Comprehensive Scale Catalog: Seven-Tone Scales in Equal Temperament

This page is part of Flutopedia's Comprehensive Scale Catalog ... a listing of many (many) scales that can be played on Native American flutes.

This page shows only scales with seven tones per octave and using 12-tone Equal Temperament.

The root note of each scale is shown in blue, such as .

Diatonic Major

Scale steps in semitones: 2–2–1–2–2–2–1

Scale degrees:
  in semitones: 0–2–4–5–7–9–11–12
  intervals: 1–2–3–4–5–6–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C: C D E F G A B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Dorian
  Mode 3 of: Phrygian
  Mode 4 of: Lydian
  Mode 5 of: Mixolydian
  Mode 6 of: Natural Minor
  Mode 7 of: Locrian

Subset of: embūbum

The name I use for this scale comes from: Name assigned by Clint

Entry on the Map of Native American Flute Tunings page: Six-hole Pentatonic Major Mode 2/5; Six-hole Diatonic

Greek mode: Lydian
Church mode: Ionian, Hypolydian
Babylonian name: embūbum
Melakarta name: Shankarabharanam
Scala names: G.Lydian, M.Ionian, M.Hypolydian, Major, Bilaval That, Mela Shankarabharanam, Raga Atana, Ghana Heptatonic, Peruvian Major, 4th plagal Byzantine, Ararai: Ethiopia, Makam Cargah, Ajam Ashiran, Dastgah-e Mahur, Dastgah-e Rast Panjgah, Xin: China, DS2
ChordHouse names: Major; Ionian; Ethiopian (A raray); Mela Dhirasankarabharana; Theta, Bilaval
Melakarta Raga: Shankarabharanam
  Chakra: Bana
  Carnatic Degrees: R2—G3—M1—P—D2—N3

Wikipedia pages related to this scale:

• Diatonic ⇒ Diatonic scale
• Major ⇒ Major scale
• Ionian Mode ⇒ Ionian mode

Piano Encyclopedia names: Ararai [Ethiopian]; Dastgah Mahur; Dastgah Rast Panjgah; Diatonic major; Ghana Heptatonic; Ionian; Lydian (Greek); Major; Makam \xc7\xe2rg\xe2h; Maqam Ajam Ashiran; Mela Shankarabharanam; Peruvian major; Raga Shankarabharanam; Rast; Rast ascending; Tritus plagis; Xin

Scale Omnibus names: Ajam Shiram; Ararai; Dasrgah-e Mahur; Dastgah-e Rast Panjgah; Ghana Heptatonic; Major; Maqam Cargah; Mela Shankarabharanam; Peruvian Major; Raga Arabhi descending; Raga Bilahari descending; Raga Bilaval That; Xin

Dorian

Scale steps in semitones: 2–1–2–2–2–1–2

Scale degrees:
  in semitones: 0–2–3–5–7–9–10–12
  intervals: 1–2–m3–4–5–6–m7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F G A A♯ c
  C D E♭ F G A B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Phrygian
  Mode 3 of: Lydian
  Mode 4 of: Mixolydian
  Mode 5 of: Natural Minor
  Mode 6 of: Locrian
  Mode 7 of: Diatonic Major

Subset of: nīd qablim

The name I use for this scale comes from: Medieval mode name from Scala

Entry on the Map of Native American Flute Tunings page: Mojave-6

Greek mode: Phrygian
Church mode: Dorian, Hypomixolydian
Babylonian name: nīd qablim
Melakarta name: Kharaharapriya
Scala names: G.Phrygian, M.Dorian, M.Hypomixolydian, Kafi That, Mela Kharaharapriya, Raga Bageshri, Bhimpalasi, Nayaki Kanada, Sriraga, Ritigaula, Huseni, Kanara, Mischung 5, Gregorian nr.8, Eskimo Heptatonic, Yu: China, Hyojo, Oshikicho, Banshikicho: Japan, Nam: Vietnam
ChordHouse names: Dorian; Mela Kharaharapriya; Theta, Kafi
Melakarta Raga: Kharaharapriya
  Chakra: Veda
  Carnatic Degrees: R2—G2—M1—P—D2—N2

Wikipedia pages related to this scale:

• Modern Dorian Mode ⇒ Dorian mode ⇒ Modern Dorian mode
• Greek Phrygian Mode ⇒ Phrygian mode ⇒ Ancient Greek Phrygian mode

