968–989–1011–1032–1053–1074–1095–1116–1137–1158–1179–1200

Scale steps in semitones: 11–11–13–11–11

Scale degrees:
  in cents: 0–232–463–737–968–1200
  intervals: 1–a2–b4–a5–a6–8
  Root, Quarter 2nd-3rd, Quarter 3rd-4th, Quarter-sharp 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ E+ G+ A+ c

G cleff

Pitch Class Set: {0,11,22,35,46}

Pitch Class Mapping: 70403108112385

The name I use for this scale comes from: Scala

Scala names: Quasi-equal Pentatonic, Mothra-5

Godzilla-5

Temperament: 62-Tone Equal Temperament (62TET)
The 62 degrees of this temperament, in cents:
0–19–39–58–77–97–116–135–155–174–194–213–232–252–271–290–310–329–348–368–387–406–426–445–465–484–503–523–542–561–581–600–619–639–658–677–697–716–735–755–774–794–813–832–852–871–890–910–929–948–968–987–1006–1026–1045–1065–1084–1103–1123–1142–1161–1181–1200

Scale steps in semitones: 10–13–13–13–13

Scale degrees:
  in cents: 0–194–445–697–948–1200
  intervals: 1–2–b4–5–a6–8
  Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D E+ G A+ c

G cleff

Pitch Class Set: {0,10,23,36,49}

Pitch Class Mapping: 563018681287681

The name I use for this scale comes from: Scala

Scala name: Godzilla-5

Immunity-5

Temperament: 63-Tone Equal Temperament (63TET)
The 63 degrees of this temperament, in cents:
0–19–38–57–76–95–114–133–152–171–190–210–229–248–267–286–305–324–343–362–381–400–419–438–457–476–495–514–533–552–571–590–610–629–648–667–686–705–724–743–762–781–800–819–838–857–876–895–914–933–952–971–990–1010–1029–1048–1067–1086–1105–1124–1143–1162–1181–1200

Scale steps in semitones: 11–13–13–13–13

Scale degrees:
  in cents: 0–210–457–705–952–1200
  intervals: 1–2–b4–5–a6–8
  Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D E+ G A+ c

G cleff

Pitch Class Set: {0,11,24,37,50}

Pitch Class Mapping: 1126037362575361

The name I use for this scale comes from: Scala

Scala name: Immunity-5

Quasi-equal Pentatonic

Temperament: 67-Tone Equal Temperament (67TET)
The 67 degrees of this temperament, in cents:
0–18–36–54–72–90–107–125–143–161–179–197–215–233–251–269–287–304–322–340–358–376–394–412–430–448–466–484–501–519–537–555–573–591–609–627–645–663–681–699–716–734–752–770–788–806–824–842–860–878–896–913–931–949–967–985–1003–1021–1039–1057–1075–1093–1110–1128–1146–1164–1182–1200

Scale steps in semitones: 13–13–15–13–13

Scale degrees:
  in cents: 0–233–466–734–967–1200
  intervals: 1–a2–b4–a5–a6–8
  Root, Quarter 2nd-3rd, Quarter 3rd-4th, Quarter-sharp 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ E+ G+ A+ c

G cleff

Pitch Class Set: {0,13,26,41,54}

Pitch Class Mapping: 18016597599854592

The name I use for this scale comes from: Scala

Scala names: Quasi-equal Pentatonic, Mothra-5

Godzilla-5

Temperament: 71-Tone Equal Temperament (71TET)
The 71 degrees of this temperament, in cents:
0–17–34–51–68–85–101–118–135–152–169–186–203–220–237–254–270–287–304–321–338–355–372–389–406–423–439–456–473–490–507–524–541–558–575–592–608–625–642–659–676–693–710–727–744–761–777–794–811–828–845–862–879–896–913–930–946–963–980–997–1014–1031–1048–1065–1082–1099–1115–1132–1149–1166–1183–1200

