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Comprehensive Scale Catalog: Eight-Tone Scales in Equal Temperament

This page is part of Flutopedia's Comprehensive Scale Catalog ... a listing of many (many) scales that can be played on Native American flutes.

This page shows only scales with eight tones per octave and using 12-tone Equal Temperament.

The root note of each scale is shown in blue, such as Finger diagram closed closed closed closed closed closed.

Anasazi-7

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–1–3–2–1–1–1

Scale degrees:
  in semitones: 0–2–3–4–7–9–10–11–12
  intervals: 1–2–m3–3–5–6–m7–7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D D♯ E G A A♯ B c
  C D E♭ E G A B♭ B c

G cleffCDD sharpEGAA sharpBCEnd of staff

G cleffCDE flatEGAB flatBCEnd of staff

The name I use for this scale comes from: Clint's Invented Name, based on common usage among Native American flute players.

Entry on the Map of Native American Flute Tunings page: Anasazi-7

Kiva

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–4–1–1–1–1–1

Scale degrees:
  in semitones: 0–2–3–7–8–9–10–11–12
  intervals: 1–2–m3–5–m6–6–m7–7–8
  Root, Major 2nd, Minor 3rd, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D D♯ G G♯ A A♯ B c
  C D E♭ G A♭ A B♭ B c

G cleffCDD sharpGG sharpAA sharpBCEnd of staff

G cleffCDE flatGA flatAB flatBCEnd of staff

The name I use for this scale comes from: Stephen DeRuby's Invented Name

Entry on the Map of Native American Flute Tunings page: Kiva Seven-hole

Neveseri

Scale steps in semitones: 1–2–3–1–1–2–1–1

Scale degrees:
  in semitones: 0–1–3–6–7–8–10–11–12
  intervals: 1–m2–m3–d5–5–m6–m7–7–8
  Root, Minor 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F♯ G G♯ A♯ B c
  C D♭ E♭ G♭ G A♭ B♭ B c

G cleffCC sharpD sharpF sharpGG sharpA sharpBCEnd of staff

G cleffCD flatE flatG flatGA flatB flatBCEnd of staff

The name I use for this scale comes from: Scala

Scala name: Neveseri: Greece

Piano Encyclopedia name: Neveseri [Greek]

Scale Omnibus name: Neseveri [Greece]

Octatonic

Scale steps in semitones: 1–2–1–2–1–2–1–2

Scale degrees:
  in semitones: 0–1–3–4–6–7–9–10–12
  intervals: 1–m2–m3–3–d5–5–6–m7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F♯ G A A♯ c
  C D♭ E♭ E G♭ G A B♭ c

G cleffCC sharpD sharpEF sharpGAA sharpCEnd of staff

G cleffCD flatE flatEG flatGAB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Octatonic 2
  Mode 3 of: Octatonic
  Mode 4 of: Octatonic 2
  Mode 5 of: Octatonic
  Mode 6 of: Octatonic 2
  Mode 7 of: Octatonic
  Mode 8 of: Octatonic 2

The name I use for this scale comes from: Scala

Scala names: Octatonic, Messiaen mode 2, Dominant Diminished, Diminished Blues, Half-Whole step scale
ChordHouse names: Octatonic (H-W); Auxiliary Diminished Blues; Diminished, Half

Piano Encyclopedia names: Diminished Blues; Dominant Diminished; Half-Whole step; Half-Whole tone; Messiaen mode 2; Octatonic (Half-tone, Whole-tone); Symmetrical Diminished

Scale Omnibus names: Diminished Half-tone; Messiaen 2nd Mode

Notes: Alternating half and whole steps.

Octatonic 2

Scale steps in semitones: 2–1–2–1–2–1–2–1

Scale degrees:
  in semitones: 0–2–3–5–6–8–9–11–12
  intervals: 1–2–m3–4–d5–m6–6–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F F♯ G♯ A B c
  C D E♭ F G♭ A♭ A B c

G cleffCDD sharpFF sharpG sharpABCEnd of staff

G cleffCDE flatFG flatA flatABCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Octatonic
  Mode 3 of: Octatonic 2
  Mode 4 of: Octatonic
  Mode 5 of: Octatonic 2
  Mode 6 of: Octatonic
  Mode 7 of: Octatonic 2
  Mode 8 of: Octatonic

The name I use for this scale comes from: ChordHouse

Scala names: Diminished, Modus conjunctus, Messiaen mode 2 inverse, Whole-Half step scale
ChordHouse names: Octatonic (W-H); Arabian (a); Auxiliary Diminished; Diminished; Diminished, Whole

Piano Encyclopedia names: Auxiliary Diminished; Diminished; Eight-Note Diminished; Messiaen mode 2 inverse; Modus conjunctus; Octatonic (Whole-tone, Half-tone); Whole-Half step; Whole-Half tone

Scale Omnibus names: Diminished; Messiaen 2nd Mode Inverse; Modus Conjunctus; Octatonic; Whole-Tone Diminished

Notes: Alternating whole and half steps.