Piano Encyclopedia names: Dorian; Dorian Minor; Eskimo Heptatonic; Gregorian no.8; Hyojo; Hypomixolydian; Kafi Thaat; Mela Kharaharapriya; Mischung 5 Dorian; Oshikicho : Japan; Phrygian Greek; Protus authentus; Raga Bageshri; Raga Bhimpalasi; Raga Nayaki Kanada; Raga Sriraga; Tetrardus plagis; Yu

Scale Omnibus names: Dorian; Gregorian 8; Hyojo; Mela Harikamboji; Mela Kharaharapriya; Mischung 3; Mischung 5; Mixolydian; Nam; Oshikicho; Raga Balahamsa; Raga Begeshri; Raga Bhairavi ascending; Raga Bhimpalasi; Raga Harini; Raga Huseni; Raga Janjuti; Raga Kafi That; Raga Kambodhi descending; Raga Kanara; Raga Khamaj That; Raga Khambhavati; Raga Kharapriya

» Described in Traditional Japanese Music and Musical Instruments Hardcover¹ (hardcover [Malm 2001]), page 68

¹Liner notes: Ritsu Heptatonic

Phrygian

Scale steps in semitones: 1–2–2–2–1–2–2

Scale degrees:
  in semitones: 0–1–3–5–7–8–10–12
  intervals: 1–m2–m3–4–5–m6–m7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ F G G♯ A♯ c
  C D♭ E♭ F G A♭ B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Lydian
  Mode 3 of: Mixolydian
  Mode 4 of: Natural Minor
  Mode 5 of: Locrian
  Mode 6 of: Diatonic Major
  Mode 7 of: Dorian

Subset of: qablītum

The name I use for this scale comes from: Medieval mode name from Scala

Entry on the Map of Native American Flute Tunings page: Spanish Six-hole

Greek mode: Dorian, Hypoaeolian
Church mode: Phrygian, Hypoaeolian
Babylonian name: qablītum
Melakarta name: Hanumatodi
Scala names: G.Dorian, M.Phrygian, G.M.Hypoaeolian, Bhairavi That, Mela Hanumatodi, Raga Asavari (Asaveri), Bilashkhani Todi, Ghanta, Makam Kurd, Gregorian nr.3, In, Zokuso: Japan, Ousak: Greece, Major inverse
ChordHouse names: Phrygian; Neoploitan Major; Mela Hanumattodi; Theta, Bhairavi
Melakarta Raga: Hanumatodi
  Chakra: Netra
  Carnatic Degrees: R1—G2—M1—P—D1—N2

Wikipedia pages related to this scale:

• Modern Phrygian Mode ⇒ Phrygian mode ⇒ Modern Phrygian mode
• Medieval Phrygian Mode ⇒ Phrygian mode ⇒ Medieval Phrygian mode

Piano Encyclopedia names: Bhairavi Thaat [North Indian]; Deuterus authenticus; Dorian Greek; Major inverse; Maqam Kurd; Ousak minor; Phrygian; Raga Asavari (Asaveri); Raga Bilashkhani; Spanish Mode; Todi Thaat; Zokuso

Scale Omnibus names: Major Inverse; Maqam Kurd; Mela Bhairavi That; Mela Hanumatodi; Ousak; Phrygian; Raga Bilashkhani Todi; Raga Dhanyasi descending; Raga Ghanta; Zokuso

Lydian

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–2–2–1–2–2–1

Scale degrees:
  in semitones: 0–2–4–6–7–9–11–12
  intervals: 1–2–3–d5–5–6–7–8
  Root, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D E F♯ G A B c
  C D E G♭ G A B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Mixolydian
  Mode 3 of: Natural Minor
  Mode 4 of: Locrian
  Mode 5 of: Diatonic Major
  Mode 6 of: Dorian
  Mode 7 of: Phrygian

Subset of: kitmum

The name I use for this scale comes from: Medieval mode name from Scala

Greek mode: Hypolydian
Church mode: Lydian
Babylonian name: kitmum
Melakarta name: Mechakalyani
Scala names: G.Hypolydian, M.Lydian, G.M.Hypolocrian, Rut biscale ascending, Kalyan That (Yaman), Mela Mecakalyani, Raga Shuddh Kalyan, Ping, Kung, Gu: China
ChordHouse names: Lydian; Mela Mechakalyani; Theta, Kalyan
Melakarta Raga: Mechakalyani
  Chakra: Rudra
  Carnatic Degrees: R2—G3—M2—P—D2—N3

Wikipedia page related to this scale:

• Lydian Mode ⇒ Lydian mode

Piano Encyclopedia names: Gu [Chinese]; Hypolocrian; Hypolydian; Hypolydian; Kalyan Thaat (Yaman); Kung; Lydian; Mela Mecakalyani; Ping; Raga Shuddh Kalyan

Scale Omnibus names: Gu [China]; Lydian; Mela Mecakalyani; Ping; Raga Kalyan That; Raga Shuddh Kalyan

» Described in Traditional Japanese Music and Musical Instruments Hardcover¹ (hardcover [Malm 2001]), page 68

¹Liner notes: Ryo Heptatonic

Mixolydian

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–2–1–2–2–1–2

Scale degrees:
  in semitones: 0–2–4–5–7–9–10–12
  intervals: 1–2–3–4–5–6–m7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D E F G A A♯ c
  C D E F G A B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Natural Minor
  Mode 3 of: Locrian
  Mode 4 of: Diatonic Major
  Mode 5 of: Dorian
  Mode 6 of: Phrygian
  Mode 7 of: Lydian

Subset of: pītum

The name I use for this scale comes from: Medieval mode name from Scala

Greek mode: Hypophrygian, Ionian, Iastian, Hypoionian
Church mode: Mixolydian, Hypolydian
Babylonian name: pītum
Melakarta name: Harikambhoji
Scala names: G.Hypophrygian, G.Ionian (Iastian), M.Mixolydian, G.M.Hypoionian, Khamaj That, Mela Harikambhoji, Raga Harini, Janjhuti, Khambhavati, Surati, Balahamsa, Devamanohari, Mischung 3, Gregorian nr.7, Enharmonic Byzantine Liturgical, Ching, Shang: China
ChordHouse names: Mixolydian; Dominant 7th; Mela Harikambhoji; Theta, Khamaj
Melakarta Raga: Harikambhoji
  Chakra: Bana
  Carnatic Degrees: R2—G3—M1—P—D2—N2

Wikipedia pages related to this scale:

• Mixolydian Mode ⇒ Mixolydian mode
• Moloch ⇒ Mixolydian mode ⇒ Moloch scale

Piano Encyclopedia names: Gregorian no.2 [Church]; Gregorian no.7; Hypoionian; Hypophrygian; Hypophrygian; Ionian Iastian; Khammaj Thaat; Mela Harikambhoji; Mischung 3 Mixolydian; Mixolydian; Raga Harini; Raga Janjhuti; Raga Khambhavati; Raga Surati; Rast descending; Shang; Tetrardus authenticus

Scale Omnibus names: Gregorian 2; Gregorian 7

Natural Minor

Scale steps in semitones: 2–1–2–2–1–2–2

Scale degrees:
  in semitones: 0–2–3–5–7–8–10–12
  intervals: 1–2–m3–4–5–m6–m7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F G G♯ A♯ c
  C D E♭ F G A♭ B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Locrian
  Mode 3 of: Diatonic Major
  Mode 4 of: Dorian
  Mode 5 of: Phrygian
  Mode 6 of: Lydian
  Mode 7 of: Mixolydian

Subset of: nīš tuḫri / nīš gabrîm

The name I use for this scale comes from: Scala

Entry on the Map of Native American Flute Tunings page: East Indian Six-hole

Greek mode: Aeolian, Hypodorian, Hyperphrygian
Church mode: Aeolian, Hypodorian
Babylonian name: nīš tuḫri / nīš gabrîm
Melakarta name: Natabhairavi
Scala names: G.M.Hypodorian, G.M.Aeolian, G.Hyperphrygian, Natural Minor, Asavari That, Mela Natabhairavi, Raga Jaunpuri, Adana, Darbari, Dhanyasi, Jingla, Gregorian nr.2, Makam Buselik, Nihavend, Peruvian Minor, Se, Chiao: China, Geez, Ezel: Ethiopia, Kiourdi descending: Greece, Cushak: Armenia
ChordHouse names: Melodic Minor (Descending); Natural Minor; Relative Minor; Aeolian; Ethiopian (Geez & Ezel); Pure Minor; Mela Natabhairavi; Theta, Asavari
Melakarta Raga: Natabhairavi
  Chakra: Veda
  Carnatic Degrees: R2—G2—M1—P—D1—N2

Wikipedia pages related to this scale:

• Natural Minor ⇒ Minor scale ⇒ Natural minor scale
• Melodic Minor Descending ⇒ Minor scale ⇒ Melodic minor scale
• Aeolian Mode ⇒ Aeolian mode

