Comprehensive Scale Catalog: Seven-Tone Scales in Equal Temperament - Part 1
This page is part of Flutopedia's Comprehensive Scale Catalog ... a listing of many (many) scales that can be played on Native American flutes.
This page shows only scales with seven tones per octave and using 12-tone Equal Temperament.
The root note of each scale is shown in blue, such as .
Major Diatonic
Scale steps in semitones: 2–2–1–2–2–2–1
Scale degrees:
in semitones: 0–2–4–5–7–9–11–12
intervals: 1–2–3–4–5–6–7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C: C D E F G A B c
         
All The Chords Name: Ionian, 1imperfections
Pitch Class Set: {0,2,4,5,7,9,11}
Pitch Class Mapping: 2741 (Hex AB5, Binary 101010110101)
A Study of Scales (Ian Ring) Index: 2741
Deep scale: Yes
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Dorian Diatonic
Mode 3 of: Phrygian Diatonic
Mode 4 of: Lydian Diatonic
Mode 5 of: Mixolydian Diatonic
Mode 6 of: Natural Minor Diatonic
Mode 7 of: Locrian Diatonic
Subset of: embūbum
The name I use for this scale comes from: Name assigned by Clint
Entry on the Map of Native American Flute Tunings page: Six-hole Pentatonic Major Mode 2/5; Six-hole Diatonic
Greek mode: Lydian
Church mode: Ionian, Hypolydian
Babylonian name: embūbum
Melakarta name: Shankarabharanam
Scala names: G.Lydian, M.Ionian, M.Hypolydian, Major, Bilaval That, Mela Shankarabharanam, Raga Atana, Ghana Heptatonic, Peruvian Major, Matzore, Rast ascending: Greece, 4th plagal Byzantine, Ararai: Ethiopia, Makam Cargah, Ajam Ashiran, Dastgah-e Mahur, Dastgah-e Rast Panjgah, Xin: China, DS2
ChordHouse names: Major; Ionian; Ethiopian (A raray); Mela Dhirasankarabharana; Theta, Bilaval
Melakarta Raga: Shankarabharanam
Chakra: Bana
Carnatic Degrees: R2—G3—M1—P—D2—N3
Wikipedia pages related to this scale:
Piano Encyclopedia names: Ararai [Ethiopian]; Dastgah Mahur; Dastgah Rast Panjgah; Diatonic major; Ghana Heptatonic; Ionian; Lydian (Greek); Major; Makam \xc7\xe2rg\xe2h; Maqam Ajam Ashiran; Mela Shankarabharanam; Peruvian major; Raga Shankarabharanam; Rast; Rast ascending; Tritus plagis; Xin
Scale Omnibus names: Ajam Shiram; Ararai; Dasrgah-e Mahur; Dastgah-e Rast Panjgah; Ghana Heptatonic; Major; Maqam Cargah; Mela Shankarabharanam; Peruvian Major; Raga Arabhi descending; Raga Bilahari descending; Raga Bilaval That; Xin
Dorian Diatonic
Scale steps in semitones: 2–1–2–2–2–1–2
Scale degrees:
in semitones: 0–2–3–5–7–9–10–12
intervals: 1–2–m3–4–5–6–m7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ F G A A♯ c
C D E♭ F G A B♭ c
                  
All The Chords Name: Dorian, 1imperfections
Pitch Class Set: {0,2,3,5,7,9,10}
Pitch Class Mapping: 1709 (Hex 6AD, Binary 011010101101)
A Study of Scales (Ian Ring) Index: 1709
Deep scale: Yes
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Phrygian Diatonic
Mode 3 of: Lydian Diatonic
Mode 4 of: Mixolydian Diatonic
Mode 5 of: Natural Minor Diatonic
Mode 6 of: Locrian Diatonic
Mode 7 of: Major Diatonic
Subset of: nīd qablim
The name I use for this scale comes from: Medieval mode name from Scala
Entry on the Map of Native American Flute Tunings page: Mojave-6
Greek mode: Phrygian
Church mode: Dorian, Hypomixolydian
Babylonian name: nīd qablim
Melakarta name: Kharaharapriya
Scala names: G.Phrygian, M.Dorian, M.Hypomixolydian, Kafi That, Mela Kharaharapriya, Raga Bageshri, Bhimpalasi, Nayaki Kanada, Sriraga, Ritigaula, Huseni, Kanara, Mischung 5, Gregorian nr.8, Eskimo Heptatonic, Yu: China, Hyojo, Oshikicho, Banshikicho: Japan, Nam: Vietnam
ChordHouse names: Dorian; Mela Kharaharapriya; Theta, Kafi
Melakarta Raga: Kharaharapriya
Chakra: Veda
Carnatic Degrees: R2—G2—M1—P—D2—N2
Wikipedia pages related to this scale:
Piano Encyclopedia names: Dorian; Dorian Minor; Eskimo Heptatonic; Gregorian no.8; Hyojo; Hypomixolydian; Kafi Thaat; Mela Kharaharapriya; Mischung 5 Dorian; Oshikicho : Japan; Phrygian Greek; Protus authentus; Raga Bageshri; Raga Bhimpalasi; Raga Nayaki Kanada; Raga Sriraga; Tetrardus plagis; Yu
Scale Omnibus names: Dorian; Gregorian 8; Hyojo; Mela Harikamboji; Mela Kharaharapriya; Mischung 3; Mischung 5; Mixolydian; Nam; Oshikicho; Raga Balahamsa; Raga Begeshri; Raga Bhairavi ascending; Raga Bhimpalasi; Raga Harini; Raga Huseni; Raga Janjuti; Raga Kafi That; Raga Kambodhi descending; Raga Kanara; Raga Khamaj That; Raga Khambhavati; Raga Kharapriya
» Described in Traditional Japanese Music and Musical Instruments Hardcover1 (hardcover [Malm 2001]), page 68
1Liner notes:
Ritsu Heptatonic
Phrygian Diatonic
Scale steps in semitones: 1–2–2–2–1–2–2
Scale degrees:
in semitones: 0–1–3–5–7–8–10–12
intervals: 1–m2–m3–4–5–m6–m7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ F G G♯ A♯ c
C D♭ E♭ F G A♭ B♭ c
                  
All The Chords Name: Phrygian, 1imperfections
Pitch Class Set: {0,1,3,5,7,8,10}
Pitch Class Mapping: 1451 (Hex 5AB, Binary 010110101011)
A Study of Scales (Ian Ring) Index: 1451
Deep scale: Yes
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Lydian Diatonic
Mode 3 of: Mixolydian Diatonic
Mode 4 of: Natural Minor Diatonic
Mode 5 of: Locrian Diatonic
Mode 6 of: Major Diatonic
Mode 7 of: Dorian Diatonic
Subset of: qablītum
The name I use for this scale comes from: Medieval mode name from Scala
Entry on the Map of Native American Flute Tunings page: Spanish Six-hole
Greek mode: Dorian, Hypoaeolian
Church mode: Phrygian, Hypoaeolian
Babylonian name: qablītum
Melakarta name: Hanumatodi
Scala names: G.Dorian, M.Phrygian, G.M.Hypoaeolian, Bhairavi That, Mela Hanumatodi, Raga Asavari (Asaveri), Bilashkhani Todi, Ghanta, Makam Kurd, Gregorian nr.3, In, Zokuso: Japan, Ousak: Greece, Major inverse
ChordHouse names: Phrygian; Neoploitan Major; Mela Hanumattodi; Theta, Bhairavi
Melakarta Raga: Hanumatodi
Chakra: Netra
Carnatic Degrees: R1—G2—M1—P—D1—N2
Wikipedia pages related to this scale:
Piano Encyclopedia names: Bhairavi Thaat [North Indian]; Deuterus authenticus; Dorian Greek; Major inverse; Maqam Kurd; Ousak minor; Phrygian; Raga Asavari (Asaveri); Raga Bilashkhani; Spanish Mode; Todi Thaat; Zokuso
Scale Omnibus names: Major Inverse; Maqam Kurd; Mela Bhairavi That; Mela Hanumatodi; Ousak; Phrygian; Raga Bilashkhani Todi; Raga Dhanyasi descending; Raga Ghanta; Zokuso
Lydian Diatonic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–2–1–2–2–1
Scale degrees:
in semitones: 0–2–4–6–7–9–11–12
intervals: 1–2–3–d5–5–6–7–8
Root, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D E F♯ G A B c
C D E G♭ G A B c
                  
All The Chords Name: Lydian, 1imperfections
Pitch Class Set: {0,2,4,6,7,9,11}
Pitch Class Mapping: 2773 (Hex AD5, Binary 101011010101)
A Study of Scales (Ian Ring) Index: 2773
Deep scale: Yes
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Mixolydian Diatonic
Mode 3 of: Natural Minor Diatonic
Mode 4 of: Locrian Diatonic
Mode 5 of: Major Diatonic
Mode 6 of: Dorian Diatonic
Mode 7 of: Phrygian Diatonic
Subset of: kitmum
The name I use for this scale comes from: Medieval mode name from Scala
Greek mode: Hypolydian
Church mode: Lydian
Babylonian name: kitmum
Melakarta name: Mechakalyani
Scala names: G.Hypolydian, M.Lydian, G.M.Hypolocrian, Rut biscale ascending, Kalyan That (Yaman), Mela Mecakalyani, Raga Shuddh Kalyan, Ping, Kung, Gu: China
ChordHouse names: Lydian; Mela Mechakalyani; Theta, Kalyan
Melakarta Raga: Mechakalyani
Chakra: Rudra
Carnatic Degrees: R2—G3—M2—P—D2—N3
Wikipedia page related to this scale:
Piano Encyclopedia names: Gu [Chinese]; Hypolocrian; Hypolydian; Hypolydian; Kalyan Thaat (Yaman); Kung; Lydian; Mela Mecakalyani; Ping; Raga Shuddh Kalyan
Scale Omnibus names: Gu [China]; Lydian; Mela Mecakalyani; Ping; Raga Kalyan That; Raga Shuddh Kalyan
» Described in Traditional Japanese Music and Musical Instruments Hardcover1 (hardcover [Malm 2001]), page 68
1Liner notes:
Ryo Heptatonic
Mixolydian Diatonic
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–1–2–2–1–2
Scale degrees:
in semitones: 0–2–4–5–7–9–10–12
intervals: 1–2–3–4–5–6–m7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D E F G A A♯ c
C D E F G A B♭ c
                  
All The Chords Name: Mixolydian, 1imperfections
Pitch Class Set: {0,2,4,5,7,9,10}
Pitch Class Mapping: 1717 (Hex 6B5, Binary 011010110101)
A Study of Scales (Ian Ring) Index: 1717
Deep scale: Yes
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Natural Minor Diatonic
Mode 3 of: Locrian Diatonic
Mode 4 of: Major Diatonic
Mode 5 of: Dorian Diatonic
Mode 6 of: Phrygian Diatonic
Mode 7 of: Lydian Diatonic
Subset of: pītum
The name I use for this scale comes from: Medieval mode name from Scala
Greek mode: Hypophrygian, Ionian, Iastian, Hypoionian
Church mode: Mixolydian, Hypolydian
Babylonian name: pītum
Melakarta name: Harikambhoji
Scala names: G.Hypophrygian, G.Ionian (Iastian), M.Mixolydian, G.M.Hypoionian, Hypermixolydian, Khamaj That, Mela Harikambhoji, Raga Harini, Janjhuti, Khambhavati, Surati, Balahamsa, Devamanohari, Mischung 3, Gregorian nr.7, Enharmonic Byzantine Liturgical, Rast descending: Greece, Ching, Shang: China
ChordHouse names: Mixolydian; Dominant 7th; Mela Harikambhoji; Theta, Khamaj
Melakarta Raga: Harikambhoji
Chakra: Bana
Carnatic Degrees: R2—G3—M1—P—D2—N2
Wikipedia pages related to this scale:
Piano Encyclopedia names: Gregorian no.2 [Church]; Gregorian no.7; Hypoionian; Hypophrygian; Hypophrygian; Ionian Iastian; Khammaj Thaat; Mela Harikambhoji; Mischung 3 Mixolydian; Mixolydian; Raga Harini; Raga Janjhuti; Raga Khambhavati; Raga Surati; Rast descending; Shang; Tetrardus authenticus
Scale Omnibus names: Gregorian 2; Gregorian 7
Natural Minor Diatonic
Scale steps in semitones: 2–1–2–2–1–2–2
Scale degrees:
in semitones: 0–2–3–5–7–8–10–12
intervals: 1–2–m3–4–5–m6–m7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ F G G♯ A♯ c
C D E♭ F G A♭ B♭ c
                  
All The Chords Name: Aeolian, 1imperfections
Pitch Class Set: {0,2,3,5,7,8,10}
Pitch Class Mapping: 1453 (Hex 5AD, Binary 010110101101)
A Study of Scales (Ian Ring) Index: 1453
Deep scale: Yes
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Locrian Diatonic
Mode 3 of: Major Diatonic
Mode 4 of: Dorian Diatonic
Mode 5 of: Phrygian Diatonic
Mode 6 of: Lydian Diatonic
Mode 7 of: Mixolydian Diatonic
Subset of: nīš tuḫri / nīš gabrîm
The name I use for this scale comes from: Scala
Entry on the Map of Native American Flute Tunings page: East Indian Six-hole
Greek mode: Aeolian, Hypodorian, Hyperphrygian
Church mode: Aeolian, Hypodorian
Babylonian name: nīš tuḫri / nīš gabrîm
Melakarta name: Natabhairavi
Scala names: G.M.Hypodorian, G.M.Aeolian, G.Hyperphrygian, Natural Minor, Melodic Minor descending, Asavari That, Mela Natabhairavi, Raga Jaunpuri, Adana, Darbari, Dhanyasi, Jingla, Gregorian nr.2, Makam Buselik, Nihavend, Peruvian Minor, Se, Chiao: China, Geez, Ezel: Ethiopia, Kiourdi descending: Greece, Cushak: Armenia
ChordHouse names: Melodic Minor (Descending); Natural Minor; Relative Minor; Aeolian; Ethiopian (Geez & Ezel); Pure Minor; Mela Natabhairavi; Theta, Asavari
Melakarta Raga: Natabhairavi
Chakra: Veda
Carnatic Degrees: R2—G2—M1—P—D1—N2
Wikipedia pages related to this scale:
Piano Encyclopedia names: Aeolian [Greek]; Asawari Thaat; Chiao; Cushak; Diatonic minor; Ezel; Geez; Hyperphrygian; Hypodorian; Kiourdi descending; Makam B\xfbselik I; Maqam Nihavend; Mela Natabhairavi; Melodic Minor descending; Natural Minor; Peruvian minor; Protus plagis; Pure Minor; Raga Adana; Raga Jaunpuri; Se
Scale Omnibus names: Aeolian; Cushak; Ezel; Geez; Mela Natabhairavi; Natural Minor; Peruvian Minor; Raga Adana; Raga Asavari That; Raga Bhairavi descending; Raga Jaunpuri; Raga Jingla; Se
Locrian Diatonic
Scale steps in semitones: 1–2–2–1–2–2–2
Scale degrees:
in semitones: 0–1–3–5–6–8–10–12
intervals: 1–m2–m3–4–d5–m6–m7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ F F♯ G♯ A♯ c
C D♭ E♭ F G♭ A♭ B♭ c
                  
All The Chords Name: Locrian, 1imperfections
Pitch Class Set: {0,1,3,5,6,8,10}
Pitch Class Mapping: 1387 (Hex 56B, Binary 010101101011)
A Study of Scales (Ian Ring) Index: 1387
Deep scale: Yes
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Major Diatonic
Mode 3 of: Dorian Diatonic
Mode 4 of: Phrygian Diatonic
Mode 5 of: Lydian Diatonic
Mode 6 of: Mixolydian Diatonic
Mode 7 of: Natural Minor Diatonic
Subset of: išartum
The name I use for this scale comes from: Medieval mode name from Scala
Greek mode: Mixolydian, Hyperdorian
Church mode: Locrian, Hypophrygian
Babylonian name: išartum
Scala names: G.Mixolydian, G.Hyperdorian, M.Hypophrygian, M.Locrian, G.M.Hyperaeolian, Rut biscale descending, Pien chih: China, Makam Lami, Yishtabach: Jewish
ChordHouse names: Locrian; Half Diminished (Locrian)
Wikipedia page related to this scale:
Piano Encyclopedia names: Deuterus plagis; Hyperaeolian; Hyperdorian; Hypoaeolian; Locrian; Maqam Lami; Mixolydian Greek; Pien chih; Yishtabach
Scale Omnibus names: Locrian; Makam Lami; Pien Chih; Yishtabach
Harmonic Minor
Scale steps in semitones: 2–1–2–2–1–3–1
Scale degrees:
in semitones: 0–2–3–5–7–8–11–12
intervals: 1–2–m3–4–5–m6–7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C D D♯ F G G♯ B c
C D E♭ F G A♭ B c
                  
All The Chords Name: Mydian, 3imperfections
Pitch Class Set: {0,2,3,5,7,8,11}
Pitch Class Mapping: 2477 (Hex 9AD, Binary 100110101101)
A Study of Scales (Ian Ring) Index: 2477
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Maqam Tarznauyn
Mode 3 of: Ionian Sharp 5
Mode 4 of: Roumanian Minor
Mode 5 of: Spanish Gypsy
Mode 6 of: Kosalam
Mode 7 of: Ultra Locrian
The name I use for this scale comes from: Scala and Wikipedia
Melakarta name: Keeravani
Scala names: Harmonic Minor, Mischung 4, Pilu That, Mela Kiravani, Raga Kiranavali, Kirvani, Kalyana Vasantha, Deshi(3), Maqam Bayat-e-Esfahan, Sultani Yakah, Zhalibny Minor, Armoniko minore: Greece
ChordHouse names: Harmonic Minor; Mela Kiravani; Mohammedan
Melakarta Raga: Keeravani
Chakra: Veda
Carnatic Degrees: R2—G2—M1—P—D1—N3
Wikipedia page related to this scale:
Piano Encyclopedia names: Harmonic Minor; Makam B\xfbselik II; Maqam Bayat-e-Esfahan; Maqam Sultani Yakah; Mela Kiravani; Mischung 4; Nihavend; Pilu Thaat; Raga Deshi 3; Raga Kalyana; Raga Kiranavali; Raga Kirvani; Raga Vasantha; Zhalibny Minor
Scale Omnibus names: Harmonic Minor; Maqam Bayat-e-Esfahan; Maqam Sultani Yakah; Mela Kiravani; Mischung 4; Mohammedan; Raga Deshi 3; Raga Kalyana Vasantha; Raga Kiranavali; Raga Kirvani; Raga Pilu That; Sultani Yakah; Zhalibny Minor
Neapolitan Minor
Scale steps in semitones: 1–2–2–2–1–3–1
Scale degrees:
in semitones: 0–1–3–5–7–8–11–12
intervals: 1–m2–m3–4–5–m6–7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ F G G♯ B c
C D♭ E♭ F G A♭ B c
                  
All The Chords Name: Aerylian, 3imperfections
Pitch Class Set: {0,1,3,5,7,8,11}
Pitch Class Mapping: 2475 (Hex 9AB, Binary 100110101011)
A Study of Scales (Ian Ring) Index: 2475
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Chitrambari
Mode 3 of: Lagian
Mode 4 of: Shanmukhapriya
Mode 5 of: Oriental A
Mode 6 of: Shoolini
Mode 7 of: Porian
The name I use for this scale comes from: Scala and Wikipedia
Melakarta name: Dhenuka
Scala names: Neapolitan Minor, Mela Dhenuka, Raga Bhinnasadjam, Dhunibinnashadjam, Kirvanti, Takka, Maqam Shahnaz Kurdi, Hungarian Gipsy
ChordHouse names: Neopolitan; Mela Dhenuka
Melakarta Raga: Dhenuka
Chakra: Netra
Carnatic Degrees: R1—G2—M1—P—D1—N3
Wikipedia page related to this scale:
Piano Encyclopedia names: Maqam Shahnaz Kurdi [Iraqian]; Mela Dhenuka; Neapolitan Minor; Raga Dhunibinnashadjam
Scale Omnibus names: Maqam Shahnaz (or Shahnaz Kurdi) [Iraq]; Mela Dhenuka; Mela Senavati; Neapolitan Minor; Raga Bhinnasadjam; Raga Dhunibinnashadjam
Maqam Hüzzam Cedid
Scale steps in semitones: 1–2–1–3–1–2–2
Scale degrees:
in semitones: 0–1–3–4–7–8–10–12
intervals: 1–m2–m3–3–5–m6–m7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ E G G♯ A♯ c
C D♭ E♭ E G A♭ B♭ c
                  
All The Chords Name: Phronian, 3imperfections
Pitch Class Set: {0,1,3,4,7,8,10}
Pitch Class Mapping: 1435 (Hex 59B, Binary 010110011011)
A Study of Scales (Ian Ring) Index: 1435
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Lydian Diminished
Mode 3 of: Chakravakam
Mode 4 of: Aeolian Flat 1
Mode 5 of: Locrian Double-flat 7
Mode 6 of: Sarasangi
Mode 7 of: Maqam Karcigar
The name I use for this scale comes from: Scala
Scala names: Makam Huzzam, Maqam Saba Zamzam, Phrygian flat 4
Piano Encyclopedia names: Maqam Huzzam [Iraqian]; Maqam Saba Zamzam; Phrygian b4
Scale Omnibus names: Maqam Huzzam [Iraq]; Maqam Saba Zamzam; Phrygian b4
Maqam Hüzzam Hijaz
Scale steps in semitones: 1–2–1–3–1–3–1
Scale degrees:
in semitones: 0–1–3–4–7–8–11–12
intervals: 1–m2–m3–3–5–m6–7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ E G G♯ B c
C D♭ E♭ E G A♭ B c
                  
All The Chords Name: Ionocrian, 3imperfections
Pitch Class Set: {0,1,3,4,7,8,11}
Pitch Class Mapping: 2459 (Hex 99B, Binary 100110011011)
A Study of Scales (Ian Ring) Index: 2459
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Neetimati
Mode 3 of: Ionygian
Mode 4 of: Tholian
Mode 5 of: Raga Bhankar
Mode 6 of: Gangeyabhooshani
Mode 7 of: Stodian
The name I use for this scale comes from: Scala
Scale Omnibus name: Phrygian b4 Maj7
Sabach
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–1–3–1–2–2
Scale degrees:
in semitones: 0–2–3–4–7–8–10–12
intervals: 1–2–m3–3–5–m6–m7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ E G G♯ A♯ c
C D E♭ E G A♭ B♭ c
                  
All The Chords Name: Aeolycrian, 3imperfections
Pitch Class Set: {0,2,3,4,7,8,10}
Pitch Class Mapping: 1437 (Hex 59D, Binary 010110011101)
A Study of Scales (Ian Ring) Index: 1437
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pynian
Mode 3 of: Sooryakantam
Mode 4 of: Golian
Mode 5 of: Senavati
Mode 6 of: Latangi
Mode 7 of: Minor Gypsy Inverse
The name I use for this scale comes from: Scala
Scala name: Sabach (Sambah) ascending: Greece
Piano Encyclopedia name: Sabach minor [Greek]
Scale Omnibus name: Sabach [Greece]
Basketmaker Seven
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–1–3–2–2–1
Scale degrees:
in semitones: 0–2–3–4–7–9–11–12
intervals: 1–2–m3–3–5–6–7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D D♯ E G A B c
C D E♭ E G A B c
                  
All The Chords Name: Epygian, 2imperfections
Pitch Class Set: {0,2,3,4,7,9,11}
Pitch Class Mapping: 2717 (Hex A9D, Binary 101010011101)
A Study of Scales (Ian Ring) Index: 2717
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Vanaspati
Mode 3 of: Kagian
Mode 4 of: Phrolian
Mode 5 of: Mararanjani
Mode 6 of: Modified Blues
Mode 7 of: Kycrian
The name I use for this scale comes from: Clint's Invented Name, based on common usage among Native American flute players.
Entry on the Map of Native American Flute Tunings page: Six-hole Anasazi
Maqam Tarznauyn
Scale steps in semitones: 1–2–2–1–3–1–2
Scale degrees:
in semitones: 0–1–3–5–6–9–10–12
intervals: 1–m2–m3–4–d5–6–m7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ F F♯ A A♯ c
C D♭ E♭ F G♭ A B♭ c
                  
All The Chords Name: Thyptian, 3imperfections
Pitch Class Set: {0,1,3,5,6,9,10}
Pitch Class Mapping: 1643 (Hex 66B, Binary 011001101011)
A Study of Scales (Ian Ring) Index: 1643
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ionian Sharp 5
Mode 3 of: Roumanian Minor
Mode 4 of: Spanish Gypsy
Mode 5 of: Kosalam
Mode 6 of: Ultra Locrian
Mode 7 of: Harmonic Minor
The name I use for this scale comes from: Scala
Scala names: Locrian natural 6, Maqam Tarznauyn
Piano Encyclopedia names: Dorian b2 b5; Dorian b9; Locrian Nat. 6; Locrian #6; Maqam Tarznauyn
Scale Omnibus names: Dorian b9; Locrian #6; Locrian Natural Maj6
Maqam Karcigar
Scale steps in semitones: 2–1–2–1–3–1–2
Scale degrees:
in semitones: 0–2–3–5–6–9–10–12
intervals: 1–2–m3–4–d5–6–m7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ F F♯ A A♯ c
C D E♭ F G♭ A B♭ c
                  
All The Chords Name: Katagian, 3imperfections
Pitch Class Set: {0,2,3,5,6,9,10}
Pitch Class Mapping: 1645 (Hex 66D, Binary 011001101101)
A Study of Scales (Ian Ring) Index: 1645
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Maqam Hüzzam Cedid
Mode 3 of: Lydian Diminished
Mode 4 of: Chakravakam
Mode 5 of: Aeolian Flat 1
Mode 6 of: Locrian Double-flat 7
Mode 7 of: Sarasangi
The name I use for this scale comes from: Scala
Scala names: Dorian flat 5, Blues Heptatonic, Makam Karcigar, Maqam Nahawand Murassah, Kiourdi ascending, Kartzihiar: Greece
Wikipedia page related to this scale:
Piano Encyclopedia names: Dorian b5; Kartzihiar; Kiourdi ascending; Locrian Nat. 2/6; Locrian #2 #6; Maqam Karcigar; Maqam Nahawand Murassah
Scale Omnibus names: Blues Heptatonic; Dorian b5; Kartzihiar; Maqam Karcigar; Maqam Nahawand Murassah
Maqam Athar Kurd
Scale steps in semitones: 1–2–3–1–1–3–1
Scale degrees:
in semitones: 0–1–3–6–7–8–11–12
intervals: 1–m2–m3–d5–5–m6–7–8
Root, Minor 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ F♯ G G♯ B c
C D♭ E♭ G♭ G A♭ B c
                  
