Comprehensive Scale Catalog: Five-Tone Scales in Alternate Temperaments
This page is part of Flutopedia's Comprehensive Scale Catalog ... a listing of many (many) scales that can be played on Native American flutes.
This page shows only scales with five tones per octave and using alternate temperaments.
The root note of each scale is shown in blue, such as .
Thai Mode 1
Temperament: 7-Tone Equal Temperament (7TET)
The 7 degrees of this temperament, in cents:
0–171–343–514–686–857–1029–1200 Scale steps in semitones: 1–1–2–1–2
Scale degrees:
in cents: 0–171–343–686–857–1200
intervals: 1–n2–n3–5–n6–8
Root, Neutral 2nd, Neutral 3rd, Perfect 5th, Neutral 6th, Octave
Pitches starting from C: C D– E– G A– c
Pitch Class Set: {0,1,2,4,5}
Pitch Class Mapping: 55 (Hex 37, Binary 0110111)
This scale is a mode (rotation) of these other scales:
Mode 5 of: Thai Mode 6
The name I use for this scale comes from: Scala
Scala name: Thai mode 1
Thai Mode 2
Temperament: 7-Tone Equal Temperament (7TET)
The 7 degrees of this temperament, in cents:
0–171–343–514–686–857–1029–1200 Scale steps in semitones: 1–2–1–2–1
Scale degrees:
in cents: 0–171–514–686–1029–1200
intervals: 1–n2–4–5–n7–8
Root, Neutral 2nd, Perfect 4th, Perfect 5th, Neutral 7th, Octave
Pitches starting from C: C D– F G B– c
Pitch Class Set: {0,1,3,4,6}
Pitch Class Mapping: 91 (Hex 5B, Binary 1011011)
The name I use for this scale comes from: Scala
Scala name: Thai mode 2
Thai Mode 3
Temperament: 7-Tone Equal Temperament (7TET)
The 7 degrees of this temperament, in cents:
0–171–343–514–686–857–1029–1200 Scale steps in semitones: 2–1–2–1–1
Scale degrees:
in cents: 0–343–514–857–1029–1200
intervals: 1–n3–4–n6–n7–8
Root, Neutral 3rd, Perfect 4th, Neutral 6th, Neutral 7th, Octave
Pitches starting from C: C E– F A– B– c
Pitch Class Set: {0,2,3,5,6}
Pitch Class Mapping: 109 (Hex 6D, Binary 1101101)
This scale is a mode (rotation) of these other scales:
Mode 2 of: Thai Mode 5
The name I use for this scale comes from: Scala
Scala name: Thai mode 3
Thai Mode 5
Temperament: 7-Tone Equal Temperament (7TET)
The 7 degrees of this temperament, in cents:
0–171–343–514–686–857–1029–1200 Scale steps in semitones: 1–2–1–1–2
Scale degrees:
in cents: 0–171–514–686–857–1200
intervals: 1–n2–4–5–n6–8
Root, Neutral 2nd, Perfect 4th, Perfect 5th, Neutral 6th, Octave
Pitches starting from C: C D– F G A– c
Pitch Class Set: {0,1,3,4,5}
Pitch Class Mapping: 59 (Hex 3B, Binary 0111011)
This scale is a mode (rotation) of these other scales:
Mode 5 of: Thai Mode 3
The name I use for this scale comes from: Scala
Scala name: Thai mode 5
Thai Mode 6
Temperament: 7-Tone Equal Temperament (7TET)
The 7 degrees of this temperament, in cents:
0–171–343–514–686–857–1029–1200 Scale steps in semitones: 2–1–1–2–1
Scale degrees:
in cents: 0–343–514–686–1029–1200
intervals: 1–n3–4–5–n7–8
Root, Neutral 3rd, Perfect 4th, Perfect 5th, Neutral 7th, Octave
Pitches starting from C: C E– F G B– c
Pitch Class Set: {0,2,3,4,6}
Pitch Class Mapping: 93 (Hex 5D, Binary 1011101)
This scale is a mode (rotation) of these other scales:
Mode 2 of: Thai Mode 1
The name I use for this scale comes from: Scala
Scala name: Thai mode 6
Patet Lima
Temperament: 7-Tone Pelog Temperament (Pelog7)
The 7 degrees of this temperament, in cents:
0–122–271–571–677–785–947–1200 Scale steps in semitones: 1–1–2–1–2
Scale degrees:
in cents: 0–122–271–677–785–1200
intervals: 1–m2–a2–5–m6–8
Root, Minor 2nd, Quarter 2nd-3rd, Perfect 5th, Minor 6th, Octave
Pitches starting from C:
C C♯ D+ G G♯ c
C D♭ D+ G A♭ c
Pitch Class Set: {0,1,2,4,5}
Pitch Class Mapping: 55 (Hex 37, Binary 0110111)
The name I use for this scale comes from: Scala
Scala names: Patet Lima, Patet Nem, Jawar, Selisir
Wikipedia pages related to this scale:
Nem
Temperament: 7-Tone Pelog Temperament (Pelog7)
The 7 degrees of this temperament, in cents:
0–122–271–571–677–785–947–1200 Scale steps in semitones: 1–2–1–1–2
Scale degrees:
in cents: 0–122–571–677–785–1200
intervals: 1–m2–a4–5–m6–8
Root, Minor 2nd, Quarter-sharp 4th, Perfect 5th, Minor 6th, Octave
Pitches starting from C:
C C♯ F+ G G♯ c
C D♭ F+ G A♭ c
Pitch Class Set: {0,1,3,4,5}
Pitch Class Mapping: 59 (Hex 3B, Binary 0111011)
This scale is a mode (rotation) of these other scales:
Mode 3 of: Tembung
The name I use for this scale comes from: Scala
Scala names: Patet Lima, Nem with Pelog
Pelog
Temperament: 7-Tone Pelog Temperament (Pelog7)
The 7 degrees of this temperament, in cents:
0–122–271–571–677–785–947–1200 Scale steps in semitones: 2–1–1–2–1
Scale degrees:
in cents: 0–271–571–677–947–1200
intervals: 1–a2–a4–5–a6–8
Root, Quarter 2nd-3rd, Quarter-sharp 4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ F+ G A+ c
Pitch Class Set: {0,2,3,4,6}
Pitch Class Mapping: 93 (Hex 5D, Binary 1011101)
The name I use for this scale comes from: Scala
Scala name: Pelog
Dangsoe
Temperament: 7-Tone Pelog Temperament (Pelog7)
The 7 degrees of this temperament, in cents:
0–122–271–571–677–785–947–1200 Scale steps in semitones: 1–3–1–1–1
Scale degrees:
in cents: 0–122–677–785–947–1200
intervals: 1–m2–5–m6–a6–8
Root, Minor 2nd, Perfect 5th, Minor 6th, Quarter 6th-7th, Octave
Pitches starting from C:
C C♯ G G♯ A+ c
C D♭ G A♭ A+ c
Pitch Class Set: {0,1,4,5,6}
Pitch Class Mapping: 115 (Hex 73, Binary 1110011)
The name I use for this scale comes from: Scala
Scala name: Dangsoe
Bem
Temperament: 7-Tone Pelog Temperament (Pelog7)
The 7 degrees of this temperament, in cents:
0–122–271–571–677–785–947–1200 Scale steps in semitones: 1–2–1–2–1
Scale degrees:
in cents: 0–122–571–677–947–1200
intervals: 1–m2–a4–5–a6–8
Root, Minor 2nd, Quarter-sharp 4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C:
C C♯ F+ G A+ c
C D♭ F+ G A+ c
Pitch Class Set: {0,1,3,4,6}
Pitch Class Mapping: 91 (Hex 5B, Binary 1011011)
The name I use for this scale comes from: Scala
Scala names: Bem, Pengenter
Miring
Temperament: 7-Tone Pelog Temperament (Pelog7)
The 7 degrees of this temperament, in cents:
0–122–271–571–677–785–947–1200 Scale steps in semitones: 2–1–2–1–1
Scale degrees:
in cents: 0–271–571–785–947–1200
intervals: 1–a2–a4–m6–a6–8
Root, Quarter 2nd-3rd, Quarter-sharp 4th, Minor 6th, Quarter 6th-7th, Octave
Pitches starting from C:
C D+ F+ G♯ A+ c
C D+ F+ A♭ A+ c
Pitch Class Set: {0,2,3,5,6}
Pitch Class Mapping: 109 (Hex 6D, Binary 1101101)
The name I use for this scale comes from: Scala
Scala names: Miring, Slendro 2
Manyura
Temperament: 7-Tone Pelog Temperament (Pelog7)
The 7 degrees of this temperament, in cents:
0–122–271–571–677–785–947–1200 Scale steps in semitones: 1–1–1–3–1
Scale degrees:
in cents: 0–122–271–571–947–1200
intervals: 1–m2–a2–a4–a6–8
Root, Minor 2nd, Quarter 2nd-3rd, Quarter-sharp 4th, Quarter 6th-7th, Octave
Pitches starting from C:
C C♯ D+ F+ A+ c
C D♭ D+ F+ A+ c
Pitch Class Set: {0,1,2,3,6}
Pitch Class Mapping: 79 (Hex 4F, Binary 1001111)
The name I use for this scale comes from: Scala
Scala name: Manyura
Pathet Barang
Temperament: 7-Tone Pelog Mode 2 Temperament (Pelog7m2)
The 7 degrees of this temperament, in cents:
0–149–449–555–663–825–1078–1200 Scale steps in semitones: 1–2–1–1–2
Scale degrees:
in cents: 0–149–555–663–825–1200
intervals: 1–n2–a4–b5–n6–8
Root, Neutral 2nd, Quarter-sharp 4th, Quarter-flat 5th, Neutral 6th, Octave
Pitches starting from C: C D– F+ G– A– c
Pitch Class Set: {0,1,3,4,5}
Pitch Class Mapping: 59 (Hex 3B, Binary 0111011)
This scale is a mode (rotation) of these other scales:
Mode 3 of: Sunaren
The name I use for this scale comes from: Wikipedia
Wikipedia page related to this scale:
Tembung
Temperament: 7-Tone Pelog Mode 4 Temperament (Pelog7m4)
The 7 degrees of this temperament, in cents:
0–106–214–376–629–751–900–1200 Scale steps in semitones: 1–1–2–1–2
Scale degrees:
in cents: 0–106–214–629–751–1200
intervals: 1–m2–2–b5–a5–8
Root, Minor 2nd, Major 2nd, Quarter-flat 5th, Quarter-sharp 5th, Octave
Pitches starting from C:
C C♯ D G– G+ c
C D♭ D G– G+ c
Pitch Class Set: {0,1,2,4,5}
Pitch Class Mapping: 55 (Hex 37, Binary 0110111)
This scale is a mode (rotation) of these other scales:
Mode 4 of: Nem
The name I use for this scale comes from: Wikipedia
Wikipedia page related to this scale:
Sunaren
Temperament: 7-Tone Pelog Mode 5 Temperament (Pelog7m5)
The 7 degrees of this temperament, in cents:
0–108–270–523–645–794–1094–1200 Scale steps in semitones: 1–1–2–1–2
Scale degrees:
in cents: 0–108–270–645–794–1200
intervals: 1–m2–a2–b5–m6–8
Root, Minor 2nd, Quarter 2nd-3rd, Quarter-flat 5th, Minor 6th, Octave
Pitches starting from C:
C C♯ D+ G– G♯ c
C D♭ D+ G– A♭ c
Pitch Class Set: {0,1,2,4,5}
Pitch Class Mapping: 55 (Hex 37, Binary 0110111)
This scale is a mode (rotation) of these other scales:
Mode 4 of: Pathet Barang
The name I use for this scale comes from: Wikipedia
Wikipedia page related to this scale:
Agmon Diatonic DS1
Temperament: 8-Tone Equal Temperament (8TET)
The 8 degrees of this temperament, in cents:
0–150–300–450–600–750–900–1050–1200 Scale steps in semitones: 2–1–2–2–1
Scale degrees:
in cents: 0–300–450–750–1050–1200
intervals: 1–m3–b4–a5–n7–8
Root, Minor 3rd, Quarter 3rd-4th, Quarter-sharp 5th, Neutral 7th, Octave
Pitches starting from C:
C D♯ E+ G+ B– c
C E♭ E+ G+ B– c
Pitch Class Set: {0,2,3,5,7}
Pitch Class Mapping: 173 (Hex AD, Binary 10101101)
This scale is a mode (rotation) of these other scales:
Mode 3 of: Father-5
The name I use for this scale comes from: Name from Scala, applied to a different temperament.