Piano Encyclopedia names: Aeolian [Greek]; Asawari Thaat; Chiao; Cushak; Diatonic minor; Ezel; Geez; Hyperphrygian; Hypodorian; Kiourdi descending; Makam B\xfbselik I; Maqam Nihavend; Mela Natabhairavi; Melodic Minor descending; Natural Minor; Peruvian minor; Protus plagis; Pure Minor; Raga Adana; Raga Jaunpuri; Se

Scale Omnibus names: Aeolian; Cushak; Ezel; Geez; Mela Natabhairavi; Natural Minor; Peruvian Minor; Raga Adana; Raga Asavari That; Raga Bhairavi descending; Raga Jaunpuri; Raga Jingla; Se

Locrian

Scale steps in semitones: 1–2–2–1–2–2–2

Scale degrees:
  in semitones: 0–1–3–5–6–8–10–12
  intervals: 1–m2–m3–4–d5–m6–m7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ F F♯ G♯ A♯ c
  C D♭ E♭ F G♭ A♭ B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Diatonic Major
  Mode 3 of: Dorian
  Mode 4 of: Phrygian
  Mode 5 of: Lydian
  Mode 6 of: Mixolydian
  Mode 7 of: Natural Minor

Subset of: išartum

The name I use for this scale comes from: Medieval mode name from Scala

Greek mode: Mixolydian, Hyperdorian
Church mode: Locrian, Hypophrygian
Babylonian name: išartum
Scala names: G.Mixolydian, G.Hyperdorian, M.Hypophrygian, M.Locrian, G.M.Hyperaeolian, Rut biscale descending, Pien chih: China, Makam Lami, Yishtabach: Jewish
ChordHouse names: Locrian; Half Diminished (Locrian)

Wikipedia page related to this scale:

• Locrian Mode ⇒ Locrian mode

Piano Encyclopedia names: Deuterus plagis; Hyperaeolian; Hyperdorian; Hypoaeolian; Locrian; Maqam Lami; Mixolydian Greek; Pien chih; Yishtabach

Scale Omnibus names: Locrian; Makam Lami; Pien Chih; Yishtabach

Harmonic Minor

Scale steps in semitones: 2–1–2–2–1–3–1

Scale degrees:
  in semitones: 0–2–3–5–7–8–11–12
  intervals: 1–2–m3–4–5–m6–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F G G♯ B c
  C D E♭ F G A♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Maqam Tarznauyn
  Mode 3 of: Ionian Sharp 5
  Mode 4 of: Roumanian Minor
  Mode 5 of: Spanish Gypsy
  Mode 6 of: Kosalam
  Mode 7 of: Ultra Locrian

The name I use for this scale comes from: Scala and Wikipedia

Melakarta name: Keeravani
Scala names: Harmonic Minor, Mischung 4, Pilu That, Mela Kiravani, Raga Kiranavali, Kirvani, Kalyana Vasantha, Deshi(3), Maqam Bayat-e-Esfahan, Sultani Yakah, Zhalibny Minor
ChordHouse names: Harmonic Minor; Mela Kiravani; Mohammedan
Melakarta Raga: Keeravani
  Chakra: Veda
  Carnatic Degrees: R2—G2—M1—P—D1—N3

Wikipedia page related to this scale:

• Harmonic Minor ⇒ Minor scale ⇒ Harmonic minor scale

Piano Encyclopedia names: Harmonic Minor; Makam B\xfbselik II; Maqam Bayat-e-Esfahan; Maqam Sultani Yakah; Mela Kiravani; Mischung 4; Nihavend; Pilu Thaat; Raga Deshi 3; Raga Kalyana; Raga Kiranavali; Raga Kirvani; Raga Vasantha; Zhalibny Minor

Scale Omnibus names: Harmonic Minor; Maqam Bayat-e-Esfahan; Maqam Sultani Yakah; Mela Kiravani; Mischung 4; Mohammedan; Raga Deshi 3; Raga Kalyana Vasantha; Raga Kiranavali; Raga Kirvani; Raga Pilu That; Sultani Yakah; Zhalibny Minor

Neapolitan Minor

Scale steps in semitones: 1–2–2–2–1–3–1

Scale degrees:
  in semitones: 0–1–3–5–7–8–11–12
  intervals: 1–m2–m3–4–5–m6–7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F G G♯ B c
  C D♭ E♭ F G A♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Chitrambari
  Mode 4 of: Shanmukhapriya
  Mode 5 of: Oriental A
  Mode 6 of: Shoolini