All The Chords Name: Ionyphian, 2imperfections
Pitch Class Set: {0,1,3,6,7,8,11}
Pitch Class Mapping: 2507 (Hex 9CB, Binary 100111001011)
A Study of Scales (Ian Ring) Index: 2507
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Chromatic Mixolydian Inverse
Mode 3 of: Chromatic Hypodorian Inverse
Mode 4 of: Chromatic Hypophrygian Inverse
Mode 5 of: Persian
Mode 6 of: Chalanata
Mode 7 of: Chromatic Phrygian Inverse
The name I use for this scale comes from: Scala
Melakarta name: Shubhapantuvarali
Scala names: Todi That, Mela Shubhapantuvarali, Raga Multani, Gamakasamantam, Harsh Minor, Chromatic Lydian inverse, Maqam Athar Kurd
ChordHouse names: Mela Subhapantuvarali; Todi Theta
Melakarta Raga: Shubhapantuvarali
Chakra: Vasu
Carnatic Degrees: R1—G2—M2—P—D1—N3
Piano Encyclopedia names: Chromatic Lydian Inverse; Mela Shubhapantuvarali; Raga Gamakasamantam; Raga Multani; Todi Thaat 2; Tritus authenticus
Scale Omnibus names: Chromatic Lydian Inverse; Maqam Athar Kurd; Mela Shubhapanturavali; Raga Gamakasamantam; Raga Multani
Maqam Nawa Athar
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–3–1–1–3–1
Scale degrees:
in semitones: 0–2–3–6–7–8–11–12
intervals: 1–2–m3–d5–5–m6–7–8
Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C D D♯ F♯ G G♯ B c
C D E♭ G♭ G A♭ B c
                  
All The Chords Name: Bogian, 3imperfections
Pitch Class Set: {0,2,3,6,7,8,11}
Pitch Class Mapping: 2509 (Hex 9CD, Binary 100111001101)
A Study of Scales (Ian Ring) Index: 2509
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Oriental B
Mode 3 of: Ionian Augmented #2
Mode 4 of: Locrian Bb3 Bb7
Mode 5 of: Byzantine
Mode 6 of: Rasikapriya
Mode 7 of: Ultraphrygian
The name I use for this scale comes from: Scala
Melakarta name: Simhendramadhyamam
Scala names: Double Harmonic Minor, Hungarian Minor, Egyptian Heptatonic, Mela Simhendramadhyama, Raga Madhava Manohari, Maqam Nawa Athar, Hisar, Flamenco Mode, Niavent: Greece
ChordHouse names: Hungarian Gypsy; Hungarian Minor; Mela Simhendramadhyama
Melakarta Raga: Simhendramadhyamam
Chakra: Disi
Carnatic Degrees: R2—G2—M2—P—D1—N3
Wikipedia pages related to this scale:
Piano Encyclopedia names: Double Harmonic Minor; Gypsy I; Hungarian Minor; Maqam Hisar; Maqam Nawa Athar; Mela Simhendramadhyama; Minor Gipsy; Niaventi Minor; Raga Madhava Manohari
Scale Omnibus names: Double Harmonic Minor; Gypsy Minor; Harmonic Minor #4; Hungarian Minor; Maqam Hisar; Maqam Nawa Athar; Mela Sumhendramadhyama; Niavent; Niaventi Minor; Raga Madhava Manohari
Blues 7-Tone
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 3–2–1–1–3–1–1
Scale degrees:
in semitones: 0–3–5–6–7–10–11–12
intervals: 1–m3–4–d5–5–m7–7–8
Root, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ F F♯ G A♯ B c
C E♭ F G♭ G B♭ B c
                  
All The Chords Name: Epathian, 2imperfections
Pitch Class Set: {0,3,5,6,7,10,11}
Pitch Class Mapping: 3305 (Hex CE9, Binary 110011101001)
A Study of Scales (Ian Ring) Index: 3305
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Chromatic Hypodorian
Mode 3 of: Chromatic Mixolydian
Mode 4 of: Chromatic Lydian
Mode 5 of: Chromatic Phrygian
Mode 6 of: Kanakangi
Mode 7 of: Purvi Theta
The name I use for this scale comes from: Clint's Invented Name
Scala names: Chromatic Hypophrygian, Blues scale III
Piano Encyclopedia name: Chromatic Hypophrygian
Scale Omnibus name: Blues Leading Tone
Melodic Minor Ascending
Scale steps in semitones: 2–1–2–2–2–2–1
Scale degrees:
in semitones: 0–2–3–5–7–9–11–12
intervals: 1–2–m3–4–5–6–7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D D♯ F G A B c
C D E♭ F G A B c
                  
All The Chords Name: Bocrian, 3imperfections
Pitch Class Set: {0,2,3,5,7,9,11}
Pitch Class Mapping: 2733 (Hex AAD, Binary 101010101101)
A Study of Scales (Ian Ring) Index: 2733
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Javaneese
Mode 3 of: Lydian Augmented
Mode 4 of: Vachaspati
Mode 5 of: Hindu
Mode 6 of: Half Diminished
Mode 7 of: Diminished Whole Tone
The name I use for this scale comes from: Scala
Melakarta name: Gourimanohari
Scala names: Melodic Minor ascending, Jazz Minor, Minor-Major, Mela Gaurimanohari, Raga Patdip, Velavali, Deshi(2), Mischung 1, Hawaiian
ChordHouse names: Melodic Minor (Ascending); Hawaiian; Mela Gaurimanohari
Melakarta Raga: Gourimanohari
Chakra: Veda
Carnatic Degrees: R2—G2—M1—P—D2—N3
Wikipedia pages related to this scale:
Piano Encyclopedia names: Bilawal Thaat [North Indian]; Hawaiian; Heptonia seconda; Jazz Minor; Mela Gaurimanohari; Melodic Minor ascending; Minor-Major; Mischung 1; Raga Deshi 2; Raga Patdip; Raga Velavali
Scale Omnibus names: Ascending Minor; Mela Gaurimanohari; Melodic Minor; Mischung 1; Raga Deshi 2; Raga Patdip; Raga Velavali
Spanish Gypsy
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–1–2–1–2–2
Scale degrees:
in semitones: 0–1–4–5–7–8–10–12
intervals: 1–m2–3–4–5–m6–m7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ E F G G♯ A♯ c
C D♭ E F G A♭ B♭ c
                  
All The Chords Name: Ionalian, 3imperfections
Pitch Class Set: {0,1,4,5,7,8,10}
Pitch Class Mapping: 1459 (Hex 5B3, Binary 010110110011)
A Study of Scales (Ian Ring) Index: 1459
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Kosalam
Mode 3 of: Ultra Locrian
Mode 4 of: Harmonic Minor
Mode 5 of: Maqam Tarznauyn
Mode 6 of: Ionian Sharp 5
Mode 7 of: Roumanian Minor
The name I use for this scale comes from: Scala
Entry on the Map of Native American Flute Tunings page: Six-hole
Spanish Gypsy
OT: Seven-hole
Spanish Gypsy
Melakarta name: Vakulabharanam
Scala names: Phrygian Dominant, Phrygian Major, Mela Vakulabharanam, Raga Jogiya, Ahiri, Vativasantabhairavi, Zilof, Ahava Rabba, Freygish: Jewish, Maqam Hijaz-Nahawand, Humayun, Spanish Gipsy, Dorico Flamenco: Spain, Hitzaz: Greece, Harmonic Major inverse
ChordHouse names: Ahaba Rabba; Spanish Gypsy
Melakarta Raga: Vakulabharanam
Chakra: Agni
Carnatic Degrees: R1—G3—M1—P—D1—N2
Wikipedia pages related to this scale:
Piano Encyclopedia names: Alhijaz [Saudi Arabian]; Arabic; Dorico Flamenco; Jewish II; Maqam Humayun; Maqam Zengule; Mela Vakulabharanam; Mixolydian b6 b9; Mixolydian b9 b13; Phrygian Dominant; Phrygian Major; Raga Jogiya; Raga Vativasanta (bhairavi); Spanish Gypsy; Spanish Major; Spanish Phrygian I
Scale Omnibus names: Alhijaz [Arabia]; Avaha or Ahava Rabba; Dorico Flamenco; Freygish or Fraigish; Harmonic Major Inverse; Hitzaz or Hijaz; Humayun; Maqam Hijaz-Nahawand; Maqam Humayun; Maqam Zengule; Mela Vakulabharanam; Phrygian Dominant; Phrygian Major; Raga Jogiya; Raga Vativasanta; Spanish (or Spanish Gypsy); Zilof
Byzantine
Scale steps in semitones: 1–3–1–2–1–3–1
Scale degrees:
in semitones: 0–1–4–5–7–8–11–12
intervals: 1–m2–3–4–5–m6–7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ E F G G♯ B c
C D♭ E F G A♭ B c
                  
All The Chords Name: Aerynian, 3imperfections
Pitch Class Set: {0,1,4,5,7,8,11}
Pitch Class Mapping: 2483 (Hex 9B3, Binary 100110110011)
A Study of Scales (Ian Ring) Index: 2483
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Rasikapriya
Mode 3 of: Ultraphrygian
Mode 4 of: Maqam Nawa Athar
Mode 5 of: Oriental B
Mode 6 of: Ionian Augmented #2
Mode 7 of: Locrian Bb3 Bb7
The name I use for this scale comes from: Scala
Entry on the Map of Native American Flute Tunings page: Six-hole Byzantine; Seven-hole Byzantine
Melakarta name: Mayamalavagowla
Scala names: Major Gipsy, Double Harmonic Major, Bhairav That, Mela Mayamalavagaula, Raga Paraj, Kalingada, Gaulipantu, Lalitapancamam, Chromatic 2nd Byzantine Liturgical, Hitzazkiar: Greece, Maqam Zengule, Hijaz Kar, Suzidil
ChordHouse names: Byzantine; Double Harmonic; Hungarian Gypsy Persian; Theta, Bhairav
Melakarta Raga: Mayamalavagowla
Chakra: Agni
Carnatic Degrees: R1—G3—M1—P—D1—N3
Wikipedia pages related to this scale:
Piano Encyclopedia names: Bhairav Thaat [North Indian]; Byzantine Liturgical Chromatic; Byzantine; Double Harmonic Major; Gypsy II; Hijazskiar major; Major Gipsy; Maqam Hijaz Kar; Maqam Suzidil; Mela Mayamalavagaula; Persian; Raga Kalingada; Raga Paraj
Scale Omnibus names: Arabic [Arabia]; Byzantine (or Byzantine Liturgical Chromatic); Double Harmonic; Hijaz Kar; Hitzazkiar (or Hijazskiar); Hungarian Folk; Major Gypsy; Major Phrygian; Maqam Hijaz Kar; Maqam Suzidil; Mela Mayamalavagowla; Raga Bhairav That; Raga Gaulipantu; Raga Kalingada; Raga Lalita Panchami; Raga Paraj; Raga Saveri descending
Arabian
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–1–1–2–2–2
Scale degrees:
in semitones: 0–2–4–5–6–8–10–12
intervals: 1–2–3–4–d5–m6–m7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C D E F F♯ G♯ A♯ c
C D E F G♭ A♭ B♭ c
                  
All The Chords Name: Gothian, 5imperfections
Pitch Class Set: {0,2,4,5,6,8,10}
Pitch Class Mapping: 1397 (Hex 575, Binary 010101110101)
A Study of Scales (Ian Ring) Index: 1397
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Storian
Mode 3 of: Leading Whole-tone Inverse
Mode 4 of: Neapolitan Major
Mode 5 of: Leading Whole Tone
Mode 6 of: Synthetic Mixture #5
Mode 7 of: Lydian Minor
The name I use for this scale comes from: ChordHouse
Scala name: Major Locrian
ChordHouse name: Arabian (b)
Wikipedia page related to this scale:
Piano Encyclopedia name: Major Locrian mode
Scale Omnibus name: Major Locrian
Diminished Whole Tone
Scale steps in semitones: 1–2–1–2–2–2–2
Scale degrees:
in semitones: 0–1–3–4–6–8–10–12
intervals: 1–m2–m3–3–d5–m6–m7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ E F♯ G♯ A♯ c
C D♭ E♭ E G♭ A♭ B♭ c
                  
All The Chords Name: Ionadian, 3imperfections
Pitch Class Set: {0,1,3,4,6,8,10}
Pitch Class Mapping: 1371 (Hex 55B, Binary 010101011011)
A Study of Scales (Ian Ring) Index: 1371
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Melodic Minor Ascending
Mode 3 of: Javaneese
Mode 4 of: Lydian Augmented
Mode 5 of: Vachaspati
Mode 6 of: Hindu
Mode 7 of: Half Diminished
The name I use for this scale comes from: ChordHouse
Scala names: Superlocrian, Altered Dominant, Diminished Whole-tone, Locrian flat 4, Pomeroy, Ravel
ChordHouse names: Diminished Whole Tone; Super Locrian
Wikipedia page related to this scale:
Piano Encyclopedia names: Altered Dominant; Altered \xa0I; Altered \xa0II; Diminished Whole-tone I; Diminished Whole-tone II; Locrian b4; Pomeroy; Ravel; Super Locrian
Scale Omnibus names: Altered (or Altered Dominant); Locrian b4; Pomeroy; Ravel; Superlocrian
Enigmatic
Scale steps in semitones: 1–3–2–2–2–1–1
Scale degrees:
in semitones: 0–1–4–6–8–10–11–12
intervals: 1–m2–3–d5–m6–m7–7–8
Root, Minor 2nd, Major 3rd, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ E F♯ G♯ A♯ B c
C D♭ E G♭ A♭ B♭ B c
                  
All The Chords Name: Ionathian, 3imperfections
Pitch Class Set: {0,1,4,6,8,10,11}
Pitch Class Mapping: 3411 (Hex D53, Binary 110101010011)
A Study of Scales (Ian Ring) Index: 3411
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Phraptian
Mode 3 of: Kantamani
Mode 4 of: Katythian
Mode 5 of: Madian
Mode 6 of: Aerygian
Mode 7 of: Manavati
The name I use for this scale comes from: ChordHouse
Scala names: Verdi's Scala enigmatica ascending
ChordHouse name: Enigmatic
Wikipedia page related to this scale:
Piano Encyclopedia names: Enigmatic [Italian]; Verdi's Enigmatic ascending
Scale Omnibus name: Enigmatic
Half Diminished
Scale steps in semitones: 2–1–2–1–2–2–2
Scale degrees:
in semitones: 0–2–3–5–6–8–10–12
intervals: 1–2–m3–4–d5–m6–m7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ F F♯ G♯ A♯ c
C D E♭ F G♭ A♭ B♭ c
                  
All The Chords Name: Lorian, 3imperfections
Pitch Class Set: {0,2,3,5,6,8,10}
Pitch Class Mapping: 1389 (Hex 56D, Binary 010101101101)
A Study of Scales (Ian Ring) Index: 1389
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Diminished Whole Tone
Mode 3 of: Melodic Minor Ascending
Mode 4 of: Javaneese
Mode 5 of: Lydian Augmented
Mode 6 of: Vachaspati
Mode 7 of: Hindu
The name I use for this scale comes from: ChordHouse
Scala names: Minor Locrian, Half Diminished, Locrian sharp 2, Minor flat 5
ChordHouse names: Half Diminished #2; Locrian #2
Wikipedia pages related to this scale:
Piano Encyclopedia names: Half-Diminished; Locrian Nat. 2; Locrian #2; Minor b5; Minor Locrian
Scale Omnibus names: Altered Diminished; Half Diminished; Locrian Natural 2; Minor b5; Minor Locrian; Semilocrian
Hindu
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–1–2–1–2–2
Scale degrees:
in semitones: 0–2–4–5–7–8–10–12
intervals: 1–2–3–4–5–m6–m7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C D E F G G♯ A♯ c
C D E F G A♭ B♭ c
                  
All The Chords Name: Stydian, 3imperfections
Pitch Class Set: {0,2,4,5,7,8,10}
Pitch Class Mapping: 1461 (Hex 5B5, Binary 010110110101)
A Study of Scales (Ian Ring) Index: 1461
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Half Diminished
Mode 3 of: Diminished Whole Tone
Mode 4 of: Melodic Minor Ascending
Mode 5 of: Javaneese
Mode 6 of: Lydian Augmented
Mode 7 of: Vachaspati
The name I use for this scale comes from: ChordHouse
Melakarta name: Charukesi
Scala names: Major-Minor, Melodic Major, Mischung 6, Mixolydian flat 6, Mela Carukesi, Raga Charukeshi, Tarangini
ChordHouse names: Hindu; Hindustan; Mela Charukesi
Melakarta Raga: Charukesi
Chakra: Bana
Carnatic Degrees: R2—G3—M1—P—D1—N2
Wikipedia page related to this scale:
Piano Encyclopedia names: Aeolian Major [Greek]; Hindu; Major-Minor; Maqam Uss\xe2k; Mela Carukesi; Melodic Major; Mischung 6; Mixolydian b6; Raga Charukeshi; Raga Tarangini
Scale Omnibus names: Aeolian Major; Hindu; Major Minor; Maqam Ussak; Mela Carukesi; Melodic Major; Mischung 6; Mixolydian b6 (or Mixolydian b13); Raga Tarangini
Hungarian Major
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–1–2–1–2–1–2
Scale degrees:
in semitones: 0–3–4–6–7–9–10–12
intervals: 1–m3–3–d5–5–6–m7–8
Root, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D♯ E F♯ G A A♯ c
C E♭ E G♭ G A B♭ c
                  
All The Chords Name: Mycrian, 4imperfections
Pitch Class Set: {0,3,4,6,7,9,10}
Pitch Class Mapping: 1753 (Hex 6D9, Binary 011011011001)
A Study of Scales (Ian Ring) Index: 1753
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ionorian
Mode 3 of: Locrian 2
Mode 4 of: Zyptian
Mode 5 of: Katothian
Mode 6 of: Shadvidamargini
Mode 7 of: Nohkan Flute
The name I use for this scale comes from: ChordHouse
Melakarta name: Nasikabhooshani
Scala names: Hungarian Major, Mela Nasikabhusani, Raga Nasamani
ChordHouse names: Hungarian Major; Mela Nasikabhusani
Melakarta Raga: Nasikabhooshani
Chakra: Aditya
Carnatic Degrees: R3—G3—M2—P—D2—N2
Piano Encyclopedia names: Hungarian Major [Hungarian]; Mela Nasikabhusani; Raga Nasamani
Scale Omnibus names: Hungarian Major [Hungary]; Mela Nasikabhusani; Raga Nasamani
Javaneese
Scale steps in semitones: 1–2–2–2–2–1–2
Scale degrees:
in semitones: 0–1–3–5–7–9–10–12
intervals: 1–m2–m3–4–5–6–m7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ F G A A♯ c
C D♭ E♭ F G A B♭ c
                  
All The Chords Name: Mixolythian, 3imperfections
Pitch Class Set: {0,1,3,5,7,9,10}
Pitch Class Mapping: 1707 (Hex 6AB, Binary 011010101011)
A Study of Scales (Ian Ring) Index: 1707
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Lydian Augmented
Mode 3 of: Vachaspati
Mode 4 of: Hindu
Mode 5 of: Half Diminished
Mode 6 of: Diminished Whole Tone
Mode 7 of: Melodic Minor Ascending
The name I use for this scale comes from: ChordHouse
Melakarta name: Natakapriya
Scala names: Mela Natakapriya, Jazz Minor inverse, Phrygian-Mixolydian, Dorian flat 2, Raga Natabharanam, Ahiri Todi
ChordHouse names: Javaneese; Mela Natakapriya
Melakarta Raga: Natakapriya
Chakra: Netra
Carnatic Degrees: R1—G2—M1—P—D2—N2
Wikipedia page related to this scale:
Piano Encyclopedia names: Dorian b2; Jazz Minor inverse; Mela Natakapriya; Phrygian-Mixolydian; Phrygian Nat. 6; Phrygian #6; Raga Ahiri Todi; Raga Natabharanam
Scale Omnibus names: Dorian b2; Javanese; Jazz Minor Inverse; Mela Natakapriya; Phrygian Mixolydian; Phrygian Natural 6; Raga Ahiri Todi; Raga Natabharanam
Leading Whole Tone
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–2–2–2–1–1
Scale degrees:
in semitones: 0–2–4–6–8–10–11–12
intervals: 1–2–3–d5–m6–m7–7–8
Root, Major 2nd, Major 3rd, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D E F♯ G♯ A♯ B c
C D E G♭ A♭ B♭ B c
                  
All The Chords Name: Aeolynian, 5imperfections
Pitch Class Set: {0,2,4,6,8,10,11}
Pitch Class Mapping: 3413 (Hex D55, Binary 110101010101)
A Study of Scales (Ian Ring) Index: 3413
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Synthetic Mixture #5
Mode 3 of: Lydian Minor
Mode 4 of: Arabian
Mode 5 of: Storian
Mode 6 of: Leading Whole-tone Inverse
Mode 7 of: Neapolitan Major
The name I use for this scale comes from: ChordHouse
Scala name: Leading Whole-tone
ChordHouse name: Leading Whole Tone
Piano Encyclopedia name: Leading Whole-tone
Scale Omnibus name: Leading Whole-Tone
Lydian Augmented
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–2–2–1–2–1
Scale degrees:
in semitones: 0–2–4–6–8–9–11–12
intervals: 1–2–3–d5–m6–6–7–8
Root, Major 2nd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D E F♯ G♯ A B c
C D E G♭ A♭ A B c
                  
All The Chords Name: Larian, 3imperfections
Pitch Class Set: {0,2,4,6,8,9,11}
Pitch Class Mapping: 2901 (Hex B55, Binary 101101010101)
A Study of Scales (Ian Ring) Index: 2901
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Vachaspati
Mode 3 of: Hindu
Mode 4 of: Half Diminished
Mode 5 of: Diminished Whole Tone
Mode 6 of: Melodic Minor Ascending
Mode 7 of: Javaneese
The name I use for this scale comes from: ChordHouse
Scala names: Lydian Augmented, Lydian sharp 5
ChordHouse name: Lydian Augmented
Wikipedia page related to this scale:
Piano Encyclopedia names: Altered Lydian; Lydian Augmented; Lydian #5
Scale Omnibus names: Altered Lydian; Lydian #5; Lydian Augmented
Lydian Minor
Fingerings on Anasazi-7 tuned Native American flutes:
or
Scale steps in semitones: 2–2–2–1–1–2–2
Scale degrees:
in semitones: 0–2–4–6–7–8–10–12
intervals: 1–2–3–d5–5–m6–m7–8
Root, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C D E F♯ G G♯ A♯ c
C D E G♭ G A♭ B♭ c
                  
All The Chords Name: Phryrian, 5imperfections
Pitch Class Set: {0,2,4,6,7,8,10}
Pitch Class Mapping: 1493 (Hex 5D5, Binary 010111010101)
A Study of Scales (Ian Ring) Index: 1493
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Arabian
Mode 3 of: Storian
Mode 4 of: Leading Whole-tone Inverse
Mode 5 of: Neapolitan Major
Mode 6 of: Leading Whole Tone
Mode 7 of: Synthetic Mixture #5
The name I use for this scale comes from: ChordHouse
Melakarta name: Rishabhapriya
Scala names: Lydian Minor, Mela Risabhapriya, Raga Ratipriya
ChordHouse names: Lydian Minor; Mela Risabhapriya
Melakarta Raga: Rishabhapriya
Chakra: Rudra
Carnatic Degrees: R2—G3—M2—P—D1—N2
Piano Encyclopedia names: Mela Risabhapriya [South Indian]; Raga Ratipriya
Scale Omnibus names: Lydian Dominant b6; Lydian Minor; Raga Ratipriya; Raga Rishabapriya
Lydian Diminished
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–3–1–2–2–1
Scale degrees:
in semitones: 0–2–3–6–7–9–11–12
intervals: 1–2–m3–d5–5–6–7–8
Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D D♯ F♯ G A B c
C D E♭ G♭ G A B c
                  
All The Chords Name: Banian, 3imperfections
Pitch Class Set: {0,2,3,6,7,9,11}
Pitch Class Mapping: 2765 (Hex ACD, Binary 101011001101)
A Study of Scales (Ian Ring) Index: 2765
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Chakravakam
Mode 3 of: Aeolian Flat 1
Mode 4 of: Locrian Double-flat 7
Mode 5 of: Sarasangi
Mode 6 of: Maqam Karcigar
Mode 7 of: Maqam Hüzzam Cedid
The name I use for this scale comes from: ChordHouse
Melakarta name: Dharmavati
Scala names: Lydian Diminished, Mela Dharmavati, Raga Arunajualita, Dumyaraga, Madhuvanti, Ambika
ChordHouse names: Lydian Diminished; Mela Dharmavati
Melakarta Raga: Dharmavati
Chakra: Disi
Carnatic Degrees: R2—G2—M2—P—D2—N3
Piano Encyclopedia names: Lydian Diminished; Lydian b3; Mela Dharmavati; Melodic Minor #11; Raga Ambika; Raga Arunajualita; Raga Dumyaraga; Raga Madhuvanti
Scale Omnibus names: Lydian b3; Lydian Diminished; Mela Dharmavati; Melodic Minor #4; Raga Ambika; Raga Arunajualita; Raga Dumyaraga; Raga Madhuvanti
Neapolitan Major
Scale steps in semitones: 1–2–2–2–2–2–1
Scale degrees:
in semitones: 0–1–3–5–7–9–11–12
intervals: 1–m2–m3–4–5–6–7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ F G A B c
C D♭ E♭ F G A B c
                  
All The Chords Name: Thydian, 5imperfections
Pitch Class Set: {0,1,3,5,7,9,11}
Pitch Class Mapping: 2731 (Hex AAB, Binary 101010101011)
A Study of Scales (Ian Ring) Index: 2731
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Leading Whole Tone
Mode 3 of: Synthetic Mixture #5
Mode 4 of: Lydian Minor
Mode 5 of: Arabian
Mode 6 of: Storian
Mode 7 of: Leading Whole-tone Inverse
The name I use for this scale comes from: ChordHouse
Melakarta name: Kokilapriya
Scala names: Neapolitan Major, Lydian Major, Mela Kokilapriya, Raga Kokilaravam
ChordHouse names: Neoploitan Major; Mela Kokilapriya
Melakarta Raga: Kokilapriya
Chakra: Netra
Carnatic Degrees: R1—G2—M1—P—D2—N3
Wikipedia page related to this scale:
Piano Encyclopedia names: Mela Kokilapriya [South Indian]; Neapolitan Major; Raga Kokilaravam
Scale Omnibus names: Mela Kokilapriya [India]; Neapolitan Major (or Neapolitan); Raga Kokilaravam
Notes: Sometimes mis-spelled as "Neopolitan"
Oriental A
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–1–1–2–2–2
Scale degrees:
in semitones: 0–1–4–5–6–8–10–12
intervals: 1–m2–3–4–d5–m6–m7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ E F F♯ G♯ A♯ c
C D♭ E F G♭ A♭ B♭ c
                  
