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You can use almost any guitar to accompany flutes. Maybe it's been sitting in your closet or garage, or maybe it's a tag sale cheepie. Regardless, you certainly don't need anything special to get started with this approach. If you've never played guitar, it can be easier to start with a nylon-string guitar (typically with three nylon strings and three "wound steel" strings). A steel-string guitar works great, but it will be tougher on your finger tips for the first few days. To play with many key flutes, you will need a capo if you use this approach. Mark McGourley suggested one of the “quick-release” style of capos such as the design shown on the right, a Kyser 6 String Capo (typically available for under $20). This design is also called a “trigger-style” capo. You will also need a pick. When you begin learning to strum the strings of the guitar, it might be easier to use a very soft pick, and then progress to harder picks as you gain experience. Tuning
Your first job is to tune the strings of the guitar. Of course, the easiest way is to ask an experienced guitar player to tune it. But eventually, you'll need to learn to tune it yourself. You can purchase a specific electronic guitar tuner that makes the tuning process easy. They give you a display that lets you tune visually and can also be used for other instruments (even for checking flute tunings). Mark uses the Korg CA-1 chromatic tuner shown at the right … typically available for under $20. Alternately, you can use one of the web sites that help with guitar tuning. This might be a bit more challanging, but has the benefit of improving your ear training and pitch matching. There are a lot of web sites that can help in this area … here are some recommended ones:
For reference, here are the notes that you will be tuning each of the string: Finger ChartsThis description uses finger charts that demonstrate where to place your fingers on the strings to get certain chords. The diagrams correspond to the fingerboard on the neck of the guitar: Here are the parts:
Here is a finger chart that shows all the elements. It shows a D chord that uses three fingers. Note that we will be starting with chords that are *much* simpler and easier to play. This diagram is only for demo purposes:
One-Finger ChordsThe easiest way to get started is to play guitar with an E minor Native American flute. You can play two simple one-finger chords, alternating back and forth between them. This style of guitar chord strumming is called a “two-chord vamp”. Here are the two chords:
You're using your index finger to hold down the second lowest string and the third lowest string, just behind the second fret. It should sound something like this (and please remember, I'm a novice guitar player …): Guitar &mdash E* and A* Clint Goss. You can try playing along with the recording above on an E minor flute, or listen to my improvisation over the same guitar part: Duet — E* and A* Clint Goss.
E minor flute of Spalted Maple by Barry Higgins.
Another good one-finger combination is these two chords:
Here are two recordings of this second two-chord vamp, without and then with an E minor flute: Guitar — E* and D* Clint Goss. Duet — E* and D* Clint Goss.
E minor flute of Spalted Maple by Barry Higgins.
Changing Key
Changing keys on a guitar is a breeze. Just place the capo on any of the fret positions of the neck of the guitar and you've moved to a new key. Use the same finger positions that you used with no capo (think of the capo as the new position of the nut), and you're playing the same chord vamp in a new key. For example, if you're accompanying an F# minor flute, place the capo between the first and second fret. Physically, it looks like this on the neck of the guitar: This is called “Capo 2” (i.e. the capo is placed behind the second fret), and is sometimes shown on finger charts like this: So now we have the same chords from above, shifted up for an F# minor Native American flute:
Here are two recordings (solo guitar and duet) in F# minor: Guitar — F#* and B* Clint Goss. Duet — F#* and B* Clint Goss.
F# minor flute of Alaskan Yellow Cedar by Colyn Petersen.
You can use this approach for any key. You might find that the keys at the bottom of this table (i.e. the higher keys) make the guitar sound quite a bit higher than it's normal range, but they should work musically:
Two-Finger ChordsUsing two fingers improves the sound of the chords we've been using. Try these chords, using the same capo strategy described above to transpose the guitar to the key of the flute.
Notice that these chords are shown with Here's some recordings using these chords: Guitar — Two Finger Chords in E minor Clint Goss. Duet — Two Finger Chords in E minor Clint Goss.
E minor flute of Spalted Maple by Barry Higgins.
For reference, I'm using the chord progression [Em Em A9 D9], but you can use any progression that you like. Remember that the same trick (described above) of using the capo can be used with these chords to accompany flutes in any key. Three-Finger ChordsUsing three fingers opens up a lot more chord possibilities. Try these chords, using the same capo strategy described above to transpose the guitar to the key of the flute.
Here are some nice combinations of those chords: Guitar — Three Finger Chords in E minor Clint Goss. Duet — Three Finger Chords in E minor Clint Goss.
E minor flute of Spalted Maple by Barry Higgins.
For reference, I'm using the chord progression [G Em Am D], but you can use any progression that you like. (And again, don't forget that you can use a capo with these chords.) |
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