The name I use for this scale comes from: Scala and Wikipedia

Melakarta name: Dhenuka
Scala names: Neapolitan Minor, Mela Dhenuka, Raga Bhinnasadjam, Dhunibinnashadjam, Kirvanti, Takka, Maqam Shahnaz Kurdi, Hungarian Gipsy
ChordHouse names: Neopolitan; Mela Dhenuka
Melakarta Raga: Dhenuka
  Chakra: Netra
  Carnatic Degrees: R1—G2—M1—P—D1—N3

Wikipedia page related to this scale:

• Neapolitan Minor ⇒ Neapolitan scale

Piano Encyclopedia names: Maqam Shahnaz Kurdi [Iraqian]; Mela Dhenuka; Neapolitan Minor; Raga Dhunibinnashadjam

Scale Omnibus names: Maqam Shahnaz (or Shahnaz Kurdi) [Iraq]; Mela Dhenuka; Mela Senavati; Neapolitan Minor; Raga Bhinnasadjam; Raga Dhunibinnashadjam

Maqam Huzzam

Scale steps in semitones: 1–2–1–3–1–2–2

Scale degrees:
  in semitones: 0–1–3–4–7–8–10–12
  intervals: 1–m2–m3–3–5–m6–m7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ E G G♯ A♯ c
  C D♭ E♭ E G A♭ B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Lydian Diminished
  Mode 3 of: Chakravakam
  Mode 4 of: Aeolian Flat 1
  Mode 5 of: Locrian Double-flat 7
  Mode 6 of: Sarasangi
  Mode 7 of: Maqam Karcigar

The name I use for this scale comes from: Scala

Scala names: Makam Huzzam, Maqam Saba Zamzam, Phrygian flat 4

Piano Encyclopedia names: Maqam Huzzam [Iraqian]; Maqam Saba Zamzam; Phrygian b4

Scale Omnibus names: Maqam Huzzam [Iraq]; Maqam Saba Zamzam; Phrygian b4

Sabach

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–1–1–3–1–2–2

Scale degrees:
  in semitones: 0–2–3–4–7–8–10–12
  intervals: 1–2–m3–3–5–m6–m7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ E G G♯ A♯ c
  C D E♭ E G A♭ B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Sooryakantam
  Mode 5 of: Senavati
  Mode 6 of: Latangi
  Mode 7 of: Minor Gypsy Inverse

The name I use for this scale comes from: Scala

Scala name: Sabach (Sambah): Greece

Piano Encyclopedia name: Sabach minor [Greek]

Scale Omnibus name: Sabach [Greece]

Anasazi

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–1–1–3–2–2–1

Scale degrees:
  in semitones: 0–2–3–4–7–9–11–12
  intervals: 1–2–m3–3–5–6–7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ E G A B c
  C D E♭ E G A B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Vanaspati
  Mode 5 of: Mararanjani
  Mode 6 of: Modified Blues

The name I use for this scale comes from: Clint's Invented Name, based on common usage among Native American flute players.

Entry on the Map of Native American Flute Tunings page: Six-hole Anasazi

Maqam Tarznauyn

Scale steps in semitones: 1–2–2–1–3–1–2

Scale degrees:
  in semitones: 0–1–3–5–6–9–10–12
  intervals: 1–m2–m3–4–d5–6–m7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ F F♯ A A♯ c
  C D♭ E♭ F G♭ A B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Ionian Sharp 5
  Mode 3 of: Roumanian Minor
  Mode 4 of: Spanish Gypsy
  Mode 5 of: Kosalam
  Mode 6 of: Ultra Locrian
  Mode 7 of: Harmonic Minor

The name I use for this scale comes from: Scala

Scala names: Locrian natural 6, Maqam Tarznauyn

Piano Encyclopedia names: Dorian b2 b5; Dorian b9; Locrian Nat. 6; Locrian #6; Maqam Tarznauyn

Scale Omnibus names: Dorian b9; Locrian #6; Locrian Natural Maj6

Maqam Karcigar

Scale steps in semitones: 2–1–2–1–3–1–2

Scale degrees:
  in semitones: 0–2–3–5–6–9–10–12
  intervals: 1–2–m3–4–d5–6–m7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F F♯ A A♯ c
  C D E♭ F G♭ A B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Maqam Huzzam
  Mode 3 of: Lydian Diminished
  Mode 4 of: Chakravakam
  Mode 5 of: Aeolian Flat 1
  Mode 6 of: Locrian Double-flat 7
  Mode 7 of: Sarasangi