Scala name: Agmon Diatonic DS1
Father-5
Temperament: 8-Tone Equal Temperament (8TET)
The 8 degrees of this temperament, in cents:
0–150–300–450–600–750–900–1050–1200 Scale steps in semitones: 2–2–1–2–1
Scale degrees:
in cents: 0–300–600–750–1050–1200
intervals: 1–m3–d5–a5–n7–8
Root, Minor 3rd, Diminished 5th, Quarter-sharp 5th, Neutral 7th, Octave
Pitches starting from C:
C D♯ F♯ G+ B– c
C E♭ G♭ G+ B– c
Pitch Class Set: {0,2,4,5,7}
Pitch Class Mapping: 181 (Hex B5, Binary 10110101)
This scale is a mode (rotation) of these other scales:
Mode 4 of: Agmon Diatonic DS1
The name I use for this scale comes from: Name from Scala, applied to a different temperament.
Scala name: Father-5
Symmetrical Pentatonic
Temperament: 9-Tone Equal Temperament (9TET)
The 9 degrees of this temperament, in cents:
0–133–267–400–533–667–800–933–1067–1200 Scale steps in semitones: 1–3–1–3–1
Scale degrees:
in cents: 0–133–533–667–1067–1200
intervals: 1–n2–a4–b5–n7–8
Root, Neutral 2nd, Quarter-sharp 4th, Quarter-flat 5th, Neutral 7th, Octave
Pitches starting from C: C D– F+ G– B– c
Pitch Class Set: {0,1,4,5,8}
Pitch Class Mapping: 307 (Hex 133, Binary 100110011)
The name I use for this scale comes from: Name from Scala, applied to a different temperament.
Scala name: Symmetrical Pentatonic
Pelog Pancanada
Temperament: 9-Tone Equal Temperament (9TET)
The 9 degrees of this temperament, in cents:
0–133–267–400–533–667–800–933–1067–1200 Scale steps in semitones: 3–1–1–3–1
Scale degrees:
in cents: 0–400–533–667–1067–1200
intervals: 1–3–a4–b5–n7–8
Root, Major 3rd, Quarter-sharp 4th, Quarter-flat 5th, Neutral 7th, Octave
Pitches starting from C: C E F+ G– B– c
Pitch Class Set: {0,3,4,5,8}
Pitch Class Mapping: 313 (Hex 139, Binary 100111001)
The name I use for this scale comes from: Name from Scala, applied to a different temperament.
Scala name: Pelog Pancanada: Sunda
Sorog Nine-tone
Temperament: 9-Tone Equal Temperament (9TET)
The 9 degrees of this temperament, in cents:
0–133–267–400–533–667–800–933–1067–1200 Scale steps in semitones: 3–1–3–1–1
Scale degrees:
in cents: 0–400–533–933–1067–1200
intervals: 1–3–a4–a6–n7–8
Root, Major 3rd, Quarter-sharp 4th, Quarter 6th-7th, Neutral 7th, Octave
Pitches starting from C: C E F+ A+ B– c
Pitch Class Set: {0,3,4,7,8}
Pitch Class Mapping: 409 (Hex 199, Binary 110011001)
The name I use for this scale comes from: Name from Scala, applied to a different temperament. Name modified by Clint to satisfy XML restrictions.
Scala names: Nine tone "Sorog": Sunda
Noll Pseudo-diatonic
Temperament: 9-Tone Equal Temperament (9TET)
The 9 degrees of this temperament, in cents:
0–133–267–400–533–667–800–933–1067–1200 Scale steps in semitones: 2–1–2–2–2
Scale degrees:
in cents: 0–267–400–667–933–1200
intervals: 1–a2–3–b5–a6–8
Root, Quarter 2nd-3rd, Major 3rd, Quarter-flat 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ E G– A+ c
Pitch Class Set: {0,2,3,5,7}
Pitch Class Mapping: 173 (Hex 0AD, Binary 010101101)
The name I use for this scale comes from: Name from Scala, applied to a different temperament.
Scala name: Noll Pseudo-diatonic
Pelog Degung
Temperament: 10-Tone Equal Temperament (10TET)
The 10 degrees of this temperament, in cents:
0–120–240–360–480–600–720–840–960–1080–1200 Scale steps in semitones: 3–1–2–3–1
Scale degrees:
in cents: 0–360–480–720–1080–1200
intervals: 1–n3–4–5–7–8
Root, Neutral 3rd, Perfect 4th, Perfect 5th, Major 7th, Octave
Pitches starting from C: C E– F G B c
Pitch Class Set: {0,3,4,6,9}
Pitch Class Mapping: 601 (Hex 259, Binary 1001011001)
The name I use for this scale comes from: Name from Scala, applied to a different temperament.
Scala name: Pelog Degung: Sunda
Sorog Madenda
Temperament: 10-Tone Equal Temperament (10TET)
The 10 degrees of this temperament, in cents:
0–120–240–360–480–600–720–840–960–1080–1200 Scale steps in semitones: 3–1–3–2–1
Scale degrees:
in cents: 0–360–480–840–1080–1200
intervals: 1–n3–4–n6–7–8
Root, Neutral 3rd, Perfect 4th, Neutral 6th, Major 7th, Octave
Pitches starting from C: C E– F A– B c
Pitch Class Set: {0,3,4,7,9}
Pitch Class Mapping: 665 (Hex 299, Binary 1010011001)
The name I use for this scale comes from: Name from Scala, applied to a different temperament.
Scala name: Sorog Madenda: Sunda
Machine-5
Temperament: 11-Tone Equal Temperament (11TET)
The 11 degrees of this temperament, in cents:
0–109–218–327–436–545–655–764–873–982–1091–1200 Scale steps in semitones: 2–3–2–2–2
Scale degrees:
in cents: 0–218–545–764–982–1200
intervals: 1–2–a4–a5–m7–8
Root, Major 2nd, Quarter-sharp 4th, Quarter-sharp 5th, Minor 7th, Octave
Pitches starting from C:
C D F+ G+ A♯ c
C D F+ G+ B♭ c
Pitch Class Set: {0,2,5,7,9}
Pitch Class Mapping: 677 (Hex 2A5, Binary 01010100101)
The name I use for this scale comes from: Name from Scala, applied to a different temperament.
Scala name: Machine-5
Sentry-5
Temperament: 11-Tone Equal Temperament (11TET)
The 11 degrees of this temperament, in cents:
0–109–218–327–436–545–655–764–873–982–1091–1200 Scale steps in semitones: 1–3–1–3–3
Scale degrees:
in cents: 0–109–436–545–873–1200
intervals: 1–m2–b4–a4–n6–8
Root, Minor 2nd, Quarter 3rd-4th, Quarter-sharp 4th, Neutral 6th, Octave
Pitches starting from C:
C C♯ E+ F+ A– c
C D♭ E+ F+ A– c
Pitch Class Set: {0,1,4,5,8}
Pitch Class Mapping: 307 (Hex 133, Binary 00100110011)
The name I use for this scale comes from: Name from Scala, applied to a different temperament.
Scala name: Sentry-5
Swooning Rushes
Temperament: 11-Tone Equal Temperament (11TET)
The 11 degrees of this temperament, in cents:
0–109–218–327–436–545–655–764–873–982–1091–1200 Scale steps in semitones: 2–3–1–3–2
Scale degrees:
in cents: 0–218–545–655–982–1200
intervals: 1–2–a4–b5–m7–8
Root, Major 2nd, Quarter-sharp 4th, Quarter-flat 5th, Minor 7th, Octave
Pitches starting from C:
C D F+ G– A♯ c
C D F+ G– B♭ c
Pitch Class Set: {0,2,5,6,9}
Pitch Class Mapping: 613 (Hex 265, Binary 01001100101)
The name I use for this scale comes from: Name from Scala, applied to a different temperament.
Scala name: Swooning Rushes
Minor Pentatonic
Temperament: 12-Tone Overtone Temperament (Over12)
The 12 degrees of this temperament, in cents:
0–139–267–386–498–603–702–796–884–969–1049–1126–1200 Scale steps in semitones: 3–2–2–3–2
Scale degrees:
in cents: 0–386–603–796–1049–1200
intervals: 1–3–d5–m6–n7–8
Root, Major 3rd, Diminished 5th, Minor 6th, Neutral 7th, Octave
Pitches starting from C:
C E F♯ G♯ B– c
C E G♭ A♭ B– c
Pitch Class Set: {0,3,5,7,10}
Pitch Class Mapping: 1193 (Hex 4A9, Binary 010010101001)
The name I use for this scale comes from: Name from Scala, applied to a different temperament.
Blackwood Pentatonic
Temperament: 13-Tone Equal Temperament (13TET)
The 13 degrees of this temperament, in cents:
0–92–185–277–369–462–554–646–738–831–923–1015–1108–1200 Scale steps in semitones: 3–3–2–3–2
Scale degrees:
in cents: 0–277–554–738–1015–1200
intervals: 1–m3–a4–a5–m7–8
Root, Minor 3rd, Quarter-sharp 4th, Quarter-sharp 5th, Minor 7th, Octave
Pitches starting from C:
C D♯ F+ G+ A♯ c
C E♭ F+ G+ B♭ c
Pitch Class Set: {0,3,6,8,11}
Pitch Class Mapping: 2377 (Hex 0949, Binary 0100101001001)
The name I use for this scale comes from: Name from Scala, applied to a different temperament.
Scala names: Blackwood Pentatonic, Quasi Slendro, Father-5
A-Team-5
Temperament: 13-Tone Equal Temperament (13TET)
The 13 degrees of this temperament, in cents:
0–92–185–277–369–462–554–646–738–831–923–1015–1108–1200 Scale steps in semitones: 3–2–3–2–3
Scale degrees:
in cents: 0–277–462–738–923–1200
intervals: 1–m3–b4–a5–6–8
Root, Minor 3rd, Quarter 3rd-4th, Quarter-sharp 5th, Major 6th, Octave
Pitches starting from C:
C D♯ E+ G+ A c
C E♭ E+ G+ A c
Pitch Class Set: {0,3,5,8,10}
Pitch Class Mapping: 1321 (Hex 0529, Binary 0010100101001)
The name I use for this scale comes from: Name from Scala, applied to a different temperament.
Scala name: A-Team-5
Lovecraft-5
Temperament: 13-Tone Equal Temperament (13TET)
The 13 degrees of this temperament, in cents:
0–92–185–277–369–462–554–646–738–831–923–1015–1108–1200 Scale steps in semitones: 3–3–3–3–1
Scale degrees:
in cents: 0–277–554–831–1108–1200
intervals: 1–m3–a4–n6–7–8
Root, Minor 3rd, Quarter-sharp 4th, Neutral 6th, Major 7th, Octave
Pitches starting from C:
C D♯ F+ A– B c
C E♭ F+ A– B c
Pitch Class Set: {0,3,6,9,12}
Pitch Class Mapping: 4681 (Hex 1249, Binary 1001001001001)
The name I use for this scale comes from: Name from Scala, applied to a different temperament.
Scala name: Lovecraft-5
Symmetrical Pentatonic
Temperament: 13-Tone Equal Temperament (13TET)
The 13 degrees of this temperament, in cents:
0–92–185–277–369–462–554–646–738–831–923–1015–1108–1200 Scale steps in semitones: 4–1–3–1–4
Scale degrees:
in cents: 0–369–462–738–831–1200
intervals: 1–n3–b4–a5–n6–8
Root, Neutral 3rd, Quarter 3rd-4th, Quarter-sharp 5th, Neutral 6th, Octave
Pitches starting from C: C E– E+ G+ A– c
Pitch Class Set: {0,4,5,8,9}
Pitch Class Mapping: 817 (Hex 0331, Binary 0001100110001)
The name I use for this scale comes from: Name from Scala, applied to a different temperament.
Scala name: Symmetrical Pentatonic
Columns
Temperament: 13-Tone Equal Temperament (13TET)
The 13 degrees of this temperament, in cents:
0–92–185–277–369–462–554–646–738–831–923–1015–1108–1200 Scale steps in semitones: 4–2–1–2–4
Scale degrees:
in cents: 0–369–554–646–831–1200
intervals: 1–n3–a4–b5–n6–8
Root, Neutral 3rd, Quarter-sharp 4th, Quarter-flat 5th, Neutral 6th, Octave
Pitches starting from C: C E– F+ G– A– c
Pitch Class Set: {0,4,6,7,9}
Pitch Class Mapping: 721 (Hex 02D1, Binary 0001011010001)
The name I use for this scale comes from: Name from Scala, applied to a different temperament.