Algerian

Scale steps in semitones: 2–1–2–1–1–1–3–1

Scale degrees:
  in semitones: 0–2–3–5–6–7–8–11–12
  intervals: 1–2–m3–4–d5–5–m6–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F F♯ G G♯ B c
  C D E♭ F G♭ G A♭ B c

G cleffCDD sharpFF sharpGG sharpBCEnd of staff

G cleffCDE flatFG flatGA flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Maqam Shadd'araban
  Mode 6 of: Maqam Hijaz

The name I use for this scale comes from: ChordHouse

Scala names: Algerian, Sabiren
ChordHouse name: Algerian

Piano Encyclopedia name: Algerian [Arabian]

Scale Omnibus name: Algerian Octatonic [Tunisia]

Eight Tone Spanish

Scale steps in semitones: 1–2–1–1–1–2–2–2

Scale degrees:
  in semitones: 0–1–3–4–5–6–8–10–12
  intervals: 1–m2–m3–3–4–d5–m6–m7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F F♯ G♯ A♯ c
  C D♭ E♭ E F G♭ A♭ B♭ c

G cleffCC sharpD sharpEFF sharpG sharpA sharpCEnd of staff

G cleffCD flatE flatEFG flatA flatB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Adonai Malakh
  Mode 5 of: Hamel

The name I use for this scale comes from: ChordHouse

Scala names: Espla's scale, Eight-tone Spanish
ChordHouse name: Eight Tone Spanish

Piano Encyclopedia names: Ahava Rabba [Jewish]; Eight-Note Spanish; Espl\xe1's; Freygish; Jewish I

Scale Omnibus names: Ahava Rabba [Jewish]; Esplá; Spanish Octatonic

Ichikosucho

Scale steps in semitones: 2–2–1–1–1–2–2–1

Scale degrees:
  in semitones: 0–2–4–5–6–7–9–11–12
  intervals: 1–2–3–4–d5–5–6–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D E F F♯ G A B c
  C D E F G♭ G A B c

G cleffCDEFF sharpGABCEnd of staff

G cleffCDEFG flatGABCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Bebop Minor
  Mode 3 of: Phrygian/Aeolian Mixed
  Mode 5 of: Prokofiev
  Mode 6 of: Genus Diatonicum
  Mode 7 of: Raga Mukhari
  Mode 8 of: Phrygian/Locrian Mixed

The name I use for this scale comes from: ChordHouse

Scala names: Ishikotsucho: Japan, Raga Yaman Kalyan, Chayanat, Bihag, Hamir Kalyani, Kedar, Gaud Sarang, Genus diatonicum veterum correctum, Gregorian nr.5, Kubilai's Mongol scale, Major/Lydian mixed
ChordHouse name: Japanese (Ichikosucho)

Piano Encyclopedia names: Genus diatonicum veterum correctum [Latin]; Gregorian no.5; Ichikotsucho; Kubilai's Mongol; Major/Lydian mixed; Raga Bihag; Raga Chaya Nat; Raga Gaud Sarang; Raga Hamir Kalyani; Raga Kedar; Raga Yaman Kalyan

Scale Omnibus names: Genus Diatonicum Veterum Correctum; Gregorian 5; Ichilkotsucho (or Ishikosucho); Kubilai; Major-Lydian Mixed; Raga Bihag; Raga Chayanat; Raga Gaud Sarang; Raga Hamir Kalyani; Raga Kedar; Raga Yaman Kalyan

Adonai Malakh

Scale steps in semitones: 1–1–1–2–2–2–1–2

Scale degrees:
  in semitones: 0–1–2–3–5–7–9–10–12
  intervals: 1–m2–2–m3–4–5–6–m7–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D D♯ F G A A♯ c
  C D♭ D E♭ F G A B♭ c

G cleffCC sharpDD sharpFGAA sharpCEnd of staff

G cleffCD flatDE flatFGAB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Hamel
  Mode 7 of: Eight Tone Spanish

The name I use for this scale comes from: ChordHouse

Scala name: Adonai Malakh: Jewish
ChordHouse name: Adonai Malakh

Piano Encyclopedia name: Adonai Malakh [Jewish]

Scale Omnibus name: Adonai Malakh

Magen Abot 1

Scale steps in semitones: 1–2–1–2–2–2–1–1

Scale degrees:
  in semitones: 0–1–3–4–6–8–10–11–12
  intervals: 1–m2–m3–3–d5–m6–m7–7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F♯ G♯ A♯ B c
  C D♭ E♭ E G♭ A♭ B♭ B c

G cleffCC sharpD sharpEF sharpG sharpA sharpBCEnd of staff

G cleffCD flatE flatEG flatA flatB flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Mian Ki Malhar

The name I use for this scale comes from: ChordHouse

ChordHouse name: Magen Abot

Piano Encyclopedia name: Magen Abot [Jewish]