All The Chords Name: Mixonorian, 3imperfections
Pitch Class Set: {0,1,4,5,6,8,10}
Pitch Class Mapping: 1395 (Hex 573, Binary 010101110011)
A Study of Scales (Ian Ring) Index: 1395
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Shoolini
Mode 3 of: Porian
Mode 4 of: Neapolitan Minor
Mode 5 of: Chitrambari
Mode 6 of: Lagian
Mode 7 of: Shanmukhapriya
The name I use for this scale comes from: ChordHouse
ChordHouse name: Oriental (a)
Scale Omnibus names: Locrian Dominant; Rahawi
Oriental B
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–1–1–3–1–2
Scale degrees:
in semitones: 0–1–4–5–6–9–10–12
intervals: 1–m2–3–4–d5–6–m7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ E F F♯ A A♯ c
C D♭ E F G♭ A B♭ c
                  
All The Chords Name: Mogian, 3imperfections
Pitch Class Set: {0,1,4,5,6,9,10}
Pitch Class Mapping: 1651 (Hex 673, Binary 011001110011)
A Study of Scales (Ian Ring) Index: 1651
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ionian Augmented #2
Mode 3 of: Locrian Bb3 Bb7
Mode 4 of: Byzantine
Mode 5 of: Rasikapriya
Mode 6 of: Ultraphrygian
Mode 7 of: Maqam Nawa Athar
The name I use for this scale comes from: ChordHouse
Scala names: Oriental, Raga Ahira-Lalita, Hungarian Minor inverse, Tsinganikos: Greece
ChordHouse name: Oriental (b)
Wikipedia page related to this scale:
Piano Encyclopedia names: Minor Gipsy inverse [Romanian]; Oriental; Raga Ahira-Lalita; Tsinganikos
Scale Omnibus names: Hungarian Minor Inverse [Hungary]; Minor Gypsy Inverse; Oriental; Raga Ahira Lalita; Tsinganikos
Persian
Scale steps in semitones: 1–3–1–1–2–3–1
Scale degrees:
in semitones: 0–1–4–5–6–8–11–12
intervals: 1–m2–3–4–d5–m6–7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ E F F♯ G♯ B c
C D♭ E F G♭ A♭ B c
                  
All The Chords Name: Paptian, 2imperfections
Pitch Class Set: {0,1,4,5,6,8,11}
Pitch Class Mapping: 2419 (Hex 973, Binary 100101110011)
A Study of Scales (Ian Ring) Index: 2419
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Chalanata
Mode 3 of: Chromatic Phrygian Inverse
Mode 4 of: Maqam Athar Kurd
Mode 5 of: Chromatic Mixolydian Inverse
Mode 6 of: Chromatic Hypodorian Inverse
Mode 7 of: Chromatic Hypophrygian Inverse
The name I use for this scale comes from: ChordHouse
Scala names: Raga Lalita, Persian, Chromatic Hypolydian inverse, Raga Suddha Pancama
ChordHouse name: Persian
Wikipedia page related to this scale:
Piano Encyclopedia names: Chromatic Hypolydian Inverse; Raga Lalita; Raga Suddha Pancama
Scale Omnibus names: Chromatic Hypolydian Inverse; Persian; Raga Suddha Pancama
Purvi Theta
Scale steps in semitones: 1–3–2–1–1–3–1
Scale degrees:
in semitones: 0–1–4–6–7–8–11–12
intervals: 1–m2–3–d5–5–m6–7–8
Root, Minor 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ E F♯ G G♯ B c
C D♭ E G♭ G A♭ B c
                  
All The Chords Name: Stylian, 2imperfections
Pitch Class Set: {0,1,4,6,7,8,11}
Pitch Class Mapping: 2515 (Hex 9D3, Binary 100111010011)
A Study of Scales (Ian Ring) Index: 2515
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Blues 7-Tone
Mode 3 of: Chromatic Hypodorian
Mode 4 of: Chromatic Mixolydian
Mode 5 of: Chromatic Lydian
Mode 6 of: Chromatic Phrygian
Mode 7 of: Kanakangi
The name I use for this scale comes from: ChordHouse
Melakarta name: Kamavardini
Scala names: Chromatic Hypolydian, Purvi That, Mela Kamavardhani, Raga Shri, Pantuvarali, Basant, Kasiramakriya, Suddharamakriya, Puriya Dhanashri, Dhipaka, Pireotikos: Greece
ChordHouse names: Purvi Theta; Mela Kamavardhani
Melakarta Raga: Kamavardini
Chakra: Brama
Carnatic Degrees: R1—G3—M2—P—D1—N3
Piano Encyclopedia names: Chromatic Hypolydian; Mela Kamavardhani; Pireotikos; Raga Basant; Raga Dhipaka; Raga Kasiramakriya; Raga Pantuvarali; Raga Puriya Dhanashri; Raga Shri; Raga Suddha Ramakriya
Scale Omnibus names: Chromatic Hypolydian; Mela Kamavardhani; Pireotikos; Puravi b6; Raga Basant; Raga Dhipaka; Raga Kasiramakryia; Raga Pantuvarali; Raga Puriya Dhanashri; Raga Purvi; Raga Shri; Raga Suddha Ramakriya
Roumanian Minor
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–3–1–2–1–2
Scale degrees:
in semitones: 0–2–3–6–7–9–10–12
intervals: 1–2–m3–d5–5–6–m7–8
Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ F♯ G A A♯ c
C D E♭ G♭ G A B♭ c
                  
All The Chords Name: Katycrian, 3imperfections
Pitch Class Set: {0,2,3,6,7,9,10}
Pitch Class Mapping: 1741 (Hex 6CD, Binary 011011001101)
A Study of Scales (Ian Ring) Index: 1741
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Spanish Gypsy
Mode 3 of: Kosalam
Mode 4 of: Ultra Locrian
Mode 5 of: Harmonic Minor
Mode 6 of: Maqam Tarznauyn
Mode 7 of: Ionian Sharp 5
The name I use for this scale comes from: ChordHouse
Melakarta name: Hemavati
Scala names: Mela Hemavati, Raga Desisimharavam, Maqam Nakriz, Tunisian, Dorian sharp 4, Misheberekh: Jewish, Souzinak (Peiraiotikos Minor), Nigriz, Pimenikos: Greece, Ukrainian Minor, Kaffa, Gnossiennes
ChordHouse names: Roumanian Minor; Mela Hemavati
Melakarta Raga: Hemavati
Chakra: Disi
Carnatic Degrees: R2—G2—M2—P—D2—N2
Wikipedia pages related to this scale:
Piano Encyclopedia names: Dorian #4; Dorian #11; Gnossiennes (Satie); Kaffa; Lydian Minor b7; Maqam Hedjaz; Maqam Nakriz; Mela Hemavati; Misheberekh; Nigriz; Peiraiotikos Minor; Raga Desisimharavam; Romanian Minor; Souzinak minor; Spanish Phrygian III; Tunisian
Scale Omnibus names: Dorian #4; Gnossiennes; Kaffa; Maqam Hedjaz; Maqam Nakriz; Mela Hemavati; Misheberekh; Nigriz; Periaiotikos Minor; Raga Disisimharavam; Romanian Minor; Souzinak; Tunisian; Ukrainian Minor; Ukranian Dorian
Marva
Scale steps in semitones: 1–3–2–1–2–2–1
Scale degrees:
in semitones: 0–1–4–6–7–9–11–12
intervals: 1–m2–3–d5–5–6–7–8
Root, Minor 2nd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ E F♯ G A B c
C D♭ E G♭ G A B c
                  
All The Chords Name: Garian, 2imperfections
Pitch Class Set: {0,1,4,6,7,9,11}
Pitch Class Mapping: 2771 (Hex AD3, Binary 101011010011)
A Study of Scales (Ian Ring) Index: 2771
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Thonian
Mode 3 of: Jhankaradhwani
Mode 4 of: Stadian
Mode 5 of: Thodian
Mode 6 of: Banshikicho
Mode 7 of: Ratnangi
The name I use for this scale comes from: ChordHouse
Melakarta name: Gamanashrama
Scala names: Marva That, Mela Gamanasrama, Raga Partiravam, Puriya, Puriya Kalyan, Purvikalyani, Sohani, Bairari, Harsh-intense Major, Peiraiotikos: Greece
ChordHouse names: Mela Gamanasrama; Theta, Marva
Melakarta Raga: Gamanashrama
Chakra: Brama
Carnatic Degrees: R1—G3—M2—P—D2—N3
Piano Encyclopedia names: Houzam II [Greek]; Marwa Thaat; Mela Gamanasrama; Peiraiotikos; Raga Partiravam; Raga Puriya; Raga Puriya Kalyan; Raga Sohani
Scale Omnibus names: Mela Gamanasrama [India]; Peiraiotikos; Raga Bairari; Raga Marwa Thaat; Raga Partivaran; Raga Puriya (or Puriya Kalyan); Raga Purvikalyani; Raga Sohani
Chromatic Mixolydian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–3–1–1–3–2
Scale degrees:
in semitones: 0–1–2–5–6–7–10–12
intervals: 1–m2–2–4–d5–5–m7–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C C♯ D F F♯ G A♯ c
C D♭ D F G♭ G B♭ c
                  
All The Chords Name: Sogian, 2imperfections
Pitch Class Set: {0,1,2,5,6,7,10}
Pitch Class Mapping: 1255 (Hex 4E7, Binary 010011100111)
A Study of Scales (Ian Ring) Index: 1255
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Chromatic Lydian
Mode 3 of: Chromatic Phrygian
Mode 4 of: Kanakangi
Mode 5 of: Purvi Theta
Mode 6 of: Blues 7-Tone
Mode 7 of: Chromatic Hypodorian
The name I use for this scale comes from: Scala name
Scala name: Chromatic Mixolydian
Piano Encyclopedia name: Chromatic Mixolydian
Scale Omnibus name: Chromatic Mixolydian
Chromatic Lydian
Scale steps in semitones: 1–3–1–1–3–2–1
Scale degrees:
in semitones: 0–1–4–5–6–9–11–12
intervals: 1–m2–3–4–d5–6–7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ E F F♯ A B c
C D♭ E F G♭ A B c
                  
All The Chords Name: Gogian, 2imperfections
Pitch Class Set: {0,1,4,5,6,9,11}
Pitch Class Mapping: 2675 (Hex A73, Binary 101001110011)
A Study of Scales (Ian Ring) Index: 2675
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Chromatic Phrygian
Mode 3 of: Kanakangi
Mode 4 of: Purvi Theta
Mode 5 of: Blues 7-Tone
Mode 6 of: Chromatic Hypodorian
Mode 7 of: Chromatic Mixolydian
The name I use for this scale comes from: Scala name
Scala names: Chromatic Lydian, Raga Lalit, Bhankar
Piano Encyclopedia names: Chromatic Lydian; Raga Lalit
Scale Omnibus names: Chromatic Lydian; Raga Bhankar; Raga Lalit
Chromatic Phrygian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 3–1–1–3–2–1–1
Scale degrees:
in semitones: 0–3–4–5–8–10–11–12
intervals: 1–m3–3–4–m6–m7–7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ E F G♯ A♯ B c
C E♭ E F A♭ B♭ B c
                  
All The Chords Name: Rothian, 2imperfections
Pitch Class Set: {0,3,4,5,8,10,11}
Pitch Class Mapping: 3385 (Hex D39, Binary 110100111001)
A Study of Scales (Ian Ring) Index: 3385
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Kanakangi
Mode 3 of: Purvi Theta
Mode 4 of: Blues 7-Tone
Mode 5 of: Chromatic Hypodorian
Mode 6 of: Chromatic Mixolydian
Mode 7 of: Chromatic Lydian
The name I use for this scale comes from: Scala name
Scala name: Chromatic Phrygian
Piano Encyclopedia name: Chromatic Phrygian
Scale Omnibus name: Chromatic Phrygian
Chromatic Hypodorian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–1–3–1–1–3
Scale degrees:
in semitones: 0–2–3–4–7–8–9–12
intervals: 1–2–m3–3–5–m6–6–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C D D♯ E G G♯ A c
C D E♭ E G A♭ A c
                  
All The Chords Name: Mythian, 2imperfections
Pitch Class Set: {0,2,3,4,7,8,9}
Pitch Class Mapping: 925 (Hex 39D, Binary 001110011101)
A Study of Scales (Ian Ring) Index: 925
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Chromatic Mixolydian
Mode 3 of: Chromatic Lydian
Mode 4 of: Chromatic Phrygian
Mode 5 of: Kanakangi
Mode 6 of: Purvi Theta
Mode 7 of: Blues 7-Tone
The name I use for this scale comes from: Scala name
Scala names: Chromatic Hypodorian, Relative Blues scale, Raga Dvigandharabushini
Piano Encyclopedia names: Chromatic Hypodorian; Raga Dvigandharabushini
Scale Omnibus names: Chromatic Hypodorian; Relative Blues
Chromatic Mixolydian Inverse
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–3–1–1–3–1–1
Scale degrees:
in semitones: 0–2–5–6–7–10–11–12
intervals: 1–2–4–d5–5–m7–7–8
Root, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D F F♯ G A♯ B c
C D F G♭ G B♭ B c
                  
All The Chords Name: Phrynian, 2imperfections
Pitch Class Set: {0,2,5,6,7,10,11}
Pitch Class Mapping: 3301 (Hex CE5, Binary 110011100101)
A Study of Scales (Ian Ring) Index: 3301
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Chromatic Hypodorian Inverse
Mode 3 of: Chromatic Hypophrygian Inverse
Mode 4 of: Persian
Mode 5 of: Chalanata
Mode 6 of: Chromatic Phrygian Inverse
Mode 7 of: Maqam Athar Kurd
The name I use for this scale comes from: Scala name
Scala name: Chromatic Mixolydian inverse
Piano Encyclopedia name: Chromatic Mixolydian Inverse
Scale Omnibus name: Chromatic Mixolydian Inverse
Chromatic Phrygian Inverse
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–2–3–1–1–3
Scale degrees:
in semitones: 0–1–2–4–7–8–9–12
intervals: 1–m2–2–3–5–m6–6–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D E G G♯ A c
C D♭ D E G A♭ A c
                  
All The Chords Name: Gathain, 2imperfections
Pitch Class Set: {0,1,2,4,7,8,9}
Pitch Class Mapping: 919 (Hex 397, Binary 001110010111)
A Study of Scales (Ian Ring) Index: 919
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Maqam Athar Kurd
Mode 3 of: Chromatic Mixolydian Inverse
Mode 4 of: Chromatic Hypodorian Inverse
Mode 5 of: Chromatic Hypophrygian Inverse
Mode 6 of: Persian
Mode 7 of: Chalanata
The name I use for this scale comes from: Scala name
Scala name: Chromatic Phrygian inverse
Piano Encyclopedia name: Chromatic Phrygian Inverse
Scale Omnibus name: Chromatic Phrygian Inverse
Chromatic Hypophrygian Inverse
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–3–1–1–2–3
Scale degrees:
in semitones: 0–1–2–5–6–7–9–12
intervals: 1–m2–2–4–d5–5–6–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Octave
Pitches starting from C:
C C♯ D F F♯ G A c
C D♭ D F G♭ G A c
                  
All The Chords Name: Lanian, 2imperfections
Pitch Class Set: {0,1,2,5,6,7,9}
Pitch Class Mapping: 743 (Hex 2E7, Binary 001011100111)
A Study of Scales (Ian Ring) Index: 743
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Persian
Mode 3 of: Chalanata
Mode 4 of: Chromatic Phrygian Inverse
Mode 5 of: Maqam Athar Kurd
Mode 6 of: Chromatic Mixolydian Inverse
Mode 7 of: Chromatic Hypodorian Inverse
The name I use for this scale comes from: Scala name
Scala name: Chromatic Hypophrygian inverse
Piano Encyclopedia name: Chromatic Hypophrygian Inverse
Scale Omnibus name: Chromatic Hypophrygian Inverse
Chromatic Hypodorian Inverse
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 3–1–1–3–1–1–2
Scale degrees:
in semitones: 0–3–4–5–8–9–10–12
intervals: 1–m3–3–4–m6–6–m7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D♯ E F G♯ A A♯ c
C E♭ E F A♭ A B♭ c
                  
All The Chords Name: Epogian, 2imperfections
Pitch Class Set: {0,3,4,5,8,9,10}
Pitch Class Mapping: 1849 (Hex 739, Binary 011100111001)
A Study of Scales (Ian Ring) Index: 1849
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Chromatic Hypophrygian Inverse
Mode 3 of: Persian
Mode 4 of: Chalanata
Mode 5 of: Chromatic Phrygian Inverse
Mode 6 of: Maqam Athar Kurd
Mode 7 of: Chromatic Mixolydian Inverse
The name I use for this scale comes from: Scala name
Scala name: Chromatic Hypodorian inverse
Piano Encyclopedia name: Chromatic Hypodorian Inverse
Scale Omnibus name: Raga Dvigandharabushini [India]
Ionian Sharp 5
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–2–1–3–1–2–1
Scale degrees:
in semitones: 0–2–4–5–8–9–11–12
intervals: 1–2–3–4–m6–6–7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D E F G♯ A B c
C D E F A♭ A B c
                  
All The Chords Name: Phrothian, 3imperfections
Pitch Class Set: {0,2,4,5,8,9,11}
Pitch Class Mapping: 2869 (Hex B35, Binary 101100110101)
A Study of Scales (Ian Ring) Index: 2869
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Roumanian Minor
Mode 3 of: Spanish Gypsy
Mode 4 of: Kosalam
Mode 5 of: Ultra Locrian
Mode 6 of: Harmonic Minor
Mode 7 of: Maqam Tarznauyn
The name I use for this scale comes from: Scala name
Scala names: Ionian Augmented, Ionian sharp 5
Piano Encyclopedia names: Ionian Augmented; Ionian #5; Major Augmented
Scale Omnibus names: Harmonic Major 2; Ioanian Augmented; Ionian #5
Locrian 2
Scale steps in semitones: 2–1–2–1–2–3–1
Scale degrees:
in semitones: 0–2–3–5–6–8–11–12
intervals: 1–2–m3–4–d5–m6–7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C D D♯ F F♯ G♯ B c
C D E♭ F G♭ A♭ B c
                  
All The Chords Name: Phrydian, 4imperfections
Pitch Class Set: {0,2,3,5,6,8,11}
Pitch Class Mapping: 2413 (Hex 96D, Binary 100101101101)
A Study of Scales (Ian Ring) Index: 2413
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zyptian
Mode 3 of: Katothian
Mode 4 of: Shadvidamargini
Mode 5 of: Nohkan Flute
Mode 6 of: Hungarian Major
Mode 7 of: Ionorian
The name I use for this scale comes from: Scala name, modified by Clint
Scala name: Locrian nr.2
Scale Omnibus name: Harmonic Minor b5
Ultra Locrian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–1–2–2–1–3
Scale degrees:
in semitones: 0–1–3–4–6–8–9–12
intervals: 1–m2–m3–3–d5–m6–6–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D♯ E F♯ G♯ A c
C D♭ E♭ E G♭ A♭ A c
                  
All The Chords Name: Pathian, 3imperfections
Pitch Class Set: {0,1,3,4,6,8,9}
Pitch Class Mapping: 859 (Hex 35B, Binary 001101011011)
A Study of Scales (Ian Ring) Index: 859
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Harmonic Minor
Mode 3 of: Maqam Tarznauyn
Mode 4 of: Ionian Sharp 5
Mode 5 of: Roumanian Minor
Mode 6 of: Spanish Gypsy
Mode 7 of: Kosalam
The name I use for this scale comes from: Scala name
Scala names: Ultralocrian, Superlocrian Diminished, Mixolydian sharp 1
Piano Encyclopedia names: Altered Diminished; Diminished Locrian; Locrian Diminished; Mixolydian #1; Super Locrian diminished; Ultra Locrian
Scale Omnibus names: Mixolydian #1; Ultralocrian
Locrian Double-flat 7
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–2–1–2–1–3
Scale degrees:
in semitones: 0–1–3–5–6–8–9–12
intervals: 1–m2–m3–4–d5–m6–6–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D♯ F F♯ G♯ A c
C D♭ E♭ F G♭ A♭ A c
                  
All The Chords Name: Stothian, 3imperfections
Pitch Class Set: {0,1,3,5,6,8,9}
Pitch Class Mapping: 875 (Hex 36B, Binary 001101101011)
A Study of Scales (Ian Ring) Index: 875
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Sarasangi
Mode 3 of: Maqam Karcigar
Mode 4 of: Maqam Hüzzam Cedid
Mode 5 of: Lydian Diminished
Mode 6 of: Chakravakam
Mode 7 of: Aeolian Flat 1
The name I use for this scale comes from: Scala name
Scala name: Locrian double-flat 7
Piano Encyclopedia names: Diminished b9; Locrian b7; Locrian bb7
Scale Omnibus name: Locrian bb7
Nohkan Flute
Scale steps in semitones: 2–3–1–2–1–2–1
Scale degrees:
in semitones: 0–2–5–6–8–9–11–12
intervals: 1–2–4–d5–m6–6–7–8
Root, Major 2nd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D F F♯ G♯ A B c
C D F G♭ A♭ A B c
                  
All The Chords Name: Kocrian, 4imperfections
Pitch Class Set: {0,2,5,6,8,9,11}
Pitch Class Mapping: 2917 (Hex B65, Binary 101101100101)
A Study of Scales (Ian Ring) Index: 2917
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Hungarian Major
Mode 3 of: Ionorian
Mode 4 of: Locrian 2
Mode 5 of: Zyptian
Mode 6 of: Katothian
Mode 7 of: Shadvidamargini
The name I use for this scale comes from: Scala
Entry on the Map of Native American Flute Tunings page: Six-hole Nohkan; Seven-hole Nohkan
Scala name: Nohkan Flute scale: Japan
Piano Encyclopedia names: Hijaz [Armenian]; Nohkan Flute
Scale Omnibus names: Lydian Augmented #3; Nohkan
Blues Heptatonic II
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–2–1–1–2–1–2
Scale degrees:
in semitones: 0–3–5–6–7–9–10–12
intervals: 1–m3–4–d5–5–6–m7–8
Root, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D♯ F F♯ G A A♯ c
C E♭ F G♭ G A B♭ c
                  
All The Chords Name: Rythian, 3imperfections
Pitch Class Set: {0,3,5,6,7,9,10}
Pitch Class Mapping: 1769 (Hex 6E9, Binary 011011101001)
A Study of Scales (Ian Ring) Index: 1769
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Donian
Mode 3 of: Aeoloptian
Mode 4 of: Panian
Mode 5 of: Lodian
Mode 6 of: Solian
Mode 7 of: Ionolian
The name I use for this scale comes from: Scala name
Scala name: Blues Heptatonic II
Scale Omnibus name: Blues Heptatonic 2
Jeths' Mode
Scale steps in semitones: 2–1–2–1–3–2–1
Scale degrees:
in semitones: 0–2–3–5–6–9–11–12
intervals: 1–2–m3–4–d5–6–7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D D♯ F F♯ A B c
C D E♭ F G♭ A B c
                  
All The Chords Name: Gamian, 4imperfections
Pitch Class Set: {0,2,3,5,6,9,11}
Pitch Class Mapping: 2669 (Hex A6D, Binary 101001101101)
A Study of Scales (Ian Ring) Index: 2669
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Kathian
Mode 3 of: Lylian
Mode 4 of: Ramapriya
Mode 5 of: Pogian
Mode 6 of: Hungarian Major Inverse
Mode 7 of: Epylian
The name I use for this scale comes from: Scala name
Scala names: Jeths' mode
Piano Encyclopedia names: Jeths' mode
Scale Omnibus names: Jeths; Zangula
Modified Blues
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–1–2–1–1–3–2
Scale degrees:
in semitones: 0–2–3–5–6–7–10–12
intervals: 1–2–m3–4–d5–5–m7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C D D♯ F F♯ G A♯ c
C D E♭ F G♭ G B♭ c
                  
All The Chords Name: Aeodian, 2imperfections
Pitch Class Set: {0,2,3,5,6,7,10}
Pitch Class Mapping: 1261 (Hex 4ED, Binary 010011101101)
A Study of Scales (Ian Ring) Index: 1261
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Kycrian
Mode 3 of: Basketmaker Seven
Mode 4 of: Vanaspati
Mode 5 of: Kagian
Mode 6 of: Phrolian
Mode 7 of: Mararanjani
The name I use for this scale comes from: Scala name
Scala name: Modified Blues
Piano Encyclopedia name: Modified Blues
Scale Omnibus name: Blues Modified
Enigmatic Descending
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–3–1–3–2–1–1
Scale degrees:
in semitones: 0–1–4–5–8–10–11–12
intervals: 1–m2–3–4–m6–m7–7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ E F G♯ A♯ B c
C D♭ E F A♭ B♭ B c
                  
All The Chords Name: Sothian, 3imperfections
Pitch Class Set: {0,1,4,5,8,10,11}
Pitch Class Mapping: 3379 (Hex D33, Binary 110100110011)
A Study of Scales (Ian Ring) Index: 3379
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Phrocrian
Mode 3 of: Dhavalambari
Mode 4 of: Laptian
Mode 5 of: Lygian
Mode 6 of: Logian
Mode 7 of: Lalian
The name I use for this scale comes from: Wikipedia name
Scala names: Verdi's Scala enigmatica descending
Wikipedia page related to this scale:
Hungarian Major Inverse
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–1–2–1–2–1–3
Scale degrees:
in semitones: 0–2–3–5–6–8–9–12
intervals: 1–2–m3–4–d5–m6–6–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C D D♯ F F♯ G♯ A c
C D E♭ F G♭ A♭ A c
                  