Scala name: Columns
Godzilla-5
Temperament: 14-Tone Equal Temperament (14TET)
The 14 degrees of this temperament, in cents:
0–86–171–257–343–429–514–600–686–771–857–943–1029–1114–1200 Scale steps in semitones: 2–3–3–3–3
Scale degrees:
in cents: 0–171–429–686–943–1200
intervals: 1–n2–b4–5–a6–8
Root, Neutral 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D– E+ G A+ c
Pitch Class Set: {0,2,5,8,11}
Pitch Class Mapping: 2341 (Hex 0925, Binary 00100100100101)
The name I use for this scale comes from: Scala
Scala name: Godzilla-5
Semaphore-5
Temperament: 14-Tone Equal Temperament (14TET)
The 14 degrees of this temperament, in cents:
0–86–171–257–343–429–514–600–686–771–857–943–1029–1114–1200 Scale steps in semitones: 3–3–2–3–3
Scale degrees:
in cents: 0–257–514–686–943–1200
intervals: 1–a2–4–5–a6–8
Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ F G A+ c
Pitch Class Set: {0,3,6,8,11}
Pitch Class Mapping: 2377 (Hex 0949, Binary 00100101001001)
The name I use for this scale comes from: Scala
Scala name: Semaphore-5
Seventeen-tone Major Pentatonic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
or
Temperament: 17-Tone Equal Temperament (17TET)
The 17 degrees of this temperament, in cents:
0–71–141–212–282–353–424–494–565–635–706–776–847–918–988–1059–1129–1200 Scale steps in semitones: 3–3–4–3–4
Scale degrees:
in cents: 0–212–424–706–918–1200
intervals: 1–2–3–5–6–8
Root, Major 2nd, Major 3rd, Perfect 5th, Major 6th, Octave
Pitches starting from C: C D E G A c
Pitch Class Set: {0,3,6,10,13}
Pitch Class Mapping: 9289 (Hex 02449, Binary 00010010001001001)
This scale is a mode (rotation) of these other scales:
Mode 2 of: Seventeen-tone Suspended Pentatonic
Mode 5 of: Seventeen-tone Minor Pentatonic
The name I use for this scale comes from: Scala
Scala name: Seventeen-tone Major Pentatonic
Seventeen-tone Minor Pentatonic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Temperament: 17-Tone Equal Temperament (17TET)
The 17 degrees of this temperament, in cents:
0–71–141–212–282–353–424–494–565–635–706–776–847–918–988–1059–1129–1200 Scale steps in semitones: 4–3–3–4–3
Scale degrees:
in cents: 0–282–494–706–988–1200
intervals: 1–m3–4–5–m7–8
Root, Minor 3rd, Perfect 4th, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C D♯ F G A♯ c
C E♭ F G B♭ c
Pitch Class Set: {0,4,7,10,14}
Pitch Class Mapping: 17553 (Hex 04491, Binary 00100010010010001)
This scale is a mode (rotation) of these other scales:
Mode 2 of: Seventeen-tone Major Pentatonic
Mode 3 of: Seventeen-tone Suspended Pentatonic
The name I use for this scale comes from: Scala
Scala names: Seventeen-tone Minor Pentatonic, Salendro Sejati: Sunda
Seventeen-tone Suspended Pentatonic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Temperament: 17-Tone Equal Temperament (17TET)
The 17 degrees of this temperament, in cents:
0–71–141–212–282–353–424–494–565–635–706–776–847–918–988–1059–1129–1200 Scale steps in semitones: 3–4–3–4–3
Scale degrees:
in cents: 0–212–494–706–988–1200
intervals: 1–2–4–5–m7–8
Root, Major 2nd, Perfect 4th, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C D F G A♯ c
C D F G B♭ c
Pitch Class Set: {0,3,7,10,14}
Pitch Class Mapping: 17545 (Hex 04489, Binary 00100010010001001)
This scale is a mode (rotation) of these other scales:
Mode 4 of: Seventeen-tone Minor Pentatonic
Mode 5 of: Seventeen-tone Major Pentatonic
The name I use for this scale comes from: Scala
Scala name: Seventeen-tone Suspended Pentatonic
Pelog Degung Sejati
Temperament: 17-Tone Equal Temperament (17TET)
The 17 degrees of this temperament, in cents:
0–71–141–212–282–353–424–494–565–635–706–776–847–918–988–1059–1129–1200 Scale steps in semitones: 6–1–3–6–1
Scale degrees:
in cents: 0–424–494–706–1129–1200
intervals: 1–3–4–5–b8–8
Root, Major 3rd, Perfect 4th, Perfect 5th, Quarter-flat Octave, Octave
Pitches starting from C: C E F G B+ c
Pitch Class Set: {0,6,7,10,16}
Pitch Class Mapping: 66753 (Hex 104C1, Binary 10000010011000001)
The name I use for this scale comes from: Scala
Scala name: Pelog Degung Sejati: Sunda
Sorog Madenda Sejati
Temperament: 17-Tone Equal Temperament (17TET)
The 17 degrees of this temperament, in cents:
0–71–141–212–282–353–424–494–565–635–706–776–847–918–988–1059–1129–1200 Scale steps in semitones: 6–1–6–3–1
Scale degrees:
in cents: 0–424–494–918–1129–1200
intervals: 1–3–4–6–b8–8
Root, Major 3rd, Perfect 4th, Major 6th, Quarter-flat Octave, Octave
Pitches starting from C: C E F A B+ c
Pitch Class Set: {0,6,7,13,16}
Pitch Class Mapping: 73921 (Hex 120C1, Binary 10010000011000001)
The name I use for this scale comes from: Scala
Scala name: Sorog Madenda Sejati: Sunda
Malaysian Pelog
Temperament: 17-Tone Equal Temperament (17TET)
The 17 degrees of this temperament, in cents:
0–71–141–212–282–353–424–494–565–635–706–776–847–918–988–1059–1129–1200 Scale steps in semitones: 2–5–3–2–5
Scale degrees:
in cents: 0–141–494–706–847–1200
intervals: 1–n2–4–5–n6–8
Root, Neutral 2nd, Perfect 4th, Perfect 5th, Neutral 6th, Octave
Pitches starting from C: C D– F G A– c
Pitch Class Set: {0,2,7,10,12}
Pitch Class Mapping: 5253 (Hex 01485, Binary 00001010010000101)
The name I use for this scale comes from: Scala
Scala name: Malaysian Pelog
Machine-5
Temperament: 17-Tone Equal Temperament (17TET)
The 17 degrees of this temperament, in cents:
0–71–141–212–282–353–424–494–565–635–706–776–847–918–988–1059–1129–1200 Scale steps in semitones: 3–5–3–3–3
Scale degrees:
in cents: 0–212–565–776–988–1200
intervals: 1–2–a4–m6–m7–8
Root, Major 2nd, Quarter-sharp 4th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C D F+ G♯ A♯ c
C D F+ A♭ B♭ c
Pitch Class Set: {0,3,8,11,14}
Pitch Class Mapping: 18697 (Hex 04909, Binary 00100100100001001)
The name I use for this scale comes from: Scala
Scala name: Machine-5
Father-5
Temperament: 18-Tone Equal Temperament (18TET)
The 18 degrees of this temperament, in cents:
0–67–133–200–267–333–400–467–533–600–667–733–800–867–933–1000–1067–1133–1200 Scale steps in semitones: 4–4–3–4–3
Scale degrees:
in cents: 0–267–533–733–1000–1200
intervals: 1–a2–a4–a5–m7–8
Root, Quarter 2nd-3rd, Quarter-sharp 4th, Quarter-sharp 5th, Minor 7th, Octave
Pitches starting from C:
C D+ F+ G+ A♯ c
C D+ F+ G+ B♭ c
Pitch Class Set: {0,4,8,11,15}
Pitch Class Mapping: 35089 (Hex 08911, Binary 001000100100010001)
The name I use for this scale comes from: Scala
Scala name: Father-5
Five out of 19
Temperament: 19-Tone Equal Temperament (19TET)
The 19 degrees of this temperament, in cents:
0–63–126–189–253–316–379–442–505–568–632–695–758–821–884–947–1011–1074–1137–1200 Scale steps in semitones: 4–4–4–4–3
Scale degrees:
in cents: 0–253–505–758–1011–1200
intervals: 1–a2–4–a5–m7–8
Root, Quarter 2nd-3rd, Perfect 4th, Quarter-sharp 5th, Minor 7th, Octave
Pitches starting from C:
C D+ F G+ A♯ c
C D+ F G+ B♭ c
Pitch Class Set: {0,4,8,12,16}
Pitch Class Mapping: 69905 (Hex 11111, Binary 0010001000100010001)
The name I use for this scale comes from: Scala
Scala names: Five out of 19, Godzilla-5 inverse
Nineteen-tone Major Pentatonic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
or
Temperament: 19-Tone Equal Temperament (19TET)
The 19 degrees of this temperament, in cents:
0–63–126–189–253–316–379–442–505–568–632–695–758–821–884–947–1011–1074–1137–1200 Scale steps in semitones: 3–3–5–3–5
Scale degrees:
in cents: 0–189–379–695–884–1200
intervals: 1–2–3–5–6–8
Root, Major 2nd, Major 3rd, Perfect 5th, Major 6th, Octave
Pitches starting from C: C D E G A c
Pitch Class Set: {0,3,6,11,14}
Pitch Class Mapping: 18505 (Hex 04849, Binary 0000100100001001001)
This scale is a mode (rotation) of these other scales:
Mode 5 of: Nineteen-tone Minor Pentatonic
The name I use for this scale comes from: Scala
Scala name: Nineteen-tone Major Pentatonic
Nineteen-tone Minor Pentatonic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Temperament: 19-Tone Equal Temperament (19TET)
The 19 degrees of this temperament, in cents:
0–63–126–189–253–316–379–442–505–568–632–695–758–821–884–947–1011–1074–1137–1200 Scale steps in semitones: 5–3–3–5–3
Scale degrees:
in cents: 0–316–505–695–1011–1200
intervals: 1–m3–4–5–m7–8
Root, Minor 3rd, Perfect 4th, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C D♯ F G A♯ c
C E♭ F G B♭ c
Pitch Class Set: {0,5,8,11,16}
Pitch Class Mapping: 67873 (Hex 10921, Binary 0010000100100100001)
This scale is a mode (rotation) of these other scales:
Mode 2 of: Nineteen-tone Major Pentatonic
The name I use for this scale comes from: Scala
Scala name: Nineteen-tone Minor Pentatonic
Nineteen-tone Suspended Pentatonic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Temperament: 19-Tone Equal Temperament (19TET)
The 19 degrees of this temperament, in cents:
0–63–126–189–253–316–379–442–505–568–632–695–758–821–884–947–1011–1074–1137–1200 Scale steps in semitones: 3–5–3–5–3
Scale degrees:
in cents: 0–189–505–695–1011–1200
intervals: 1–2–4–5–m7–8
Root, Major 2nd, Perfect 4th, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C D F G A♯ c
C D F G B♭ c
Pitch Class Set: {0,3,8,11,16}
Pitch Class Mapping: 67849 (Hex 10909, Binary 0010000100100001001)
The name I use for this scale comes from: Scala
Scala name: Nineteen-tone Suspended Pentatonic
Quasi-equal Pentatonic
Temperament: 19-Tone Equal Temperament (19TET)
The 19 degrees of this temperament, in cents:
0–63–126–189–253–316–379–442–505–568–632–695–758–821–884–947–1011–1074–1137–1200 Scale steps in semitones: 4–4–3–4–4
Scale degrees:
in cents: 0–253–505–695–947–1200
intervals: 1–a2–4–5–a6–8
Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ F G A+ c
Pitch Class Set: {0,4,8,11,15}
Pitch Class Mapping: 35089 (Hex 08911, Binary 0001000100100010001)
The name I use for this scale comes from: Scala
Scala names: Quasi-equal Pentatonic, Semaphore-5
Godzilla-5
Temperament: 19-Tone Equal Temperament (19TET)
The 19 degrees of this temperament, in cents:
0–63–126–189–253–316–379–442–505–568–632–695–758–821–884–947–1011–1074–1137–1200 Scale steps in semitones: 3–4–4–4–4
Scale degrees:
in cents: 0–189–442–695–947–1200
intervals: 1–2–b4–5–a6–8
Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D E+ G A+ c
Pitch Class Set: {0,3,7,11,15}
Pitch Class Mapping: 34953 (Hex 08889, Binary 0001000100010001001)
The name I use for this scale comes from: Scala
