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[Wikipedia format] Musical Temperament References

This is a list of references related to Musical Temperaments cited throughout Flutopedia.

The references on this page are a sub-set of the complete list of Flutopedia references.

For information on the format and other details of these citations, see the main references page.

[Wikipedia format] Musical Temperament References

[Asmussen 2001] <ref name="Asmussen2001">
{{cite thesis
| author1 = Robert Asmussen
| title = Periodicity of Sinusoidal Frequencies as a Basis for the Analysis of Baroque and Classical Harmony: A Computer Based Study
| type = Ph.D.
| publisher = School of Music, The University of Leeds
| date = September 2001
}}
</ref>

[Barbour 1951] <ref name="Barbour1951">
{{cite book
| author1 = James Murray Barbour
| title = Tuning and Temperament: A Historical Survey
| publisher = Michigan State College Press
| place = East Lansing, Michigan
| year = 1951
}}
</ref>

[Boswell 1970] <ref name="Boswell1970">
{{cite journal
| author1 = George W. Boswell
| title = The Neutral Tone as a Function of Folk-Song Text
| journal = Yearbook of the International Folk Music Council
| volume = 2
| publisher = International Council for Traditional Music
| year = 1970
| pages = 127-132
| jstor = 767430
}}
</ref>

[Braun-M 2002] <ref name="Braun-M2002">
{{cite book
| author1 = Martin Braun
| title = The Gamelan Pelog Scale of Central Java as an Example of a Non-harmonic Musical Scale
| date = August 2002
| accessdate = January 20, 2015
}}
</ref>

[Bronk 2010] <ref name="Bronk2010">
{{cite journal
| author1 = Beth Bronk
| title = It’s Just Intonation
| journal = Bandmasters Review
| publisher = Texas Bandmasters Association
| date = December 2010
| pages = 15-21
}}
</ref>

[Bucht 2004] <ref name="Bucht2004">
{{cite conference
| author1 = Saku Bucht
| author2 = Erkki Huovinen
| title = Perceived Consonance of Harmonic Intervals in 19-tone Equal Temperament
| conference = Proceedings of the Conference on Interdisciplinary Musicology (CIM04), Graz, Austria, April 15–18, 2004
| date = April 2004
| pages = 1-10
}}
</ref>

[Carlos 1996] <ref name="Carlos1996">
{{cite journal
| author1 = Wendy Carlos
| title = Three Asymmetric Divisions of the Octave
| year = 1996
}}
</ref>

[Cazden 1958] <ref name="Cazden1958">
{{cite journal
| author1 = Norman Cazden
| title = Pythagoras and Aristoxenos Reconciled
| journal = Journal of the American Musicological Society
| volume = 11
| issue = 2/3
| date = Summer-Autumn 1958
| pages = 97-105
| jstor = 829897
}}
</ref>

[Cox 2013] <ref name="Cox2013">
{{cite book
| author1 = Trevor Cox
| title = Pitch Shifting to 432 Hz Doesn’t Improve Music
| date = December 13, 2013
| accessdate = July 6, 2015
}}
</ref>

[Duffin 2008] <ref name="Duffin2008">
{{cite book
| author1 = Ross W. Duffin
| title = How Equal Temperament Ruined Harmony (and Why You Should Care)
| publisher = W. W. Norton
| year = 2008
| isbn = 978-0-393-33420-3
}}
</ref>

[Favaro 2003] <ref name="Favaro2003">
{{cite book
| author1 = John Favaro
| title = Slightly Out of Tune: The Story of Musical Temperament
| date = April 12, 2003
}}
</ref>

[Forinash 2015] <ref name="Forinash2015">
{{cite book
| author1 = K. Forinash
| title = An Interactive eBook on the Physics of Sound
| publisher = Indiana University Southeast
| year = 2015
| accessdate = January 28, 2015
}}
</ref>

[Gardner-Z 2013] <ref name="Gardner-Z2013">
{{cite book
| author1 = Zen Gardner
| title = 440Hz Music – Conspiracy to Detune Us from Natural 432Hz Harmonics?
| date = August 6, 2013
| accessdate = July 6, 2015
}}
</ref>

[Geringer 1976] <ref name="Geringer1976">
{{cite journal
| author1 = John M. Geringer
| title = Tuning Preferences in Recorded Orchestral Music
| journal = Journal of Research in Music Education
| volume = 24
| issue = 4
| date = Winter 1976
| pages = 169-176
| doi = 10.2307/3345127
| jstor = 3345127
}}
</ref>

[Hagerman 1980] <ref name="Hagerman1980">
{{cite journal
| author1 = B. Hagerman
| author2 = J. Sundberg
| title = Fundamental Frequency Adjustment in Barbershop Singing
| journal = Journal of Research in Singing
| volume = 4
| issue = 1
| year = 1980
| pages = 3-17
}}
</ref>