All The Chords Name: Aeraptian, 4imperfections
Pitch Class Set: {0,2,3,5,6,8,9}
Pitch Class Mapping: 877 (Hex 36D, Binary 001101101101)
A Study of Scales (Ian Ring) Index: 877
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Epylian
Mode 3 of:
Mode 4 of: Kathian
Mode 5 of: Lylian
Mode 6 of: Ramapriya
Mode 7 of: Pogian
The name I use for this scale comes from: Scala name
Scala names: Moravian Pistalkova, Hungarian Major inverse
Piano Encyclopedia names: Locrian Nat. 2 b7; Locrian #2 bb7
Scale Omnibus name: Hungarian Major Inverse [Hungary]
Minor Gypsy Inverse
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–1–1–3–1–2
Scale degrees:
in semitones: 0–2–4–5–6–9–10–12
intervals: 1–2–3–4–d5–6–m7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D E F F♯ A A♯ c
C D E F G♭ A B♭ c
                  
All The Chords Name: Gylian, 3imperfections
Pitch Class Set: {0,2,4,5,6,9,10}
Pitch Class Mapping: 1653 (Hex 675, Binary 011001110101)
A Study of Scales (Ian Ring) Index: 1653
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Sabach
Mode 3 of: Pynian
Mode 4 of: Sooryakantam
Mode 5 of: Golian
Mode 6 of: Senavati
Mode 7 of: Latangi
The name I use for this scale comes from: Scala name, modified by Clint
Scala name: Minor Gipsy inverse
Scale Omnibus name: Mixolydian b5
Raga Rageshri
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–2–1–4–1–1–1
Scale degrees:
in semitones: 0–2–4–5–9–10–11–12
intervals: 1–2–3–4–6–m7–7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D E F A A♯ B c
C D E F A B♭ B c
                  
All The Chords Name: Kygian, 2imperfections
Pitch Class Set: {0,2,4,5,9,10,11}
Pitch Class Mapping: 3637 (Hex E35, Binary 111000110101)
A Study of Scales (Ian Ring) Index: 3637
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Mocrian
Mode 3 of: Zynian
Mode 4 of: Zogian
Mode 5 of: Epyrian
Mode 6 of: Lycrian
Mode 7 of: Daptian
The name I use for this scale comes from: Scala name
Scala name: Raga Rageshri
Piano Encyclopedia name: Raga Rageshri [Indian]
Scale Omnibus name: Raga Rageshri [India]
Raga Sorati
Scale steps in semitones: 2–3–2–2–1–1–1
Scale degrees:
in semitones: 0–2–5–7–9–10–11–12
intervals: 1–2–4–5–6–m7–7–8
Root, Major 2nd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D F G A A♯ B c
C D F G A B♭ B c
                  
All The Chords Name: Zothian, 2imperfections
Pitch Class Set: {0,2,5,7,9,10,11}
Pitch Class Mapping: 3749 (Hex EA5, Binary 111010100101)
A Study of Scales (Ian Ring) Index: 3749
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Soptian
Mode 3 of: Ionyptian
Mode 4 of: Gyrian
Mode 5 of: Zalian
Mode 6 of: Stolian
Mode 7 of: Bylian
The name I use for this scale comes from: Scala name
Scala names: Raga Sorati, Sur Malhar
Piano Encyclopedia names: Raga Sorati [Indian]; Raga Sur Malhar
Scale Omnibus names: Raga Sorati [India]; Raga Sur Malhar
Aeolian Flat 1
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–1–2–2–1–2–1
Scale degrees:
in semitones: 0–3–4–6–8–9–11–12
intervals: 1–m3–3–d5–m6–6–7–8
Root, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D♯ E F♯ G♯ A B c
C E♭ E G♭ A♭ A B c
                  
All The Chords Name: Palian, 3imperfections
Pitch Class Set: {0,3,4,6,8,9,11}
Pitch Class Mapping: 2905 (Hex B59, Binary 101101011001)
A Study of Scales (Ian Ring) Index: 2905
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Locrian Double-flat 7
Mode 3 of: Sarasangi
Mode 4 of: Maqam Karcigar
Mode 5 of: Maqam Hüzzam Cedid
Mode 6 of: Lydian Diminished
Mode 7 of: Chakravakam
The name I use for this scale comes from: Scala name
Scala name: Aeolian flat 1
Piano Encyclopedia names: Aeolian b1 [Greek]; Lydian Augmented #2
Scale Omnibus names: Aeolian b1; Lydian Augmented #2
Raga Madhuri
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 4–1–2–2–1–1–1
Scale degrees:
in semitones: 0–4–5–7–9–10–11–12
intervals: 1–3–4–5–6–m7–7–8
Root, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C E F G A A♯ B c
C E F G A B♭ B c
                  
All The Chords Name: Ionythian, 2imperfections
Pitch Class Set: {0,4,5,7,9,10,11}
Pitch Class Mapping: 3761 (Hex EB1, Binary 111010110001)
A Study of Scales (Ian Ring) Index: 3761
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeolyrian
Mode 3 of: Gorian
Mode 4 of: Aeolodian
Mode 5 of: Doptian
Mode 6 of: Pavani
Mode 7 of: Zacrian
The name I use for this scale comes from: Scala name
Scala name: Raga Madhuri
Piano Encyclopedia name: Raga Madhuri [Indian]
Scale Omnibus names: Raga Khamach [India]; Raga Madhuri
Leading Whole-tone Inverse
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–2–2–2–2–2
Scale degrees:
in semitones: 0–1–2–4–6–8–10–12
intervals: 1–m2–2–3–d5–m6–m7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D E F♯ G♯ A♯ c
C D♭ D E G♭ A♭ B♭ c
                  
All The Chords Name: Pyptian, 5imperfections
Pitch Class Set: {0,1,2,4,6,8,10}
Pitch Class Mapping: 1367 (Hex 557, Binary 010101010111)
A Study of Scales (Ian Ring) Index: 1367
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Neapolitan Major
Mode 3 of: Leading Whole Tone
Mode 4 of: Synthetic Mixture #5
Mode 5 of: Lydian Minor
Mode 6 of: Arabian
Mode 7 of: Storian
The name I use for this scale comes from: Scala name
Scala name: Leading Whole-tone inverse
Scale Omnibus names: Leading Whole-Tone Inverse; Superlocrian bb3
Debussy's Heptatonic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–1–1–1–1–3–3
Scale degrees:
in semitones: 0–2–3–4–5–6–9–12
intervals: 1–2–m3–3–4–d5–6–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Octave
Pitches starting from C:
C D D♯ E F F♯ A c
C D E♭ E F G♭ A c
                  
All The Chords Name: Katodian, 4imperfections
Pitch Class Set: {0,2,3,4,5,6,9}
Pitch Class Mapping: 637 (Hex 27D, Binary 001001111101)
A Study of Scales (Ian Ring) Index: 637
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Sadian
Mode 3 of: Dothian
Mode 4 of: Moptian
Mode 5 of: Aeryrian
Mode 6 of: Bonian
Mode 7 of: Badian
The name I use for this scale comes from: Scala name
Scala names: Debussy's Heptatonic
Ultraphrygian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–1–3–1–1–3
Scale degrees:
in semitones: 0–1–3–4–7–8–9–12
intervals: 1–m2–m3–3–5–m6–6–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D♯ E G G♯ A c
C D♭ E♭ E G A♭ A c
                  
All The Chords Name: Ionodian, 3imperfections
Pitch Class Set: {0,1,3,4,7,8,9}
Pitch Class Mapping: 923 (Hex 39B, Binary 001110011011)
A Study of Scales (Ian Ring) Index: 923
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Maqam Nawa Athar
Mode 3 of: Oriental B
Mode 4 of: Ionian Augmented #2
Mode 5 of: Locrian Bb3 Bb7
Mode 6 of: Byzantine
Mode 7 of: Rasikapriya
The name I use for this scale comes from: Wikipedia
Wikipedia page related to this scale:
Scale Omnibus name: Ultraphrygian
Ionian Augmented #2
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 3–1–1–3–1–2–1
Scale degrees:
in semitones: 0–3–4–5–8–9–11–12
intervals: 1–m3–3–4–m6–6–7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D♯ E F G♯ A B c
C E♭ E F A♭ A B c
                  
All The Chords Name: Docrian, 3imperfections
Pitch Class Set: {0,3,4,5,8,9,11}
Pitch Class Mapping: 2873 (Hex B39, Binary 101100111001)
A Study of Scales (Ian Ring) Index: 2873
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Locrian Bb3 Bb7
Mode 3 of: Byzantine
Mode 4 of: Rasikapriya
Mode 5 of: Ultraphrygian
Mode 6 of: Maqam Nawa Athar
Mode 7 of: Oriental B
The name I use for this scale comes from: Wikipedia
Wikipedia page related to this scale:
Scale Omnibus name: Ionian Augmented #2
Locrian Bb3 Bb7
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–3–1–2–1–3
Scale degrees:
in semitones: 0–1–2–5–6–8–9–12
intervals: 1–m2–2–4–d5–m6–6–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D F F♯ G♯ A c
C D♭ D F G♭ A♭ A c
                  
All The Chords Name: Epadian, 3imperfections
Pitch Class Set: {0,1,2,5,6,8,9}
Pitch Class Mapping: 871 (Hex 367, Binary 001101100111)
A Study of Scales (Ian Ring) Index: 871
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Byzantine
Mode 3 of: Rasikapriya
Mode 4 of: Ultraphrygian
Mode 5 of: Maqam Nawa Athar
Mode 6 of: Oriental B
Mode 7 of: Ionian Augmented #2
The name I use for this scale comes from: Wikipedia
Wikipedia page related to this scale:
Scale Omnibus name: Locrian bb3 bb7
Kanakangi
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–3–2–1–1–3
Scale degrees:
in semitones: 0–1–2–5–7–8–9–12
intervals: 1–m2–2–4–5–m6–6–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D F G G♯ A c
C D♭ D F G A♭ A c
                  
All The Chords Name: Katarian, 2imperfections
Pitch Class Set: {0,1,2,5,7,8,9}
Pitch Class Mapping: 935 (Hex 3A7, Binary 001110100111)
A Study of Scales (Ian Ring) Index: 935
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Purvi Theta
Mode 3 of: Blues 7-Tone
Mode 4 of: Chromatic Hypodorian
Mode 5 of: Chromatic Mixolydian
Mode 6 of: Chromatic Lydian
Mode 7 of: Chromatic Phrygian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Kanakangi
Scala names: Chromatic Dorian, Mela Kanakangi, Raga Kanakambari
ChordHouse names: Mela Bhavapriya; Mela Kanakangi
Melakarta Raga: Kanakangi
Chakra: Indu
Carnatic Degrees: R1—G3—M1—P—D1—N1
Wikipedia page related to this scale:
Piano Encyclopedia names: Chromatic Dorian; In; Mela Kanakangi; Miyako-bushi I; Raga Kanakambari
Scale Omnibus names: Chromatic Dorian; Mela Kanakangi; Raga Kanakambari
Ratnangi
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–3–2–1–2–2
Scale degrees:
in semitones: 0–1–2–5–7–8–10–12
intervals: 1–m2–2–4–5–m6–m7–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D F G G♯ A♯ c
C D♭ D F G A♭ B♭ c
                  
All The Chords Name: Mixopyrian, 2imperfections
Pitch Class Set: {0,1,2,5,7,8,10}
Pitch Class Mapping: 1447 (Hex 5A7, Binary 010110100111)
A Study of Scales (Ian Ring) Index: 1447
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Marva
Mode 3 of: Thonian
Mode 4 of: Jhankaradhwani
Mode 5 of: Stadian
Mode 6 of: Thodian
Mode 7 of: Banshikicho
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Ratnangi
Scala names: Mela Ratnangi, Raga Phenadyuti
ChordHouse name: Mela Ratnangi
Melakarta Raga: Ratnangi
Chakra: Indu
Carnatic Degrees: R1—G3—M1—P—D1—N2
Piano Encyclopedia names: Mela Ratnangi [South Indian]; Raga Phenadyuti
Scale Omnibus names: Mela Ratnangi [India]; Raga Phenadyuti
Ganamoorti
Scale steps in semitones: 1–1–3–2–1–3–1
Scale degrees:
in semitones: 0–1–2–5–7–8–11–12
intervals: 1–m2–2–4–5–m6–7–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D F G G♯ B c
C D♭ D F G A♭ B c
                  
All The Chords Name: Eparian, 3imperfections
Pitch Class Set: {0,1,2,5,7,8,11}
Pitch Class Mapping: 2471 (Hex 9A7, Binary 100110100111)
A Study of Scales (Ian Ring) Index: 2471
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Vishwambari
Mode 3 of: Katocrian
Mode 4 of: Shamalangi
Mode 5 of: Katynian
Mode 6 of: Aerycrian
Mode 7 of: Ganian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Ganamoorti
Scala names: Mela Ganamurti, Raga Ganasamavarali
ChordHouse name: Mela Ganamurti
Melakarta Raga: Ganamoorti
Chakra: Indu
Carnatic Degrees: R1—G3—M1—P—D1—N3
Piano Encyclopedia names: Mela Ganamurti [South Indian]; Raga Ganasamavarali
Scale Omnibus names: Mela Ganamurti [India]; Raga Ganasamavarali
Vanaspati
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–3–2–2–1–2
Scale degrees:
in semitones: 0–1–2–5–7–9–10–12
intervals: 1–m2–2–4–5–6–m7–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D F G A A♯ c
C D♭ D F G A B♭ c
                  
All The Chords Name: Zaptian, 2imperfections
Pitch Class Set: {0,1,2,5,7,9,10}
Pitch Class Mapping: 1703 (Hex 6A7, Binary 011010100111)
A Study of Scales (Ian Ring) Index: 1703
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Kagian
Mode 3 of: Phrolian
Mode 4 of: Mararanjani
Mode 5 of: Modified Blues
Mode 6 of: Kycrian
Mode 7 of: Basketmaker Seven
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Vanaspati
Scala names: Mela Vanaspati, Raga Bhanumati
ChordHouse name: Mela Vanaspati
Melakarta Raga: Vanaspati
Chakra: Indu
Carnatic Degrees: R1—G3—M1—P—D2—N2
Piano Encyclopedia names: Mela Vanaspati [South Indian]; Raga Bhanumati
Scale Omnibus names: Mela Venaspati [India]; Raga Bhanumati
Manavati
Scale steps in semitones: 1–1–3–2–2–2–1
Scale degrees:
in semitones: 0–1–2–5–7–9–11–12
intervals: 1–m2–2–4–5–6–7–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D F G A B c
C D♭ D F G A B c
                  
All The Chords Name: Pylian, 3imperfections
Pitch Class Set: {0,1,2,5,7,9,11}
Pitch Class Mapping: 2727 (Hex AA7, Binary 101010100111)
A Study of Scales (Ian Ring) Index: 2727
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Enigmatic
Mode 3 of: Phraptian
Mode 4 of: Kantamani
Mode 5 of: Katythian
Mode 6 of: Madian
Mode 7 of: Aerygian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Manavati
Scala names: Mela Manavati, Raga Manoranjani
ChordHouse name: Mela Manavati
Melakarta Raga: Manavati
Chakra: Indu
Carnatic Degrees: R1—G3—M1—P—D2—N3
Piano Encyclopedia names: Mela Manavati [South Indian]; Raga Manoranjani
Scale Omnibus names: Mela Manavati [India]; Raga Manoranjani
Tanaroopi
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–3–2–3–1–1
Scale degrees:
in semitones: 0–1–2–5–7–10–11–12
intervals: 1–m2–2–4–5–m7–7–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D F G A♯ B c
C D♭ D F G B♭ B c
                  
All The Chords Name: Epythian, 3imperfections
Pitch Class Set: {0,1,2,5,7,10,11}
Pitch Class Mapping: 3239 (Hex CA7, Binary 110010100111)
A Study of Scales (Ian Ring) Index: 3239
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Kaptian
Mode 3 of: Morian
Mode 4 of: Rycrian
Mode 5 of: Blues Heptatonic
Mode 6 of: Stycrian
Mode 7 of: Katorian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Tanaroopi
Scala names: Mela Tanarupi, Raga Tanukirti
ChordHouse name: Mela Tanarupi
Melakarta Raga: Tanaroopi
Chakra: Indu
Carnatic Degrees: R1—G3—M1—P—D3—N3
Piano Encyclopedia names: Mela Tanarupi [South Indian]; Raga Tanukirti
Scale Omnibus names: Mela Tenarupi [India]; Raga Tanukirti
Senavati
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–2–2–1–1–3
Scale degrees:
in semitones: 0–1–3–5–7–8–9–12
intervals: 1–m2–m3–4–5–m6–6–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D♯ F G G♯ A c
C D♭ E♭ F G A♭ A c
                  
All The Chords Name: Dyptian, 3imperfections
Pitch Class Set: {0,1,3,5,7,8,9}
Pitch Class Mapping: 939 (Hex 3AB, Binary 001110101011)
A Study of Scales (Ian Ring) Index: 939
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Latangi
Mode 3 of: Minor Gypsy Inverse
Mode 4 of: Sabach
Mode 5 of: Pynian
Mode 6 of: Sooryakantam
Mode 7 of: Golian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Senavati
Scala names: Mela Senavati, Raga Senagrani, Malini
ChordHouse name: Mela Senavati
Melakarta Raga: Senavati
Chakra: Netra
Carnatic Degrees: R1—G2—M1—P—D1—N1
Piano Encyclopedia names: Mela Senavati [South Indian]; Raga Malini; Raga Senagrani
Scale Omnibus names: Raga Malini [India]; Raga Senagrani
Roopavati
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–2–2–3–1–1
Scale degrees:
in semitones: 0–1–3–5–7–10–11–12
intervals: 1–m2–m3–4–5–m7–7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ F G A♯ B c
C D♭ E♭ F G B♭ B c
                  
All The Chords Name: Staptian, 3imperfections
Pitch Class Set: {0,1,3,5,7,10,11}
Pitch Class Mapping: 3243 (Hex CAB, Binary 110010101011)
A Study of Scales (Ian Ring) Index: 3243
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Mothian
Mode 3 of: Aeranian
Mode 4 of: Ragian
Mode 5 of: Pagian
Mode 6 of: Aeolythian
Mode 7 of: Molian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Roopavati
Scala name: Mela Rupavati
ChordHouse name: Mela Rupavati
Melakarta Raga: Roopavati
Chakra: Netra
Carnatic Degrees: R1—G2—M1—P—D3—N3
Piano Encyclopedia name: Mela Rupavati [South Indian]
Scale Omnibus name: Mela Rupavati [India]
Gayakapriya
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–1–2–1–1–3
Scale degrees:
in semitones: 0–1–4–5–7–8–9–12
intervals: 1–m2–3–4–5–m6–6–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ E F G G♯ A c
C D♭ E F G A♭ A c
                  
All The Chords Name: Modian, 3imperfections
Pitch Class Set: {0,1,4,5,7,8,9}
Pitch Class Mapping: 947 (Hex 3B3, Binary 001110110011)
A Study of Scales (Ian Ring) Index: 947
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Dhatuvardani
Mode 3 of: Mixolocrian
Mode 4 of: Sagian
Mode 5 of: Aeolothian
Mode 6 of: Socrian
Mode 7 of: Katathian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Gayakapriya
Scala names: Mela Gayakapriya, Raga Kalakanti, Gipsy Hexatonic
ChordHouse names: Mela Gayakapriya; Mela Mayamalavagaula
Melakarta Raga: Gayakapriya
Chakra: Agni
Carnatic Degrees: R1—G3—M1—P—D1—N1
Piano Encyclopedia names: Gypsy Hexatonic [Romanian]; Mela Gayakapriya; Raga Kalakanthi
Scale Omnibus names: Gypsy Hexatonic [Hungarian]; Raga Kalakanthi
Chakravakam
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–1–2–2–1–2
Scale degrees:
in semitones: 0–1–4–5–7–9–10–12
intervals: 1–m2–3–4–5–6–m7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ E F G A A♯ c
C D♭ E F G A B♭ c
                  
All The Chords Name: Aeronian, 3imperfections
Pitch Class Set: {0,1,4,5,7,9,10}
Pitch Class Mapping: 1715 (Hex 6B3, Binary 011010110011)
A Study of Scales (Ian Ring) Index: 1715
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeolian Flat 1
Mode 3 of: Locrian Double-flat 7
Mode 4 of: Sarasangi
Mode 5 of: Maqam Karcigar
Mode 6 of: Maqam Hüzzam Cedid
Mode 7 of: Lydian Diminished
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Chakravakam
Scala names: Harmonic Minor inverse, Mela Cakravaka, Raga Ahir Bhairav, Bindumalini, Vegavahini, Makam Hicaz, Zanjaran
ChordHouse name: Mela Chakravakam
Melakarta Raga: Chakravakam
Chakra: Agni
Carnatic Degrees: R1—G3—M1—P—D2—N2
Piano Encyclopedia names: Maqam Hicaz [Iraqian]; Maqam Zanjaran; Mela Cakravaka; Mixolydian b2; Mixolydian b9; Raga Ahir Bhairav; Raga Bindumalini; Raga Vegavahini
Scale Omnibus names: Harmonic Minor Inverse; Maqam Hicaz; Maqam Zanjaran; Mela Cakravka; Mixolydian b2 (or Mixolydian b9); Raga Ahir Bhairav; Raga Bindumalini; Raga Chakravakam; Raga Vagedeeshwari; Raga Vegavahini descending
Sooryakantam
Scale steps in semitones: 1–3–1–2–2–2–1
Scale degrees:
in semitones: 0–1–4–5–7–9–11–12
intervals: 1–m2–3–4–5–6–7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ E F G A B c
C D♭ E F G A B c
                  
All The Chords Name: Zanian, 3imperfections
Pitch Class Set: {0,1,4,5,7,9,11}
Pitch Class Mapping: 2739 (Hex AB3, Binary 101010110011)
A Study of Scales (Ian Ring) Index: 2739
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Golian
Mode 3 of: Senavati
Mode 4 of: Latangi
Mode 5 of: Minor Gypsy Inverse
Mode 6 of: Sabach
Mode 7 of: Pynian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Sooryakantam
Scala names: Mela Suryakanta, Bhairubahar That, Raga Supradhipam, Sowrashtram, Jaganmohini, Major-Melodic Phrygian, Hungarian Gipsy inverse
ChordHouse name: Mela Suryakantam
Melakarta Raga: Sooryakantam
Chakra: Agni
Carnatic Degrees: R1—G3—M1—P—D2—N3
Piano Encyclopedia names: Bhairubahar Thaat [North Indian]; Mela Suryakanta; Raga Sowrashtram; Raga Supradhipam
Scale Omnibus names: Gypsy Inverse [Hungary]; Mela Suryakanta; Raga Bhairubahar; Raga Sowrashtram; Raga Supradhipam
Hatakambari
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–3–1–2–3–1–1
Scale degrees:
in semitones: 0–1–4–5–7–10–11–12
intervals: 1–m2–3–4–5–m7–7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ E F G A♯ B c
C D♭ E F G B♭ B c
                  
All The Chords Name: Zodian, 3imperfections
Pitch Class Set: {0,1,4,5,7,10,11}
Pitch Class Mapping: 3251 (Hex CB3, Binary 110010110011)
A Study of Scales (Ian Ring) Index: 3251
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ranian
Mode 3 of: Gavambhodi
Mode 4 of: Podian
Mode 5 of: Ionothian
Mode 6 of: Kanian
Mode 7 of: Zylian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Hatakambari
Scala names: Mela Hatakambari, Raga Jeyasuddhamalavi
ChordHouse name: Mela Hatakambari
Melakarta Raga: Hatakambari
Chakra: Agni
Carnatic Degrees: R1—G3—M1—P—D3—N3
Piano Encyclopedia names: Mela Hatakambari [South Indian]; Raga Jeyasuddhamalavi
Scale Omnibus names: Mela Hatakambari [India]; Raga Jeyasuddhamalavi
Jhankaradhwani
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–1–2–2–1–1–3
Scale degrees:
in semitones: 0–2–3–5–7–8–9–12
intervals: 1–2–m3–4–5–m6–6–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C D D♯ F G G♯ A c
C D E♭ F G A♭ A c
                  
All The Chords Name: Phrorian, 2imperfections
Pitch Class Set: {0,2,3,5,7,8,9}
Pitch Class Mapping: 941 (Hex 3AD, Binary 001110101101)
A Study of Scales (Ian Ring) Index: 941
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Stadian
Mode 3 of: Thodian
Mode 4 of: Banshikicho
Mode 5 of: Ratnangi
Mode 6 of: Marva
Mode 7 of: Thonian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Jhankaradhwani
Scala names: Mela Jhankaradhvani, Raga Jhankara Bhramavi
ChordHouse name: Mela Jhankaradhvani
Melakarta Raga: Jhankaradhwani
Chakra: Veda
Carnatic Degrees: R2—G2—M1—P—D1—N1
Piano Encyclopedia names: Mela Jhankaradhvani [South Indian]; Raga Jhankara Bhramavi
Scale Omnibus names: Mela Jhankaradhvani [India]; Raga Jhankara Bhramavi
Varunapriya
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–1–2–2–3–1–1
Scale degrees:
in semitones: 0–2–3–5–7–10–11–12
intervals: 1–2–m3–4–5–m7–7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D D♯ F G A♯ B c
C D E♭ F G B♭ B c
                  
All The Chords Name: Aeracrian, 2imperfections
Pitch Class Set: {0,2,3,5,7,10,11}
Pitch Class Mapping: 3245 (Hex CAD, Binary 110010101101)
A Study of Scales (Ian Ring) Index: 3245
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Byptian
Mode 3 of: Darian
Mode 4 of: Lonian
Mode 5 of: Ragavardini
Mode 6 of: Sarian
Mode 7 of: Zoptian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Varunapriya
Scala names: Mela Varunapriya, Viravasantham
ChordHouse name: Mela Varunapriya
Melakarta Raga: Varunapriya
Chakra: Veda
Carnatic Degrees: R2—G2—M1—P—D3—N3
Piano Encyclopedia names: Mela Varunapriya [South Indian]; Raga Viravasantham
Scale Omnibus names: Mela Varunapriya [India]; Raga Viravasantham
Mararanjani
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–1–2–1–1–3
Scale degrees:
in semitones: 0–2–4–5–7–8–9–12
intervals: 1–2–3–4–5–m6–6–8
Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C D E F G G♯ A c
C D E F G A♭ A c
                  