Blues 8-Tone

Scale steps in semitones: 2–1–2–1–1–2–1–2

Scale degrees:
  in semitones: 0–2–3–5–6–7–9–10–12
  intervals: 1–2–m3–4–d5–5–6–m7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F F♯ G A A♯ c
  C D E♭ F G♭ G A B♭ c

G cleffCDD sharpFF sharpGAA sharpCEnd of staff

G cleffCDE flatFG flatGAB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Spanish Phrygian
  Mode 5 of: Magen Abot 2
  Mode 6 of: Maqam Nahawand
  Mode 8 of: Bebop Major

The name I use for this scale comes from: Clint's Invented Name

Scala name: Blues scale II

Piano Encyclopedia name: Blues IV [African]

Scale Omnibus name: Blues Octatonic

Raga Bhatiyar

Scale steps in semitones: 1–3–1–1–1–2–2–1

Scale degrees:
  in semitones: 0–1–4–5–6–7–9–11–12
  intervals: 1–m2–3–4–d5–5–6–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F F♯ G A B c
  C D♭ E F G♭ G A B c

G cleffCC sharpEFF sharpGABCEnd of staff

G cleffCD flatEFG flatGABCEnd of staff

The name I use for this scale comes from: Scala name

Scala name: Raga Bhatiyar

Piano Encyclopedia name: Raga Bhatiyar [Indian]

Scale Omnibus names: Buzurg; Raga Bhatiyar

Raga Cintamani

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–3–1–1–1–1–2

Scale degrees:
  in semitones: 0–2–3–6–7–8–9–10–12
  intervals: 1–2–m3–d5–5–m6–6–m7–8
  Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F♯ G G♯ A A♯ c
  C D E♭ G♭ G A♭ A B♭ c

G cleffCDD sharpF sharpGG sharpAA sharpCEnd of staff

G cleffCDE flatG flatGA flatAB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 5 of: Harmonic/Neapolitan Minor Mixed

The name I use for this scale comes from: Scala name

Scala name: Raga Cintamani

Piano Encyclopedia name: Raga Chinthamani [Indian]

Scale Omnibus name: Raga Chinthamani [India]

Raga Mian Ki Malhar

Scale steps in semitones: 2–1–2–2–2–1–1–1

Scale degrees:
  in semitones: 0–2–3–5–7–9–10–11–12
  intervals: 1–2–m3–4–5–6–m7–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F G A A♯ B c
  C D E♭ F G A B♭ B c

G cleffCDD sharpFGAA sharpBCEnd of staff

G cleffCDE flatFGAB flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 8 of: Magen Abot 1

The name I use for this scale comes from: Scala name

Scala names: Raga Mian Ki Malhar, Bahar, Sindhura

Piano Encyclopedia names: Raga Bahar [Indian]; Raga Mian Ki Malhar; Raga Sindhura

Scale Omnibus names: Raga Bahar [India]; Raga Miam Ki Malhar; Raga Sindhura

Raga Mukhari

Scale steps in semitones: 2–1–2–2–1–1–1–2

Scale degrees:
  in semitones: 0–2–3–5–7–8–9–10–12
  intervals: 1–2–m3–4–5–m6–6–m7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F G G♯ A A♯ c
  C D E♭ F G A♭ A B♭ c

G cleffCDD sharpFGG sharpAA sharpCEnd of staff

G cleffCDE flatFGA flatAB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Phrygian/Locrian Mixed
  Mode 3 of: Ichikosucho
  Mode 4 of: Bebop Minor
  Mode 5 of: Phrygian/Aeolian Mixed
  Mode 7 of: Prokofiev
  Mode 8 of: Genus Diatonicum

The name I use for this scale comes from: Scala name

Entry on the Map of Native American Flute Tunings page: Six-hole “Lost Tuning”

Scala names: Raga Mukhari, Anandabhairavi, Deshi, Manji, Gregorian nr.1, Dorian/Aeolian mixed

Piano Encyclopedia names: Dorian/Aeolian mixed; Gregorian no.1; Raga Anandabhairavi; Raga Deshi; Raga Mukhari

Scale Omnibus names: Dorian Aeolian; Gregorian 1; Raga Anandabhairavi; Raga Deshi; Raga Manji; Raga Mukhari

Raga Ramkali

Scale steps in semitones: 1–3–1–1–1–1–3–1

Scale degrees:
  in semitones: 0–1–4–5–6–7–8–11–12
  intervals: 1–m2–3–4–d5–5–m6–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F F♯ G G♯ B c
  C D♭ E F G♭ G A♭ B c

G cleffCC sharpEFF sharpGG sharpBCEnd of staff

G cleffCD flatEFG flatGA flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Blues V

The name I use for this scale comes from: Scala name

Scala name: Raga Ramkali (Ramakri)

Piano Encyclopedia name: Raga Ramkali (Ramakri) [Indian]

Scale Omnibus names: Raga Ramakri [India]; Raga Ramkali

Raga Saurashtra

Scale steps in semitones: 1–3–1–2–1–1–2–1

Scale degrees:
  in semitones: 0–1–4–5–7–8–9–11–12
  intervals: 1–m2–3–4–5–m6–6–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F G G♯ A B c
  C D♭ E F G A♭ A B c