[Hahn-K 2002] <ref name="Hahn-K2002">
{{cite conference
| author1 = Kathrin Hahn
| author2 = Oliver Vitouch
| title = Preference for Musical Tuning Systems: How Cognitive Anatomy Interacts with Cultural Shaping
| conference = Proceedings of the 7th International Conference on Music Perception and Cognition, Sydney, Australia
| publisher = Causal Productions
| place = Adelaide, Australia
| year = 2002
| pages = 757-760
| isbn = 1-876346-39-6
}}
</ref>

[Hall 1984] <ref name="Hall1984">
{{cite journal
| author1 = Donald E. Hall
| author2 = Joan Taylor Hess
| title = Perception of Musical Interval Tuning
| journal = Music Perception: An Interdisciplinary Journal
| volume = 2
| issue = 2
| date = Winter 1984
| pages = 166-195
| doi = 10.2307/40285290
| jstor = 40285290
}}
</ref>

[Heathwaite 2010] <ref name="Heathwaite2010">
{{cite book
| author1 = Andrew Heathwaite
| title = Gallery of Just Intervals
| date = Sepember 14, 2010
| accessdate = January 28, 2015
}}
</ref>

[Heathwaite 2011] <ref name="Heathwaite2011">
{{cite book
| author1 = Andrew Heathwaite
| title = Overtone Scales
| date = October 17, 2011
| accessdate = January 28, 2015
}}
</ref>

[Johnson-HB 1963] <ref name="Johnson-HB1963">
{{cite thesis
| author1 = Hugh Bailey Johnson
| title = An Investigation of the Tuning Preferences of a Selected Group of Singers with Reference to Just Intonation, Pythagorean Tuning, and Equal Temperament
| type = Mus.Ed.D.
| publisher = Indiana University
| year = 1963
}}
</ref>

[Jorgensen 1991] <ref name="Jorgensen1991">
{{cite book
| author1 = Owen H. {Henry} Jorgensen
| title = Tuning — Containing The Perfection of Eighteenth-Century Temperament, The Lost Art of Nineteenth-Century Temperament, and The Science of Equal Temperament, Complete With Instructions for Aural and Electronic Tuning
| publisher = published by
| place = Michigan State University Press
| date = June 1991
| isbn = 978-0-87013-290-2
}}
</ref>

[Jorgensen 2009] <ref name="Jorgensen2009">
{{cite book
| author1 = Owen H. {Henry} Jorgensen
| title = About the Temperament Used by J. S. Bach and Others
| publisher = published by
| place = Frank French on Tuner's Art
| year = 2009
| accessdate = November 24, 2011
}}
</ref>

[Jorgensen 2006] <ref name="Jorgensen2006">
{{cite book
| author1 = Owen Jorgensen
| author2 = Jason Kanter
| title = Temperaments Visualized
| date = October 2, 2006
}}
</ref>

[Kanter 2006] <ref name="Kanter2006">
{{cite book
| author1 = Jason Kanter
| title = Temperaments Visualized
| date = September 29, 2006
| accessdate = December 6, 2011
}}
</ref>

[Kappraff 2005] <ref name="Kappraff2005">
{{cite journal
| author1 = Jay Kappraff
| author2 = Ernest G. McClain
| title = The System of Proportions of the Parthenon: A Work of Musically Inspired Architecture
| journal = Music in Art
| volume = 30
| issue = 1/2
| date = Spring-Fall 2005
| pages = 5-16
| jstor = 41818772
}}
</ref>

[Keenan 2003] <ref name="Keenan2003">
{{cite book
| author1 = David C. Keenan
| title = Harmonic Errors in Equal Tempered Musical Scales
| date = February 24, 2003
| origyear = Originally published February 19, 1998
}}
</ref>

[Keislar 1991] <ref name="Keislar1991">
{{cite journal
| author1 = Douglas Keislar
| author2 = Easley Blackwood
| author3 = John Eaton
| author4 = Lou Harrison
| author5 = Ben Johnston
| author6 = Joel Mandelbaum
| author7 = William Schottstaedt
| title = Six American Composers on Nonstandard Tunings
| journal = Perspectives of New Music
| volume = 29
| issue = 1
| date = Winter 1991
| pages = 176-211
| jstor = 833076
}}
</ref>

[Kellner 1979] <ref name="Kellner1979">
{{cite journal
| author1 = Herbert Anton Kellner
| title = A Mathematical Approach Reconstituting J. S. Bach's Keyboard-Temperament
| journal = Bach
| volume = 10
| issue = 4
| date = October 1979
| pages = 2-8
| jstor = 41640089
}}
</ref>