Scale steps in semitones: 11–15–15–15–15

Scale degrees:
  in cents: 0–186–439–693–946–1200
  intervals: 1–2–b4–5–a6–8
  Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D E+ G A+ c

G cleff

Pitch Class Set: {0,11,26,41,56}

Pitch Class Mapping: 72059793128294400

The name I use for this scale comes from: Scala

Scala name: Godzilla-5

Orwell-5

Temperament: 75-Tone Equal Temperament (75TET)
The 75 degrees of this temperament, in cents:
0–16–32–48–64–80–96–112–128–144–160–176–192–208–224–240–256–272–288–304–320–336–352–368–384–400–416–432–448–464–480–496–512–528–544–560–576–592–608–624–640–656–672–688–704–720–736–752–768–784–800–816–832–848–864–880–896–912–928–944–960–976–992–1008–1024–1040–1056–1072–1088–1104–1120–1136–1152–1168–1184–1200

Scale steps in semitones: 17–17–17–17–7

Scale degrees:
  in cents: 0–272–544–816–1088–1200
  intervals: 1–a2–a4–m6–7–8
  Root, Quarter 2nd-3rd, Quarter-sharp 4th, Minor 6th, Major 7th, Octave

Pitches starting from C:
C D+ F+ G♯ B c
C D+ F+ A♭ B c

G cleff

Pitch Class Set: {0,17,34,51,68}

Pitch Class Mapping: 295150156996346510000

The name I use for this scale comes from: Scala

Scala name: Orwell-5

Slendric-5

Temperament: 77-Tone Equal Temperament (77TET)
The 77 degrees of this temperament, in cents:
0–16–31–47–62–78–94–109–125–140–156–171–187–203–218–234–249–265–281–296–312–327–343–358–374–390–405–421–436–452–468–483–499–514–530–545–561–577–592–608–623–639–655–670–686–701–717–732–748–764–779–795–810–826–842–857–873–888–904–919–935–951–966–982–997–1013–1029–1044–1060–1075–1091–1106–1122–1138–1153–1169–1184–1200

Scale steps in semitones: 15–15–15–17–15

Scale degrees:
  in cents: 0–234–468–701–966–1200
  intervals: 1–a2–b4–5–a6–8
  Root, Quarter 2nd-3rd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ E+ G A+ c

G cleff

Pitch Class Set: {0,15,30,45,62}

Pitch Class Mapping: 4611721203873251300

The name I use for this scale comes from: Scala

Scala name: Slendric-5

Blue-5

Temperament: 78-Tone Equal Temperament (78TET)
The 78 degrees of this temperament, in cents:
0–15–31–46–62–77–92–108–123–138–154–169–185–200–215–231–246–262–277–292–308–323–338–354–369–385–400–415–431–446–462–477–492–508–523–538–554–569–585–600–615–631–646–662–677–692–708–723–738–754–769–785–800–815–831–846–862–877–892–908–923–938–954–969–985–1000–1015–1031–1046–1062–1077–1092–1108–1123–1138–1154–1169–1185–1200

Scale steps in semitones: 16–16–15–16–15

Scale degrees:
  in cents: 0–246–492–723–969–1200
  intervals: 1–a2–4–5–a6–8
  Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ F G A+ c

G cleff

Pitch Class Set: {0,16,32,47,63}

Pitch Class Mapping: 9223512778638164000

The name I use for this scale comes from: Scala

Scala name: Blue-5

Godzilla-5

Temperament: 81-Tone Equal Temperament (81TET)
The 81 degrees of this temperament, in cents:
0–15–30–44–59–74–89–104–119–133–148–163–178–193–207–222–237–252–267–281–296–311–326–341–356–370–385–400–415–430–444–459–474–489–504–519–533–548–563–578–593–607–622–637–652–667–681–696–711–726–741–756–770–785–800–815–830–844–859–874–889–904–919–933–948–963–978–993–1007–1022–1037–1052–1067–1081–1096–1111–1126–1141–1156–1170–1185–1200