G cleffCC sharpEFGG sharpABCEnd of staff

G cleffCD flatEFGA flatABCEnd of staff

The name I use for this scale comes from: Scala name

Scala name: Raga Saurashtra

Piano Encyclopedia name: Raga Saurashtra [Indian]

Scale Omnibus name: Raga Saurashtra [India]

Bebop Minor

Scale steps in semitones: 2–1–1–1–2–2–1–2

Scale degrees:
  in semitones: 0–2–3–4–5–7–9–10–12
  intervals: 1–2–m3–3–4–5–6–m7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ E F G A A♯ c
  C D E♭ E F G A B♭ c

G cleffCDD sharpEFGAA sharpCEnd of staff

G cleffCDE flatEFGAB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Phrygian/Aeolian Mixed
  Mode 4 of: Prokofiev
  Mode 5 of: Genus Diatonicum
  Mode 6 of: Raga Mukhari
  Mode 7 of: Phrygian/Locrian Mixed
  Mode 8 of: Ichikosucho

The name I use for this scale comes from: Scala name

Scala names: Minor Bebop, Dorian Bebop, Raga Zilla, Mixolydian/Dorian mixed

Wikipedia page related to this scale:

Piano Encyclopedia names: Bebop Minor [American]; Dorian Bebop; Minor Bebop; Mixolydian/Dorian mixed; Raga Zilla

Scale Omnibus names: Bebop Dorian; Mixolydian Dorian; Raga Zilla

Genus Diatonicum

Scale steps in semitones: 2–2–1–2–2–1–1–1

Scale degrees:
  in semitones: 0–2–4–5–7–9–10–11–12
  intervals: 1–2–3–4–5–6–m7–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D E F G A A♯ B c
  C D E F G A B♭ B c

G cleffCDEFGAA sharpBCEnd of staff

G cleffCDEFGAB flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Mukhari
  Mode 3 of: Phrygian/Locrian Mixed
  Mode 4 of: Ichikosucho
  Mode 5 of: Bebop Minor
  Mode 6 of: Phrygian/Aeolian Mixed
  Mode 8 of: Prokofiev

The name I use for this scale comes from: Scala name

Scala names: Genus diatonicum, Dominant Bebop, Raga Khamaj, Desh Malhar, Alhaiya Bilaval, Devagandhari, Bihagara, Maqam Shawq Awir, Gregorian nr.6, Major/Mixolydian mixed, Chinese Eight-Tone, Rast: Greece

Wikipedia page related to this scale:

Piano Encyclopedia names: Bebop Dominant [American]; Dominant Bebop; Eight-Note Chinese; Genus diatonicum; Gregorian no.6; Major/Mixolydian mixed; Makam Rast; Maqam Shawq Awir; Mixolydian Bebop; Raga Alhaiya Bilaval; Raga Desh Malhar; Raga Khamaj

Scale Omnibus names: Bebop Mixolydian; Bebop (or Bebop Dominant); Chinese Eight-tone; Genus Diatonicum; Gregorian 6; Major Mixolydian; Maqam Shawq Awir; Raga Alhaiya Bilaval; Raga Bihagara; Raga Desh Malhar; Raga Devagandhari; Raga Khamaj; Rast

Bebop Major

Scale steps in semitones: 2–2–1–2–1–1–2–1

Scale degrees:
  in semitones: 0–2–4–5–7–8–9–11–12
  intervals: 1–2–3–4–5–m6–6–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D E F G G♯ A B c
  C D E F G A♭ A B c

G cleffCDEFGG sharpABCEnd of staff

G cleffCDEFGA flatABCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Blues 8-Tone
  Mode 3 of: Spanish Phrygian
  Mode 6 of: Magen Abot 2
  Mode 7 of: Maqam Nahawand

The name I use for this scale comes from: Scala name

Scala names: Major Bebop, Altered Mixolydian

Wikipedia page related to this scale:

Piano Encyclopedia names: Altered Mixolydian I; Altered Mixolydian II; Bebop Major I; Bebop Major II; Major Bebop I; Major Bebop II

Scale Omnibus name: Bebop Major

Spanish Phrygian

Scale steps in semitones: 1–2–1–1–2–1–2–2

Scale degrees:
  in semitones: 0–1–3–4–5–7–8–10–12
  intervals: 1–m2–m3–3–4–5–m6–m7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F G G♯ A♯ c
  C D♭ E♭ E F G A♭ B♭ c

G cleffCC sharpD sharpEFGG sharpA sharpCEnd of staff

G cleffCD flatE flatEFGA flatB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Magen Abot 2
  Mode 5 of: Maqam Nahawand
  Mode 7 of: Bebop Major
  Mode 8 of: Blues 8-Tone

The name I use for this scale comes from: Scala name

Scala name: Spanish Phrygian

Piano Encyclopedia name: Spanish Phrygian II [Spanish]