[Kellner 1999] <ref name="Kellner1999">
{{cite journal
| author1 = Herbert Anton Kellner
| title = A Mathematical Approach Reconstituting J. S. Bach's Keyboard-Temperament
| journal = Bach
| volume = 30
| issue = 1
| date = Spring-Summer 1999
| pages = 1-9
| jstor = 41640471
}}
</ref>

[Kopiez 2003] <ref name="Kopiez2003">
{{cite journal
| author1 = Reinhard Kopiez
| title = Intonation of Harmonic Intervals: Adaptability of Expert Musicians to Equal Temperament and Just Intonation
| journal = Music Perception: An Interdisciplinary Journal
| volume = 20
| issue = 4
| date = Summer 2003
| pages = 383-410
| doi = 10.1525/mp.2003.20.4.383
| jstor = 10.1525/mp.2003.20.4.383
}}
</ref>

[Ladd 2008] <ref name="Ladd2008">
{{cite book
| author1 = D. Robert Ladd
| title = Intonational Phonology
| series = Cambridge Studies in Linguistics
| publisher = Cambridge University Press
| year = 2008
| isbn = 978-0-521-67836-0
}}
</ref>

[Lee-KM 2015] <ref name="Lee-KM2015">
{{cite journal
| author1 = Kyung Myun Lee
| author2 = Erika Skoe
| author3 = Nina Kraus
| author4 = Richard Ashley
| title = Neural Transformation of Dissonant Intervals in the Auditory Brainstem
| journal = Music Perception: An Interdisciplinary Journal
| volume = 32
| issue = 5
| date = June 2015
| pages = 445-459
| doi = 10.1525/mp.2015.32.5.445
| jstor = 10.1525/mp.2015.32.5.445
}}
</ref>

[Lehman 1967] <ref name="Lehman1967">
{{cite book
| author1 = Paul R. Lehman
| title = Review of An Investigation of the Tuning Preferences of a Selected Group of Singers with Reference to Just Intonation, Pythagorean Tuning, and Equal Temperament
| journal = Bulletin of the Council for Research in Music Education
| volume = 10
| date = Summer 1967
| pages = 51-53
| jstor = 40316936
}}
</ref>

[Lewis-P 1998] <ref name="Lewis-P1998">
{{cite book
| author1 = Pierre Lewis
| title = Understanding Temperaments
| edition = Version 1.2
| year = 1998
}}
</ref>

[Long 2008] <ref name="Long2008">
{{cite thesis
| author1 = Derle Ray Long
| title = Coincidence Theory: Seeking a Perceptual Preference for Just Intonation, Equal Temperament, and Pythagorean Intonation in Excerpts for Wind Instruments
| type = Ph.D.
| publisher = The University of Southern Mississippi
| year = 2008
}}
</ref>

[Loosen 1993] <ref name="Loosen1993">
{{cite journal
| author1 = Franz Loosen
| title = Intonation of Solo Violin Performance with Reference to Equally Tempered, Pythagorean, and Just Intonations
| journal = Journal of the Acoustical Society of America
| volume = 93
| issue = 1
| date = January 1993
| pages = 525-539
| doi = 10.1121/1.405632
}}
</ref>

[Loosen 1995] <ref name="Loosen1995">
{{cite journal
| author1 = Franz Loosen
| title = The Effect of Musical Experience on the Conception of Accurate Tuning
| journal = Music Perception: An Interdisciplinary Journal
| volume = 12
| issue = 3
| publisher = University of California Press
| date = Spring 1995
| pages = 291-306
| jstor = 40286185
}}
</ref>

[Mandelbaum 1961] <ref name="Mandelbaum1961">
{{cite thesis
| author1 = Mayer Joel Mandelbaum
| title = Multuple Division of the Octave and the Tonal Resources of 19-Tone Temperament
| type = Ph.D.
| publisher = Indiana University
| date = June 1961
}}
</ref>

[Marcus 1993] <ref name="Marcus1993">
{{cite journal
| author1 = Scott Marcus
| title = The Interface between Theory and Practice: Intonation in Arab Music
| journal = Asian Music
| volume = 24
| issue = 2
| publisher = University of Texas Press
| date = Spring-Summer 1993
| pages = 39-58
| jstor = 834466
}}
</ref>

[Mason-JA 1960] <ref name="Mason-JA1960">
{{cite journal
| author1 = James A. Mason
| title = Comparison of Solo and Ensemble Performances with Reference to Pythagorean, Just, and Equi-Tempered Intonations
| journal = Journal of Research in Music Education
| volume = 8
| issue = 1
| publisher = Sage Publications, Inc. on behalf of MENC: The National Association for Music Education
| date = Spring 1960
| pages = 31-38
| jstor = 3344235
}}
</ref>