Scala name: Godzilla-5
Score-5
Temperament: 20-Tone Equal Temperament (20TET)
The 20 degrees of this temperament, in cents:
0–60–120–180–240–300–360–420–480–540–600–660–720–780–840–900–960–1020–1080–1140–1200 Scale steps in semitones: 7–2–7–2–2
Scale degrees:
in cents: 0–420–540–960–1080–1200
intervals: 1–3–a4–a6–7–8
Root, Major 3rd, Quarter-sharp 4th, Quarter 6th-7th, Major 7th, Octave
Pitches starting from C: C E F+ A+ B c
Pitch Class Set: {0,7,9,16,18}
Pitch Class Mapping: 328321 (Hex 50281, Binary 01010000001010000001)
The name I use for this scale comes from: Scala
Scala name: Score-5
Quasi-equal Pentatonic
Temperament: 21-Tone Equal Temperament (21TET)
The 21 degrees of this temperament, in cents:
0–57–114–171–229–286–343–400–457–514–571–629–686–743–800–857–914–971–1029–1086–1143–1200 Scale steps in semitones: 4–4–5–4–4
Scale degrees:
in cents: 0–229–457–743–971–1200
intervals: 1–a2–b4–a5–a6–8
Root, Quarter 2nd-3rd, Quarter 3rd-4th, Quarter-sharp 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ E+ G+ A+ c
Pitch Class Set: {0,4,8,13,17}
Pitch Class Mapping: 139537 (Hex 022111, Binary 000100010000100010001)
The name I use for this scale comes from: Scala
Scala name: Quasi-equal Pentatonic
Orwell-5
Temperament: 22-Tone Equal Temperament (22TET)
The 22 degrees of this temperament, in cents:
0–55–109–164–218–273–327–382–436–491–545–600–655–709–764–818–873–927–982–1036–1091–1145–1200 Scale steps in semitones: 5–5–5–5–2
Scale degrees:
in cents: 0–273–545–818–1091–1200
intervals: 1–a2–a4–m6–7–8
Root, Quarter 2nd-3rd, Quarter-sharp 4th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C D+ F+ G♯ B c
C D+ F+ A♭ B c
Pitch Class Set: {0,5,10,15,20}
Pitch Class Mapping: 1082401 (Hex 108421, Binary 0100001000010000100001)
The name I use for this scale comes from: Scala
Scala name: Orwell-5
Septimal Minor Pentatonic
Temperament: 22-Tone Equal Temperament (22TET)
The 22 degrees of this temperament, in cents:
0–55–109–164–218–273–327–382–436–491–545–600–655–709–764–818–873–927–982–1036–1091–1145–1200 Scale steps in semitones: 5–4–4–5–4
Scale degrees:
in cents: 0–273–491–709–982–1200
intervals: 1–a2–4–5–m7–8
Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C D+ F G A♯ c
C D+ F G B♭ c
Pitch Class Set: {0,5,9,13,18}
Pitch Class Mapping: 270881 (Hex 042221, Binary 0001000010001000100001)
The name I use for this scale comes from: Scala
Scala names: Septimal Minor Pentatonic, Supra-5
Bhupali
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
or
Temperament: 22-Tone Shruti Temperament (Shruti22)
The 22 degrees of this temperament, in cents:
0–90–112–182–204–294–316–386–408–498–520–590–612–702–792–814–884–906–996–1018–1088–1110–1200
Notes: Scala: 256/243 65536/59049 9/8 32/27 8192/6561 81/64 4/3 1024/729 262144/177147 3/2 128/81 32768/19683 27/16 16/9 4096/2187 1048576/531441 2/1 Scale steps in semitones: 4–3–6–4–5
Scale degrees:
in cents: 0–204–386–702–906–1200
intervals: 1–2–3–5–6–8
Root, Major 2nd, Major 3rd, Perfect 5th, Major 6th, Octave
Pitches starting from C: C D E G A c
Pitch Class Set: {0,4,7,13,17}
Pitch Class Mapping: 139409 (Hex 022091, Binary 0000100010000010010001)
The name I use for this scale comes from: Scala
Scala name: Raga Bhupali
Deskar
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
or
Temperament: 22-Tone Shruti Temperament (Shruti22)
The 22 degrees of this temperament, in cents:
0–90–112–182–204–294–316–386–408–498–520–590–612–702–792–814–884–906–996–1018–1088–1110–1200
Notes: Scala: 256/243 65536/59049 9/8 32/27 8192/6561 81/64 4/3 1024/729 262144/177147 3/2 128/81 32768/19683 27/16 16/9 4096/2187 1048576/531441 2/1 Scale steps in semitones: 3–4–6–3–6
Scale degrees:
in cents: 0–182–386–702–884–1200
intervals: 1–2–3–5–6–8
Root, Major 2nd, Major 3rd, Perfect 5th, Major 6th, Octave
Pitches starting from C: C D E G A c
Pitch Class Set: {0,3,7,13,16}
Pitch Class Mapping: 73865 (Hex 012089, Binary 0000010010000010001001)
This scale is a mode (rotation) of these other scales:
Mode 3 of: Malkauns
The name I use for this scale comes from: Scala
Scala name: Raga Deskar
Durga
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Temperament: 22-Tone Shruti Temperament (Shruti22)
The 22 degrees of this temperament, in cents:
0–90–112–182–204–294–316–386–408–498–520–590–612–702–792–814–884–906–996–1018–1088–1110–1200
Notes: Scala: 256/243 65536/59049 9/8 32/27 8192/6561 81/64 4/3 1024/729 262144/177147 3/2 128/81 32768/19683 27/16 16/9 4096/2187 1048576/531441 2/1 Scale steps in semitones: 4–5–4–4–5
Scale degrees:
in cents: 0–204–498–702–906–1200
intervals: 1–2–4–5–6–8
Root, Major 2nd, Perfect 4th, Perfect 5th, Major 6th, Octave
Pitches starting from C: C D F G A c
Pitch Class Set: {0,4,9,13,17}
Pitch Class Mapping: 139793 (Hex 022211, Binary 0000100010001000010001)
The name I use for this scale comes from: Scala
Scala name: Raga Durga
Hamsadhvani
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Temperament: 22-Tone Shruti Temperament (Shruti22)
The 22 degrees of this temperament, in cents:
0–90–112–182–204–294–316–386–408–498–520–590–612–702–792–814–884–906–996–1018–1088–1110–1200
Notes: Scala: 256/243 65536/59049 9/8 32/27 8192/6561 81/64 4/3 1024/729 262144/177147 3/2 128/81 32768/19683 27/16 16/9 4096/2187 1048576/531441 2/1 Scale steps in semitones: 4–3–6–7–2
Scale degrees:
in cents: 0–204–386–702–1088–1200
intervals: 1–2–3–5–7–8
Root, Major 2nd, Major 3rd, Perfect 5th, Major 7th, Octave
Pitches starting from C: C D E G B c
Pitch Class Set: {0,4,7,13,20}
Pitch Class Mapping: 1056913 (Hex 102091, Binary 0100000010000010010001)
The name I use for this scale comes from: Scala
Scala name: Raga Hamsadhvani
Malkauns
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Temperament: 22-Tone Shruti Temperament (Shruti22)
The 22 degrees of this temperament, in cents:
0–90–112–182–204–294–316–386–408–498–520–590–612–702–792–814–884–906–996–1018–1088–1110–1200
Notes: Scala: 256/243 65536/59049 9/8 32/27 8192/6561 81/64 4/3 1024/729 262144/177147 3/2 128/81 32768/19683 27/16 16/9 4096/2187 1048576/531441 2/1 Scale steps in semitones: 6–3–6–3–4
Scale degrees:
in cents: 0–316–498–814–996–1200
intervals: 1–m3–4–m6–m7–8
Root, Minor 3rd, Perfect 4th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C D♯ F G♯ A♯ c
C E♭ F A♭ B♭ c
Pitch Class Set: {0,6,9,15,18}
Pitch Class Mapping: 295489 (Hex 048241, Binary 0001001000001001000001)
This scale is a mode (rotation) of these other scales:
Mode 4 of: Deskar
The name I use for this scale comes from: Scala
Scala name: Raga Malkauns
Saveri
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Temperament: 22-Tone Shruti Temperament (Shruti22)
The 22 degrees of this temperament, in cents:
0–90–112–182–204–294–316–386–408–498–520–590–612–702–792–814–884–906–996–1018–1088–1110–1200
Notes: Scala: 256/243 65536/59049 9/8 32/27 8192/6561 81/64 4/3 1024/729 262144/177147 3/2 128/81 32768/19683 27/16 16/9 4096/2187 1048576/531441 2/1 Scale steps in semitones: 2–7–4–1–8
Scale degrees:
in cents: 0–112–498–702–792–1200
intervals: 1–m2–4–5–m6–8
Root, Minor 2nd, Perfect 4th, Perfect 5th, Minor 6th, Octave
Pitches starting from C:
C C♯ F G G♯ c
C D♭ F G A♭ c
Pitch Class Set: {0,2,9,13,14}
Pitch Class Mapping: 25093 (Hex 006205, Binary 0000000110001000000101)
The name I use for this scale comes from: Scala
Scala name: Raga Saveri
Suddha Malhar
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Temperament: 22-Tone Shruti Temperament (Shruti22)
The 22 degrees of this temperament, in cents:
0–90–112–182–204–294–316–386–408–498–520–590–612–702–792–814–884–906–996–1018–1088–1110–1200
Notes: Scala: 256/243 65536/59049 9/8 32/27 8192/6561 81/64 4/3 1024/729 262144/177147 3/2 128/81 32768/19683 27/16 16/9 4096/2187 1048576/531441 2/1 Scale steps in semitones: 3–6–4–3–6
Scale degrees:
in cents: 0–182–498–702–884–1200
intervals: 1–2–4–5–6–8
Root, Major 2nd, Perfect 4th, Perfect 5th, Major 6th, Octave
Pitches starting from C: C D F G A c
Pitch Class Set: {0,3,9,13,16}
Pitch Class Mapping: 74249 (Hex 012209, Binary 0000010010001000001001)
This scale is a mode (rotation) of these other scales:
Mode 3 of: Chromatic and Chromatic
The name I use for this scale comes from: Scala
Scala name: Raga Suddha Malhar
Vibhas
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Temperament: 22-Tone Shruti Temperament (Shruti22)
The 22 degrees of this temperament, in cents:
0–90–112–182–204–294–316–386–408–498–520–590–612–702–792–814–884–906–996–1018–1088–1110–1200
Notes: Scala: 256/243 65536/59049 9/8 32/27 8192/6561 81/64 4/3 1024/729 262144/177147 3/2 128/81 32768/19683 27/16 16/9 4096/2187 1048576/531441 2/1 Scale steps in semitones: 1–6–6–3–6
Scale degrees:
in cents: 0–90–386–702–884–1200
intervals: 1–m2–3–5–6–8
Root, Minor 2nd, Major 3rd, Perfect 5th, Major 6th, Octave
Pitches starting from C:
C C♯ E G A c
C D♭ E G A c
Pitch Class Set: {0,1,7,13,16}
Pitch Class Mapping: 73859 (Hex 012083, Binary 0000010010000010000011)
The name I use for this scale comes from: Scala
Scala name: Raga Vibhas (marva)
Anchi Hoy
Temperament: 24-Tone Equal Temperament (24TET)
The 24 degrees of this temperament, in cents:
0–50–100–150–200–250–300–350–400–450–500–550–600–650–700–750–800–850–900–950–1000–1050–1100–1150–1200 Scale steps in semitones: 2–8–3–6–5
Scale degrees:
in cents: 0–100–500–650–950–1200
intervals: 1–m2–4–b5–a6–8
Root, Minor 2nd, Perfect 4th, Quarter-flat 5th, Quarter 6th-7th, Octave
Pitches starting from C:
C C♯ F G– A+ c
C D♭ F G– A+ c
Pitch Class Set: {0,2,10,13,19}
Pitch Class Mapping: 533509 (Hex 082405, Binary 000010000010010000000101)
The name I use for this scale comes from: Scala
Scala name: Anchihoye: Ethiopia
Quasi-equal Pentatonic
Temperament: 24-Tone Equal Temperament (24TET)
The 24 degrees of this temperament, in cents:
0–50–100–150–200–250–300–350–400–450–500–550–600–650–700–750–800–850–900–950–1000–1050–1100–1150–1200 Scale steps in semitones: 5–5–4–5–5
Scale degrees:
in cents: 0–250–500–700–950–1200
intervals: 1–a2–4–5–a6–8
Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ F G A+ c
Pitch Class Set: {0,5,10,14,19}
Pitch Class Mapping: 541729 (Hex 084421, Binary 000010000100010000100001)
This scale is a mode (rotation) of these other scales:
Mode 3 of: Godzilla-5