Scale steps in semitones: 13–17–17–17–17

Scale degrees:
  in cents: 0–193–444–696–948–1200
  intervals: 1–2–b4–5–a6–8
  Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D E+ G A+ c

G cleff

Pitch Class Set: {0,13,30,47,64}

Pitch Class Mapping: 18446884812271657000

The name I use for this scale comes from: Scala

Scala name: Godzilla-5

Blue-5

Temperament: 83-Tone Equal Temperament (83TET)
The 83 degrees of this temperament, in cents:
0–14–29–43–58–72–87–101–116–130–145–159–173–188–202–217–231–246–260–275–289–304–318–333–347–361–376–390–405–419–434–448–463–477–492–506–520–535–549–564–578–593–607–622–636–651–665–680–694–708–723–737–752–766–781–795–810–824–839–853–867–882–896–911–925–940–954–969–983–998–1012–1027–1041–1055–1070–1084–1099–1113–1128–1142–1157–1171–1186–1200

Scale steps in semitones: 17–17–16–17–16

Scale degrees:
  in cents: 0–246–492–723–969–1200
  intervals: 1–a2–4–5–a6–8
  Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ F G A+ c

G cleff

Pitch Class Set: {0,17,34,50,67}

Pitch Class Mapping: 147575078506763260000

The name I use for this scale comes from: Scala

Scala name: Blue-5

Godzilla-5

Temperament: 85-Tone Equal Temperament (85TET)
The 85 degrees of this temperament, in cents:
0–14–28–42–56–71–85–99–113–127–141–155–169–184–198–212–226–240–254–268–282–296–311–325–339–353–367–381–395–409–424–438–452–466–480–494–508–522–536–551–565–579–593–607–621–635–649–664–678–692–706–720–734–748–762–776–791–805–819–833–847–861–875–889–904–918–932–946–960–974–988–1002–1016–1031–1045–1059–1073–1087–1101–1115–1129–1144–1158–1172–1186–1200

Scale steps in semitones: 13–18–18–18–18

Scale degrees:
  in cents: 0–184–438–692–946–1200
  intervals: 1–2–b4–5–a6–8
  Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D E+ G A+ c

G cleff

Pitch Class Set: {0,13,31,49,67}

Pitch Class Mapping: 147574515541777320000

The name I use for this scale comes from: Scala

Scala name: Godzilla-5

Rodan-5

Temperament: 87-Tone Equal Temperament (87TET)
The 87 degrees of this temperament, in cents:
0–14–28–41–55–69–83–97–110–124–138–152–166–179–193–207–221–234–248–262–276–290–303–317–331–345–359–372–386–400–414–428–441–455–469–483–497–510–524–538–552–566–579–593–607–621–634–648–662–676–690–703–717–731–745–759–772–786–800–814–828–841–855–869–883–897–910–924–938–952–966–979–993–1007–1021–1034–1048–1062–1076–1090–1103–1117–1131–1145–1159–1172–1186–1200

Scale steps in semitones: 17–17–17–19–17

Scale degrees:
  in cents: 0–234–469–703–966–1200
  intervals: 1–a2–b4–5–a6–8
  Root, Quarter 2nd-3rd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ E+ G A+ c

G cleff

Pitch Class Set: {0,17,34,51,70}

Pitch Class Mapping: 1180593872534404900000

The name I use for this scale comes from: Scala

Scala name: Rodan-5

Guiron-5

Temperament: 118-Tone Equal Temperament (118TET)
The 118 degrees of this temperament, in cents:
0–10–20–31–41–51–61–71–81–92–102–112–122–132–142–153–163–173–183–193–203–214–224–234–244–254–264–275–285–295–305–315–325–336–346–356–366–376–386–397–407–417–427–437–447–458–468–478–488–498–508–519–529–539–549–559–569–580–590–600–610–620–631–641–651–661–671–681–692–702–712–722–732–742–753–763–773–783–793–803–814–824–834–844–854–864–875–885–895–905–915–925–936–946–956–966–976–986–997–1007–1017–1027–1037–1047–1058–1068–1078–1088–1098–1108–1119–1129–1139–1149–1159–1169–1180–1190–1200

