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[Flutopedia format] Musical Temperament References

This is a list of references related to Musical Temperaments cited throughout Flutopedia.

The references on this page are a sub-set of the complete list of Flutopedia references.

For information on the format and other details of these citations, see the main references page.

[Flutopedia format] Musical Temperament References

[Asmussen 2001] Robert Asmussen. Periodicity of Sinusoidal Frequencies as a Basis for the Analysis of Baroque and Classical Harmony: A Computer Based Study, Doctoral dissertation – School of Music, The University of Leeds, England, September 2001.

[Barbour 1951] James Murray Barbour. Tuning and Temperament: A Historical Survey, published by the Michigan State College Press, East Lansing, Michigan, 1951. Publication tuningtemperamen00barb on Archive.org (open access).

[Boswell 1970] George W. Boswell. “The Neutral Tone as a Function of Folk-Song Text”, Yearbook of the International Folk Music Council, Volume 2, published by the International Council for Traditional Music, 1970, pages 127–132. Publication 767430 on JSTOR (subscription access).

[Braun-M 2002] Martin Braun. The Gamelan Pelog Scale of Central Java as an Example of a Non-harmonic Musical Scale, August 2002, retrieved January 20, 2015.

[Bronk 2010] Beth Bronk. “It’s Just Intonation”, Bandmasters Review, published by the Texas Bandmasters Association, December 2010, pages 15–21.

[Bucht 2004] Saku Bucht and Erkki Huovinen. “Perceived Consonance of Harmonic Intervals in 19-tone Equal Temperament”, Proceedings of the Conference on Interdisciplinary Musicology (CIM04), Graz, Austria, April 15–18, 2004, April 2004, pages 1–10.

[Carlos 1996] Wendy Carlos. “Three Asymmetric Divisions of the Octave”, 1996.

[Cazden 1958] Norman Cazden. “Pythagoras and Aristoxenos Reconciled”, Journal of the American Musicological Society, Volume 11, Number 2/3, Summer–Autumn 1958, pages 97–105. Publication 829897 on JSTOR (subscription access).

[Cox 2013] Trevor Cox. Pitch Shifting to 432 Hz Doesn’t Improve Music, December 13, 2013, retrieved July 6, 2015.

[Duffin 2008] Ross W. Duffin. How Equal Temperament Ruined Harmony (and Why You Should Care), published by W. W. Norton, 2008, 208 pages, ISBN 0-393-33420-1 (978-0-393-33420-3).

[Favaro 2003] John Favaro. Slightly Out of Tune: The Story of Musical Temperament, April 12, 2003, 10 pages.

[Forinash 2015] K. Forinash. An Interactive eBook on the Physics of Sound, published by Indiana University Southeast, 2015, retrieved January 28, 2015.

[Gardner-Z 2013] Zen Gardner. 440Hz Music – Conspiracy to Detune Us from Natural 432Hz Harmonics?, August 6, 2013, retrieved July 6, 2015.

[Geringer 1976] John M. Geringer. “Tuning Preferences in Recorded Orchestral Music”, Journal of Research in Music Education, Volume 24, Number 4, Winter 1976, pages 169–176, doi:10.2307/3345127. Publication 3345127 on JSTOR (subscription access).

[Hagerman 1980] B. Hagerman and J. Sundberg. “Fundamental Frequency Adjustment in Barbershop Singing”, Journal of Research in Singing, Volume 4, Number 1, 1980, pages 3–17.

[Hahn-K 2002] Kathrin Hahn and Oliver Vitouch. “Preference for Musical Tuning Systems: How Cognitive Anatomy Interacts with Cultural Shaping”, Proceedings of the 7th International Conference on Music Perception and Cognition, Sydney, Australia, published by Causal Productions, Adelaide, Australia, 2002, pages 757–760, ISBN 1-876346-39-6.

[Hall 1984] Donald E. Hall and Joan Taylor Hess. “Perception of Musical Interval Tuning”, Music Perception: An Interdisciplinary Journal, Volume 2, Number 2, Winter 1984, pages 166–195, doi:10.2307/40285290. Publication 40285290 on JSTOR (subscription access).

[Heathwaite 2010] Andrew Heathwaite. Gallery of Just Intervals, Sepember 14, 2010, retrieved January 28, 2015.

[Heathwaite 2011] Andrew Heathwaite. Overtone Scales, October 17, 2011, retrieved January 28, 2015.