All The Chords Name: Ionagian, 2imperfections
Pitch Class Set: {0,2,4,5,7,8,9}
Pitch Class Mapping: 949 (Hex 3B5, Binary 001110110101)
A Study of Scales (Ian Ring) Index: 949
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Modified Blues
Mode 3 of: Kycrian
Mode 4 of: Basketmaker Seven
Mode 5 of: Vanaspati
Mode 6 of: Kagian
Mode 7 of: Phrolian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Mararanjani
Scala names: Mela Mararanjani, Raga Keseri, Major Bebop Heptatonic
ChordHouse name: Mela Mararanjani
Melakarta Raga: Mararanjani
Chakra: Bana
Carnatic Degrees: R2—G3—M1—P—D1—N1
Piano Encyclopedia names: Mela Mararanjani [South Indian]; Raga Keseri
Scale Omnibus names: Bebop Major Heptatonic; Mela Mararanjani; Raga Keseri
Sarasangi
Scale steps in semitones: 2–2–1–2–1–3–1
Scale degrees:
in semitones: 0–2–4–5–7–8–11–12
intervals: 1–2–3–4–5–m6–7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C D E F G G♯ B c
C D E F G A♭ B c
                  
All The Chords Name: Aerorian, 3imperfections
Pitch Class Set: {0,2,4,5,7,8,11}
Pitch Class Mapping: 2485 (Hex 9B5, Binary 100110110101)
A Study of Scales (Ian Ring) Index: 2485
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Maqam Karcigar
Mode 3 of: Maqam Hüzzam Cedid
Mode 4 of: Lydian Diminished
Mode 5 of: Chakravakam
Mode 6 of: Aeolian Flat 1
Mode 7 of: Locrian Double-flat 7
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Sarasangi
Scala names: Harmonic Major, Mela Sarasangi, Raga Haripriya, Simhavahini, Mischung 2, Ethiopian, Tabahaniotikos: Greece
ChordHouse name: Mela Sarasangi
Melakarta Raga: Sarasangi
Chakra: Bana
Carnatic Degrees: R2—G3—M1—P—D1—N3
Wikipedia page related to this scale:
Piano Encyclopedia names: Ethiopian [Ethiopian]; Harmonic Major; Harmonic Major; Mela Sarasangi; Mischung 2; Raga Haripriya; Tabahaniotiko
Scale Omnibus names: Harmonic Major; Mela Sarasangi; Mischung 2; Raga Haripriya; Segiah; Tabahaniotiko
Naganandini
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–2–1–2–3–1–1
Scale degrees:
in semitones: 0–2–4–5–7–10–11–12
intervals: 1–2–3–4–5–m7–7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D E F G A♯ B c
C D E F G B♭ B c
                  
All The Chords Name: Gonian, 2imperfections
Pitch Class Set: {0,2,4,5,7,10,11}
Pitch Class Mapping: 3253 (Hex CB5, Binary 110010110101)
A Study of Scales (Ian Ring) Index: 3253
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Dalian
Mode 3 of: Bhavapriya
Mode 4 of: Zolian
Mode 5 of: Vagadheeshwari
Mode 6 of: Phradian
Mode 7 of: Aeolorian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Naganandini
Scala names: Mela Naganandini, Raga Nagabharanam, Samanta
ChordHouse name: Mela Naganandini
Melakarta Raga: Naganandini
Chakra: Bana
Carnatic Degrees: R2—G3—M1—P—D3—N3
Piano Encyclopedia names: Mela Naganandini [South Indian]; Raga Nagabharanam; Raga Samanta
Scale Omnibus names: Mela Naganandini [India]; Raga Nagabharanam; Raga Samanta
Yagapriya
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 3–1–1–2–1–1–3
Scale degrees:
in semitones: 0–3–4–5–7–8–9–12
intervals: 1–m3–3–4–5–m6–6–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C D♯ E F G G♯ A c
C E♭ E F G A♭ A c
                  
All The Chords Name: Stoptian, 3imperfections
Pitch Class Set: {0,3,4,5,7,8,9}
Pitch Class Mapping: 953 (Hex 3B9, Binary 001110111001)
A Study of Scales (Ian Ring) Index: 953
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zygian
Mode 3 of: Kataptian
Mode 4 of: Aeolaptian
Mode 5 of: Pothian
Mode 6 of: Bygian
Mode 7 of: Stalian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Yagapriya
Scala names: Mela Yagapriya, Raga Kalahamsa
ChordHouse name: Mela Yagapriya
Melakarta Raga: Yagapriya
Chakra: Ritu
Carnatic Degrees: R3—G3—M1—P—D1—N1
Piano Encyclopedia names: Mela Yagapriya [South Indian]; Raga Kalahamsa
Scale Omnibus names: Mela Yagapriya [India]; Raga Kalahamsa
Ragavardini
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–1–1–2–1–2–2
Scale degrees:
in semitones: 0–3–4–5–7–8–10–12
intervals: 1–m3–3–4–5–m6–m7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C D♯ E F G G♯ A♯ c
C E♭ E F G A♭ B♭ c
                  
All The Chords Name: Aerathian, 2imperfections
Pitch Class Set: {0,3,4,5,7,8,10}
Pitch Class Mapping: 1465 (Hex 5B9, Binary 010110111001)
A Study of Scales (Ian Ring) Index: 1465
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Sarian
Mode 3 of: Zoptian
Mode 4 of: Varunapriya
Mode 5 of: Byptian
Mode 6 of: Darian
Mode 7 of: Lonian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Ragavardini
Scala names: Mela Ragavardhani, Raga Cudamani
ChordHouse names: Mela Ragavardhani; Mela Vakulabharanam
Melakarta Raga: Ragavardini
Chakra: Ritu
Carnatic Degrees: R3—G3—M1—P—D1—N2
Piano Encyclopedia names: Mela Ragavardhani [South Indian]; Raga Cudamani
Scale Omnibus names: Mela Ragavardhani [India]; Raga Cudamani
Gangeyabhooshani
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–1–1–2–1–3–1
Scale degrees:
in semitones: 0–3–4–5–7–8–11–12
intervals: 1–m3–3–4–5–m6–7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C D♯ E F G G♯ B c
C E♭ E F G A♭ B c
                  
All The Chords Name: Syrian, 3imperfections
Pitch Class Set: {0,3,4,5,7,8,11}
Pitch Class Mapping: 2489 (Hex 9B9, Binary 100110111001)
A Study of Scales (Ian Ring) Index: 2489
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Stodian
Mode 3 of: Maqam Hüzzam Hijaz
Mode 4 of: Neetimati
Mode 5 of: Ionygian
Mode 6 of: Tholian
Mode 7 of: Raga Bhankar
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Gangeyabhooshani
Scala names: Mela Gangeyabhusani, Raga Gangatarangini, Sengiach (Sengah): Greece, Gipsy Hexatonic inverse
ChordHouse name: Mela Gangeyabhusani
Melakarta Raga: Gangeyabhooshani
Chakra: Ritu
Carnatic Degrees: R3—G3—M1—P—D1—N3
Piano Encyclopedia names: Mela Gangeyabhusani [South Indian]; Sengah
Scale Omnibus names: Gypsy Hexatonic Inverse [Hungary]; Mela Gangeyabhusani; Sengiach (or Sengah)
Vagadheeshwari
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–1–1–2–2–1–2
Scale degrees:
in semitones: 0–3–4–5–7–9–10–12
intervals: 1–m3–3–4–5–6–m7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D♯ E F G A A♯ c
C E♭ E F G A B♭ c
                  
All The Chords Name: Ionycrian, 2imperfections
Pitch Class Set: {0,3,4,5,7,9,10}
Pitch Class Mapping: 1721 (Hex 6B9, Binary 011010111001)
A Study of Scales (Ian Ring) Index: 1721
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Phradian
Mode 3 of: Aeolorian
Mode 4 of: Naganandini
Mode 5 of: Dalian
Mode 6 of: Bhavapriya
Mode 7 of: Zolian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Vagadheeshwari
Scala names: Mela Vagadhisvari, Raga Bhogachayanata, Nandkauns, Ganavaridhi, Chayanata, Bluesy Rock 'n Roll
ChordHouse name: Mela Vagadhisvari
Melakarta Raga: Vagadheeshwari
Chakra: Ritu
Carnatic Degrees: R3—G3—M1—P—D2—N2
Piano Encyclopedia names: Bluesy R and R [African]; Mela Vagadhisvari; Raga Bhogachayanata; Raga Ganavaridhi; Raga Nandkauns
Scale Omnibus names: Mela Vagadhisvari [India]; Raga Bhogachayanata; Raga Chayanata; Raga Ganavaridhi; Raga Nandkauns; Rock ‘n Roll
Shoolini
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–1–1–2–2–2–1
Scale degrees:
in semitones: 0–3–4–5–7–9–11–12
intervals: 1–m3–3–4–5–6–7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D♯ E F G A B c
C E♭ E F G A B c
                  
All The Chords Name: Dolian, 3imperfections
Pitch Class Set: {0,3,4,5,7,9,11}
Pitch Class Mapping: 2745 (Hex AB9, Binary 101010111001)
A Study of Scales (Ian Ring) Index: 2745
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Porian
Mode 3 of: Neapolitan Minor
Mode 4 of: Chitrambari
Mode 5 of: Lagian
Mode 6 of: Shanmukhapriya
Mode 7 of: Oriental A
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Shoolini
Scala names: Mela Sulini, Raga Sailadesakshi, Raga Trishuli, Houzam: Greece
ChordHouse name: Mela Sulini
Melakarta Raga: Shoolini
Chakra: Ritu
Carnatic Degrees: R3—G3—M1—P—D2—N3
Piano Encyclopedia names: Houzam I Major [Greek]; Mela Sulini; Raga Sailadesakshi; Raga Trishuli
Scale Omnibus names: Houzam (or Huzam) [Greece]; Ionian #2; Mela Sulini; Raga Sailadesakshi; Raga Trishuli
Chalanata
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 3–1–1–2–3–1–1
Scale degrees:
in semitones: 0–3–4–5–7–10–11–12
intervals: 1–m3–3–4–5–m7–7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ E F G A♯ B c
C E♭ E F G B♭ B c
                  
All The Chords Name: Ionacrian, 2imperfections
Pitch Class Set: {0,3,4,5,7,10,11}
Pitch Class Mapping: 3257 (Hex CB9, Binary 110010111001)
A Study of Scales (Ian Ring) Index: 3257
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Chromatic Phrygian Inverse
Mode 3 of: Maqam Athar Kurd
Mode 4 of: Chromatic Mixolydian Inverse
Mode 5 of: Chromatic Hypodorian Inverse
Mode 6 of: Chromatic Hypophrygian Inverse
Mode 7 of: Persian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Chalanata
Scala names: Mela Calanata, Raga None, Chromatic Dorian inverse
ChordHouse name: Mela Chalanata
Melakarta Raga: Chalanata
Chakra: Ritu
Carnatic Degrees: R3—G3—M1—P—D3—N3
Piano Encyclopedia name: Raga None [Indian]
Scale Omnibus names: Chromatic Dorian Inverse; Raga Madhuranjani; Raga Nata; Raga Nattai; Raga None
Salagam
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–4–1–1–1–3
Scale degrees:
in semitones: 0–1–2–6–7–8–9–12
intervals: 1–m2–2–d5–5–m6–6–8
Root, Minor 2nd, Major 2nd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D F♯ G G♯ A c
C D♭ D G♭ G A♭ A c
                  
All The Chords Name: Aeolanian, 2imperfections
Pitch Class Set: {0,1,2,6,7,8,9}
Pitch Class Mapping: 967 (Hex 3C7, Binary 001111000111)
A Study of Scales (Ian Ring) Index: 967
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Danian
Mode 3 of: Aeolacrian
Mode 4 of: Zythian
Mode 5 of: Dyrian
Mode 6 of: Koptian
Mode 7 of: Thocrian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Salagam
Scala name: Mela Salaga
ChordHouse name: Mela Salagam
Melakarta Raga: Salagam
Chakra: Rishi
Carnatic Degrees: R1—G1—M2—P—D1—N1
Piano Encyclopedia name: Mela Salaga [South Indian]
Scale Omnibus name: Mela Salaga [India]
Jalarnavam
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–4–1–1–2–2
Scale degrees:
in semitones: 0–1–2–6–7–8–10–12
intervals: 1–m2–2–d5–5–m6–m7–8
Root, Minor 2nd, Major 2nd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D F♯ G G♯ A♯ c
C D♭ D G♭ G A♭ B♭ c
                  
All The Chords Name: Aeolagian, 3imperfections
Pitch Class Set: {0,1,2,6,7,8,10}
Pitch Class Mapping: 1479 (Hex 5C7, Binary 010111000111)
A Study of Scales (Ian Ring) Index: 1479
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zyrian
Mode 3 of: Thacrian
Mode 4 of: Dodian
Mode 5 of: Aeolyptian
Mode 6 of: Aeolonian
Mode 7 of: Aeradian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Jalarnavam
Scala name: Mela Jalarnava
ChordHouse name: Mela Jalarnavam
Melakarta Raga: Jalarnavam
Chakra: Rishi
Carnatic Degrees: R1—G1—M2—P—D1—N2
Piano Encyclopedia name: Mela Jalarnava [South Indian]
Jhalavarali
Scale steps in semitones: 1–1–4–1–1–3–1
Scale degrees:
in semitones: 0–1–2–6–7–8–11–12
intervals: 1–m2–2–d5–5–m6–7–8
Root, Minor 2nd, Major 2nd, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D F♯ G G♯ B c
C D♭ D G♭ G A♭ B c
                  
All The Chords Name: Stonian, 2imperfections
Pitch Class Set: {0,1,2,6,7,8,11}
Pitch Class Mapping: 2503 (Hex 9C7, Binary 100111000111)
A Study of Scales (Ian Ring) Index: 2503
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Syptian
Mode 3 of: Ionarian
Mode 4 of: Dynian
Mode 5 of: Zydian
Mode 6 of: Zathian
Mode 7 of: Radian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Jhalavarali
Scala names: Mela Jhalavarali, Raga Varali, Jinavali
Melakarta Raga: Jhalavarali
Chakra: Rishi
Carnatic Degrees: R1—G1—M2—P—D1—N3
Piano Encyclopedia names: Mela Jhalavarali [South Indian]; Raga Jinavali; Raga Varali
Navaneetam
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–4–1–2–1–2
Scale degrees:
in semitones: 0–1–2–6–7–9–10–12
intervals: 1–m2–2–d5–5–6–m7–8
Root, Minor 2nd, Major 2nd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D F♯ G A A♯ c
C D♭ D G♭ G A B♭ c
                  
All The Chords Name: Dagian, 3imperfections
Pitch Class Set: {0,1,2,6,7,9,10}
Pitch Class Mapping: 1735 (Hex 6C7, Binary 011011000111)
A Study of Scales (Ian Ring) Index: 1735
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeolydian
Mode 3 of: Stygian
Mode 4 of: Aeolygian
Mode 5 of: Aerogian
Mode 6 of: Dacrian
Mode 7 of: Baptian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Navaneetam
Scala names: Mela Navanitam, Raga Nabhomani
ChordHouse names: Mela Jhalavarali; Mela Navanitam
Melakarta Raga: Navaneetam
Chakra: Rishi
Carnatic Degrees: R1—G1—M2—P—D2—N2
Piano Encyclopedia names: Mela Navanitam [South Indian]; Raga Nabhomani
Scale Omnibus name: Mela Navanitam [India]
Pavani
Scale steps in semitones: 1–1–4–1–2–2–1
Scale degrees:
in semitones: 0–1–2–6–7–9–11–12
intervals: 1–m2–2–d5–5–6–7–8
Root, Minor 2nd, Major 2nd, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D F♯ G A B c
C D♭ D G♭ G A B c
                  
All The Chords Name: Aeraphian, 2imperfections
Pitch Class Set: {0,1,2,6,7,9,11}
Pitch Class Mapping: 2759 (Hex AC7, Binary 101011000111)
A Study of Scales (Ian Ring) Index: 2759
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zacrian
Mode 3 of: Raga Madhuri
Mode 4 of: Aeolyrian
Mode 5 of: Gorian
Mode 6 of: Aeolodian
Mode 7 of: Doptian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Pavani
Scala names: Mela Pavani, Raga Kumbhini
ChordHouse names: Mela Pavani; Mela Suvarnangi
Melakarta Raga: Pavani
Chakra: Rishi
Carnatic Degrees: R1—G1—M2—P—D2—N3
Piano Encyclopedia names: Mela Pavani [South Indian]; Raga Kumbhini
Scale Omnibus names: Mela Pavani [India]; Raga Kunbhini
Raghupriya
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–4–1–3–1–1
Scale degrees:
in semitones: 0–1–2–6–7–10–11–12
intervals: 1–m2–2–d5–5–m7–7–8
Root, Minor 2nd, Major 2nd, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D F♯ G A♯ B c
C D♭ D G♭ G B♭ B c
                  
All The Chords Name: Kolian, 3imperfections
Pitch Class Set: {0,1,2,6,7,10,11}
Pitch Class Mapping: 3271 (Hex CC7, Binary 110011000111)
A Study of Scales (Ian Ring) Index: 3271
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Dycrian
Mode 3 of: Parian
Mode 4 of: Ionaptian
Mode 5 of: Thylian
Mode 6 of: Lolian
Mode 7 of: Thagian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Raghupriya
Scala names: Mela Raghupriya, Raga Ravikriya, Ghandarva
ChordHouse name: Mela Raghupriya
Melakarta Raga: Raghupriya
Chakra: Rishi
Carnatic Degrees: R1—G1—M2—P—D3—N3
Piano Encyclopedia names: Mela Raghupriya [South Indian]; Raga Ghandarva; Raga Ravikriya
Scale Omnibus names: Mela Raghupriya [India]; Raga Ghandarva; Raga Ravikriya
Gavambhodi
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–3–1–1–1–3
Scale degrees:
in semitones: 0–1–3–6–7–8–9–12
intervals: 1–m2–m3–d5–5–m6–6–8
Root, Minor 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D♯ F♯ G G♯ A c
C D♭ E♭ G♭ G A♭ A c
                  
All The Chords Name: Ladian, 3imperfections
Pitch Class Set: {0,1,3,6,7,8,9}
Pitch Class Mapping: 971 (Hex 3CB, Binary 001111001011)
A Study of Scales (Ian Ring) Index: 971
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Podian
Mode 3 of: Ionothian
Mode 4 of: Kanian
Mode 5 of: Zylian
Mode 6 of: Hatakambari
Mode 7 of: Ranian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Gavambhodi
Scala names: Mela Gavambodhi, Raga Girvani
ChordHouse name: Mela Gavambodhi
Melakarta Raga: Gavambhodi
Chakra: Vasu
Carnatic Degrees: R1—G2—M2—P—D1—N1
Piano Encyclopedia names: Mela Gavambodhi [South Indian]; Raga Girvani
Scale Omnibus names: Mela Gavambodhi [India]; Raga Girvani
Bhavapriya
Scale steps in semitones: 1–2–3–1–1–2–2
Scale degrees:
in semitones: 0–1–3–6–7–8–10–12
intervals: 1–m2–m3–d5–5–m6–m7–8
Root, Minor 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ F♯ G G♯ A♯ c
C D♭ E♭ G♭ G A♭ B♭ c
                  
All The Chords Name: Dygian, 2imperfections
Pitch Class Set: {0,1,3,6,7,8,10}
Pitch Class Mapping: 1483 (Hex 5CB, Binary 010111001011)
A Study of Scales (Ian Ring) Index: 1483
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zolian
Mode 3 of: Vagadheeshwari
Mode 4 of: Phradian
Mode 5 of: Aeolorian
Mode 6 of: Naganandini
Mode 7 of: Dalian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Bhavapriya
Scala names: Mela Bhavapriya, Raga Bhavani, Kalamurti, Neveseri ascending: Greece
Melakarta Raga: Bhavapriya
Chakra: Vasu
Carnatic Degrees: R1—G2—M2—P—D1—N2
Wikipedia page related to this scale:
- Pelog 12TET Approximation ⇒ Pelog
Piano Encyclopedia names: Mela Bhavapriya [South Indian]; Raga Bhavani; Raga Kalamurti
Scale Omnibus names: Mela Bhavapriya [India]; Raga Bhavani; Raga Kalamurti
Shadvidamargini
Scale steps in semitones: 1–2–3–1–2–1–2
Scale degrees:
in semitones: 0–1–3–6–7–9–10–12
intervals: 1–m2–m3–d5–5–6–m7–8
Root, Minor 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ F♯ G A A♯ c
C D♭ E♭ G♭ G A B♭ c
                  
All The Chords Name: Phrylian, 4imperfections
Pitch Class Set: {0,1,3,6,7,9,10}
Pitch Class Mapping: 1739 (Hex 6CB, Binary 011011001011)
A Study of Scales (Ian Ring) Index: 1739
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Nohkan Flute
Mode 3 of: Hungarian Major
Mode 4 of: Ionorian
Mode 5 of: Locrian 2
Mode 6 of: Zyptian
Mode 7 of: Katothian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Shadvidamargini
Scala names: Mela Sadvidhamargini, Raga Sthavarajam, Tivravahini
ChordHouse name: Mela Sadvidhamargini
Melakarta Raga: Shadvidamargini
Chakra: Vasu
Carnatic Degrees: R1—G2—M2—P—D2—N2
Piano Encyclopedia names: Mela Sadvidhamargini [South Indian]; Raga Sthavarajam; Raga Tivravahini
Scale Omnibus names: Dorian b9 #11; Hindi b2 b3 b7; Mela Sadvidhmargini; Raga Sthavarajam; Raga Tivravahini; Todi b7
Suvarnangi
Scale steps in semitones: 1–2–3–1–2–2–1
Scale degrees:
in semitones: 0–1–3–6–7–9–11–12
intervals: 1–m2–m3–d5–5–6–7–8
Root, Minor 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ F♯ G A B c
C D♭ E♭ G♭ G A B c
                  
All The Chords Name: Manian, 4imperfections
Pitch Class Set: {0,1,3,6,7,9,11}
Pitch Class Mapping: 2763 (Hex ACB, Binary 101011001011)
A Study of Scales (Ian Ring) Index: 2763
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Marian
Mode 3 of: Korian
Mode 4 of: Lynian
Mode 5 of: Malian
Mode 6 of: Synian
Mode 7 of: Phragian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Suvarnangi
Scala names: Mela Suvarnangi, Raga Sauviram
Melakarta Raga: Suvarnangi
Chakra: Vasu
Carnatic Degrees: R1—G2—M2—P—D2—N3
Piano Encyclopedia names: Mela Suvarnangi [South Indian]; Raga Sauviram
Scale Omnibus names: Mela Suvarnangi [India]; Raga Sauviram
Divyamani
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–3–1–3–1–1
Scale degrees:
in semitones: 0–1–3–6–7–10–11–12
intervals: 1–m2–m3–d5–5–m7–7–8
Root, Minor 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ F♯ G A♯ B c
C D♭ E♭ G♭ G B♭ B c
                  
All The Chords Name: Katadian, 3imperfections
Pitch Class Set: {0,1,3,6,7,10,11}
Pitch Class Mapping: 3275 (Hex CCB, Binary 110011001011)
A Study of Scales (Ian Ring) Index: 3275
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Kodian
Mode 3 of: Zarian
Mode 4 of: Phrythian
Mode 5 of: Rorian
Mode 6 of: Bolian
Mode 7 of:
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Divyamani
Scala name: Mela Divyamani
ChordHouse name: Mela Divyamani
Melakarta Raga: Divyamani
Chakra: Vasu
Carnatic Degrees: R1—G2—M2—P—D3—N3
Piano Encyclopedia names: Mela Divyamani [South Indian]; Raga Vamsavathi
Scale Omnibus names: Mela Divyamani [India]; Raga Vamsavathi
Dhavalambari
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–2–1–1–1–3
Scale degrees:
in semitones: 0–1–4–6–7–8–9–12
intervals: 1–m2–3–d5–5–m6–6–8
Root, Minor 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ E F♯ G G♯ A c
C D♭ E G♭ G A♭ A c
                  
All The Chords Name: Thogian, 3imperfections
Pitch Class Set: {0,1,4,6,7,8,9}
Pitch Class Mapping: 979 (Hex 3D3, Binary 001111010011)
A Study of Scales (Ian Ring) Index: 979
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Laptian
Mode 3 of: Lygian
Mode 4 of: Logian
Mode 5 of: Lalian
Mode 6 of: Enigmatic Descending
Mode 7 of: Phrocrian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Dhavalambari
Scala names: Mela Dhavalambari, Foulds' Mantra of Will scale
ChordHouse name: Mela Dhavalambari
Melakarta Raga: Dhavalambari
Chakra: Brama
Carnatic Degrees: R1—G3—M2—P—D1—N1
Piano Encyclopedia names: John Foulds' 'Mantra of Will'; Mela Dhavalambari
Scale Omnibus names: John Foulds' "Mantra Of Will"; Mela Dhavalambari
Namanarayani
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–2–1–1–2–2
Scale degrees:
in semitones: 0–1–4–6–7–8–10–12
intervals: 1–m2–3–d5–5–m6–m7–8
Root, Minor 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ E F♯ G G♯ A♯ c
C D♭ E G♭ G A♭ B♭ c
                  
All The Chords Name: Rynian, 4imperfections
Pitch Class Set: {0,1,4,6,7,8,10}
Pitch Class Mapping: 1491 (Hex 5D3, Binary 010111010011)
A Study of Scales (Ian Ring) Index: 1491
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Eporian
Mode 3 of: Rylian
Mode 4 of: Epaptian
Mode 5 of: Byrian
Mode 6 of: Katanian
Mode 7 of: Katyrian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Namanarayani
Scala names: Mela Namanarayani, Raga Narmada, Pratapa, Harsh Major-Minor
ChordHouse name: Mela Namanarayani
Melakarta Raga: Namanarayani
Chakra: Brama
Carnatic Degrees: R1—G3—M2—P—D1—N2
Piano Encyclopedia names: Mela Namanarayani [South Indian]; Purvi Thaat; Raga Narmada; Raga Pratapa
Scale Omnibus names: Mela Namanarayani [India]; Raga Narmada; Raga Pratapa; Raga Purvi Thaat
Ramapriya
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–2–1–2–1–2
Scale degrees:
in semitones: 0–1–4–6–7–9–10–12
intervals: 1–m2–3–d5–5–6–m7–8
Root, Minor 2nd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ E F♯ G A A♯ c
C D♭ E G♭ G A B♭ c
                  