Scale steps in semitones: 23–23–23–26–23

Scale degrees:
  in cents: 0–234–468–702–966–1200
  intervals: 1–a2–b4–5–a6–8
  Root, Quarter 2nd-3rd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ E+ G A+ c

G cleff

Pitch Class Set: {0,23,46,69,95}

Pitch Class Mapping: 39614081847428050000000000000

This scale is a mode (rotation) of these other scales:
Mode 2 of: Quasi-equal Pentatonic

The name I use for this scale comes from: Scala

Scala name: Rodan-5

Rodan-5

Temperament: 128-Tone Equal Temperament (128TET)
The 128 degrees of this temperament, in cents:
0–9–19–28–38–47–56–66–75–84–94–103–113–122–131–141–150–159–169–178–188–197–206–216–225–234–244–253–263–272–281–291–300–309–319–328–338–347–356–366–375–384–394–403–413–422–431–441–450–459–469–478–488–497–506–516–525–534–544–553–563–572–581–591–600–609–619–628–638–647–656–666–675–684–694–703–713–722–731–741–750–759–769–778–788–797–806–816–825–834–844–853–863–872–881–891–900–909–919–928–938–947–956–966–975–984–994–1003–1013–1022–1031–1041–1050–1059–1069–1078–1088–1097–1106–1116–1125–1134–1144–1153–1163–1172–1181–1191–1200

Scale steps in semitones: 25–25–25–28–25

Scale degrees:
  in cents: 0–234–469–703–966–1200
  intervals: 1–a2–b4–5–a6–8
  Root, Quarter 2nd-3rd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ E+ G A+ c

G cleff

Pitch Class Set: {0,25,50,75,103}

Pitch Class Mapping: 10141204839604767000000000000000

The name I use for this scale comes from: Scala

Scala name: Rodan-5

Chromatic

Temperament: 5-Tone Equal Temperament (5TET)
The 5 degrees of this temperament, in cents:
0–240–480–720–960–1200

Scale steps in semitones: 1–1–1–1–1

Scale degrees:
  in cents: 0–240–480–720–960–1200
  intervals: 1–a2–4–5–a6–8
  Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ F G A+ c

G cleff

Pitch Class Set: {0,1,2,3,4}

Pitch Class Mapping: 31 (Hex 1F, Binary 11111)

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Chromatic
  Mode 3 of: Chromatic
  Mode 4 of: Chromatic
  Mode 5 of: Chromatic

The name I use for this scale comes from: The general scale name "chromatic" includes all scale steps in this temperament

Chromatic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Temperament: 5-Tone Overtone Temperament (Over5)
The 5 degrees of this temperament, in cents:
0–316–583–814–1018–1200
Notes: Overtone series 5:6: … :10 = 5/5, 6/5, …, 10/5

Scale steps in semitones: 1–1–1–1–1

Scale degrees:
  in cents: 0–316–583–814–1018–1200
  intervals: 1–m3–d5–m6–m7–8
  Root, Minor 3rd, Diminished 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
C D♯ F♯ G♯ A♯ c
C E♭ G♭ A♭ B♭ c

G cleff

Pitch Class Set: {0,1,2,3,4}

Pitch Class Mapping: 31 (Hex 1F, Binary 11111)

The name I use for this scale comes from: The general scale name "chromatic" includes all scale steps in this temperament

Chromatic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Temperament: Harmonic Pentatonic A Temperament (Har5A)
The 5 degrees of this temperament, in cents:
0–204–386–702–884–1200
Notes: Most analogous to Celtic Pentatonic in 12TET 2-3-2-2-3.