[Johnson-HB 1963] Hugh Bailey Johnson. An Investigation of the Tuning Preferences of a Selected Group of Singers with Reference to Just Intonation, Pythagorean Tuning, and Equal Temperament, Mus.Ed.D. dissertation – Indiana University, 1963, 116 pages.

[Jorgensen 1991] Owen H. {Henry} Jorgensen. Tuning — Containing The Perfection of Eighteenth-Century Temperament, The Lost Art of Nineteenth-Century Temperament, and The Science of Equal Temperament, Complete With Instructions for Aural and Electronic Tuning, published by, Michigan State University Press, East Lansing, Michigan, June 1991, 798 pages, ISBN 0-87013-290-3 (978-0-87013-290-2).

[Jorgensen 2009] Owen H. {Henry} Jorgensen. About the Temperament Used by J. S. Bach and Others, published by, Frank French on Tuner's Art, 2009, 8 pages, retrieved November 24, 2011.

[Jorgensen 2006] Owen Jorgensen and Jason Kanter. Temperaments Visualized, October 2, 2006, 130 pages.

[Kanter 2006] Jason Kanter. Temperaments Visualized, September 29, 2006, retrieved December 6, 2011.

[Kappraff 2005] Jay Kappraff and Ernest G. McClain. “The System of Proportions of the Parthenon: A Work of Musically Inspired Architecture”, Music in Art, Volume 30, Number 1/2, Spring–Fall 2005, pages 5–16. Publication 41818772 on JSTOR (subscription access).

[Keenan 2003] David C. Keenan. Harmonic Errors in Equal Tempered Musical Scales, February 24, 2003. Originally published February 19, 1998.

[Keislar 1991] Douglas Keislar, Easley Blackwood, John Eaton, Lou Harrison, Ben Johnston, Joel Mandelbaum and William Schottstaedt. “Six American Composers on Nonstandard Tunings”, Perspectives of New Music, Volume 29, Number 1, Winter 1991, pages 176–211. Publication 833076 on JSTOR (subscription access).

[Kellner 1979] Herbert Anton Kellner. “A Mathematical Approach Reconstituting J. S. Bach's Keyboard-Temperament”, Bach, Volume 10, Number 4, October 1979, pages 2–8. Publication 41640089 on JSTOR (subscription access).

[Kellner 1999] Herbert Anton Kellner. “A Mathematical Approach Reconstituting J. S. Bach's Keyboard-Temperament”, Bach, Volume 30, Number 1, Spring–Summer 1999, pages 1–9. Publication 41640471 on JSTOR (subscription access).

[Kopiez 2003] Reinhard Kopiez. “Intonation of Harmonic Intervals: Adaptability of Expert Musicians to Equal Temperament and Just Intonation”, Music Perception: An Interdisciplinary Journal, Volume 20, Number 4, Summer 2003, pages 383–410, doi:10.1525/mp.2003.20.4.383. Publication 10.1525/mp.2003.20.4.383 on JSTOR (subscription access).

[Ladd 2008] D. Robert Ladd. Intonational Phonology, Cambridge Studies in Linguistics, published by Cambridge University Press, 2008, 349 pages, ISBN 0-521-67836-6 (978-0-521-67836-0).

[Lee-KM 2015] Kyung Myun Lee, Erika Skoe, Nina Kraus, and Richard Ashley. “Neural Transformation of Dissonant Intervals in the Auditory Brainstem”, Music Perception: An Interdisciplinary Journal, Volume 32, Number 5, June 2015, pages 445–459, doi:10.1525/mp.2015.32.5.445. Publication 10.1525/mp.2015.32.5.445 on JSTOR (subscription access).

[Lehman 1967] Paul R. Lehman. Review of An Investigation of the Tuning Preferences of a Selected Group of Singers with Reference to Just Intonation, Pythagorean Tuning, and Equal Temperament, Bulletin of the Council for Research in Music Education, Number 10, Summer 1967, pages 51–53. Publication 40316936 on JSTOR (subscription access).

[Lewis-P 1998] Pierre Lewis. Understanding Temperaments, Version 1.2, 1998.

[Long 2008] Derle Ray Long. Coincidence Theory: Seeking a Perceptual Preference for Just Intonation, Equal Temperament, and Pythagorean Intonation in Excerpts for Wind Instruments, Ph.D. dissertation – The University of Southern Mississippi, 2008.

[Loosen 1993] Franz Loosen. “Intonation of Solo Violin Performance with Reference to Equally Tempered, Pythagorean, and Just Intonations”, Journal of the Acoustical Society of America, Volume 93, Number 1, January 1993, pages 525–539, doi:10.1121/1.405632.