All The Chords Name: Epalian, 4imperfections
Pitch Class Set: {0,1,4,6,7,9,10}
Pitch Class Mapping: 1747 (Hex 6D3, Binary 011011010011)
A Study of Scales (Ian Ring) Index: 1747
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pogian
Mode 3 of: Hungarian Major Inverse
Mode 4 of: Epylian
Mode 5 of:
Mode 6 of: Kathian
Mode 7 of: Lylian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Ramapriya
Scala names: Mela Ramapriya, Raga Ramamanohari, Romanian Major, Petrushka chord
ChordHouse name: Mela Ramapriya
Melakarta Raga: Ramapriya
Chakra: Brama
Carnatic Degrees: R1—G3—M2—P—D2—N2
Piano Encyclopedia names: Mela Ramapriya [South Indian]; Petrushka chord; Raga Ramamanohari; Romanian Major
Scale Omnibus names: Mela Ramapriya [India]; Raga Nasikabhusani; Raga Ramamahohari; Romanian Major
Vishwambari
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–3–2–1–3–1–1
Scale degrees:
in semitones: 0–1–4–6–7–10–11–12
intervals: 1–m2–3–d5–5–m7–7–8
Root, Minor 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ E F♯ G A♯ B c
C D♭ E G♭ G B♭ B c
                  
All The Chords Name: Lyrian, 3imperfections
Pitch Class Set: {0,1,4,6,7,10,11}
Pitch Class Mapping: 3283 (Hex CD3, Binary 110011010011)
A Study of Scales (Ian Ring) Index: 3283
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Katocrian
Mode 3 of: Shamalangi
Mode 4 of: Katynian
Mode 5 of: Aerycrian
Mode 6 of: Ganian
Mode 7 of: Ganamoorti
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Vishwambari
Scala names: Mela Visvambhari, Raga Vamsavathi
Melakarta Raga: Vishwambari
Chakra: Brama
Carnatic Degrees: R1—G3—M2—P—D3—N3
Piano Encyclopedia name: Mela Visvambhari [South Indian]
Scale Omnibus name: Mela Visvambhari [India]
Shamalangi
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–3–1–1–1–3
Scale degrees:
in semitones: 0–2–3–6–7–8–9–12
intervals: 1–2–m3–d5–5–m6–6–8
Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C D D♯ F♯ G G♯ A c
C D E♭ G♭ G A♭ A c
                  
All The Chords Name: Phryptian, 3imperfections
Pitch Class Set: {0,2,3,6,7,8,9}
Pitch Class Mapping: 973 (Hex 3CD, Binary 001111001101)
A Study of Scales (Ian Ring) Index: 973
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Katynian
Mode 3 of: Aerycrian
Mode 4 of: Ganian
Mode 5 of: Ganamoorti
Mode 6 of: Vishwambari
Mode 7 of: Katocrian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Shamalangi
Scala names: Mela Syamalangi, Raga Shyamalam
ChordHouse name: Mela Syamalangi
Melakarta Raga: Shamalangi
Chakra: Disi
Carnatic Degrees: R2—G2—M2—P—D1—N1
Scale Omnibus names: Mela Syamalangi [India]; Raga Shyamalam
Shanmukhapriya
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–3–1–1–2–2
Scale degrees:
in semitones: 0–2–3–6–7–8–10–12
intervals: 1–2–m3–d5–5–m6–m7–8
Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ F♯ G G♯ A♯ c
C D E♭ G♭ G A♭ B♭ c
                  
All The Chords Name: Tyrian, 3imperfections
Pitch Class Set: {0,2,3,6,7,8,10}
Pitch Class Mapping: 1485 (Hex 5CD, Binary 010111001101)
A Study of Scales (Ian Ring) Index: 1485
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Oriental A
Mode 3 of: Shoolini
Mode 4 of: Porian
Mode 5 of: Neapolitan Minor
Mode 6 of: Chitrambari
Mode 7 of: Lagian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Shanmukhapriya
Scala names: Minor Gipsy, Ukrainian Dorian, Mela Sanmukhapriya, Raga Camara, Chinthamani
ChordHouse name: Mela Sanmukhapriya
Melakarta Raga: Shanmukhapriya
Chakra: Disi
Carnatic Degrees: R2—G2—M2—P—D1—N2
Wikipedia page related to this scale:
Piano Encyclopedia names: Mela Sanmukhapriya [South Indian]; Raga Camara; Raga Chinthamani 2
Scale Omnibus names: Damian Emmanuel; Gypsy; Gypsy 2; Hungarian Gypsy; Mela Sanmukhapriya; Raga Camara; Raga Simmendramadhyamam
Neetimati
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–3–1–3–1–1
Scale degrees:
in semitones: 0–2–3–6–7–10–11–12
intervals: 1–2–m3–d5–5–m7–7–8
Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D D♯ F♯ G A♯ B c
C D E♭ G♭ G B♭ B c
                  
All The Chords Name: Zycrian, 3imperfections
Pitch Class Set: {0,2,3,6,7,10,11}
Pitch Class Mapping: 3277 (Hex CCD, Binary 110011001101)
A Study of Scales (Ian Ring) Index: 3277
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ionygian
Mode 3 of: Tholian
Mode 4 of: Raga Bhankar
Mode 5 of: Gangeyabhooshani
Mode 6 of: Stodian
Mode 7 of: Maqam Hüzzam Hijaz
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Neetimati
Scala names: Mela Nitimati, Raga Nisada, Kaikavasi
ChordHouse name: Mela Nitimati
Melakarta Raga: Neetimati
Chakra: Disi
Carnatic Degrees: R2—G2—M2—P—D3—N3
Piano Encyclopedia names: Mela Nitimati [South Indian]; Raga Kaikavasi; Raga Nisada
Scale Omnibus names: Mela Nitimati [India]; Raga Kaihavasi; Raga Nisada
Kantamani
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
or
Scale steps in semitones: 2–2–2–1–1–1–3
Scale degrees:
in semitones: 0–2–4–6–7–8–9–12
intervals: 1–2–3–d5–5–m6–6–8
Root, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C D E F♯ G G♯ A c
C D E G♭ G A♭ A c
                  
All The Chords Name: Bacrian, 3imperfections
Pitch Class Set: {0,2,4,6,7,8,9}
Pitch Class Mapping: 981 (Hex 3D5, Binary 001111010101)
A Study of Scales (Ian Ring) Index: 981
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Katythian
Mode 3 of: Madian
Mode 4 of: Aerygian
Mode 5 of: Manavati
Mode 6 of: Enigmatic
Mode 7 of: Phraptian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Kantamani
Scala names: Mela Kantamani, Raga Kuntala, Srutiranjani
ChordHouse name: Mela Kantamani
Melakarta Raga: Kantamani
Chakra: Rudra
Carnatic Degrees: R2—G3—M2—P—D1—N1
Piano Encyclopedia names: Mela Kantamani [South Indian]; Raga Kuntala; Raga Srutiranjani
Scale Omnibus names: Mela Kantamani [India]; Raga Kuntala; Raga Srutiranjani
Latangi
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–2–1–1–3–1
Scale degrees:
in semitones: 0–2–4–6–7–8–11–12
intervals: 1–2–3–d5–5–m6–7–8
Root, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C D E F♯ G G♯ B c
C D E G♭ G A♭ B c
                  
All The Chords Name: Ryphian, 3imperfections
Pitch Class Set: {0,2,4,6,7,8,11}
Pitch Class Mapping: 2517 (Hex 9D5, Binary 100111010101)
A Study of Scales (Ian Ring) Index: 2517
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Minor Gypsy Inverse
Mode 3 of: Sabach
Mode 4 of: Pynian
Mode 5 of: Sooryakantam
Mode 6 of: Golian
Mode 7 of: Senavati
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Latangi
Scala names: Harmonic Lydian, Mela Latangi, Raga Gitapriya, Hamsalata
ChordHouse name: Mela Latangi
Melakarta Raga: Latangi
Chakra: Rudra
Carnatic Degrees: R2—G3—M2—P—D1—N3
Piano Encyclopedia names: Mela Latangi [South Indian]; Raga Gitapriya; Raga Hamsalata
Scale Omnibus names: Mela Latangi [India]; Pelog; Raga Gitapriya; Raga Hamsalata
Vachaspati
Fingerings on Anasazi-7 tuned Native American flutes:
or
Scale steps in semitones: 2–2–2–1–2–1–2
Scale degrees:
in semitones: 0–2–4–6–7–9–10–12
intervals: 1–2–3–d5–5–6–m7–8
Root, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D E F♯ G A A♯ c
C D E G♭ G A B♭ c
                  
All The Chords Name: Lythian, 3imperfections
Pitch Class Set: {0,2,4,6,7,9,10}
Pitch Class Mapping: 1749 (Hex 6D5, Binary 011011010101)
A Study of Scales (Ian Ring) Index: 1749
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Hindu
Mode 3 of: Half Diminished
Mode 4 of: Diminished Whole Tone
Mode 5 of: Melodic Minor Ascending
Mode 6 of: Javaneese
Mode 7 of: Lydian Augmented
The name I use for this scale comes from: https://en.wikipedia.org/wiki/Vachaspati_(raga)
Melakarta name: Vachaspati
Scala names: Lydian Dominant, Mela Vacaspati, Raga Bhusavati, Bhusavali, Overtone, Lydian-Mixolydian, Bartok
ChordHouse names: Overtone; Overtone Dominant; Mela Vaschaspati
Melakarta Raga: Vachaspati
Chakra: Rudra
Carnatic Degrees: R2—G3—M2—P—D2—N2
Wikipedia page related to this scale:
Piano Encyclopedia names: Acoustic; Bartok; Lydian Dominant; Lydian b7; Lydian-Mixolydian; Mela Vacaspati; Mixolydian #4; Overtone; Raga Bhusavati
Scale Omnibus names: Acoustic; Bartok; Lydian b7; Lydian Dominant; Mela Vacaspati; Mixolydian #4; Overtone; Raga Bhusavati (or Bhusavali)
Chitrambari
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–2–1–3–1–1
Scale degrees:
in semitones: 0–2–4–6–7–10–11–12
intervals: 1–2–3–d5–5–m7–7–8
Root, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D E F♯ G A♯ B c
C D E G♭ G B♭ B c
                  
All The Chords Name: Zagian, 3imperfections
Pitch Class Set: {0,2,4,6,7,10,11}
Pitch Class Mapping: 3285 (Hex CD5, Binary 110011010101)
A Study of Scales (Ian Ring) Index: 3285
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Lagian
Mode 3 of: Shanmukhapriya
Mode 4 of: Oriental A
Mode 5 of: Shoolini
Mode 6 of: Porian
Mode 7 of: Neapolitan Minor
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Chitrambari
Scala names: Mela Citrambari, Raga Chaturangini
ChordHouse name: Mela Chitrambari
Melakarta Raga: Chitrambari
Chakra: Rudra
Carnatic Degrees: R2—G3—M2—P—D3—N3
Piano Encyclopedia names: Mela Citrambari [South Indian]; Raga Chaturangini
Scale Omnibus names: Lydian #6; Mela Citrambari; Raga Chaturangini
Sucharitra
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–1–2–1–1–1–3
Scale degrees:
in semitones: 0–3–4–6–7–8–9–12
intervals: 1–m3–3–d5–5–m6–6–8
Root, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C D♯ E F♯ G G♯ A c
C E♭ E G♭ G A♭ A c
                  
All The Chords Name: Raptian, 4imperfections
Pitch Class Set: {0,3,4,6,7,8,9}
Pitch Class Mapping: 985 (Hex 3D9, Binary 001111011001)
A Study of Scales (Ian Ring) Index: 985
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Epolian
Mode 3 of: Sythian
Mode 4 of: Sydian
Mode 5 of: Epocrain
Mode 6 of: Kylian
Mode 7 of: Epagian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Sucharitra
Scala names: Mela Sucaritra, Raga Santanamanjari
ChordHouse name: Mela Sucharitra
Melakarta Raga: Sucharitra
Chakra: Aditya
Carnatic Degrees: R3—G3—M2—P—D1—N1
Piano Encyclopedia names: Mela Sucaritra [South Indian]; Raga Santanamanjari
Scale Omnibus names: Raga Santanamanjari [India]; Raga Sucaritra
Jyotiswaroopini
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–1–2–1–1–2–2
Scale degrees:
in semitones: 0–3–4–6–7–8–10–12
intervals: 1–m3–3–d5–5–m6–m7–8
Root, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C D♯ E F♯ G G♯ A♯ c
C E♭ E G♭ G A♭ B♭ c
                  
All The Chords Name: Ionanian, 4imperfections
Pitch Class Set: {0,3,4,6,7,8,10}
Pitch Class Mapping: 1497 (Hex 5D9, Binary 010111011001)
A Study of Scales (Ian Ring) Index: 1497
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aerothian
Mode 3 of: Stagian
Mode 4 of: Lothian
Mode 5 of: Phrycrian
Mode 6 of: Kyptian
Mode 7 of: Ionylian
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Jyotiswaroopini
Scala names: Mela Jyotisvarupini, Raga Jotismatti
ChordHouse name: Mela Jyotisvarupini
Melakarta Raga: Jyotiswaroopini
Chakra: Aditya
Carnatic Degrees: R3—G3—M2—P—D1—N2
Piano Encyclopedia names: Mela Jyotisvarupini [South Indian]; Raga Jotismatti
Scale Omnibus names: Mela Jyotisvarupini [India]; Raga Jotismatti
Dhatuvardani
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–1–2–1–1–3–1
Scale degrees:
in semitones: 0–3–4–6–7–8–11–12
intervals: 1–m3–3–d5–5–m6–7–8
Root, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C D♯ E F♯ G G♯ B c
C E♭ E G♭ G A♭ B c
                  
All The Chords Name: Barian, 3imperfections
Pitch Class Set: {0,3,4,6,7,8,11}
Pitch Class Mapping: 2521 (Hex 9D9, Binary 100111011001)
A Study of Scales (Ian Ring) Index: 2521
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Mixolocrian
Mode 3 of: Sagian
Mode 4 of: Aeolothian
Mode 5 of: Socrian
Mode 6 of: Katathian
Mode 7 of: Gayakapriya
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Dhatuvardani
Scala names: Mela Dhatuvardhani, Raga Dhauta Pancama, Devarashtra
ChordHouse name: Mela Dhatuvardhani
Melakarta Raga: Dhatuvardani
Chakra: Aditya
Carnatic Degrees: R3—G3—M2—P—D1—N3
Piano Encyclopedia names: Mela Dhatuvardhani [South Indian]; Raga Devarashtra; Raga Dhauta Pancama
Scale Omnibus names: Mela Dhatuvardhani [India]; Raga Devarashtra; Raga Dhauta Pancama
Kosalam
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–1–2–1–2–2–1
Scale degrees:
in semitones: 0–3–4–6–7–9–11–12
intervals: 1–m3–3–d5–5–6–7–8
Root, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D♯ E F♯ G A B c
C E♭ E G♭ G A B c
                  
All The Chords Name: Bycrian, 3imperfections
Pitch Class Set: {0,3,4,6,7,9,11}
Pitch Class Mapping: 2777 (Hex AD9, Binary 101011011001)
A Study of Scales (Ian Ring) Index: 2777
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ultra Locrian
Mode 3 of: Harmonic Minor
Mode 4 of: Maqam Tarznauyn
Mode 5 of: Ionian Sharp 5
Mode 6 of: Roumanian Minor
Mode 7 of: Spanish Gypsy
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Kosalam
Scala names: Aeolian Harmonic, Lydian sharp 2, Mela Kosalam, Raga Kusumakaram
ChordHouse name: Mela Kosalam
Melakarta Raga: Kosalam
Chakra: Aditya
Carnatic Degrees: R3—G3—M2—P—D2—N3
Piano Encyclopedia names: Aeolian Harmonic [Greek]; Lydian #2; Lydian #9; Mela Kosalam; Raga Kusumakaram
Scale Omnibus names: Aeolian Harmonic; Lydian #2; Mela Kosalam; Raga Kuksumakaram
Rasikapriya
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–1–2–1–3–1–1
Scale degrees:
in semitones: 0–3–4–6–7–10–11–12
intervals: 1–m3–3–d5–5–m7–7–8
Root, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ E F♯ G A♯ B c
C E♭ E G♭ G B♭ B c
                  
All The Chords Name: Loptian, 3imperfections
Pitch Class Set: {0,3,4,6,7,10,11}
Pitch Class Mapping: 3289 (Hex CD9, Binary 110011011001)
A Study of Scales (Ian Ring) Index: 3289
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ultraphrygian
Mode 3 of: Maqam Nawa Athar
Mode 4 of: Oriental B
Mode 5 of: Ionian Augmented #2
Mode 6 of: Locrian Bb3 Bb7
Mode 7 of: Byzantine
The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)
Melakarta name: Rasikapriya
Scala names: Mela Rasikapriya, Raga Rasamanjari, Hamsagiri
ChordHouse names: Mela Rasikapriya; Mela Visvambari
Melakarta Raga: Rasikapriya
Chakra: Aditya
Carnatic Degrees: R3—G3—M2—P—D3—N3
Wikipedia page related to this scale:
Piano Encyclopedia names: Mela Rasikapriya [South Indian]; Raga Hamsagiri; Raga Rasamanjari
Scale Omnibus names: Lydian #2 #6; Mela Rasikapriya; Raga Hamsagiri; Raga Rasamanjari
Banshikicho
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–1–3–2–1–2
Scale degrees:
in semitones: 0–2–3–4–7–9–10–12
intervals: 1–2–m3–3–5–6–m7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ E G A A♯ c
C D E♭ E G A B♭ c
                  
All The Chords Name: Dogian, 2imperfections
Pitch Class Set: {0,2,3,4,7,9,10}
Pitch Class Mapping: 1693 (Hex 69D, Binary 011010011101)
A Study of Scales (Ian Ring) Index: 1693
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ratnangi
Mode 3 of: Marva
Mode 4 of: Thonian
Mode 5 of: Jhankaradhwani
Mode 6 of: Stadian
Mode 7 of: Thodian
The name I use for this scale comes from: Piano Encyclopedia / Simon Parker
Piano Encyclopedia name: Banshikicho [Japanese]
Scale Omnibus names: Banshikicho [Japan]; Bebop Minor
Blues Heptatonic
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 3–1–1–1–1–3–2
Scale degrees:
in semitones: 0–3–4–5–6–7–10–12
intervals: 1–m3–3–4–d5–5–m7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C D♯ E F F♯ G A♯ c
C E♭ E F G♭ G B♭ c
                  
All The Chords Name: Ronian, 3imperfections
Pitch Class Set: {0,3,4,5,6,7,10}
Pitch Class Mapping: 1273 (Hex 4F9, Binary 010011111001)
A Study of Scales (Ian Ring) Index: 1273
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Stycrian
Mode 3 of: Katorian
Mode 4 of: Tanaroopi
Mode 5 of: Kaptian
Mode 6 of: Morian
Mode 7 of: Rycrian
The name I use for this scale comes from: Piano Encyclopedia / Simon Parker
Piano Encyclopedia name: Blues Heptatonic [African]
Scale Omnibus name: Blues Mixed
Hijaz Major
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–4–1–2–1–1–2
Scale degrees:
in semitones: 0–1–5–6–8–9–10–12
intervals: 1–m2–4–d5–m6–6–m7–8
Root, Minor 2nd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ F F♯ G♯ A A♯ c
C D♭ F G♭ A♭ A B♭ c
                  
All The Chords Name: Thalian, 3imperfections
Pitch Class Set: {0,1,5,6,8,9,10}
Pitch Class Mapping: 1891 (Hex 763, Binary 011101100011)
A Study of Scales (Ian Ring) Index: 1891
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Stythian
Mode 3 of: Kothian
Mode 4 of: Pygian
Mode 5 of: Rodian
Mode 6 of: Sorian
Mode 7 of: Monian
The name I use for this scale comes from: Piano Encyclopedia / Simon Parker
Piano Encyclopedia name: Hijaz Major [Greek]
Scale Omnibus name: Hijaz Major [Greece]
Raga Bhankar
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–1–1–2–1–3
Scale degrees:
in semitones: 0–1–4–5–6–8–9–12
intervals: 1–m2–3–4–d5–m6–6–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ E F F♯ G♯ A c
C D♭ E F G♭ A♭ A c
                  
All The Chords Name: Ralian, 3imperfections
Pitch Class Set: {0,1,4,5,6,8,9}
Pitch Class Mapping: 883 (Hex 373, Binary 001101110011)
A Study of Scales (Ian Ring) Index: 883
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Gangeyabhooshani
Mode 3 of: Stodian
Mode 4 of: Maqam Hüzzam Hijaz
Mode 5 of: Neetimati
Mode 6 of: Ionygian
Mode 7 of: Tholian
The name I use for this scale comes from: Piano Encyclopedia / Simon Parker
Piano Encyclopedia name: Raga Bhankar [Indian]
Synthetic Mixture #5
Fingerings on Anasazi-7 tuned Native American flutes:
or
Scale steps in semitones: 2–2–2–2–1–1–2
Scale degrees:
in semitones: 0–2–4–6–8–9–10–12
intervals: 1–2–3–d5–m6–6–m7–8
Root, Major 2nd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D E F♯ G♯ A A♯ c
C D E G♭ A♭ A B♭ c
                  
All The Chords Name: Aeroptian, 5imperfections
Pitch Class Set: {0,2,4,6,8,9,10}
Pitch Class Mapping: 1877 (Hex 755, Binary 011101010101)
A Study of Scales (Ian Ring) Index: 1877
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Lydian Minor
Mode 3 of: Arabian
Mode 4 of: Storian
Mode 5 of: Leading Whole-tone Inverse
Mode 6 of: Neapolitan Major
Mode 7 of: Leading Whole Tone
The name I use for this scale comes from: Piano Encyclopedia / Simon Parker
Piano Encyclopedia name: Synthetic Mixture #5
Scale Omnibus names: Lydian Augmented Dominant; Synthetic Mixture #5
Verdi's Enigmatic Descending
Scale steps in semitones: 1–1–2–3–1–3–1
Scale degrees:
in semitones: 0–1–2–4–7–8–11–12
intervals: 1–m2–2–3–5–m6–7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D E G G♯ B c
C D♭ D E G A♭ B c
                  
All The Chords Name: Bothian, 3imperfections
Pitch Class Set: {0,1,2,4,7,8,11}
Pitch Class Mapping: 2455 (Hex 997, Binary 100110010111)
A Study of Scales (Ian Ring) Index: 2455
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Divyamani
Mode 3 of: Kodian
Mode 4 of: Zarian
Mode 5 of: Phrythian
Mode 6 of: Rorian
Mode 7 of: Bolian
The name I use for this scale comes from: Piano Encyclopedia / Simon Parker
Piano Encyclopedia names: Verdi's Enigmatic descending [Italian]
Sarian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–2–1–2–2–3
Scale degrees:
in semitones: 0–1–2–4–5–7–9–12
intervals: 1–m2–2–3–4–5–6–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Octave
Pitches starting from C:
C C♯ D E F G A c
C D♭ D E F G A c
                  
All The Chords Name: Sarian, 2imperfections
Pitch Class Set: {0,1,2,4,5,7,9}
Pitch Class Mapping: 695 (Hex 2B7, Binary 001010110111)
A Study of Scales (Ian Ring) Index: 695
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zoptian
Mode 3 of: Varunapriya
Mode 4 of: Byptian
Mode 5 of: Darian
Mode 6 of: Lonian
Mode 7 of: Ragavardini
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zoptian
Scale steps in semitones: 1–2–1–2–2–3–1
Scale degrees:
in semitones: 0–1–3–4–6–8–11–12
intervals: 1–m2–m3–3–d5–m6–7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ E F♯ G♯ B c
C D♭ E♭ E G♭ A♭ B c
                  
All The Chords Name: Zoptian, 2imperfections
Pitch Class Set: {0,1,3,4,6,8,11}
Pitch Class Mapping: 2395 (Hex 95B, Binary 100101011011)
A Study of Scales (Ian Ring) Index: 2395
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Varunapriya
Mode 3 of: Byptian
Mode 4 of: Darian
Mode 5 of: Lonian
Mode 6 of: Ragavardini
Mode 7 of: Sarian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Scale Omnibus name: Superlocrian Maj7
Byptian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–2–3–1–1–2
Scale degrees:
in semitones: 0–1–3–5–8–9–10–12
intervals: 1–m2–m3–4–m6–6–m7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ F G♯ A A♯ c
C D♭ E♭ F A♭ A B♭ c
                  
All The Chords Name: Byptian, 2imperfections
Pitch Class Set: {0,1,3,5,8,9,10}
Pitch Class Mapping: 1835 (Hex 72B, Binary 011100101011)
A Study of Scales (Ian Ring) Index: 1835
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Darian
Mode 3 of: Lonian
Mode 4 of: Ragavardini
Mode 5 of: Sarian
Mode 6 of: Zoptian
Mode 7 of: Varunapriya
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Darian
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–3–1–1–2–1
Scale degrees:
in semitones: 0–2–4–7–8–9–11–12
intervals: 1–2–3–5–m6–6–7–8
Root, Major 2nd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D E G G♯ A B c
C D E G A♭ A B c
                  
All The Chords Name: Darian, 2imperfections
Pitch Class Set: {0,2,4,7,8,9,11}
Pitch Class Mapping: 2965 (Hex B95, Binary 101110010101)
A Study of Scales (Ian Ring) Index: 2965
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Lonian
Mode 3 of: Ragavardini
Mode 4 of: Sarian
Mode 5 of: Zoptian
Mode 6 of: Varunapriya
Mode 7 of: Byptian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Lonian
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–3–1–1–2–1–2
Scale degrees:
in semitones: 0–2–5–6–7–9–10–12
intervals: 1–2–4–d5–5–6–m7–8
Root, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D F F♯ G A A♯ c
C D F G♭ G A B♭ c
                  
All The Chords Name: Lonian, 2imperfections
Pitch Class Set: {0,2,5,6,7,9,10}
Pitch Class Mapping: 1765 (Hex 6E5, Binary 011011100101)
A Study of Scales (Ian Ring) Index: 1765
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ragavardini
Mode 3 of: Sarian
Mode 4 of: Zoptian
Mode 5 of: Varunapriya
Mode 6 of: Byptian
Mode 7 of: Darian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Phradian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–2–2–1–2–3
Scale degrees:
in semitones: 0–1–2–4–6–7–9–12
intervals: 1–m2–2–3–d5–5–6–8
Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Octave
Pitches starting from C:
C C♯ D E F♯ G A c
C D♭ D E G♭ G A c
                  