The name I use for this scale comes from: Scala
Scala names: Quasi-equal Pentatonic, Semaphore-5
Spondeion
Temperament: 24-Tone Equal Temperament (24TET)
The 24 degrees of this temperament, in cents:
0–50–100–150–200–250–300–350–400–450–500–550–600–650–700–750–800–850–900–950–1000–1050–1100–1150–1200 Scale steps in semitones: 3–7–4–3–7
Scale degrees:
in cents: 0–150–500–700–850–1200
intervals: 1–n2–4–5–n6–8
Root, Neutral 2nd, Perfect 4th, Perfect 5th, Neutral 6th, Octave
Pitches starting from C: C D– F G A– c
Pitch Class Set: {0,3,10,14,17}
Pitch Class Mapping: 148489 (Hex 024409, Binary 000000100100010000001001)
The name I use for this scale comes from: Scala
Scala name: Spondeion
de Vries 5-tone
Temperament: 24-Tone Equal Temperament (24TET)
The 24 degrees of this temperament, in cents:
0–50–100–150–200–250–300–350–400–450–500–550–600–650–700–750–800–850–900–950–1000–1050–1100–1150–1200 Scale steps in semitones: 9–2–2–9–2
Scale degrees:
in cents: 0–450–550–650–1100–1200
intervals: 1–b4–a4–b5–7–8
Root, Quarter 3rd-4th, Quarter-sharp 4th, Quarter-flat 5th, Major 7th, Octave
Pitches starting from C: C E+ F+ G– B c
Pitch Class Set: {0,9,11,13,22}
Pitch Class Mapping: 4205057 (Hex 402A01, Binary 010000000010101000000001)
The name I use for this scale comes from: Scala
Scala name: de Vries 5-tone
Godzilla-5
Temperament: 24-Tone Equal Temperament (24TET)
The 24 degrees of this temperament, in cents:
0–50–100–150–200–250–300–350–400–450–500–550–600–650–700–750–800–850–900–950–1000–1050–1100–1150–1200 Scale steps in semitones: 4–5–5–5–5
Scale degrees:
in cents: 0–200–450–700–950–1200
intervals: 1–2–b4–5–a6–8
Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D E+ G A+ c
Pitch Class Set: {0,4,9,14,19}
Pitch Class Mapping: 541201 (Hex 084211, Binary 000010000100001000010001)
This scale is a mode (rotation) of these other scales:
Mode 4 of: Quasi-equal Pentatonic
The name I use for this scale comes from: Scala
Scala name: Godzilla-5
Quasi-equal Pentatonic
Temperament: 26-Tone Equal Temperament (26TET)
The 26 degrees of this temperament, in cents:
0–46–92–138–185–231–277–323–369–415–462–508–554–600–646–692–738–785–831–877–923–969–1015–1062–1108–1154–1200 Scale steps in semitones: 5–5–6–5–5
Scale degrees:
in cents: 0–231–462–738–969–1200
intervals: 1–a2–b4–a5–a6–8
Root, Quarter 2nd-3rd, Quarter 3rd-4th, Quarter-sharp 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ E+ G+ A+ c
Pitch Class Set: {0,5,10,16,21}
Pitch Class Mapping: 2163745 (Hex 0210421, Binary 00001000010000010000100001)
The name I use for this scale comes from: Scala
Scala names: Quasi-equal Pentatonic, Mothra-5
Septimal Minor Pentatonic
Temperament: 27-Tone Equal Temperament (27TET)
The 27 degrees of this temperament, in cents:
0–44–89–133–178–222–267–311–356–400–444–489–533–578–622–667–711–756–800–844–889–933–978–1022–1067–1111–1156–1200 Scale steps in semitones: 6–5–5–6–5
Scale degrees:
in cents: 0–267–489–711–978–1200
intervals: 1–a2–4–5–m7–8
Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C D+ F G A♯ c
C D+ F G B♭ c
Pitch Class Set: {0,6,11,16,22}
Pitch Class Mapping: 4261953 (Hex 0410841, Binary 000010000010000100001000001)
The name I use for this scale comes from: Scala
Scala name: Septimal Minor Pentatonic
Quasi-equal Pentatonic
Temperament: 29-Tone Equal Temperament (29TET)
The 29 degrees of this temperament, in cents:
0–41–83–124–166–207–248–290–331–372–414–455–497–538–579–621–662–703–745–786–828–869–910–952–993–1034–1076–1117–1159–1200 Scale steps in semitones: 6–6–5–6–6
Scale degrees:
in cents: 0–248–497–703–952–1200
intervals: 1–a2–4–5–a6–8
Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ F G A+ c
Pitch Class Set: {0,6,12,17,23}
Pitch Class Mapping: 8523841 (Hex 00821041, Binary 00000100000100001000001000001)
The name I use for this scale comes from: Scala
Scala names: Quasi-equal Pentatonic, Semaphore-5
Immunity-5
Temperament: 29-Tone Equal Temperament (29TET)
The 29 degrees of this temperament, in cents:
0–41–83–124–166–207–248–290–331–372–414–455–497–538–579–621–662–703–745–786–828–869–910–952–993–1034–1076–1117–1159–1200 Scale steps in semitones: 5–6–6–6–6
Scale degrees:
in cents: 0–207–455–703–952–1200
intervals: 1–2–b4–5–a6–8
Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D E+ G A+ c
Pitch Class Set: {0,5,11,17,23}
Pitch Class Mapping: 8521761 (Hex 00820821, Binary 00000100000100000100000100001)
The name I use for this scale comes from: Scala
Scala name: Immunity-5
Madenda: Sunda
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Temperament: 30-Tone Equal Temperament (30TET)
The 30 degrees of this temperament, in cents:
0–40–80–120–160–200–240–280–320–360–400–440–480–520–560–600–640–680–720–760–800–840–880–920–960–1000–1040–1080–1120–1160–1200 Scale steps in semitones: 10–3–10–5–2
Scale degrees:
in cents: 0–400–520–920–1120–1200
intervals: 1–3–4–6–7–8
Root, Major 3rd, Perfect 4th, Major 6th, Major 7th, Octave
Pitches starting from C: C E F A B c
Pitch Class Set: {0,10,13,23,28}
Pitch Class Mapping: 276833281 (Hex 10802401, Binary 010000100000000010010000000001)
The name I use for this scale comes from: Scala
Scala name: Madenda: Sunda
Quasi-equal Pentatonic
Temperament: 31-Tone Equal Temperament (31TET)
The 31 degrees of this temperament, in cents:
0–39–77–116–155–194–232–271–310–348–387–426–465–503–542–581–619–658–697–735–774–813–852–890–929–968–1006–1045–1084–1123–1161–1200 Scale steps in semitones: 6–6–7–6–6
Scale degrees:
in cents: 0–232–465–735–968–1200
intervals: 1–a2–b4–a5–a6–8
Root, Quarter 2nd-3rd, Quarter 3rd-4th, Quarter-sharp 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ E+ G+ A+ c
Pitch Class Set: {0,6,12,19,25}
Pitch Class Mapping: 34082881 (Hex 02081041, Binary 0000010000010000001000001000001)
The name I use for this scale comes from: Scala
Scala names: Quasi-equal Pentatonic, Mothra-5
Orwell-5
Temperament: 31-Tone Equal Temperament (31TET)
The 31 degrees of this temperament, in cents:
0–39–77–116–155–194–232–271–310–348–387–426–465–503–542–581–619–658–697–735–774–813–852–890–929–968–1006–1045–1084–1123–1161–1200 Scale steps in semitones: 7–7–7–7–3
Scale degrees:
in cents: 0–271–542–813–1084–1200
intervals: 1–a2–a4–m6–7–8
Root, Quarter 2nd-3rd, Quarter-sharp 4th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C D+ F+ G♯ B c
C D+ F+ A♭ B c
Pitch Class Set: {0,7,14,21,28}
Pitch Class Mapping: 270549121 (Hex 10204081, Binary 0010000001000000100000010000001)
The name I use for this scale comes from: Scala
Scala name: Orwell-5
Slendric-5
Temperament: 31-Tone Equal Temperament (31TET)
The 31 degrees of this temperament, in cents:
0–39–77–116–155–194–232–271–310–348–387–426–465–503–542–581–619–658–697–735–774–813–852–890–929–968–1006–1045–1084–1123–1161–1200 Scale steps in semitones: 6–6–6–7–6
Scale degrees:
in cents: 0–232–465–697–968–1200
intervals: 1–a2–b4–5–a6–8
Root, Quarter 2nd-3rd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ E+ G A+ c
Pitch Class Set: {0,6,12,18,25}
Pitch Class Mapping: 33820737 (Hex 02041041, Binary 0000010000001000001000001000001)
This scale is a mode (rotation) of these other scales:
Mode 4 of: Wonder-5
The name I use for this scale comes from: Scala
Scala name: Slendric-5
Wonder-5
Temperament: 31-Tone Equal Temperament (31TET)
The 31 degrees of this temperament, in cents:
0–39–77–116–155–194–232–271–310–348–387–426–465–503–542–581–619–658–697–735–774–813–852–890–929–968–1006–1045–1084–1123–1161–1200 Scale steps in semitones: 7–6–6–6–6
Scale degrees:
in cents: 0–271–503–735–968–1200
intervals: 1–a2–4–a5–a6–8
Root, Quarter 2nd-3rd, Perfect 4th, Quarter-sharp 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ F G+ A+ c
Pitch Class Set: {0,7,13,19,25}
Pitch Class Mapping: 34087041 (Hex 02082081, Binary 0000010000010000010000010000001)
This scale is a mode (rotation) of these other scales:
Mode 3 of: Slendric-5
The name I use for this scale comes from: Scala
Scala name: Wonder-5
Septimal Minor Pentatonic
Temperament: 32-Tone Equal Temperament (32TET)
The 32 degrees of this temperament, in cents:
0–38–75–113–150–188–225–263–300–338–375–413–450–488–525–563–600–638–675–713–750–788–825–863–900–938–975–1013–1050–1088–1125–1163–1200 Scale steps in semitones: 7–6–6–7–6
Scale degrees:
in cents: 0–263–488–713–975–1200
intervals: 1–a2–4–5–m7–8
Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C D+ F G A♯ c
C D+ F G B♭ c
Pitch Class Set: {0,7,13,19,26}
Pitch Class Mapping: 67641473 (Hex 04082081, Binary 00000100000010000010000010000001)
The name I use for this scale comes from: Scala
Scala name: Septimal Minor Pentatonic
Godzilla-5
Temperament: 33-Tone Equal Temperament (33TET)
The 33 degrees of this temperament, in cents:
0–36–73–109–145–182–218–255–291–327–364–400–436–473–509–545–582–618–655–691–727–764–800–836–873–909–945–982–1018–1055–1091–1127–1164–1200 Scale steps in semitones: 5–7–7–7–7
Scale degrees:
in cents: 0–182–436–691–945–1200
intervals: 1–2–b4–5–a6–8
Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D E+ G A+ c
Pitch Class Set: {0,5,12,19,26}
Pitch Class Mapping: 67637281 (Hex 004081021, Binary 000000100000010000001000000100001)
The name I use for this scale comes from: Scala
Scala name: Godzilla-5
Quasi-equal Pentatonic
Temperament: 34-Tone Equal Temperament (34TET)
The 34 degrees of this temperament, in cents:
0–35–71–106–141–176–212–247–282–318–353–388–424–459–494–529–565–600–635–671–706–741–776–812–847–882–918–953–988–1024–1059–1094–1129–1165–1200 Scale steps in semitones: 7–7–6–7–7
Scale degrees:
in cents: 0–247–494–706–953–1200
intervals: 1–a2–4–5–a6–8
Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ F G A+ c
Pitch Class Set: {0,7,14,20,27}
Pitch Class Mapping: 135282817 (Hex 008104081, Binary 0000001000000100000100000010000001)
This scale is a mode (rotation) of these other scales:
Mode 3 of: Immunity-5
The name I use for this scale comes from: Scala
Scala name: Quasi-equal Pentatonic
Immunity-5
Temperament: 34-Tone Equal Temperament (34TET)
The 34 degrees of this temperament, in cents:
0–35–71–106–141–176–212–247–282–318–353–388–424–459–494–529–565–600–635–671–706–741–776–812–847–882–918–953–988–1024–1059–1094–1129–1165–1200 Scale steps in semitones: 6–7–7–7–7
Scale degrees:
in cents: 0–212–459–706–953–1200
intervals: 1–2–b4–5–a6–8
Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D E+ G A+ c
Pitch Class Set: {0,6,13,20,27}
Pitch Class Mapping: 135274561 (Hex 008102041, Binary 0000001000000100000010000001000001)
This scale is a mode (rotation) of these other scales:
Mode 4 of: Quasi-equal Pentatonic
The name I use for this scale comes from: Scala
Scala name: Immunity-5
Nam Hue: Vietnam
Temperament: 36-Tone Equal Temperament (36TET)
The 36 degrees of this temperament, in cents:
0–33–67–100–133–167–200–233–267–300–333–367–400–433–467–500–533–567–600–633–667–700–733–767–800–833–867–900–933–967–1000–1033–1067–1100–1133–1167–1200 Scale steps in semitones: 5–10–6–5–10
Scale degrees:
in cents: 0–167–500–700–867–1200
intervals: 1–n2–4–5–n6–8
Root, Neutral 2nd, Perfect 4th, Perfect 5th, Neutral 6th, Octave
Pitches starting from C: C D– F G A– c
Pitch Class Set: {0,5,15,21,26}
Pitch Class Mapping: 69238817 (Hex 004208021, Binary 000000000100001000001000000000100001)
The name I use for this scale comes from: Scala
Scala name: Nam Hue: Vietnam
Quasi-equal Pentatonic
Temperament: 36-Tone Equal Temperament (36TET)
The 36 degrees of this temperament, in cents:
0–33–67–100–133–167–200–233–267–300–333–367–400–433–467–500–533–567–600–633–667–700–733–767–800–833–867–900–933–967–1000–1033–1067–1100–1133–1167–1200 Scale steps in semitones: 7–7–8–7–7
Scale degrees:
in cents: 0–233–467–733–967–1200
intervals: 1–a2–b4–a5–a6–8
Root, Quarter 2nd-3rd, Quarter 3rd-4th, Quarter-sharp 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ E+ G+ A+ c
Pitch Class Set: {0,7,14,22,29}
Pitch Class Mapping: 541081729 (Hex 020404081, Binary 000000100000010000000100000010000001)
The name I use for this scale comes from: Scala
Scala name: Quasi-equal Pentatonic
Slendric-5
Temperament: 36-Tone Equal Temperament (36TET)
The 36 degrees of this temperament, in cents:
0–33–67–100–133–167–200–233–267–300–333–367–400–433–467–500–533–567–600–633–667–700–733–767–800–833–867–900–933–967–1000–1033–1067–1100–1133–1167–1200 Scale steps in semitones: 7–7–7–8–7
Scale degrees:
in cents: 0–233–467–700–967–1200
intervals: 1–a2–b4–5–a6–8
Root, Quarter 2nd-3rd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ E+ G A+ c
Pitch Class Set: {0,7,14,21,29}
Pitch Class Mapping: 538984577 (Hex 020204081, Binary 000000100000001000000100000010000001)
This scale is a mode (rotation) of these other scales:
Mode 4 of: Wonder-5
The name I use for this scale comes from: Scala
Scala name: Slendric-5
Wonder-5
Temperament: 36-Tone Equal Temperament (36TET)
The 36 degrees of this temperament, in cents:
0–33–67–100–133–167–200–233–267–300–333–367–400–433–467–500–533–567–600–633–667–700–733–767–800–833–867–900–933–967–1000–1033–1067–1100–1133–1167–1200 Scale steps in semitones: 8–7–7–7–7
Scale degrees:
in cents: 0–267–500–733–967–1200
intervals: 1–a2–4–a5–a6–8
Root, Quarter 2nd-3rd, Perfect 4th, Quarter-sharp 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ F G+ A+ c
Pitch Class Set: {0,8,15,22,29}
Pitch Class Mapping: 541098241 (Hex 020408101, Binary 000000100000010000001000000100000001)
This scale is a mode (rotation) of these other scales:
Mode 3 of: Slendric-5
The name I use for this scale comes from: Scala
Scala name: Wonder-5
Immunity-5
Temperament: 39-Tone Equal Temperament (39TET)
The 39 degrees of this temperament, in cents:
0–31–62–92–123–154–185–215–246–277–308–338–369–400–431–462–492–523–554–585–615–646–677–708–738–769–800–831–862–892–923–954–985–1015–1046–1077–1108–1138–1169–1200 Scale steps in semitones: 7–8–8–8–8
Scale degrees:
in cents: 0–215–462–708–954–1200
intervals: 1–2–b4–5–a6–8
Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D E+ G A+ c
Pitch Class Set: {0,7,15,23,31}
Pitch Class Mapping: 2155905153 (Hex 0080808081, Binary 000000010000000100000001000000010000001)
The name I use for this scale comes from: Scala
Scala name: Immunity-5
Quasi-equal Pentatonic
Temperament: 39-Tone Equal Temperament (39TET)
The 39 degrees of this temperament, in cents:
0–31–62–92–123–154–185–215–246–277–308–338–369–400–431–462–492–523–554–585–615–646–677–708–738–769–800–831–862–892–923–954–985–1015–1046–1077–1108–1138–1169–1200 Scale steps in semitones: 8–8–7–8–8
Scale degrees:
in cents: 0–246–492–708–954–1200
intervals: 1–a2–4–5–a6–8
Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ F G A+ c
Pitch Class Set: {0,8,16,23,31}
Pitch Class Mapping: 2155938049 (Hex 0080810101, Binary 000000010000000100000010000000100000001)
The name I use for this scale comes from: Scala
Scala name: Quasi-equal Pentatonic
Surupan Melog jawar: Java
Temperament: 40-Tone Equal Temperament (40TET)
The 40 degrees of this temperament, in cents:
0–30–60–90–120–150–180–210–240–270–300–330–360–390–420–450–480–510–540–570–600–630–660–690–720–750–780–810–840–870–900–930–960–990–1020–1050–1080–1110–1140–1170–1200 Scale steps in semitones: 4–5–13–4–14
Scale degrees:
in cents: 0–120–270–660–780–1200
intervals: 1–m2–a2–b5–m6–8
Root, Minor 2nd, Quarter 2nd-3rd, Quarter-flat 5th, Minor 6th, Octave
Pitches starting from C:
C C♯ D+ G– G♯ c
C D♭ D+ G– A♭ c
Pitch Class Set: {0,4,9,22,26}
Pitch Class Mapping: 71303697 (Hex 0004400211, Binary 0000000000000100010000000000001000010001)
The name I use for this scale comes from: Scala
Scala name: Surupan Melog jawar: Java
Surupan Miring: Java
Temperament: 40-Tone Equal Temperament (40TET)
The 40 degrees of this temperament, in cents:
0–30–60–90–120–150–180–210–240–270–300–330–360–390–420–450–480–510–540–570–600–630–660–690–720–750–780–810–840–870–900–930–960–990–1020–1050–1080–1110–1140–1170–1200 Scale steps in semitones: 5–4–14–4–13
Scale degrees:
in cents: 0–150–270–690–810–1200
intervals: 1–n2–a2–5–m6–8
Root, Neutral 2nd, Quarter 2nd-3rd, Perfect 5th, Minor 6th, Octave
Pitches starting from C:
C D– D+ G G♯ c
C D– D+ G A♭ c
Pitch Class Set: {0,5,9,23,27}
Pitch Class Mapping: 142606881 (Hex 0008800221, Binary 0000000000001000100000000000001000100001)
The name I use for this scale comes from: Scala
Scala name: Surupan Miring: Java
Surupan Ajeng: Java
Temperament: 40-Tone Equal Temperament (40TET)
The 40 degrees of this temperament, in cents:
0–30–60–90–120–150–180–210–240–270–300–330–360–390–420–450–480–510–540–570–600–630–660–690–720–750–780–810–840–870–900–930–960–990–1020–1050–1080–1110–1140–1170–1200 Scale steps in semitones: 5–4–13–5–13
Scale degrees:
in cents: 0–150–270–660–810–1200
intervals: 1–n2–a2–b5–m6–8
Root, Neutral 2nd, Quarter 2nd-3rd, Quarter-flat 5th, Minor 6th, Octave
Pitches starting from C:
C D– D+ G– G♯ c
C D– D+ G– A♭ c
Pitch Class Set: {0,5,9,22,27}
Pitch Class Mapping: 138412577 (Hex 0008400221, Binary 0000000000001000010000000000001000100001)
The name I use for this scale comes from: Scala
Scala name: Surupan Ajeng: Java
Rodan-5
Temperament: 41-Tone Equal Temperament (41TET)
The 41 degrees of this temperament, in cents:
0–29–59–88–117–146–176–205–234–263–293–322–351–380–410–439–468–498–527–556–585–615–644–673–702–732–761–790–820–849–878–907–937–966–995–1024–1054–1083–1112–1141–1171–1200 Scale steps in semitones: 8–8–8–9–8
Scale degrees:
in cents: 0–234–468–702–966–1200
intervals: 1–a2–b4–5–a6–8
Root, Quarter 2nd-3rd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ E+ G A+ c
Pitch Class Set: {0,8,16,24,33}
Pitch Class Mapping: 8606777601 (Hex 00201010101, Binary 00000001000000001000000010000000100000001)
This scale is a mode (rotation) of these other scales:
Mode 2 of: Quasi-equal Pentatonic
The name I use for this scale comes from: Scala
Scala name: Rodan-5
Quasi-equal Pentatonic
Temperament: 41-Tone Equal Temperament (41TET)
The 41 degrees of this temperament, in cents:
0–29–59–88–117–146–176–205–234–263–293–322–351–380–410–439–468–498–527–556–585–615–644–673–702–732–761–790–820–849–878–907–937–966–995–1024–1054–1083–1112–1141–1171–1200 Scale steps in semitones: 8–8–9–8–8
Scale degrees:
in cents: 0–234–468–732–966–1200
intervals: 1–a2–b4–a5–a6–8
Root, Quarter 2nd-3rd, Quarter 3rd-4th, Quarter-sharp 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ E+ G+ A+ c
Pitch Class Set: {0,8,16,25,33}
Pitch Class Mapping: 8623554817 (Hex 00202010101, Binary 00000001000000010000000010000000100000001)
This scale is a mode (rotation) of these other scales:
Mode 5 of: Rodan-5 and Guiron-5
The name I use for this scale comes from: Scala
Scala name: Quasi-equal Pentatonic
Godzilla-5
Temperament: 43-Tone Equal Temperament (43TET)
The 43 degrees of this temperament, in cents:
0–28–56–84–112–140–167–195–223–251–279–307–335–363–391–419–447–474–502–530–558–586–614–642–670–698–726–753–781–809–837–865–893–921–949–977–1005–1033–1060–1088–1116–1144–1172–1200 Scale steps in semitones: 7–9–9–9–9
Scale degrees:
in cents: 0–195–447–698–949–1200
intervals: 1–2–b4–5–a6–8
Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D E+ G A+ c
Pitch Class Set: {0,7,16,25,34}
Pitch Class Mapping: 17213489281 (Hex 00402010081, Binary 0000000010000000010000000010000000010000001)
The name I use for this scale comes from: Scala
Scala name: Godzilla-5
Rodan-5
Temperament: 46-Tone Equal Temperament (46TET)
The 46 degrees of this temperament, in cents:
0–26–52–78–104–130–157–183–209–235–261–287–313–339–365–391–417–443–470–496–522–548–574–600–626–652–678–704–730–757–783–809–835–861–887–913–939–965–991–1017–1043–1070–1096–1122–1148–1174–1200 Scale steps in semitones: 9–9–9–10–9
Scale degrees:
in cents: 0–235–470–704–965–1200
intervals: 1–a2–b4–5–a6–8
Root, Quarter 2nd-3rd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ E+ G A+ c
Pitch Class Set: {0,9,18,27,37}
Pitch Class Mapping: 137573433857 (Hex 002008040201, Binary 0000000010000000001000000001000000001000000001)
The name I use for this scale comes from: Scala
Scala name: Rodan-5
Supra-5
Temperament: 49-Tone Equal Temperament (49TET)
The 49 degrees of this temperament, in cents:
0–24–49–73–98–122–147–171–196–220–245–269–294–318–343–367–392–416–441–465–490–514–539–563–588–612–637–661–686–710–735–759–784–808–833–857–882–906–931–955–980–1004–1029–1053–1078–1102–1127–1151–1176–1200 Scale steps in semitones: 11–9–9–11–9
Scale degrees:
in cents: 0–269–490–710–980–1200
intervals: 1–a2–4–5–m7–8
Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C D+ F G A♯ c
C D+ F G B♭ c
Pitch Class Set: {0,11,20,29,40}
Pitch Class Mapping: 1100049549313 (Hex 0010020100801, Binary 0000000010000000000100000000100000000100000000001)