Scale Omnibus names: Flamenco; Spanish Phrygian

Half-diminished Bebop

Scale steps in semitones: 1–2–2–1–1–1–3–1

Scale degrees:
  in semitones: 0–1–3–5–6–7–8–11–12
  intervals: 1–m2–m3–4–d5–5–m6–7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F F♯ G G♯ B c
  C D♭ E♭ F G♭ G A♭ B c

G cleffCC sharpD sharpFF sharpGG sharpBCEnd of staff

G cleffCD flatE flatFG flatGA flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 6 of: Verdi's Scala Enigmatica

The name I use for this scale comes from: Scala name

Scala name: Half-diminished Bebop

Piano Encyclopedia names: Bebop Half-Diminished [American]; Half-Diminished Bebop

Scale Omnibus name: Bebop Half-diminished

Neapolitan Mixed

Scale steps in semitones: 1–2–2–2–1–1–2–1

Scale degrees:
  in semitones: 0–1–3–5–7–8–9–11–12
  intervals: 1–m2–m3–4–5–m6–6–7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F G G♯ A B c
  C D♭ E♭ F G A♭ A B c

G cleffCC sharpD sharpFGG sharpABCEnd of staff

G cleffCD flatE flatFGA flatABCEnd of staff

The name I use for this scale comes from: Scala name, shortened by Clint

Scala name: Neapolitan Major and Minor mixed

Verdi's Scala Enigmatica

Scale steps in semitones: 1–3–1–1–2–2–1–1

Scale degrees:
  in semitones: 0–1–4–5–6–8–10–11–12
  intervals: 1–m2–3–4–d5–m6–m7–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F F♯ G♯ A♯ B c
  C D♭ E F G♭ A♭ B♭ B c

G cleffCC sharpEFF sharpG sharpA sharpBCEnd of staff

G cleffCD flatEFG flatA flatB flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Half-diminished Bebop

The name I use for this scale comes from: Scala name

Scala name: Verdi's Scala enigmatica

Piano Encyclopedia name: Verdi's Scala Enigmatica [Italian]

Scale Omnibus name: Enigmatic Mixed

Zirafkend

Scale steps in semitones: 2–1–2–2–1–1–2–1

Scale degrees:
  in semitones: 0–2–3–5–7–8–9–11–12
  intervals: 1–2–m3–4–5–m6–6–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F G G♯ A B c
  C D E♭ F G A♭ A B c

G cleffCDD sharpFGG sharpABCEnd of staff

G cleffCDE flatFGA flatABCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 6 of: Shostakovich

The name I use for this scale comes from: Scala name

Scala names: Zirafkend: Arabic, Melodic Minor Bebop

Wikipedia page related to this scale:

Piano Encyclopedia name: Zirafkend : Arabic [Arabian]

Scale Omnibus names: Bebop Melodic Minor; Zirafkend

Magen Abot 2

Scale steps in semitones: 1–2–1–2–2–1–2–1

Scale degrees:
  in semitones: 0–1–3–4–6–8–9–11–12
  intervals: 1–m2–m3–3–d5–m6–6–7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F♯ G♯ A B c
  C D♭ E♭ E G♭ A♭ A B c

G cleffCC sharpD sharpEF sharpG sharpABCEnd of staff

G cleffCD flatE flatEG flatA flatABCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Maqam Nahawand
  Mode 4 of: Bebop Major
  Mode 5 of: Blues 8-Tone
  Mode 6 of: Spanish Phrygian

The name I use for this scale comes from: Scala name

Entry on the Map of Native American Flute Tunings page: Magen Abot Tuning

Scala name: Magen Abot: Jewish

Scale Omnibus name: Magen Abot [Jewish]

Maqam Nahawand

Scale steps in semitones: 2–1–2–2–1–2–1–1

Scale degrees:
  in semitones: 0–2–3–5–7–8–10–11–12
  intervals: 1–2–m3–4–5–m6–m7–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F G G♯ A♯ B c
  C D E♭ F G A♭ B♭ B c

G cleffCDD sharpFGG sharpA sharpBCEnd of staff

G cleffCDE flatFGA flatB flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Bebop Major
  Mode 4 of: Blues 8-Tone
  Mode 5 of: Spanish Phrygian
  Mode 8 of: Magen Abot 2

The name I use for this scale comes from: Scala name

Entry on the Map of Native American Flute Tunings page: Seven-hole Minor

Scala names: Maqam Nahawand, Farahfaza, Raga Suha (Suha Kanada), Gregorian nr.4, Utility Minor

Wikipedia page related to this scale:

Piano Encyclopedia names: Gregorian no.4 [Church]; Utility Minor

Scale Omnibus names: Bebop Harmonic Minor; Bebop Natural Minor; Gregorian 4; Maqam Farahfaza; Maqam Nahawand; Raga Suha Kanada; Utility Minor

Harmonic/Neapolitan Minor Mixed

Scale steps in semitones: 1–1–1–2–2–1–3–1

Scale degrees:
  in semitones: 0–1–2–3–5–7–8–11–12
  intervals: 1–m2–2–m3–4–5–m6–7–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D D♯ F G G♯ B c
  C D♭ D E♭ F G A♭ B c