All The Chords Name: Phradian, 2imperfections
Pitch Class Set: {0,1,2,4,6,7,9}
Pitch Class Mapping: 727 (Hex 2D7, Binary 001011010111)
A Study of Scales (Ian Ring) Index: 727
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeolorian
Mode 3 of: Naganandini
Mode 4 of: Dalian
Mode 5 of: Bhavapriya
Mode 6 of: Zolian
Mode 7 of: Vagadheeshwari
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeolorian
Scale steps in semitones: 1–2–2–1–2–3–1
Scale degrees:
in semitones: 0–1–3–5–6–8–11–12
intervals: 1–m2–m3–4–d5–m6–7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ F F♯ G♯ B c
C D♭ E♭ F G♭ A♭ B c
                  
All The Chords Name: Aeolorian, 2imperfections
Pitch Class Set: {0,1,3,5,6,8,11}
Pitch Class Mapping: 2411 (Hex 96B, Binary 100101101011)
A Study of Scales (Ian Ring) Index: 2411
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Naganandini
Mode 3 of: Dalian
Mode 4 of: Bhavapriya
Mode 5 of: Zolian
Mode 6 of: Vagadheeshwari
Mode 7 of: Phradian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Scale Omnibus name: Locrian Maj7
Dalian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–1–2–3–1–1–2
Scale degrees:
in semitones: 0–2–3–5–8–9–10–12
intervals: 1–2–m3–4–m6–6–m7–8
Root, Major 2nd, Minor 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ F G♯ A A♯ c
C D E♭ F A♭ A B♭ c
                  
All The Chords Name: Dalian, 2imperfections
Pitch Class Set: {0,2,3,5,8,9,10}
Pitch Class Mapping: 1837 (Hex 72D, Binary 011100101101)
A Study of Scales (Ian Ring) Index: 1837
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Bhavapriya
Mode 3 of: Zolian
Mode 4 of: Vagadheeshwari
Mode 5 of: Phradian
Mode 6 of: Aeolorian
Mode 7 of: Naganandini
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zolian
Scale steps in semitones: 2–3–1–1–2–2–1
Scale degrees:
in semitones: 0–2–5–6–7–9–11–12
intervals: 1–2–4–d5–5–6–7–8
Root, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D F F♯ G A B c
C D F G♭ G A B c
                  
All The Chords Name: Zolian, 2imperfections
Pitch Class Set: {0,2,5,6,7,9,11}
Pitch Class Mapping: 2789 (Hex AE5, Binary 101011100101)
A Study of Scales (Ian Ring) Index: 2789
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Vagadheeshwari
Mode 3 of: Phradian
Mode 4 of: Aeolorian
Mode 5 of: Naganandini
Mode 6 of: Dalian
Mode 7 of: Bhavapriya
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Stathian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–2–1–1–1–2–2
Scale degrees:
in semitones: 0–3–5–6–7–8–10–12
intervals: 1–m3–4–d5–5–m6–m7–8
Root, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C D♯ F F♯ G G♯ A♯ c
C E♭ F G♭ G A♭ B♭ c
                  
All The Chords Name: Stathian, 2imperfections
Pitch Class Set: {0,3,5,6,7,8,10}
Pitch Class Mapping: 1513 (Hex 5E9, Binary 010111101001)
A Study of Scales (Ian Ring) Index: 1513
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Mixonyphian
Mode 3 of: Magian
Mode 4 of: Dadian
Mode 5 of: Aeolylian
Mode 6 of: Gycrian
Mode 7 of: Pyrian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Mixonyphian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–1–1–1–2–2–3
Scale degrees:
in semitones: 0–2–3–4–5–7–9–12
intervals: 1–2–m3–3–4–5–6–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Octave
Pitches starting from C:
C D D♯ E F G A c
C D E♭ E F G A c
                  
All The Chords Name: Mixonyphian, 2imperfections
Pitch Class Set: {0,2,3,4,5,7,9}
Pitch Class Mapping: 701 (Hex 2BD, Binary 001010111101)
A Study of Scales (Ian Ring) Index: 701
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Magian
Mode 3 of: Dadian
Mode 4 of: Aeolylian
Mode 5 of: Gycrian
Mode 6 of: Pyrian
Mode 7 of: Stathian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Magian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–2–2–3–2
Scale degrees:
in semitones: 0–1–2–3–5–7–10–12
intervals: 1–m2–2–m3–4–5–m7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C C♯ D D♯ F G A♯ c
C D♭ D E♭ F G B♭ c
                  
All The Chords Name: Magian, 2imperfections
Pitch Class Set: {0,1,2,3,5,7,10}
Pitch Class Mapping: 1199 (Hex 4AF, Binary 010010101111)
A Study of Scales (Ian Ring) Index: 1199
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Dadian
Mode 3 of: Aeolylian
Mode 4 of: Gycrian
Mode 5 of: Pyrian
Mode 6 of: Stathian
Mode 7 of: Mixonyphian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Dadian
Scale steps in semitones: 1–1–2–2–3–2–1
Scale degrees:
in semitones: 0–1–2–4–6–9–11–12
intervals: 1–m2–2–3–d5–6–7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D E F♯ A B c
C D♭ D E G♭ A B c
                  
All The Chords Name: Dadian, 2imperfections
Pitch Class Set: {0,1,2,4,6,9,11}
Pitch Class Mapping: 2647 (Hex A57, Binary 101001010111)
A Study of Scales (Ian Ring) Index: 2647
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeolylian
Mode 3 of: Gycrian
Mode 4 of: Pyrian
Mode 5 of: Stathian
Mode 6 of: Mixonyphian
Mode 7 of: Magian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeolylian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–2–3–2–1–1
Scale degrees:
in semitones: 0–1–3–5–8–10–11–12
intervals: 1–m2–m3–4–m6–m7–7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ F G♯ A♯ B c
C D♭ E♭ F A♭ B♭ B c
                  
All The Chords Name: Aeolylian, 2imperfections
Pitch Class Set: {0,1,3,5,8,10,11}
Pitch Class Mapping: 3371 (Hex D2B, Binary 110100101011)
A Study of Scales (Ian Ring) Index: 3371
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Gycrian
Mode 3 of: Pyrian
Mode 4 of: Stathian
Mode 5 of: Mixonyphian
Mode 6 of: Magian
Mode 7 of: Dadian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Gycrian
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–3–2–1–1–1
Scale degrees:
in semitones: 0–2–4–7–9–10–11–12
intervals: 1–2–3–5–6–m7–7–8
Root, Major 2nd, Major 3rd, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D E G A A♯ B c
C D E G A B♭ B c
                  
All The Chords Name: Gycrian, 2imperfections
Pitch Class Set: {0,2,4,7,9,10,11}
Pitch Class Mapping: 3733 (Hex E95, Binary 111010010101)
A Study of Scales (Ian Ring) Index: 3733
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pyrian
Mode 3 of: Stathian
Mode 4 of: Mixonyphian
Mode 5 of: Magian
Mode 6 of: Dadian
Mode 7 of: Aeolylian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Pyrian
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–3–2–1–1–1–2
Scale degrees:
in semitones: 0–2–5–7–8–9–10–12
intervals: 1–2–4–5–m6–6–m7–8
Root, Major 2nd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D F G G♯ A A♯ c
C D F G A♭ A B♭ c
                  
All The Chords Name: Pyrian, 2imperfections
Pitch Class Set: {0,2,5,7,8,9,10}
Pitch Class Mapping: 1957 (Hex 7A5, Binary 011110100101)
A Study of Scales (Ian Ring) Index: 1957
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Stathian
Mode 3 of: Mixonyphian
Mode 4 of: Magian
Mode 5 of: Dadian
Mode 6 of: Aeolylian
Mode 7 of: Gycrian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Thonian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–2–1–2–2–1–1
Scale degrees:
in semitones: 0–3–5–6–8–10–11–12
intervals: 1–m3–4–d5–m6–m7–7–8
Root, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ F F♯ G♯ A♯ B c
C E♭ F G♭ A♭ B♭ B c
                  
All The Chords Name: Thonian, 2imperfections
Pitch Class Set: {0,3,5,6,8,10,11}
Pitch Class Mapping: 3433 (Hex D69, Binary 110101101001)
A Study of Scales (Ian Ring) Index: 3433
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Jhankaradhwani
Mode 3 of: Stadian
Mode 4 of: Thodian
Mode 5 of: Banshikicho
Mode 6 of: Ratnangi
Mode 7 of: Marva
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Stadian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–2–1–1–3–2
Scale degrees:
in semitones: 0–1–3–5–6–7–10–12
intervals: 1–m2–m3–4–d5–5–m7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ F F♯ G A♯ c
C D♭ E♭ F G♭ G B♭ c
                  
All The Chords Name: Stadian, 2imperfections
Pitch Class Set: {0,1,3,5,6,7,10}
Pitch Class Mapping: 1259 (Hex 4EB, Binary 010011101011)
A Study of Scales (Ian Ring) Index: 1259
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Thodian
Mode 3 of: Banshikicho
Mode 4 of: Ratnangi
Mode 5 of: Marva
Mode 6 of: Thonian
Mode 7 of: Jhankaradhwani
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Scale Omnibus name: Blues Phrygian
Thodian
Scale steps in semitones: 2–2–1–1–3–2–1
Scale degrees:
in semitones: 0–2–4–5–6–9–11–12
intervals: 1–2–3–4–d5–6–7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D E F F♯ A B c
C D E F G♭ A B c
                  
All The Chords Name: Thodian, 2imperfections
Pitch Class Set: {0,2,4,5,6,9,11}
Pitch Class Mapping: 2677 (Hex A75, Binary 101001110101)
A Study of Scales (Ian Ring) Index: 2677
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Banshikicho
Mode 3 of: Ratnangi
Mode 4 of: Marva
Mode 5 of: Thonian
Mode 6 of: Jhankaradhwani
Mode 7 of: Stadian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Scale Omnibus name: Ionian b5
Soptian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–2–2–1–1–1–2
Scale degrees:
in semitones: 0–3–5–7–8–9–10–12
intervals: 1–m3–4–5–m6–6–m7–8
Root, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D♯ F G G♯ A A♯ c
C E♭ F G A♭ A B♭ c
                  
All The Chords Name: Soptian, 2imperfections
Pitch Class Set: {0,3,5,7,8,9,10}
Pitch Class Mapping: 1961 (Hex 7A9, Binary 011110101001)
A Study of Scales (Ian Ring) Index: 1961
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ionyptian
Mode 3 of: Gyrian
Mode 4 of: Zalian
Mode 5 of: Stolian
Mode 6 of: Bylian
Mode 7 of: Raga Sorati
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Ionyptian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–1–1–1–2–3
Scale degrees:
in semitones: 0–2–4–5–6–7–9–12
intervals: 1–2–3–4–d5–5–6–8
Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Octave
Pitches starting from C:
C D E F F♯ G A c
C D E F G♭ G A c
                  
All The Chords Name: Ionyptian, 2imperfections
Pitch Class Set: {0,2,4,5,6,7,9}
Pitch Class Mapping: 757 (Hex 2F5, Binary 001011110101)
A Study of Scales (Ian Ring) Index: 757
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Gyrian
Mode 3 of: Zalian
Mode 4 of: Stolian
Mode 5 of: Bylian
Mode 6 of: Raga Sorati
Mode 7 of: Soptian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Gyrian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–1–1–1–2–3–2
Scale degrees:
in semitones: 0–2–3–4–5–7–10–12
intervals: 1–2–m3–3–4–5–m7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 7th, Octave
Pitches starting from C:
C D D♯ E F G A♯ c
C D E♭ E F G B♭ c
                  
All The Chords Name: Gyrian, 2imperfections
Pitch Class Set: {0,2,3,4,5,7,10}
Pitch Class Mapping: 1213 (Hex 4BD, Binary 010010111101)
A Study of Scales (Ian Ring) Index: 1213
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zalian
Mode 3 of: Stolian
Mode 4 of: Bylian
Mode 5 of: Raga Sorati
Mode 6 of: Soptian
Mode 7 of: Ionyptian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zalian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–2–3–2–2
Scale degrees:
in semitones: 0–1–2–3–5–8–10–12
intervals: 1–m2–2–m3–4–m6–m7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D D♯ F G♯ A♯ c
C D♭ D E♭ F A♭ B♭ c
                  
All The Chords Name: Zalian, 2imperfections
Pitch Class Set: {0,1,2,3,5,8,10}
Pitch Class Mapping: 1327 (Hex 52F, Binary 010100101111)
A Study of Scales (Ian Ring) Index: 1327
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Stolian
Mode 3 of: Bylian
Mode 4 of: Raga Sorati
Mode 5 of: Soptian
Mode 6 of: Ionyptian
Mode 7 of: Gyrian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Stolian
Scale steps in semitones: 1–1–2–3–2–2–1
Scale degrees:
in semitones: 0–1–2–4–7–9–11–12
intervals: 1–m2–2–3–5–6–7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D E G A B c
C D♭ D E G A B c
                  
All The Chords Name: Stolian, 2imperfections
Pitch Class Set: {0,1,2,4,7,9,11}
Pitch Class Mapping: 2711 (Hex A97, Binary 101010010111)
A Study of Scales (Ian Ring) Index: 2711
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Bylian
Mode 3 of: Raga Sorati
Mode 4 of: Soptian
Mode 5 of: Ionyptian
Mode 6 of: Gyrian
Mode 7 of: Zalian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Bylian
Scale steps in semitones: 1–2–3–2–2–1–1
Scale degrees:
in semitones: 0–1–3–6–8–10–11–12
intervals: 1–m2–m3–d5–m6–m7–7–8
Root, Minor 2nd, Minor 3rd, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ F♯ G♯ A♯ B c
C D♭ E♭ G♭ A♭ B♭ B c
                  
All The Chords Name: Bylian, 2imperfections
Pitch Class Set: {0,1,3,6,8,10,11}
Pitch Class Mapping: 3403 (Hex D4B, Binary 110101001011)
A Study of Scales (Ian Ring) Index: 3403
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Raga Sorati
Mode 3 of: Soptian
Mode 4 of: Ionyptian
Mode 5 of: Gyrian
Mode 6 of: Zalian
Mode 7 of: Stolian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Scale Omnibus name: Enigmatic Minor
Phrolian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–2–2–1–2–1–1
Scale degrees:
in semitones: 0–3–5–7–8–10–11–12
intervals: 1–m3–4–5–m6–m7–7–8
Root, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ F G G♯ A♯ B c
C E♭ F G A♭ B♭ B c
                  
All The Chords Name: Phrolian, 2imperfections
Pitch Class Set: {0,3,5,7,8,10,11}
Pitch Class Mapping: 3497 (Hex DA9, Binary 110110101001)
A Study of Scales (Ian Ring) Index: 3497
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Mararanjani
Mode 3 of: Modified Blues
Mode 4 of: Kycrian
Mode 5 of: Basketmaker Seven
Mode 6 of: Vanaspati
Mode 7 of: Kagian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Kycrian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–1–1–3–2–2
Scale degrees:
in semitones: 0–1–3–4–5–8–10–12
intervals: 1–m2–m3–3–4–m6–m7–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D♯ E F G♯ A♯ c
C D♭ E♭ E F A♭ B♭ c
                  
All The Chords Name: Kycrian, 2imperfections
Pitch Class Set: {0,1,3,4,5,8,10}
Pitch Class Mapping: 1339 (Hex 53B, Binary 010100111011)
A Study of Scales (Ian Ring) Index: 1339
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Basketmaker Seven
Mode 3 of: Vanaspati
Mode 4 of: Kagian
Mode 5 of: Phrolian
Mode 6 of: Mararanjani
Mode 7 of: Modified Blues
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Kagian
Scale steps in semitones: 1–3–2–2–1–2–1
Scale degrees:
in semitones: 0–1–4–6–8–9–11–12
intervals: 1–m2–3–d5–m6–6–7–8
Root, Minor 2nd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ E F♯ G♯ A B c
C D♭ E G♭ A♭ A B c
                  
All The Chords Name: Kagian, 2imperfections
Pitch Class Set: {0,1,4,6,8,9,11}
Pitch Class Mapping: 2899 (Hex B53, Binary 101101010011)
A Study of Scales (Ian Ring) Index: 2899
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Phrolian
Mode 3 of: Mararanjani
Mode 4 of: Modified Blues
Mode 5 of: Kycrian
Mode 6 of: Basketmaker Seven
Mode 7 of: Vanaspati
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zogian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 4–1–1–1–2–2–1
Scale degrees:
in semitones: 0–4–5–6–7–9–11–12
intervals: 1–3–4–d5–5–6–7–8
Root, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave
Pitches starting from C:
C E F F♯ G A B c
C E F G♭ G A B c
                  
All The Chords Name: Zogian, 2imperfections
Pitch Class Set: {0,4,5,6,7,9,11}
Pitch Class Mapping: 2801 (Hex AF1, Binary 101011110001)
A Study of Scales (Ian Ring) Index: 2801
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Epyrian
Mode 3 of: Lycrian
Mode 4 of: Daptian
Mode 5 of: Raga Rageshri
Mode 6 of: Mocrian
Mode 7 of: Zynian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Epyrian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–2–2–1–4
Scale degrees:
in semitones: 0–1–2–3–5–7–8–12
intervals: 1–m2–2–m3–4–5–m6–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Octave
Pitches starting from C:
C C♯ D D♯ F G G♯ c
C D♭ D E♭ F G A♭ c
                  
All The Chords Name: Epyrian, 2imperfections
Pitch Class Set: {0,1,2,3,5,7,8}
Pitch Class Mapping: 431 (Hex 1AF, Binary 000110101111)
A Study of Scales (Ian Ring) Index: 431
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Lycrian
Mode 3 of: Daptian
Mode 4 of: Raga Rageshri
Mode 5 of: Mocrian
Mode 6 of: Zynian
Mode 7 of: Zogian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Lycrian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–2–2–1–4–1
Scale degrees:
in semitones: 0–1–2–4–6–7–11–12
intervals: 1–m2–2–3–d5–5–7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Major 7th, Octave
Pitches starting from C:
C C♯ D E F♯ G B c
C D♭ D E G♭ G B c
                  
All The Chords Name: Lycrian, 2imperfections
Pitch Class Set: {0,1,2,4,6,7,11}
Pitch Class Mapping: 2263 (Hex 8D7, Binary 100011010111)
A Study of Scales (Ian Ring) Index: 2263
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Daptian
Mode 3 of: Raga Rageshri
Mode 4 of: Mocrian
Mode 5 of: Zynian
Mode 6 of: Zogian
Mode 7 of: Epyrian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Daptian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–2–1–4–1–1
Scale degrees:
in semitones: 0–1–3–5–6–10–11–12
intervals: 1–m2–m3–4–d5–m7–7–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ D♯ F F♯ A♯ B c
C D♭ E♭ F G♭ B♭ B c
                  
All The Chords Name: Daptian, 2imperfections
Pitch Class Set: {0,1,3,5,6,10,11}
Pitch Class Mapping: 3179 (Hex C6B, Binary 110001101011)
A Study of Scales (Ian Ring) Index: 3179
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Raga Rageshri
Mode 3 of: Mocrian
Mode 4 of: Zynian
Mode 5 of: Zogian
Mode 6 of: Epyrian
Mode 7 of: Lycrian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Mocrian
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–4–1–1–1–2
Scale degrees:
in semitones: 0–2–3–7–8–9–10–12
intervals: 1–2–m3–5–m6–6–m7–8
Root, Major 2nd, Minor 3rd, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ G G♯ A A♯ c
C D E♭ G A♭ A B♭ c
                  
All The Chords Name: Mocrian, 2imperfections
Pitch Class Set: {0,2,3,7,8,9,10}
Pitch Class Mapping: 1933 (Hex 78D, Binary 011110001101)
A Study of Scales (Ian Ring) Index: 1933
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zynian
Mode 3 of: Zogian
Mode 4 of: Epyrian
Mode 5 of: Lycrian
Mode 6 of: Daptian
Mode 7 of: Raga Rageshri
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zynian
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–4–1–1–1–2–2
Scale degrees:
in semitones: 0–1–5–6–7–8–10–12
intervals: 1–m2–4–d5–5–m6–m7–8
Root, Minor 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ F F♯ G G♯ A♯ c
C D♭ F G♭ G A♭ B♭ c
                  
All The Chords Name: Zynian, 2imperfections
Pitch Class Set: {0,1,5,6,7,8,10}
Pitch Class Mapping: 1507 (Hex 5E3, Binary 010111100011)
A Study of Scales (Ian Ring) Index: 1507
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zogian
Mode 3 of: Epyrian
Mode 4 of: Lycrian
Mode 5 of: Daptian
Mode 6 of: Raga Rageshri
Mode 7 of: Mocrian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeolacrian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 4–1–1–1–3–1–1
Scale degrees:
in semitones: 0–4–5–6–7–10–11–12
intervals: 1–3–4–d5–5–m7–7–8
Root, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C E F F♯ G A♯ B c
C E F G♭ G B♭ B c
                  
All The Chords Name: Aeolacrian, 2imperfections
Pitch Class Set: {0,4,5,6,7,10,11}
Pitch Class Mapping: 3313 (Hex CF1, Binary 110011110001)
A Study of Scales (Ian Ring) Index: 3313
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zythian
Mode 3 of: Dyrian
Mode 4 of: Koptian
Mode 5 of: Thocrian
Mode 6 of: Salagam
Mode 7 of: Danian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zythian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–3–1–1–4
Scale degrees:
in semitones: 0–1–2–3–6–7–8–12
intervals: 1–m2–2–m3–d5–5–m6–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Octave
Pitches starting from C:
C C♯ D D♯ F♯ G G♯ c
C D♭ D E♭ G♭ G A♭ c
                  
All The Chords Name: Zythian, 2imperfections
Pitch Class Set: {0,1,2,3,6,7,8}
Pitch Class Mapping: 463 (Hex 1CF, Binary 000111001111)
A Study of Scales (Ian Ring) Index: 463
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Dyrian
Mode 3 of: Koptian
Mode 4 of: Thocrian
Mode 5 of: Salagam
Mode 6 of: Danian
Mode 7 of: Aeolacrian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Dyrian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–3–1–1–4–1
Scale degrees:
in semitones: 0–1–2–5–6–7–11–12
intervals: 1–m2–2–4–d5–5–7–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Major 7th, Octave
Pitches starting from C:
C C♯ D F F♯ G B c
C D♭ D F G♭ G B c
                  
All The Chords Name: Dyrian, 2imperfections
Pitch Class Set: {0,1,2,5,6,7,11}
Pitch Class Mapping: 2279 (Hex 8E7, Binary 100011100111)
A Study of Scales (Ian Ring) Index: 2279
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Koptian
Mode 3 of: Thocrian
Mode 4 of: Salagam
Mode 5 of: Danian
Mode 6 of: Aeolacrian
Mode 7 of: Zythian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Koptian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–3–1–1–4–1–1
Scale degrees:
in semitones: 0–1–4–5–6–10–11–12
intervals: 1–m2–3–4–d5–m7–7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ E F F♯ A♯ B c
C D♭ E F G♭ B♭ B c
                  
All The Chords Name: Koptian, 2imperfections
Pitch Class Set: {0,1,4,5,6,10,11}
Pitch Class Mapping: 3187 (Hex C73, Binary 110001110011)
A Study of Scales (Ian Ring) Index: 3187
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Thocrian
Mode 3 of: Salagam
Mode 4 of: Danian
Mode 5 of: Aeolacrian
Mode 6 of: Zythian
Mode 7 of: Dyrian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Thocrian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 3–1–1–4–1–1–1
Scale degrees:
in semitones: 0–3–4–5–9–10–11–12
intervals: 1–m3–3–4–6–m7–7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ E F A A♯ B c
C E♭ E F A B♭ B c
                  
All The Chords Name: Thocrian, 2imperfections
Pitch Class Set: {0,3,4,5,9,10,11}
Pitch Class Mapping: 3641 (Hex E39, Binary 111000111001)
A Study of Scales (Ian Ring) Index: 3641
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Salagam
Mode 3 of: Danian
Mode 4 of: Aeolacrian
Mode 5 of: Zythian
Mode 6 of: Dyrian
Mode 7 of: Koptian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Danian
Scale steps in semitones: 1–4–1–1–1–3–1
Scale degrees:
in semitones: 0–1–5–6–7–8–11–12
intervals: 1–m2–4–d5–5–m6–7–8
Root, Minor 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ F F♯ G G♯ B c
C D♭ F G♭ G A♭ B c
                  
All The Chords Name: Danian, 2imperfections
Pitch Class Set: {0,1,5,6,7,8,11}
Pitch Class Mapping: 2531 (Hex 9E3, Binary 100111100011)
A Study of Scales (Ian Ring) Index: 2531
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeolacrian
Mode 3 of: Zythian
Mode 4 of: Dyrian
Mode 5 of: Koptian
Mode 6 of: Thocrian
Mode 7 of: Salagam
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Ionarian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 4–1–1–3–1–1–1
Scale degrees:
in semitones: 0–4–5–6–9–10–11–12
intervals: 1–3–4–d5–6–m7–7–8
Root, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C E F F♯ A A♯ B c
C E F G♭ A B♭ B c
                  
All The Chords Name: Ionarian, 2imperfections
Pitch Class Set: {0,4,5,6,9,10,11}
Pitch Class Mapping: 3697 (Hex E71, Binary 111001110001)
A Study of Scales (Ian Ring) Index: 3697
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Dynian
Mode 3 of: Zydian
Mode 4 of: Zathian
Mode 5 of: Radian
Mode 6 of: Jhalavarali
Mode 7 of: Syptian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Dynian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–3–1–1–1–4
Scale degrees:
in semitones: 0–1–2–5–6–7–8–12
intervals: 1–m2–2–4–d5–5–m6–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Octave
Pitches starting from C:
C C♯ D F F♯ G G♯ c
C D♭ D F G♭ G A♭ c
                  
All The Chords Name: Dynian, 2imperfections
Pitch Class Set: {0,1,2,5,6,7,8}
Pitch Class Mapping: 487 (Hex 1E7, Binary 000111100111)
A Study of Scales (Ian Ring) Index: 487
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zydian
Mode 3 of: Zathian
Mode 4 of: Radian
Mode 5 of: Jhalavarali
Mode 6 of: Syptian
Mode 7 of: Ionarian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zydian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–3–1–1–1–4–1
Scale degrees:
in semitones: 0–1–4–5–6–7–11–12
intervals: 1–m2–3–4–d5–5–7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 7th, Octave
Pitches starting from C:
C C♯ E F F♯ G B c
C D♭ E F G♭ G B c
                  
All The Chords Name: Zydian, 2imperfections
Pitch Class Set: {0,1,4,5,6,7,11}
Pitch Class Mapping: 2291 (Hex 8F3, Binary 100011110011)
A Study of Scales (Ian Ring) Index: 2291
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zathian
Mode 3 of: Radian
Mode 4 of: Jhalavarali
Mode 5 of: Syptian
Mode 6 of: Ionarian
Mode 7 of: Dynian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zathian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 3–1–1–1–4–1–1
Scale degrees:
in semitones: 0–3–4–5–6–10–11–12
intervals: 1–m3–3–4–d5–m7–7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ E F F♯ A♯ B c
C E♭ E F G♭ B♭ B c
                  