The name I use for this scale comes from: Scala
Scala name: Supra-5
Godzilla-5
Temperament: 52-Tone Equal Temperament (52TET)
The 52 degrees of this temperament, in cents:
0–23–46–69–92–115–138–162–185–208–231–254–277–300–323–346–369–392–415–438–462–485–508–531–554–577–600–623–646–669–692–715–738–762–785–808–831–854–877–900–923–946–969–992–1015–1038–1062–1085–1108–1131–1154–1177–1200 Scale steps in semitones: 8–11–11–11–11
Scale degrees:
in cents: 0–185–438–692–946–1200
intervals: 1–2–b4–5–a6–8
Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D E+ G A+ c
Pitch Class Set: {0,8,19,30,41}
Pitch Class Mapping: 2200097521921 (Hex 0020040080101, Binary 0000000000100000000001000000000010000000000100000001)
The name I use for this scale comes from: Scala
Scala name: Godzilla-5
Orwell-5
Temperament: 53-Tone Equal Temperament (53TET)
The 53 degrees of this temperament, in cents:
0–23–45–68–91–113–136–158–181–204–226–249–272–294–317–340–362–385–408–430–453–475–498–521–543–566–589–611–634–657–679–702–725–747–770–792–815–838–860–883–906–928–951–974–996–1019–1042–1064–1087–1109–1132–1155–1177–1200 Scale steps in semitones: 12–12–12–12–5
Scale degrees:
in cents: 0–272–543–815–1087–1200
intervals: 1–a2–a4–m6–7–8
Root, Quarter 2nd-3rd, Quarter-sharp 4th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C D+ F+ G♯ B c
C D+ F+ A♭ B c
Pitch Class Set: {0,12,24,36,48}
Pitch Class Mapping: 281543712968705
The name I use for this scale comes from: Scala
Scala name: Orwell-5
Supra-5
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Temperament: 56-Tone Equal Temperament (56TET)
The 56 degrees of this temperament, in cents:
0–21–43–64–86–107–129–150–171–193–214–236–257–279–300–321–343–364–386–407–429–450–471–493–514–536–557–579–600–621–643–664–686–707–729–750–771–793–814–836–857–879–900–921–943–964–986–1007–1029–1050–1071–1093–1114–1136–1157–1179–1200 Scale steps in semitones: 13–10–10–13–10
Scale degrees:
in cents: 0–279–493–707–986–1200
intervals: 1–m3–4–5–m7–8
Root, Minor 3rd, Perfect 4th, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C D♯ F G A♯ c
C E♭ F G B♭ c
Pitch Class Set: {0,13,23,33,46}
Pitch Class Mapping: 70377342509057
The name I use for this scale comes from: Scala
Scala name: Supra-5
Quasi-equal Pentatonic
Temperament: 57-Tone Equal Temperament (57TET)
The 57 degrees of this temperament, in cents:
0–21–42–63–84–105–126–147–168–189–211–232–253–274–295–316–337–358–379–400–421–442–463–484–505–526–547–568–589–611–632–653–674–695–716–737–758–779–800–821–842–863–884–905–926–947–968–989–1011–1032–1053–1074–1095–1116–1137–1158–1179–1200 Scale steps in semitones: 11–11–13–11–11
Scale degrees:
in cents: 0–232–463–737–968–1200
intervals: 1–a2–b4–a5–a6–8
Root, Quarter 2nd-3rd, Quarter 3rd-4th, Quarter-sharp 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ E+ G+ A+ c
Pitch Class Set: {0,11,22,35,46}
Pitch Class Mapping: 70403108112385
The name I use for this scale comes from: Scala
Scala names: Quasi-equal Pentatonic, Mothra-5
Godzilla-5
Temperament: 62-Tone Equal Temperament (62TET)
The 62 degrees of this temperament, in cents:
0–19–39–58–77–97–116–135–155–174–194–213–232–252–271–290–310–329–348–368–387–406–426–445–465–484–503–523–542–561–581–600–619–639–658–677–697–716–735–755–774–794–813–832–852–871–890–910–929–948–968–987–1006–1026–1045–1065–1084–1103–1123–1142–1161–1181–1200 Scale steps in semitones: 10–13–13–13–13
Scale degrees:
in cents: 0–194–445–697–948–1200
intervals: 1–2–b4–5–a6–8
Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D E+ G A+ c
Pitch Class Set: {0,10,23,36,49}
Pitch Class Mapping: 563018681287681
The name I use for this scale comes from: Scala
Scala name: Godzilla-5
Immunity-5
Temperament: 63-Tone Equal Temperament (63TET)
The 63 degrees of this temperament, in cents:
0–19–38–57–76–95–114–133–152–171–190–210–229–248–267–286–305–324–343–362–381–400–419–438–457–476–495–514–533–552–571–590–610–629–648–667–686–705–724–743–762–781–800–819–838–857–876–895–914–933–952–971–990–1010–1029–1048–1067–1086–1105–1124–1143–1162–1181–1200 Scale steps in semitones: 11–13–13–13–13
Scale degrees:
in cents: 0–210–457–705–952–1200
intervals: 1–2–b4–5–a6–8
Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D E+ G A+ c
Pitch Class Set: {0,11,24,37,50}
Pitch Class Mapping: 1126037362575361
The name I use for this scale comes from: Scala
Scala name: Immunity-5
Quasi-equal Pentatonic
Temperament: 67-Tone Equal Temperament (67TET)
The 67 degrees of this temperament, in cents:
0–18–36–54–72–90–107–125–143–161–179–197–215–233–251–269–287–304–322–340–358–376–394–412–430–448–466–484–501–519–537–555–573–591–609–627–645–663–681–699–716–734–752–770–788–806–824–842–860–878–896–913–931–949–967–985–1003–1021–1039–1057–1075–1093–1110–1128–1146–1164–1182–1200 Scale steps in semitones: 13–13–15–13–13
Scale degrees:
in cents: 0–233–466–734–967–1200
intervals: 1–a2–b4–a5–a6–8
Root, Quarter 2nd-3rd, Quarter 3rd-4th, Quarter-sharp 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ E+ G+ A+ c
Pitch Class Set: {0,13,26,41,54}
Pitch Class Mapping: 18016597599854592
The name I use for this scale comes from: Scala
Scala names: Quasi-equal Pentatonic, Mothra-5
Godzilla-5
Temperament: 71-Tone Equal Temperament (71TET)
The 71 degrees of this temperament, in cents:
0–17–34–51–68–85–101–118–135–152–169–186–203–220–237–254–270–287–304–321–338–355–372–389–406–423–439–456–473–490–507–524–541–558–575–592–608–625–642–659–676–693–710–727–744–761–777–794–811–828–845–862–879–896–913–930–946–963–980–997–1014–1031–1048–1065–1082–1099–1115–1132–1149–1166–1183–1200 Scale steps in semitones: 11–15–15–15–15
Scale degrees:
in cents: 0–186–439–693–946–1200
intervals: 1–2–b4–5–a6–8
Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D E+ G A+ c
Pitch Class Set: {0,11,26,41,56}
Pitch Class Mapping: 72059793128294400
The name I use for this scale comes from: Scala
Scala name: Godzilla-5
Orwell-5
Temperament: 75-Tone Equal Temperament (75TET)
The 75 degrees of this temperament, in cents:
0–16–32–48–64–80–96–112–128–144–160–176–192–208–224–240–256–272–288–304–320–336–352–368–384–400–416–432–448–464–480–496–512–528–544–560–576–592–608–624–640–656–672–688–704–720–736–752–768–784–800–816–832–848–864–880–896–912–928–944–960–976–992–1008–1024–1040–1056–1072–1088–1104–1120–1136–1152–1168–1184–1200 Scale steps in semitones: 17–17–17–17–7
Scale degrees:
in cents: 0–272–544–816–1088–1200
intervals: 1–a2–a4–m6–7–8
Root, Quarter 2nd-3rd, Quarter-sharp 4th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C D+ F+ G♯ B c
C D+ F+ A♭ B c
Pitch Class Set: {0,17,34,51,68}
Pitch Class Mapping: 295150156996346510000
The name I use for this scale comes from: Scala
Scala name: Orwell-5
Slendric-5
Temperament: 77-Tone Equal Temperament (77TET)
The 77 degrees of this temperament, in cents:
0–16–31–47–62–78–94–109–125–140–156–171–187–203–218–234–249–265–281–296–312–327–343–358–374–390–405–421–436–452–468–483–499–514–530–545–561–577–592–608–623–639–655–670–686–701–717–732–748–764–779–795–810–826–842–857–873–888–904–919–935–951–966–982–997–1013–1029–1044–1060–1075–1091–1106–1122–1138–1153–1169–1184–1200 Scale steps in semitones: 15–15–15–17–15
Scale degrees:
in cents: 0–234–468–701–966–1200
intervals: 1–a2–b4–5–a6–8
Root, Quarter 2nd-3rd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ E+ G A+ c
Pitch Class Set: {0,15,30,45,62}
Pitch Class Mapping: 4611721203873251300
The name I use for this scale comes from: Scala
Scala name: Slendric-5
Blue-5
Temperament: 78-Tone Equal Temperament (78TET)
The 78 degrees of this temperament, in cents:
0–15–31–46–62–77–92–108–123–138–154–169–185–200–215–231–246–262–277–292–308–323–338–354–369–385–400–415–431–446–462–477–492–508–523–538–554–569–585–600–615–631–646–662–677–692–708–723–738–754–769–785–800–815–831–846–862–877–892–908–923–938–954–969–985–1000–1015–1031–1046–1062–1077–1092–1108–1123–1138–1154–1169–1185–1200 Scale steps in semitones: 16–16–15–16–15
Scale degrees:
in cents: 0–246–492–723–969–1200
intervals: 1–a2–4–5–a6–8
Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ F G A+ c
Pitch Class Set: {0,16,32,47,63}
Pitch Class Mapping: 9223512778638164000
The name I use for this scale comes from: Scala
Scala name: Blue-5
Godzilla-5
Temperament: 81-Tone Equal Temperament (81TET)
The 81 degrees of this temperament, in cents:
0–15–30–44–59–74–89–104–119–133–148–163–178–193–207–222–237–252–267–281–296–311–326–341–356–370–385–400–415–430–444–459–474–489–504–519–533–548–563–578–593–607–622–637–652–667–681–696–711–726–741–756–770–785–800–815–830–844–859–874–889–904–919–933–948–963–978–993–1007–1022–1037–1052–1067–1081–1096–1111–1126–1141–1156–1170–1185–1200 Scale steps in semitones: 13–17–17–17–17
Scale degrees:
in cents: 0–193–444–696–948–1200
intervals: 1–2–b4–5–a6–8
Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D E+ G A+ c
Pitch Class Set: {0,13,30,47,64}
Pitch Class Mapping: 18446884812271657000
The name I use for this scale comes from: Scala
Scala name: Godzilla-5
Blue-5
Temperament: 83-Tone Equal Temperament (83TET)
The 83 degrees of this temperament, in cents:
0–14–29–43–58–72–87–101–116–130–145–159–173–188–202–217–231–246–260–275–289–304–318–333–347–361–376–390–405–419–434–448–463–477–492–506–520–535–549–564–578–593–607–622–636–651–665–680–694–708–723–737–752–766–781–795–810–824–839–853–867–882–896–911–925–940–954–969–983–998–1012–1027–1041–1055–1070–1084–1099–1113–1128–1142–1157–1171–1186–1200 Scale steps in semitones: 17–17–16–17–16
Scale degrees:
in cents: 0–246–492–723–969–1200
intervals: 1–a2–4–5–a6–8
Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ F G A+ c
Pitch Class Set: {0,17,34,50,67}
Pitch Class Mapping: 147575078506763260000
The name I use for this scale comes from: Scala
Scala name: Blue-5
Godzilla-5
Temperament: 85-Tone Equal Temperament (85TET)
The 85 degrees of this temperament, in cents:
0–14–28–42–56–71–85–99–113–127–141–155–169–184–198–212–226–240–254–268–282–296–311–325–339–353–367–381–395–409–424–438–452–466–480–494–508–522–536–551–565–579–593–607–621–635–649–664–678–692–706–720–734–748–762–776–791–805–819–833–847–861–875–889–904–918–932–946–960–974–988–1002–1016–1031–1045–1059–1073–1087–1101–1115–1129–1144–1158–1172–1186–1200 Scale steps in semitones: 13–18–18–18–18