G cleffCC sharpDD sharpFGG sharpBCEnd of staff

G cleffCD flatDE flatFGA flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 5 of: Raga Cintamani

The name I use for this scale comes from: Scala name, abbreviated by Clint

Scala name: Harmonic and Neapolitan Minor mixed

Piano Encyclopedia name: Harmonic and Neapolitan Minor mixed

Scale Omnibus name: Harmonic Neapolitan Minor [Italy]

Maqam Hijaz

Scale steps in semitones: 1–3–1–2–1–2–1–1

Scale degrees:
  in semitones: 0–1–4–5–7–8–10–11–12
  intervals: 1–m2–3–4–5–m6–m7–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F G G♯ A♯ B c
  C D♭ E F G A♭ B♭ B c

G cleffCC sharpEFGG sharpA sharpBCEnd of staff

G cleffCD flatEFGA flatB flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Algerian
  Mode 5 of: Maqam Shadd'araban

The name I use for this scale comes from: Scala name, abbreviated by Clint

Scala name: Maqam Hijaz (Hedjaz)

Piano Encyclopedia name: Makam Hijaz [Iraqian]

Scale Omnibus name: Maqam Hijaz [Iraq]

Maqam Shadd'araban

Scale steps in semitones: 1–2–1–1–1–3–1–2

Scale degrees:
  in semitones: 0–1–3–4–5–6–9–10–12
  intervals: 1–m2–m3–3–4–d5–6–m7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F F♯ A A♯ c
  C D♭ E♭ E F G♭ A B♭ c

G cleffCC sharpD sharpEFF sharpAA sharpCEnd of staff

G cleffCD flatE flatEFG flatAB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 5 of: Maqam Hijaz
  Mode 8 of: Algerian

The name I use for this scale comes from: Scala name

Scala name: Maqam Shadd'araban

Piano Encyclopedia name: Maqam Shadd'araban [Iraqian]

Scale Omnibus name: Maqam Shadd’araban [Iraq]

Messiaen Mode 4

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Scale steps in semitones: 1–1–1–3–1–1–1–3

Scale degrees:
  in semitones: 0–1–2–3–6–7–8–9–12
  intervals: 1–m2–2–m3–d5–5–m6–6–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D D♯ F♯ G G♯ A c
  C D♭ D E♭ G♭ G A♭ A c

G cleffCC sharpDD sharpF sharpGG sharpACEnd of staff

G cleffCD flatDE flatG flatGA flatACEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Tcherepnin Octatonic Mode 2
  Mode 3 of: Tcherepnin Octatonic Mode 1
  Mode 4 of: Messiaen Mode 4 Inverse
  Mode 5 of: Messiaen Mode 4
  Mode 6 of: Tcherepnin Octatonic Mode 2
  Mode 7 of: Tcherepnin Octatonic Mode 1
  Mode 8 of: Messiaen Mode 4 Inverse

The name I use for this scale comes from: Scala name

Scala names: Messiaen mode 4, Tcherepnin Octatonic mode 3

Messiaen Mode 4 Inverse

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open open

Scale steps in semitones: 3–1–1–1–3–1–1–1

Scale degrees:
  in semitones: 0–3–4–5–6–9–10–11–12
  intervals: 1–m3–3–4–d5–6–m7–7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F F♯ A A♯ B c
  C E♭ E F G♭ A B♭ B c

G cleffCD sharpEFF sharpAA sharpBCEnd of staff

G cleffCE flatEFG flatAB flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Messiaen Mode 4
  Mode 3 of: Tcherepnin Octatonic Mode 2
  Mode 4 of: Tcherepnin Octatonic Mode 1
  Mode 5 of: Messiaen Mode 4 Inverse
  Mode 6 of: Messiaen Mode 4
  Mode 7 of: Tcherepnin Octatonic Mode 2
  Mode 8 of: Tcherepnin Octatonic Mode 1

The name I use for this scale comes from: Scala name

Scala names: Messiaen mode 4 inverse, Tcherepnin Octatonic mode 4

Piano Encyclopedia name: Messiaen mode 4 inverse

Scale Omnibus name: Messiaen 4th Mode Inverse

Messiaen Mode 6

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–1–2–2–1–1–2–2

Scale degrees:
  in semitones: 0–1–2–4–6–7–8–10–12
  intervals: 1–m2–2–3–d5–5–m6–m7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D E F♯ G G♯ A♯ c
  C D♭ D E G♭ G A♭ B♭ c

G cleffCC sharpDEF sharpGG sharpA sharpCEnd of staff

G cleffCD flatDEG flatGA flatB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Van der Horst Octatonic
  Mode 3 of: Messiaen Mode 6 Inverse
  Mode 5 of: Messiaen Mode 6
  Mode 6 of: Van der Horst Octatonic
  Mode 7 of: Messiaen Mode 6 Inverse