Scale steps in semitones: 1–1–1–1–1

Scale degrees:
  in cents: 0–204–386–702–884–1200
  intervals: 1–2–3–5–6–8
  Root, Major 2nd, Major 3rd, Perfect 5th, Major 6th, Octave

Pitches starting from C: C D E G A c

G cleff

Pitch Class Set: {0,1,2,3,4}

Pitch Class Mapping: 31 (Hex 1F, Binary 11111)

This scale is a mode (rotation) of these other scales:
Mode 4 of: Suddha Malhar

The name I use for this scale comes from: The general scale name "chromatic" includes all scale steps in this temperament

Chromatic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Temperament: Harmonic Pentatonic B Temperament (Har5B)
The 5 degrees of this temperament, in cents:
0–204–386–702–884–1200
Notes: Most analogous to Celtic Pentatonic in 12TET 2-3-2-2-3.

Scale steps in semitones: 1–1–1–1–1

Scale degrees:
  in cents: 0–204–386–702–884–1200
  intervals: 1–2–3–5–6–8
  Root, Major 2nd, Major 3rd, Perfect 5th, Major 6th, Octave

Pitches starting from C: C D E G A c

G cleff

Pitch Class Set: {0,1,2,3,4}

Pitch Class Mapping: 31 (Hex 1F, Binary 11111)

This scale is a mode (rotation) of these other scales:
Mode 4 of: Suddha Malhar

The name I use for this scale comes from: The general scale name "chromatic" includes all scale steps in this temperament

Chromatic

Temperament: Harmonic Pentatonic C Temperament (Har5C)
The 5 degrees of this temperament, in cents:
0–267–498–702–969–1200
Notes: Most analogous to Minor Pentatonic in 12TET 3-2-2-3-2 using a Harmonic Seventh between Major sixth and Minor seventh.

Scale steps in semitones: 1–1–1–1–1

Scale degrees:
  in cents: 0–267–498–702–969–1200
  intervals: 1–a2–4–5–a6–8
  Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ F G A+ c

G cleff

Pitch Class Set: {0,1,2,3,4}

Pitch Class Mapping: 31 (Hex 1F, Binary 11111)

The name I use for this scale comes from: The general scale name "chromatic" includes all scale steps in this temperament

Chromatic

Temperament: Harmonic Pentatonic D Temperament (Har5D)
The 5 degrees of this temperament, in cents:
0–231–471–702–969–1200

Scale steps in semitones: 1–1–1–1–1

Scale degrees:
  in cents: 0–231–471–702–969–1200
  intervals: 1–a2–b4–5–a6–8
  Root, Quarter 2nd-3rd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ E+ G A+ c

G cleff

Pitch Class Set: {0,1,2,3,4}

Pitch Class Mapping: 31 (Hex 1F, Binary 11111)

The name I use for this scale comes from: The general scale name "chromatic" includes all scale steps in this temperament

Chromatic

Temperament: Harmonic Pentatonic Inverse Temperament (Har5Inverse)
The 5 degrees of this temperament, in cents:
0–231–498–702–933–1200

Scale steps in semitones: 1–1–1–1–1

Scale degrees:
  in cents: 0–231–498–702–933–1200
  intervals: 1–a2–4–5–a6–8
  Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Quarter 6th-7th, Octave

Pitches starting from C: C D+ F G A+ c

G cleff

Pitch Class Set: {0,1,2,3,4}

Pitch Class Mapping: 31 (Hex 1F, Binary 11111)

The name I use for this scale comes from: The general scale name "chromatic" includes all scale steps in this temperament

BP Pentatonic

Temperament: 13-Tone Bohlen–Pierce Just Intoned Temperament (BP-13JI)
The 13 degrees of this temperament, in cents:
0–133–302–435–583–737–884–1018–1165–1319–1467–1600–1769–1902 (not octave repeating!)
Notes: Wendy Carlos’ twelve-note scale based on octave-repeating harmonics. A = 1/1 (440 Hz). 1/1 17/16 9/8 19/16 5/4 21/16 11/8 3/2 13/8 27/16 7/4 15/8. Note that all Bohlen-Pierce scales are inherently non-octave-repeating (NonOctRep) because their fundamental ratio is a tritave.