[Loosen 1995] Franz Loosen. “The Effect of Musical Experience on the Conception of Accurate Tuning”, Music Perception: An Interdisciplinary Journal, Volume 12, Number 3, published by the University of California Press, Spring 1995, pages 291–306. Publication 40286185 on JSTOR (subscription access).

[Mandelbaum 1961] Mayer Joel Mandelbaum. Multuple Division of the Octave and the Tonal Resources of 19-Tone Temperament, Doctoral dissertation – Indiana University, June 1961, 461 pages.

[Marcus 1993] Scott Marcus. “The Interface between Theory and Practice: Intonation in Arab Music”, Asian Music, Volume 24, Number 2, published by the University of Texas Press, Spring–Summer 1993, pages 39–58. Publication 834466 on JSTOR (subscription access).

[Mason-JA 1960] James A. Mason. “Comparison of Solo and Ensemble Performances with Reference to Pythagorean, Just, and Equi-Tempered Intonations”, Journal of Research in Music Education, Volume 8, Number 1, published by Sage Publications, Inc. on behalf of MENC: The National Association for Music Education, Spring 1960, pages 31–38. Publication 3344235 on JSTOR (subscription access).

[McClain 1979] Ernest G. McClain; Ming Shui Hung (translations). “Chinese Cyclic Tunings in Late Antiquity”, Ethnomusicology, Volume 23, Number 2, May 1979, page 205–224.

[Messiaen 1944] Olivier Messiaen; John Satterfield (translation). The Technique of My Musical Language — La technique de mon langage musical, published by Alfonse Leduc, Paris, France, 1944.

[Missin 2004] Pat Missin. Audio Examples of Just Intonation and Equal Temperament Applied to the Harmonica, 2004, retrieved July 6, 2015.

[Monzo 2004] Joseph L. Monzo. “The Measurement of Aristoxenus's Divisions of the Tetrachord”, 2004.

[Renold 2004] Maria Renold; Bevis Stevens (translation); Anna R. Meuss (editor). Intervals, Scales, Tones and the Concert Pitch C = 128 HZ, published by Temple Lodge Publishing, East Sussex, England, 2004, 198 pages, ISBN 1-902636-46-5 (978-1-902636-46-7).

[Rich-R 2010] Robert Rich. Tuning Presets in the MOTM 650, 2010, 3 pages.

[Russell-J 2013] Jim Russell. Towards a Difference Limen of Pitch Perception, published by 21harmony.com, August 13, 2013, 4 pages.

[Schellenberg 1996] E. Glenn Schellenberg and Sandra E. Trehub. “Natural Musical Intervals: Evidence from Infant Listeners”, Psychological Science, Volume 7, Number 5, September 1996, pages 272–277. Publication 40062961 on JSTOR (subscription access).

[Schellenberg 2001] E. Glenn Schellenberg. “Asymmetries in the Discrimination of Musical Intervals: Going Out-of-Tune Is More Noticeable Than Going In-Tune”, Music Perception: An Interdisciplinary Journal, Volume 19, Number 2, Winter 2001, pages 223–248. Publication 10.1525/mp.2001.19.2.223 on JSTOR (subscription access).

[Surjodiningrat 1972] Wasisto Surjodiningrat, P. J. Sudarjana, and Adhi Susanto. Tone Measurements of Outstanding Javanese Gamelan in Jogjakarta and Surakata, Second Revised Edition, published by Gadjah Mada University Press, Jogjakarta, Indonesia, 1972, vi + 59 pages.

[Vurma 2006] Allan Vurma and Jaan Ross. “Production and Perception of Musical Intervals”, Music Perception: An Interdisciplinary Journal, Volume 23, Number 4, published by the University of California Press, April 2006, pages 331–344. Publication 10.1525/mp.2006.23.4.331 on JSTOR (subscription access).

[Zaw 1940] Khin Zaw. “Burmese Music — A Preliminary Enquiry”, Bulletin of the School of Oriental and African Studies, University of London, Volume 10, Number 3, published by Cambridge University Press, 1940, pages 717–754, doi:10.1017/S0041977X0008873X. Publication 608839 on JSTOR (subscription access).

[Zaw 1940a] Khin Zaw. “Burmese Music — A Preliminary Enquiry”, Journal of the Burma Research Society, Volume 30, Part 3, December 1940, pages 387–422.

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