The name I use for this scale comes from: Scala name

Scala name: Messiaen mode 6

Scale Omnibus name: Messiaen 6th Mode Inverse

Messiaen Mode 6 Inverse

Scale steps in semitones: 2–2–1–1–2–2–1–1

Scale degrees:
  in semitones: 0–2–4–5–6–8–10–11–12
  intervals: 1–2–3–4–d5–m6–m7–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D E F F♯ G♯ A♯ B c
  C D E F G♭ A♭ B♭ B c

G cleffCDEFF sharpG sharpA sharpBCEnd of staff

G cleffCDEFG flatA flatB flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Messiaen Mode 6
  Mode 4 of: Van der Horst Octatonic
  Mode 5 of: Messiaen Mode 6 Inverse
  Mode 7 of: Messiaen Mode 6
  Mode 8 of: Van der Horst Octatonic

The name I use for this scale comes from: Scala name

Scala name: Messiaen mode 6 inverse

Piano Encyclopedia names: Messiaen mode 6; Messiaen mode 6 inverse

Scale Omnibus name: Messiaen 6th Mode

Tcherepnin Octatonic Mode 1

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Scale steps in semitones: 1–3–1–1–1–3–1–1

Scale degrees:
  in semitones: 0–1–4–5–6–7–10–11–12
  intervals: 1–m2–3–4–d5–5–m7–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F F♯ G A♯ B c
  C D♭ E F G♭ G B♭ B c

G cleffCC sharpEFF sharpGA sharpBCEnd of staff

G cleffCD flatEFG flatGB flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Messiaen Mode 4 Inverse
  Mode 3 of: Messiaen Mode 4
  Mode 4 of: Tcherepnin Octatonic Mode 2
  Mode 5 of: Tcherepnin Octatonic Mode 1
  Mode 6 of: Messiaen Mode 4 Inverse
  Mode 7 of: Messiaen Mode 4
  Mode 8 of: Tcherepnin Octatonic Mode 2

The name I use for this scale comes from: Scala name

Scala name: Tcherepnin Octatonic mode 1

Tcherepnin Octatonic Mode 2

Scale steps in semitones: 1–1–3–1–1–1–3–1

Scale degrees:
  in semitones: 0–1–2–5–6–7–8–11–12
  intervals: 1–m2–2–4–d5–5–m6–7–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D F F♯ G G♯ B c
  C D♭ D F G♭ G A♭ B c

G cleffCC sharpDFF sharpGG sharpBCEnd of staff

G cleffCD flatDFG flatGA flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Tcherepnin Octatonic Mode 1
  Mode 3 of: Messiaen Mode 4 Inverse
  Mode 4 of: Messiaen Mode 4
  Mode 5 of: Tcherepnin Octatonic Mode 2
  Mode 6 of: Tcherepnin Octatonic Mode 1
  Mode 7 of: Messiaen Mode 4 Inverse
  Mode 8 of: Messiaen Mode 4

The name I use for this scale comes from: Scala name

Scala name: Tcherepnin Octatonic mode 2

Piano Encyclopedia names: Messiaen mode 4; Messiaen mode 5

Scale Omnibus name: Messiaen 4th Mode

Phrygian/Aeolian Mixed

Scale steps in semitones: 1–1–1–2–2–1–2–2

Scale degrees:
  in semitones: 0–1–2–3–5–7–8–10–12
  intervals: 1–m2–2–m3–4–5–m6–m7–8
  Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D D♯ F G G♯ A♯ c
  C D♭ D E♭ F G A♭ B♭ c

G cleffCC sharpDD sharpFGG sharpA sharpCEnd of staff

G cleffCD flatDE flatFGA flatB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Prokofiev
  Mode 4 of: Genus Diatonicum
  Mode 5 of: Raga Mukhari
  Mode 6 of: Phrygian/Locrian Mixed
  Mode 7 of: Ichikosucho
  Mode 8 of: Bebop Minor

The name I use for this scale comes from: Scala name

Scala name: Phrygian/Aeolian mixed

Piano Encyclopedia name: Phrygian/Aeolian mixed

Scale Omnibus names: Phrygian Aeolian b4; Phrygian Aeolian Mixed

Phrygian/Locrian Mixed

Scale steps in semitones: 1–2–2–1–1–1–2–2

Scale degrees:
  in semitones: 0–1–3–5–6–7–8–10–12
  intervals: 1–m2–m3–4–d5–5–m6–m7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ F F♯ G G♯ A♯ c
  C D♭ E♭ F G♭ G A♭ B♭ c

G cleffCC sharpD sharpFF sharpGG sharpA sharpCEnd of staff

G cleffCD flatE flatFG flatGA flatB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Ichikosucho
  Mode 3 of: Bebop Minor
  Mode 4 of: Phrygian/Aeolian Mixed
  Mode 6 of: Prokofiev
  Mode 7 of: Genus Diatonicum
  Mode 8 of: Raga Mukhari