All The Chords Name: Zathian, 2imperfections
Pitch Class Set: {0,3,4,5,6,10,11}
Pitch Class Mapping: 3193 (Hex C79, Binary 110001111001)
A Study of Scales (Ian Ring) Index: 3193
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Radian
Mode 3 of: Jhalavarali
Mode 4 of: Syptian
Mode 5 of: Ionarian
Mode 6 of: Dynian
Mode 7 of: Zydian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Radian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–4–1–1–3
Scale degrees:
in semitones: 0–1–2–3–7–8–9–12
intervals: 1–m2–2–m3–5–m6–6–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D D♯ G G♯ A c
C D♭ D E♭ G A♭ A c
                  
All The Chords Name: Radian, 2imperfections
Pitch Class Set: {0,1,2,3,7,8,9}
Pitch Class Mapping: 911 (Hex 38F, Binary 001110001111)
A Study of Scales (Ian Ring) Index: 911
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Jhalavarali
Mode 3 of: Syptian
Mode 4 of: Ionarian
Mode 5 of: Dynian
Mode 6 of: Zydian
Mode 7 of: Zathian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Syptian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–4–1–1–3–1–1
Scale degrees:
in semitones: 0–1–5–6–7–10–11–12
intervals: 1–m2–4–d5–5–m7–7–8
Root, Minor 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ F F♯ G A♯ B c
C D♭ F G♭ G B♭ B c
                  
All The Chords Name: Syptian, 2imperfections
Pitch Class Set: {0,1,5,6,7,10,11}
Pitch Class Mapping: 3299 (Hex CE3, Binary 110011100011)
A Study of Scales (Ian Ring) Index: 3299
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ionarian
Mode 3 of: Dynian
Mode 4 of: Zydian
Mode 5 of: Zathian
Mode 6 of: Radian
Mode 7 of: Jhalavarali
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeolyrian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–2–2–1–1–1–4
Scale degrees:
in semitones: 0–1–3–5–6–7–8–12
intervals: 1–m2–m3–4–d5–5–m6–8
Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Octave
Pitches starting from C:
C C♯ D♯ F F♯ G G♯ c
C D♭ E♭ F G♭ G A♭ c
                  
All The Chords Name: Aeolyrian, 2imperfections
Pitch Class Set: {0,1,3,5,6,7,8}
Pitch Class Mapping: 491 (Hex 1EB, Binary 000111101011)
A Study of Scales (Ian Ring) Index: 491
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Gorian
Mode 3 of: Aeolodian
Mode 4 of: Doptian
Mode 5 of: Pavani
Mode 6 of: Zacrian
Mode 7 of: Raga Madhuri
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Gorian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–2–1–1–1–4–1
Scale degrees:
in semitones: 0–2–4–5–6–7–11–12
intervals: 1–2–3–4–d5–5–7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 7th, Octave
Pitches starting from C:
C D E F F♯ G B c
C D E F G♭ G B c
                  
All The Chords Name: Gorian, 2imperfections
Pitch Class Set: {0,2,4,5,6,7,11}
Pitch Class Mapping: 2293 (Hex 8F5, Binary 100011110101)
A Study of Scales (Ian Ring) Index: 2293
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeolodian
Mode 3 of: Doptian
Mode 4 of: Pavani
Mode 5 of: Zacrian
Mode 6 of: Raga Madhuri
Mode 7 of: Aeolyrian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeolodian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 2–1–1–1–4–1–2
Scale degrees:
in semitones: 0–2–3–4–5–9–10–12
intervals: 1–2–m3–3–4–6–m7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D D♯ E F A A♯ c
C D E♭ E F A B♭ c
                  
All The Chords Name: Aeolodian, 2imperfections
Pitch Class Set: {0,2,3,4,5,9,10}
Pitch Class Mapping: 1597 (Hex 63D, Binary 011000111101)
A Study of Scales (Ian Ring) Index: 1597
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Doptian
Mode 3 of: Pavani
Mode 4 of: Zacrian
Mode 5 of: Raga Madhuri
Mode 6 of: Aeolyrian
Mode 7 of: Gorian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Doptian
Scale steps in semitones: 1–1–1–4–1–2–2
Scale degrees:
in semitones: 0–1–2–3–7–8–10–12
intervals: 1–m2–2–m3–5–m6–m7–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D D♯ G G♯ A♯ c
C D♭ D E♭ G A♭ B♭ c
                  
All The Chords Name: Doptian, 2imperfections
Pitch Class Set: {0,1,2,3,7,8,10}
Pitch Class Mapping: 1423 (Hex 58F, Binary 010110001111)
A Study of Scales (Ian Ring) Index: 1423
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pavani
Mode 3 of: Zacrian
Mode 4 of: Raga Madhuri
Mode 5 of: Aeolyrian
Mode 6 of: Gorian
Mode 7 of: Aeolodian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zacrian
Scale steps in semitones: 1–4–1–2–2–1–1
Scale degrees:
in semitones: 0–1–5–6–8–10–11–12
intervals: 1–m2–4–d5–m6–m7–7–8
Root, Minor 2nd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C C♯ F F♯ G♯ A♯ B c
C D♭ F G♭ A♭ B♭ B c
                  
All The Chords Name: Zacrian, 2imperfections
Pitch Class Set: {0,1,5,6,8,10,11}
Pitch Class Mapping: 3427 (Hex D63, Binary 110101100011)
A Study of Scales (Ian Ring) Index: 3427
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Raga Madhuri
Mode 3 of: Aeolyrian
Mode 4 of: Gorian
Mode 5 of: Aeolodian
Mode 6 of: Doptian
Mode 7 of: Pavani
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Pagian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–1–1–1–2–2–2
Scale degrees:
in semitones: 0–3–4–5–6–8–10–12
intervals: 1–m3–3–4–d5–m6–m7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C D♯ E F F♯ G♯ A♯ c
C E♭ E F G♭ A♭ B♭ c
                  
All The Chords Name: Pagian, 3imperfections
Pitch Class Set: {0,3,4,5,6,8,10}
Pitch Class Mapping: 1401 (Hex 579, Binary 010101111001)
A Study of Scales (Ian Ring) Index: 1401
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeolythian
Mode 3 of: Molian
Mode 4 of: Roopavati
Mode 5 of: Mothian
Mode 6 of: Aeranian
Mode 7 of: Ragian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Scale Omnibus name: Spanish Heptatonic [Spain]
Aeolythian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–2–2–2–3
Scale degrees:
in semitones: 0–1–2–3–5–7–9–12
intervals: 1–m2–2–m3–4–5–6–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Major 6th, Octave
Pitches starting from C:
C C♯ D D♯ F G A c
C D♭ D E♭ F G A c
                  
All The Chords Name: Aeolythian, 3imperfections
Pitch Class Set: {0,1,2,3,5,7,9}
Pitch Class Mapping: 687 (Hex 2AF, Binary 001010101111)
A Study of Scales (Ian Ring) Index: 687
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Molian
Mode 3 of: Roopavati
Mode 4 of: Mothian
Mode 5 of: Aeranian
Mode 6 of: Ragian
Mode 7 of: Pagian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Molian
Scale steps in semitones: 1–1–2–2–2–3–1
Scale degrees:
in semitones: 0–1–2–4–6–8–11–12
intervals: 1–m2–2–3–d5–m6–7–8
Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D E F♯ G♯ B c
C D♭ D E G♭ A♭ B c
                  
All The Chords Name: Molian, 3imperfections
Pitch Class Set: {0,1,2,4,6,8,11}
Pitch Class Mapping: 2391 (Hex 957, Binary 100101010111)
A Study of Scales (Ian Ring) Index: 2391
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Roopavati
Mode 3 of: Mothian
Mode 4 of: Aeranian
Mode 5 of: Ragian
Mode 6 of: Pagian
Mode 7 of: Aeolythian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Mothian
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–2–3–1–1–1
Scale degrees:
in semitones: 0–2–4–6–9–10–11–12
intervals: 1–2–3–d5–6–m7–7–8
Root, Major 2nd, Major 3rd, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D E F♯ A A♯ B c
C D E G♭ A B♭ B c
                  
All The Chords Name: Mothian, 3imperfections
Pitch Class Set: {0,2,4,6,9,10,11}
Pitch Class Mapping: 3669 (Hex E55, Binary 111001010101)
A Study of Scales (Ian Ring) Index: 3669
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeranian
Mode 3 of: Ragian
Mode 4 of: Pagian
Mode 5 of: Aeolythian
Mode 6 of: Molian
Mode 7 of: Roopavati
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Aeranian
Fingerings on Anasazi-7 tuned Native American flutes:
or
Scale steps in semitones: 2–2–3–1–1–1–2
Scale degrees:
in semitones: 0–2–4–7–8–9–10–12
intervals: 1–2–3–5–m6–6–m7–8
Root, Major 2nd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D E G G♯ A A♯ c
C D E G A♭ A B♭ c
                  
All The Chords Name: Aeranian, 3imperfections
Pitch Class Set: {0,2,4,7,8,9,10}
Pitch Class Mapping: 1941 (Hex 795, Binary 011110010101)
A Study of Scales (Ian Ring) Index: 1941
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ragian
Mode 3 of: Pagian
Mode 4 of: Aeolythian
Mode 5 of: Molian
Mode 6 of: Roopavati
Mode 7 of: Mothian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Ragian
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–3–1–1–1–2–2
Scale degrees:
in semitones: 0–2–5–6–7–8–10–12
intervals: 1–2–4–d5–5–m6–m7–8
Root, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C D F F♯ G G♯ A♯ c
C D F G♭ G A♭ B♭ c
                  
All The Chords Name: Ragian, 3imperfections
Pitch Class Set: {0,2,5,6,7,8,10}
Pitch Class Mapping: 1509 (Hex 5E5, Binary 010111100101)
A Study of Scales (Ian Ring) Index: 1509
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Pagian
Mode 3 of: Aeolythian
Mode 4 of: Molian
Mode 5 of: Roopavati
Mode 6 of: Mothian
Mode 7 of: Aeranian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Porian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–2–2–2–1–3
Scale degrees:
in semitones: 0–1–2–4–6–8–9–12
intervals: 1–m2–2–3–d5–m6–6–8
Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D E F♯ G♯ A c
C D♭ D E G♭ A♭ A c
                  
All The Chords Name: Porian, 3imperfections
Pitch Class Set: {0,1,2,4,6,8,9}
Pitch Class Mapping: 855 (Hex 357, Binary 001101010111)
A Study of Scales (Ian Ring) Index: 855
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Neapolitan Minor
Mode 3 of: Chitrambari
Mode 4 of: Lagian
Mode 5 of: Shanmukhapriya
Mode 6 of: Oriental A
Mode 7 of: Shoolini
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Scale Omnibus name: Ultralocrian bb3
Lagian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–2–1–3–1–1–2
Scale degrees:
in semitones: 0–2–4–5–8–9–10–12
intervals: 1–2–3–4–m6–6–m7–8
Root, Major 2nd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D E F G♯ A A♯ c
C D E F A♭ A B♭ c
                  
All The Chords Name: Lagian, 3imperfections
Pitch Class Set: {0,2,4,5,8,9,10}
Pitch Class Mapping: 1845 (Hex 735, Binary 011100110101)
A Study of Scales (Ian Ring) Index: 1845
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Shanmukhapriya
Mode 3 of: Oriental A
Mode 4 of: Shoolini
Mode 5 of: Porian
Mode 6 of: Neapolitan Minor
Mode 7 of: Chitrambari
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Scale Omnibus name: Mixolydian Augmented
Golian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–1–2–2–2–1–1
Scale degrees:
in semitones: 0–3–4–6–8–10–11–12
intervals: 1–m3–3–d5–m6–m7–7–8
Root, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ E F♯ G♯ A♯ B c
C E♭ E G♭ A♭ B♭ B c
                  
All The Chords Name: Golian, 3imperfections
Pitch Class Set: {0,3,4,6,8,10,11}
Pitch Class Mapping: 3417 (Hex D59, Binary 110101011001)
A Study of Scales (Ian Ring) Index: 3417
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Senavati
Mode 3 of: Latangi
Mode 4 of: Minor Gypsy Inverse
Mode 5 of: Sabach
Mode 6 of: Pynian
Mode 7 of: Sooryakantam
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Pynian
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–3–1–2–2–2
Scale degrees:
in semitones: 0–1–2–5–6–8–10–12
intervals: 1–m2–2–4–d5–m6–m7–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D F F♯ G♯ A♯ c
C D♭ D F G♭ A♭ B♭ c
                  
All The Chords Name: Pynian, 3imperfections
Pitch Class Set: {0,1,2,5,6,8,10}
Pitch Class Mapping: 1383 (Hex 567, Binary 010101100111)
A Study of Scales (Ian Ring) Index: 1383
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Sooryakantam
Mode 3 of: Golian
Mode 4 of: Senavati
Mode 5 of: Latangi
Mode 6 of: Minor Gypsy Inverse
Mode 7 of: Sabach
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Ranian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–1–2–3–1–1–1
Scale degrees:
in semitones: 0–3–4–6–9–10–11–12
intervals: 1–m3–3–d5–6–m7–7–8
Root, Minor 3rd, Major 3rd, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ E F♯ A A♯ B c
C E♭ E G♭ A B♭ B c
                  
All The Chords Name: Ranian, 3imperfections
Pitch Class Set: {0,3,4,6,9,10,11}
Pitch Class Mapping: 3673 (Hex E59, Binary 111001011001)
A Study of Scales (Ian Ring) Index: 3673
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Gavambhodi
Mode 3 of: Podian
Mode 4 of: Ionothian
Mode 5 of: Kanian
Mode 6 of: Zylian
Mode 7 of: Hatakambari
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Podian
Scale steps in semitones: 2–3–1–1–1–3–1
Scale degrees:
in semitones: 0–2–5–6–7–8–11–12
intervals: 1–2–4–d5–5–m6–7–8
Root, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C D F F♯ G G♯ B c
C D F G♭ G A♭ B c
                  
All The Chords Name: Podian, 3imperfections
Pitch Class Set: {0,2,5,6,7,8,11}
Pitch Class Mapping: 2533 (Hex 9E5, Binary 100111100101)
A Study of Scales (Ian Ring) Index: 2533
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Ionothian
Mode 3 of: Kanian
Mode 4 of: Zylian
Mode 5 of: Hatakambari
Mode 6 of: Ranian
Mode 7 of: Gavambhodi
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Ionothian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–1–1–1–3–1–2
Scale degrees:
in semitones: 0–3–4–5–6–9–10–12
intervals: 1–m3–3–4–d5–6–m7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D♯ E F F♯ A A♯ c
C E♭ E F G♭ A B♭ c
                  
All The Chords Name: Ionothian, 3imperfections
Pitch Class Set: {0,3,4,5,6,9,10}
Pitch Class Mapping: 1657 (Hex 679, Binary 011001111001)
A Study of Scales (Ian Ring) Index: 1657
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Kanian
Mode 3 of: Zylian
Mode 4 of: Hatakambari
Mode 5 of: Ranian
Mode 6 of: Gavambhodi
Mode 7 of: Podian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Kanian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–1–1–3–1–2–3
Scale degrees:
in semitones: 0–1–2–3–6–7–9–12
intervals: 1–m2–2–m3–d5–5–6–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Major 6th, Octave
Pitches starting from C:
C C♯ D D♯ F♯ G A c
C D♭ D E♭ G♭ G A c
                  
All The Chords Name: Kanian, 3imperfections
Pitch Class Set: {0,1,2,3,6,7,9}
Pitch Class Mapping: 719 (Hex 2CF, Binary 001011001111)
A Study of Scales (Ian Ring) Index: 719
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zylian
Mode 3 of: Hatakambari
Mode 4 of: Ranian
Mode 5 of: Gavambhodi
Mode 6 of: Podian
Mode 7 of: Ionothian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zylian
Scale steps in semitones: 1–1–3–1–2–3–1
Scale degrees:
in semitones: 0–1–2–5–6–8–11–12
intervals: 1–m2–2–4–d5–m6–7–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C C♯ D F F♯ G♯ B c
C D♭ D F G♭ A♭ B c
                  
All The Chords Name: Zylian, 3imperfections
Pitch Class Set: {0,1,2,5,6,8,11}
Pitch Class Mapping: 2407 (Hex 967, Binary 100101100111)
A Study of Scales (Ian Ring) Index: 2407
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Hatakambari
Mode 3 of: Ranian
Mode 4 of: Gavambhodi
Mode 5 of: Podian
Mode 6 of: Ionothian
Mode 7 of: Kanian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Zarian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–1–3–1–1–1–2
Scale degrees:
in semitones: 0–3–4–7–8–9–10–12
intervals: 1–m3–3–5–m6–6–m7–8
Root, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C D♯ E G G♯ A A♯ c
C E♭ E G A♭ A B♭ c
                  
All The Chords Name: Zarian, 3imperfections
Pitch Class Set: {0,3,4,7,8,9,10}
Pitch Class Mapping: 1945 (Hex 799, Binary 011110011001)
A Study of Scales (Ian Ring) Index: 1945
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Phrythian
Mode 3 of: Rorian
Mode 4 of: Bolian
Mode 5 of:
Mode 6 of: Divyamani
Mode 7 of: Kodian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Phrythian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–1–1–1–2–3
Scale degrees:
in semitones: 0–1–4–5–6–7–9–12
intervals: 1–m2–3–4–d5–5–6–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Octave
Pitches starting from C:
C C♯ E F F♯ G A c
C D♭ E F G♭ G A c
                  
All The Chords Name: Phrythian, 3imperfections
Pitch Class Set: {0,1,4,5,6,7,9}
Pitch Class Mapping: 755 (Hex 2F3, Binary 001011110011)
A Study of Scales (Ian Ring) Index: 755
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Rorian
Mode 3 of: Bolian
Mode 4 of:
Mode 5 of: Divyamani
Mode 6 of: Kodian
Mode 7 of: Zarian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Rorian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 3–1–1–1–2–3–1
Scale degrees:
in semitones: 0–3–4–5–6–8–11–12
intervals: 1–m3–3–4–d5–m6–7–8
Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C D♯ E F F♯ G♯ B c
C E♭ E F G♭ A♭ B c
                  
All The Chords Name: Rorian, 3imperfections
Pitch Class Set: {0,3,4,5,6,8,11}
Pitch Class Mapping: 2425 (Hex 979, Binary 100101111001)
A Study of Scales (Ian Ring) Index: 2425
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Bolian
Mode 3 of:
Mode 4 of: Divyamani
Mode 5 of: Kodian
Mode 6 of: Zarian
Mode 7 of: Phrythian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Bolian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 1–1–1–2–3–1–3
Scale degrees:
in semitones: 0–1–2–3–5–8–9–12
intervals: 1–m2–2–m3–4–m6–6–8
Root, Minor 2nd, Major 2nd, Minor 3rd, Perfect 4th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D D♯ F G♯ A c
C D♭ D E♭ F A♭ A c
                  
All The Chords Name: Bolian, 3imperfections
Pitch Class Set: {0,1,2,3,5,8,9}
Pitch Class Mapping: 815 (Hex 32F, Binary 001100101111)
A Study of Scales (Ian Ring) Index: 815
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of:
Mode 3 of: Divyamani
Mode 4 of: Kodian
Mode 5 of: Zarian
Mode 6 of: Phrythian
Mode 7 of: Rorian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Kodian
Scale steps in semitones: 2–3–1–3–1–1–1
Scale degrees:
in semitones: 0–2–5–6–9–10–11–12
intervals: 1–2–4–d5–6–m7–7–8
Root, Major 2nd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D F F♯ A A♯ B c
C D F G♭ A B♭ B c
                  
All The Chords Name: Kodian, 3imperfections
Pitch Class Set: {0,2,5,6,9,10,11}
Pitch Class Mapping: 3685 (Hex E65, Binary 111001100101)
A Study of Scales (Ian Ring) Index: 3685
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Zarian
Mode 3 of: Phrythian
Mode 4 of: Rorian
Mode 5 of: Bolian
Mode 6 of:
Mode 7 of: Divyamani
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Tholian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–1–3–1–1–2–1
Scale degrees:
in semitones: 0–3–4–7–8–9–11–12
intervals: 1–m3–3–5–m6–6–7–8
Root, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C D♯ E G G♯ A B c
C E♭ E G A♭ A B c
                  
All The Chords Name: Tholian, 3imperfections
Pitch Class Set: {0,3,4,7,8,9,11}
Pitch Class Mapping: 2969 (Hex B99, Binary 101110011001)
A Study of Scales (Ian Ring) Index: 2969
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Raga Bhankar
Mode 3 of: Gangeyabhooshani
Mode 4 of: Stodian
Mode 5 of: Maqam Hüzzam Hijaz
Mode 6 of: Neetimati
Mode 7 of: Ionygian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Stodian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–2–1–3–1–3
Scale degrees:
in semitones: 0–1–2–4–5–8–9–12
intervals: 1–m2–2–3–4–m6–6–8
Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D E F G♯ A c
C D♭ D E F A♭ A c
                  
All The Chords Name: Stodian, 3imperfections
Pitch Class Set: {0,1,2,4,5,8,9}
Pitch Class Mapping: 823 (Hex 337, Binary 001100110111)
A Study of Scales (Ian Ring) Index: 823
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Maqam Hüzzam Hijaz
Mode 3 of: Neetimati
Mode 4 of: Ionygian
Mode 5 of: Tholian
Mode 6 of: Raga Bhankar
Mode 7 of: Gangeyabhooshani
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Ionygian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–3–1–3–1–1–2
Scale degrees:
in semitones: 0–1–4–5–8–9–10–12
intervals: 1–m2–3–4–m6–6–m7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ E F G♯ A A♯ c
C D♭ E F A♭ A B♭ c
                  
All The Chords Name: Ionygian, 3imperfections
Pitch Class Set: {0,1,4,5,8,9,10}
Pitch Class Mapping: 1843 (Hex 733, Binary 011100110011)
A Study of Scales (Ian Ring) Index: 1843
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Tholian
Mode 3 of: Raga Bhankar
Mode 4 of: Gangeyabhooshani
Mode 5 of: Stodian
Mode 6 of: Maqam Hüzzam Hijaz
Mode 7 of: Neetimati
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Scale Omnibus name: Mixolydian Augmented Maj9
Katathian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 3–1–3–1–2–1–1
Scale degrees:
in semitones: 0–3–4–7–8–10–11–12
intervals: 1–m3–3–5–m6–m7–7–8
Root, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Minor 7th, Major 7th, Octave
Pitches starting from C:
C D♯ E G G♯ A♯ B c
C E♭ E G A♭ B♭ B c
                  
All The Chords Name: Katathian, 3imperfections
Pitch Class Set: {0,3,4,7,8,10,11}
Pitch Class Mapping: 3481 (Hex D99, Binary 110110011001)
A Study of Scales (Ian Ring) Index: 3481
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Gayakapriya
Mode 3 of: Dhatuvardani
Mode 4 of: Mixolocrian
Mode 5 of: Sagian
Mode 6 of: Aeolothian
Mode 7 of: Socrian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Mixolocrian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
or
Scale steps in semitones: 1–2–1–1–3–1–3
Scale degrees:
in semitones: 0–1–3–4–5–8–9–12
intervals: 1–m2–m3–3–4–m6–6–8
Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Octave
Pitches starting from C:
C C♯ D♯ E F G♯ A c
C D♭ E♭ E F A♭ A c
                  
All The Chords Name: Mixolocrian, 3imperfections
Pitch Class Set: {0,1,3,4,5,8,9}
Pitch Class Mapping: 827 (Hex 33B, Binary 001100111011)
A Study of Scales (Ian Ring) Index: 827
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Sagian
Mode 3 of: Aeolothian
Mode 4 of: Socrian
Mode 5 of: Katathian
Mode 6 of: Gayakapriya
Mode 7 of: Dhatuvardani
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Sagian
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 2–1–1–3–1–3–1
Scale degrees:
in semitones: 0–2–3–4–7–8–11–12
intervals: 1–2–m3–3–5–m6–7–8
Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Major 7th, Octave
Pitches starting from C:
C D D♯ E G G♯ B c
C D E♭ E G A♭ B c
                  
All The Chords Name: Sagian, 3imperfections
Pitch Class Set: {0,2,3,4,7,8,11}
Pitch Class Mapping: 2461 (Hex 99D, Binary 100110011101)
A Study of Scales (Ian Ring) Index: 2461
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Aeolothian
Mode 3 of: Socrian
Mode 4 of: Katathian
Mode 5 of: Gayakapriya
Mode 6 of: Dhatuvardani
Mode 7 of: Mixolocrian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Scale Omnibus name: Sabach Maj7 [Greece]
Aeolothian
Fingerings on Anasazi-7 tuned Native American flutes:
Scale steps in semitones: 1–1–3–1–3–1–2
Scale degrees:
in semitones: 0–1–2–5–6–9–10–12
intervals: 1–m2–2–4–d5–6–m7–8
Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Octave
Pitches starting from C:
C C♯ D F F♯ A A♯ c
C D♭ D F G♭ A B♭ c
                  
All The Chords Name: Aeolothian, 3imperfections
Pitch Class Set: {0,1,2,5,6,9,10}
Pitch Class Mapping: 1639 (Hex 667, Binary 011001100111)
A Study of Scales (Ian Ring) Index: 1639
Deep scale: No
Coherent scale: No
This scale is a mode (rotation) of these other scales:
Mode 2 of: Socrian
Mode 3 of: Katathian
Mode 4 of: Gayakapriya
Mode 5 of: Dhatuvardani
Mode 6 of: Mixolocrian
Mode 7 of: Sagian
The name I use for this scale comes from: AllTheScales.org / William Zeitler
Socrian
Fingerings on most contemporary six-hole pentatonic minor Native American flutes:
Scale steps in semitones: 1–3–1–3–1–2–1
Scale degrees:
in semitones: 0–1–4–5–8–9–11–12
intervals: 1–m2–3–4–m6–6–7–8
Root, Minor 2nd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Major 7th, Octave
Pitches starting from C:
C C♯ E F G♯ A B c
C D♭ E F A♭ A B c
                  
All The Chords Name: Socrian, 3imperfections
Pitch Class Set: {0,1,4,5,8,9,11}
Pitch Class Mapping: 2867 (Hex B33, Binary 101100110011)
A Study of Sc |