[McClain 1979] <ref name="McClain1979">
{{cite journal
| author1 = Ernest G. McClain
| author2 = Ming Shui Hung
| title = Chinese Cyclic Tunings in Late Antiquity
| journal = Ethnomusicology
| volume = 23
| issue = 2
| date = May 1979
| pages = 205-224
}}
</ref>

[Messiaen 1944] <ref name="Messiaen1944">
{{cite book
| author1 = Olivier Messiaen
| author2 = John Satterfield
| title = The Technique of My Musical Language — La technique de mon langage musical
| publisher = Alfonse Leduc
| place = Paris, France
| year = 1944
}}
</ref>

[Missin 2004] <ref name="Missin2004">
{{cite book
| author1 = Pat Missin
| title = Audio Examples of Just Intonation and Equal Temperament Applied to the Harmonica
| year = 2004
| accessdate = July 6, 2015
}}
</ref>

[Monzo 2004] <ref name="Monzo2004">
{{cite journal
| author1 = Joseph L. Monzo
| title = The Measurement of Aristoxenus's Divisions of the Tetrachord
| year = 2004
}}
</ref>

[Renold 2004] <ref name="Renold2004">
{{cite book
| author1 = Maria Renold
| author2 = Bevis Stevens
| author3 = Anna R. Meuss
| title = Intervals, Scales, Tones and the Concert Pitch C = 128 HZ
| publisher = Temple Lodge Publishing
| place = East Sussex, England
| year = 2004
| isbn = 978-1-902636-46-7
}}
</ref>

[Rich-R 2010] <ref name="Rich-R2010">
{{cite book
| author1 = Robert Rich
| title = Tuning Presets in the MOTM 650
| year = 2010
}}
</ref>

[Russell-J 2013] <ref name="Russell-J2013">
{{cite book
| author1 = Jim Russell
| title = Towards a Difference Limen of Pitch Perception
| publisher = 21harmony.com
| date = August 13, 2013
}}
</ref>

[Schellenberg 1996] <ref name="Schellenberg1996">
{{cite journal
| author1 = E. Glenn Schellenberg
| author2 = Sandra E. Trehub
| title = Natural Musical Intervals: Evidence from Infant Listeners
| journal = Psychological Science
| volume = 7
| issue = 5
| date = September 1996
| pages = 272-277
| jstor = 40062961
}}
</ref>

[Schellenberg 2001] <ref name="Schellenberg2001">
{{cite journal
| author1 = E. Glenn Schellenberg
| title = Asymmetries in the Discrimination of Musical Intervals: Going Out-of-Tune Is More Noticeable Than Going In-Tune
| journal = Music Perception: An Interdisciplinary Journal
| volume = 19
| issue = 2
| date = Winter 2001
| pages = 223-248
| jstor = 10.1525/mp.2001.19.2.223
}}
</ref>

[Surjodiningrat 1972] <ref name="Surjodiningrat1972">
{{cite book
| author1 = Wasisto Surjodiningrat
| author2 = P. J. Sudarjana
| author3 = Adhi Susanto
| title = Tone Measurements of Outstanding Javanese Gamelan in Jogjakarta and Surakata
| edition = Second Revised Edition
| publisher = Gadjah Mada University Press
| place = Jogjakarta, Indonesia
| year = 1972
}}
</ref>

[Vurma 2006] <ref name="Vurma2006">
{{cite journal
| author1 = Allan Vurma
| author2 = Jaan Ross
| title = Production and Perception of Musical Intervals
| journal = Music Perception: An Interdisciplinary Journal
| volume = 23
| issue = 4
| publisher = University of California Press
| date = April 2006
| pages = 331-344
| jstor = 10.1525/mp.2006.23.4.331
}}
</ref>

[Zaw 1940] <ref name="Zaw1940">
{{cite journal
| author1 = Khin Zaw
| title = Burmese Music — A Preliminary Enquiry
| journal = Bulletin of the School of Oriental and African Studies, University of London
| volume = 10
| issue = 3
| publisher = Cambridge University Press
| year = 1940
| pages = 717-754
| doi = 10.1017/S0041977X0008873X
| jstor = 608839
}}
</ref>

[Zaw 1940a] <ref name="Zaw1940a">
{{cite journal
| author1 = Khin Zaw
| title = Burmese Music — A Preliminary Enquiry
| journal = Journal of the Burma Research Society
| volume = 30
| issue = part 3
| date = December 1940
| pages = 387-422
}}
</ref>

 
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To cite this page on Wikipedia: <ref name="Goss_2017_refsW_mtem"> {{cite web |last=Goss |first=Clint |title=[Wikipedia format] Music Education References for the Native American Flute |url=http://www.Flutopedia.com/refsW_mtem.htm |date=15 April 2017 |website=Flutopedia |access-date=<YOUR RETRIEVAL DATE> }}</ref>