The name I use for this scale comes from: Scala name

Scala name: Phrygian/Locrian mixed

Piano Encyclopedia name: Phrygian/Locrian mixed

Scale Omnibus names: Bebop Locrian; Phrygian Locrian

Hamel

Scale steps in semitones: 1–2–2–2–1–2–1–1

Scale degrees:
  in semitones: 0–1–3–5–7–8–10–11–12
  intervals: 1–m2–m3–4–5–m6–m7–7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F G G♯ A♯ B c
  C D♭ E♭ F G A♭ B♭ B c

G cleffCC sharpD sharpFGG sharpA sharpBCEnd of staff

G cleffCD flatE flatFGA flatB flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 5 of: Eight Tone Spanish
  Mode 7 of: Adonai Malakh

The name I use for this scale comes from: Scala name

Scala name: Hamel

Piano Encyclopedia name: Gregorian no.3 [Church]

Scale Omnibus names: Gregorian 3; Hamel

Van der Horst Octatonic

Scale steps in semitones: 1–2–2–1–1–2–2–1

Scale degrees:
  in semitones: 0–1–3–5–6–7–9–11–12
  intervals: 1–m2–m3–4–d5–5–6–7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F F♯ G A B c
  C D♭ E♭ F G♭ G A B c

G cleffCC sharpD sharpFF sharpGABCEnd of staff

G cleffCD flatE flatFG flatGABCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Messiaen Mode 6 Inverse
  Mode 4 of: Messiaen Mode 6
  Mode 5 of: Van der Horst Octatonic
  Mode 6 of: Messiaen Mode 6 Inverse
  Mode 8 of: Messiaen Mode 6

The name I use for this scale comes from: Scala name

Scala name: Van der Horst Octatonic

Piano Encyclopedia name: Van der Horst Octatonic [Dutch]

Scale Omnibus name: Van Der Host

Prokofiev

Scale steps in semitones: 1–2–2–1–2–2–1–1

Scale degrees:
  in semitones: 0–1–3–5–6–8–10–11–12
  intervals: 1–m2–m3–4–d5–m6–m7–7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F F♯ G♯ A♯ B c
  C D♭ E♭ F G♭ A♭ B♭ B c

G cleffCC sharpD sharpFF sharpG sharpA sharpBCEnd of staff

G cleffCD flatE flatFG flatA flatB flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Genus Diatonicum
  Mode 3 of: Raga Mukhari
  Mode 4 of: Phrygian/Locrian Mixed
  Mode 5 of: Ichikosucho
  Mode 6 of: Bebop Minor
  Mode 7 of: Phrygian/Aeolian Mixed

The name I use for this scale comes from: Scala name

Scala name: Prokofiev

Piano Encyclopedia name: Prokofiev

Scale Omnibus name: Prokofiev [Russia]

Shostakovich

Scale steps in semitones: 1–2–1–2–1–2–2–1

Scale degrees:
  in semitones: 0–1–3–4–6–7–9–11–12
  intervals: 1–m2–m3–3–d5–5–6–7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F♯ G A B c
  C D♭ E♭ E G♭ G A B c

G cleffCC sharpD sharpEF sharpGABCEnd of staff

G cleffCD flatE flatEG flatGABCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Zirafkend

The name I use for this scale comes from: Scala name

Scala name: Shostakovich

Piano Encyclopedia name: Shostakovich [Russian]

Scale Omnibus name: Shostakovich [Russia]

JG Octatonic

Scale steps in semitones: 1–2–1–1–2–2–1–2

Scale degrees:
  in semitones: 0–1–3–4–5–7–9–10–12
  intervals: 1–m2–m3–3–4–5–6–m7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F G A A♯ c
  C D♭ E♭ E F G A B♭ c

G cleffCC sharpD sharpEFGAA sharpCEnd of staff

G cleffCD flatE flatEFGAB flatCEnd of staff

The name I use for this scale comes from: Scala name

Scala name: JG Octatonic

Scale Omnibus name: LG Octatonic

Blues V

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open open   or  Finger diagram closed closed closed closed open openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Scale steps in semitones: 3–1–1–1–1–3–1–1

Scale degrees:
  in semitones: 0–3–4–5–6–7–10–11–12
  intervals: 1–m3–3–4–d5–5–m7–7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F F♯ G A♯ B c
  C E♭ E F G♭ G B♭ B c

G cleffCD sharpEFF sharpGA sharpBCEnd of staff

G cleffCE flatEFG flatGB flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 8 of: Raga Ramkali

The name I use for this scale comes from: Piano Encyclopedia / Simon Parker

Piano Encyclopedia name: Blues V [African]

 
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To cite this page on Wikipedia: <ref name="Goss_2017_csc_8tone_12tet"> {{cite web |last=Goss |first=Clint |title=Comprehensive Scale Catalog: Eight-Tone Scales in Equal Temperament |url=http://www.Flutopedia.com/csc_8tone_12tet.htm |date=15 April 2017 |website=Flutopedia |access-date=<YOUR RETRIEVAL DATE> }}</ref>