Scale degrees:
in cents: 0–184–438–692–946–1200
intervals: 1–2–b4–5–a6–8
Root, Major 2nd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D E+ G A+ c
Pitch Class Set: {0,13,31,49,67}
Pitch Class Mapping: 147574515541777320000
The name I use for this scale comes from: Scala
Scala name: Godzilla-5
Rodan-5
Temperament: 87-Tone Equal Temperament (87TET)
The 87 degrees of this temperament, in cents:
0–14–28–41–55–69–83–97–110–124–138–152–166–179–193–207–221–234–248–262–276–290–303–317–331–345–359–372–386–400–414–428–441–455–469–483–497–510–524–538–552–566–579–593–607–621–634–648–662–676–690–703–717–731–745–759–772–786–800–814–828–841–855–869–883–897–910–924–938–952–966–979–993–1007–1021–1034–1048–1062–1076–1090–1103–1117–1131–1145–1159–1172–1186–1200 Scale steps in semitones: 17–17–17–19–17
Scale degrees:
in cents: 0–234–469–703–966–1200
intervals: 1–a2–b4–5–a6–8
Root, Quarter 2nd-3rd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ E+ G A+ c
Pitch Class Set: {0,17,34,51,70}
Pitch Class Mapping: 1180593872534404900000
The name I use for this scale comes from: Scala
Scala name: Rodan-5
Guiron-5
Temperament: 118-Tone Equal Temperament (118TET)
The 118 degrees of this temperament, in cents:
0–10–20–31–41–51–61–71–81–92–102–112–122–132–142–153–163–173–183–193–203–214–224–234–244–254–264–275–285–295–305–315–325–336–346–356–366–376–386–397–407–417–427–437–447–458–468–478–488–498–508–519–529–539–549–559–569–580–590–600–610–620–631–641–651–661–671–681–692–702–712–722–732–742–753–763–773–783–793–803–814–824–834–844–854–864–875–885–895–905–915–925–936–946–956–966–976–986–997–1007–1017–1027–1037–1047–1058–1068–1078–1088–1098–1108–1119–1129–1139–1149–1159–1169–1180–1190–1200 Scale steps in semitones: 23–23–23–26–23
Scale degrees:
in cents: 0–234–468–702–966–1200
intervals: 1–a2–b4–5–a6–8
Root, Quarter 2nd-3rd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ E+ G A+ c
Pitch Class Set: {0,23,46,69,95}
Pitch Class Mapping: 39614081847428050000000000000
This scale is a mode (rotation) of these other scales:
Mode 2 of: Quasi-equal Pentatonic
The name I use for this scale comes from: Scala
Scala name: Rodan-5
Rodan-5
Temperament: 128-Tone Equal Temperament (128TET)
The 128 degrees of this temperament, in cents:
0–9–19–28–38–47–56–66–75–84–94–103–113–122–131–141–150–159–169–178–188–197–206–216–225–234–244–253–263–272–281–291–300–309–319–328–338–347–356–366–375–384–394–403–413–422–431–441–450–459–469–478–488–497–506–516–525–534–544–553–563–572–581–591–600–609–619–628–638–647–656–666–675–684–694–703–713–722–731–741–750–759–769–778–788–797–806–816–825–834–844–853–863–872–881–891–900–909–919–928–938–947–956–966–975–984–994–1003–1013–1022–1031–1041–1050–1059–1069–1078–1088–1097–1106–1116–1125–1134–1144–1153–1163–1172–1181–1191–1200 Scale steps in semitones: 25–25–25–28–25
Scale degrees:
in cents: 0–234–469–703–966–1200
intervals: 1–a2–b4–5–a6–8
Root, Quarter 2nd-3rd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ E+ G A+ c
Pitch Class Set: {0,25,50,75,103}
Pitch Class Mapping: 10141204839604767000000000000000
The name I use for this scale comes from: Scala
Scala name: Rodan-5
Chromatic
Temperament: 5-Tone Equal Temperament (5TET)
The 5 degrees of this temperament, in cents:
0–240–480–720–960–1200 Scale steps in semitones: 1–1–1–1–1
Scale degrees:
in cents: 0–240–480–720–960–1200
intervals: 1–a2–4–5–a6–8
Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ F G A+ c
Pitch Class Set: {0,1,2,3,4}
Pitch Class Mapping: 31 (Hex 1F, Binary 11111)
This scale is a mode (rotation) of these other scales:
Mode 2 of: Chromatic
Mode 3 of: Chromatic
Mode 4 of: Chromatic
Mode 5 of: Chromatic
The name I use for this scale comes from: The general scale name "chromatic" includes all scale steps in this temperament
Chromatic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Temperament: 5-Tone Overtone Temperament (Over5)
The 5 degrees of this temperament, in cents:
0–316–583–814–1018–1200
Notes: Overtone series 5:6: … :10 = 5/5, 6/5, …, 10/5 Scale steps in semitones: 1–1–1–1–1
Scale degrees:
in cents: 0–316–583–814–1018–1200
intervals: 1–m3–d5–m6–m7–8
Root, Minor 3rd, Diminished 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C D♯ F♯ G♯ A♯ c
C E♭ G♭ A♭ B♭ c
Pitch Class Set: {0,1,2,3,4}
Pitch Class Mapping: 31 (Hex 1F, Binary 11111)
The name I use for this scale comes from: The general scale name "chromatic" includes all scale steps in this temperament
Chromatic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
or
Temperament: Harmonic Pentatonic A Temperament (Har5A)
The 5 degrees of this temperament, in cents:
0–204–386–702–884–1200
Notes: Most analogous to Celtic Pentatonic in 12TET 2-3-2-2-3. Scale steps in semitones: 1–1–1–1–1
Scale degrees:
in cents: 0–204–386–702–884–1200
intervals: 1–2–3–5–6–8
Root, Major 2nd, Major 3rd, Perfect 5th, Major 6th, Octave
Pitches starting from C: C D E G A c
Pitch Class Set: {0,1,2,3,4}
Pitch Class Mapping: 31 (Hex 1F, Binary 11111)
This scale is a mode (rotation) of these other scales:
Mode 4 of: Suddha Malhar
The name I use for this scale comes from: The general scale name "chromatic" includes all scale steps in this temperament
Chromatic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
or
Temperament: Harmonic Pentatonic B Temperament (Har5B)
The 5 degrees of this temperament, in cents:
0–204–386–702–884–1200
Notes: Most analogous to Celtic Pentatonic in 12TET 2-3-2-2-3. Scale steps in semitones: 1–1–1–1–1
Scale degrees:
in cents: 0–204–386–702–884–1200
intervals: 1–2–3–5–6–8
Root, Major 2nd, Major 3rd, Perfect 5th, Major 6th, Octave
Pitches starting from C: C D E G A c
Pitch Class Set: {0,1,2,3,4}
Pitch Class Mapping: 31 (Hex 1F, Binary 11111)
This scale is a mode (rotation) of these other scales:
Mode 4 of: Suddha Malhar
The name I use for this scale comes from: The general scale name "chromatic" includes all scale steps in this temperament
Chromatic
Temperament: Harmonic Pentatonic C Temperament (Har5C)
The 5 degrees of this temperament, in cents:
0–267–498–702–969–1200
Notes: Most analogous to Minor Pentatonic in 12TET 3-2-2-3-2 using a Harmonic Seventh between Major sixth and Minor seventh. Scale steps in semitones: 1–1–1–1–1
Scale degrees:
in cents: 0–267–498–702–969–1200
intervals: 1–a2–4–5–a6–8
Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ F G A+ c
Pitch Class Set: {0,1,2,3,4}
Pitch Class Mapping: 31 (Hex 1F, Binary 11111)
The name I use for this scale comes from: The general scale name "chromatic" includes all scale steps in this temperament
Chromatic
Temperament: Harmonic Pentatonic D Temperament (Har5D)
The 5 degrees of this temperament, in cents:
0–231–471–702–969–1200 Scale steps in semitones: 1–1–1–1–1
Scale degrees:
in cents: 0–231–471–702–969–1200
intervals: 1–a2–b4–5–a6–8
Root, Quarter 2nd-3rd, Quarter 3rd-4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ E+ G A+ c
Pitch Class Set: {0,1,2,3,4}
Pitch Class Mapping: 31 (Hex 1F, Binary 11111)
The name I use for this scale comes from: The general scale name "chromatic" includes all scale steps in this temperament
Chromatic
Temperament: Harmonic Pentatonic Inverse Temperament (Har5Inverse)
The 5 degrees of this temperament, in cents:
0–231–498–702–933–1200 Scale steps in semitones: 1–1–1–1–1
Scale degrees:
in cents: 0–231–498–702–933–1200
intervals: 1–a2–4–5–a6–8
Root, Quarter 2nd-3rd, Perfect 4th, Perfect 5th, Quarter 6th-7th, Octave
Pitches starting from C: C D+ F G A+ c
Pitch Class Set: {0,1,2,3,4}
Pitch Class Mapping: 31 (Hex 1F, Binary 11111)
The name I use for this scale comes from: The general scale name "chromatic" includes all scale steps in this temperament
BP Pentatonic
Temperament: 13-Tone Bohlen–Pierce Just Intoned Temperament (BP-13JI)
The 13 degrees of this temperament, in cents:
0–133–302–435–583–737–884–1018–1165–1319–1467–1600–1769–1902 (not octave repeating!)
Notes: Wendy Carlos’ twelve-note scale based on octave-repeating harmonics. A = 1/1 (440 Hz). 1/1 17/16 9/8 19/16 5/4 21/16 11/8 3/2 13/8 27/16 7/4 15/8. Note that all Bohlen-Pierce scales are inherently non-octave-repeating (NonOctRep) because their fundamental ratio is a tritave. Scale steps in semitones: 3–3–3–3–1
Scale degrees:
in cents: 0–435–884–1319–1769–1902
intervals: 1–b4–6–m9–a11–12
Root, Quarter 3rd-4th, Major 6th, m9, a11, 12
Pitches starting from C:
C E+ A c♯ f+ g
C E+ A c♯ f+ g
Pitch Class Set: {0,3,6,9,12}
Pitch Class Mapping: 4681 (Hex 1249, Binary 1001001001001)
The name I use for this scale comes from: Name from Scala, applied to a different temperament.
Wikipedia page related to this scale:
BP Pentatonic
Temperament: 13-Tone Bohlen–Pierce Overtone Temperament (BP-Over13)
The 13 degrees of this temperament, in cents:
0–203–393–570–736–893–1041–1182–1316–1444–1566–1682–1794–1902 (not octave repeating!)
Notes: Note that all Bohlen-Pierce scales are inherently non-octave-repeating (NonOctRep) because their fundamental ratio is a tritave. Scale steps in semitones: 3–3–3–3–1
Scale degrees:
in cents: 0–570–1041–1444–1794–1902
intervals: 1–a4–n7–a9–d12–12
Root, Quarter-sharp 4th, Neutral 7th, a9, d12, 12
Pitches starting from C:
C F+ B– d+ f♯ g
C F+ B– d+ f♯ g
Pitch Class Set: {0,3,6,9,12}
Pitch Class Mapping: 4681 (Hex 1249, Binary 1001001001001)
The name I use for this scale comes from: Name from Scala, applied to a different temperament.
Wikipedia page related to this scale:
BP Pentatonic
Temperament: 13-Tone Bohlen–Pierce Equal Temperament (BP-13TET)
The 13 degrees of this temperament, in cents:
0–146–293–439–585–732–878–1024–1170–1317–1463–1609–1756–1902 (not octave repeating!)
Notes: Note that all Bohlen-Pierce scales are inherently non-octave-repeating (NonOctRep) because their fundamental ratio is a tritave. Scale steps in semitones: 3–3–3–3–1
Scale degrees:
in cents: 0–439–878–1317–1756–1902
intervals: 1–b4–6–m9–a11–12
Root, Quarter 3rd-4th, Major 6th, m9, a11, 12
Pitches starting from C:
C E+ A c♯ f+ g
C E+ A c♯ f+ g
Pitch Class Set: {0,3,6,9,12}
Pitch Class Mapping: 4681 (Hex 1249, Binary 1001001001001)
The name I use for this scale comes from: Name from Scala, in it's specified non-12TET temperament.
Scala name: BP Pentatonic
Wikipedia page related to this scale:
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