Scale steps in semitones: 3–3–3–3–1

Scale degrees:
  in cents: 0–435–884–1319–1769–1902
  intervals: 1–b4–6–m9–a11–12
  Root, Quarter 3rd-4th, Major 6th, m9, a11, 12

Pitches starting from C:
C E+ A c♯ f+ g
C E+ A c♯ f+ g

G cleff

Pitch Class Set: {0,3,6,9,12}

Pitch Class Mapping: 4681 (Hex 1249, Binary 1001001001001)

The name I use for this scale comes from: Name from Scala, applied to a different temperament.

Wikipedia page related to this scale:

Bohlen–Pierce BP Pentatonic ⇒ Bohlen–Pierce scale

BP Pentatonic

Temperament: 13-Tone Bohlen–Pierce Overtone Temperament (BP-Over13)
The 13 degrees of this temperament, in cents:
0–203–393–570–736–893–1041–1182–1316–1444–1566–1682–1794–1902 (not octave repeating!)
Notes: Note that all Bohlen-Pierce scales are inherently non-octave-repeating (NonOctRep) because their fundamental ratio is a tritave.

Scale steps in semitones: 3–3–3–3–1

Scale degrees:
  in cents: 0–570–1041–1444–1794–1902
  intervals: 1–a4–n7–a9–d12–12
  Root, Quarter-sharp 4th, Neutral 7th, a9, d12, 12

Pitches starting from C:
C F+ B– d+ f♯ g
C F+ B– d+ f♯ g

G cleff

Pitch Class Set: {0,3,6,9,12}

Pitch Class Mapping: 4681 (Hex 1249, Binary 1001001001001)

The name I use for this scale comes from: Name from Scala, applied to a different temperament.

Wikipedia page related to this scale:

Bohlen–Pierce BP Pentatonic ⇒ Bohlen–Pierce scale

BP Pentatonic

Temperament: 13-Tone Bohlen–Pierce Equal Temperament (BP-13TET)
The 13 degrees of this temperament, in cents:
0–146–293–439–585–732–878–1024–1170–1317–1463–1609–1756–1902 (not octave repeating!)
Notes: Note that all Bohlen-Pierce scales are inherently non-octave-repeating (NonOctRep) because their fundamental ratio is a tritave.

Scale steps in semitones: 3–3–3–3–1

Scale degrees:
  in cents: 0–439–878–1317–1756–1902
  intervals: 1–b4–6–m9–a11–12
  Root, Quarter 3rd-4th, Major 6th, m9, a11, 12

Pitches starting from C:
C E+ A c♯ f+ g
C E+ A c♯ f+ g

G cleff

Pitch Class Set: {0,3,6,9,12}

Pitch Class Mapping: 4681 (Hex 1249, Binary 1001001001001)

The name I use for this scale comes from: Name from Scala, in it's specified non-12TET temperament.

Scala name: BP Pentatonic

Wikipedia page related to this scale:

Bohlen–Pierce BP Pentatonic ⇒ Bohlen–Pierce scale

To cite this page on Wikipedia: <ref name="Goss_2022_csc_5tone_alt"> {{cite web |last=Goss |first=Clint |title=Comprehensive Scale Catalog: Five-Tone Scales in Alternate Temperaments |url=http://www.Flutopedia.com/csc_5tone_alt.htm |date=7 June 2022 |website=Flutopedia |access-date=<YOUR RETRIEVAL DATE> }}</ref>