The name I use for this scale comes from: Scala

Scala names: Dorian flat 5, Blues Heptatonic, Makam Karcigar, Maqam Nahawand Murassah, Kiourdi ascending, Kartzihiar: Greece

Wikipedia page related to this scale:

• Blues Major Heptatonic ⇒ Blues scale ⇒ Heptatonic

Piano Encyclopedia names: Dorian b5; Kartzihiar; Kiourdi ascending; Locrian Nat. 2/6; Locrian #2 #6; Maqam Karcigar; Maqam Nahawand Murassah

Scale Omnibus names: Blues Heptatonic; Dorian b5; Kartzihiar; Maqam Karcigar; Maqam Nahawand Murassah

Maqam Athar Kurd

Scale steps in semitones: 1–2–3–1–1–3–1

Scale degrees:
  in semitones: 0–1–3–6–7–8–11–12
  intervals: 1–m2–m3–d5–5–m6–7–8
  Root, Minor 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F♯ G G♯ B c
  C D♭ E♭ G♭ G A♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Chromatic Mixolydian Inverse
  Mode 3 of: Chromatic Hypodorian Inverse
  Mode 4 of: Chromatic Hypophrygian Inverse
  Mode 5 of: Persian
  Mode 6 of: Chalanata
  Mode 7 of: Chromatic Phrygian Inverse

The name I use for this scale comes from: Scala

Melakarta name: Shubhapantuvarali
Scala names: Todi That, Mela Shubhapantuvarali, Raga Multani, Gamakasamantam, Harsh Minor, Chromatic Lydian inverse, Maqam Athar Kurd
ChordHouse names: Mela Subhapantuvarali; Todi Theta
Melakarta Raga: Shubhapantuvarali
  Chakra: Vasu
  Carnatic Degrees: R1—G2—M2—P—D1—N3

Piano Encyclopedia names: Chromatic Lydian Inverse; Mela Shubhapantuvarali; Raga Gamakasamantam; Raga Multani; Todi Thaat 2; Tritus authenticus

Scale Omnibus names: Chromatic Lydian Inverse; Maqam Athar Kurd; Mela Shubhapanturavali; Raga Gamakasamantam; Raga Multani

Maqam Nawa Athar

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–1–3–1–1–3–1

Scale degrees:
  in semitones: 0–2–3–6–7–8–11–12
  intervals: 1–2–m3–d5–5–m6–7–8
  Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F♯ G G♯ B c
  C D E♭ G♭ G A♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Oriental B
  Mode 3 of: Ionian Augmented #2
  Mode 4 of: Locrian Bb3 Bb7
  Mode 5 of: Byzantine
  Mode 6 of: Rasikapriya
  Mode 7 of: Ultraphrygian

The name I use for this scale comes from: Scala

Melakarta name: Simhendramadhyamam
Scala names: Double Harmonic Minor, Hungarian Minor, Egyptian Heptatonic, Mela Simhendramadhyama, Raga Madhava Manohari, Maqam Nawa Athar, Hisar, Flamenco Mode, Niavent: Greece
ChordHouse names: Hungarian Gypsy; Hungarian Minor; Mela Simhendramadhyama
Melakarta Raga: Simhendramadhyamam
  Chakra: Disi
  Carnatic Degrees: R2—G2—M2—P—D1—N3

Wikipedia pages related to this scale:

• Hungarian minor ⇒ Double harmonic scale ⇒ Modes
• Hungarian Minor ⇒ Hungarian minor scale
• Gypsy Run ⇒ Minor scale ⇒ Harmonic minor scale

Piano Encyclopedia names: Double Harmonic Minor; Gypsy I; Hungarian Minor; Maqam Hisar; Maqam Nawa Athar; Mela Simhendramadhyama; Minor Gipsy; Niaventi Minor; Raga Madhava Manohari

Scale Omnibus names: Double Harmonic Minor; Gypsy Minor; Harmonic Minor #4; Hungarian Minor; Maqam Hisar; Maqam Nawa Athar; Mela Sumhendramadhyama; Niavent; Niaventi Minor; Raga Madhava Manohari

Blues 7-Tone

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

            or           

Scale steps in semitones: 3–2–1–1–3–1–1

Scale degrees:
  in semitones: 0–3–5–6–7–10–11–12
  intervals: 1–m3–4–d5–5–m7–7–8
  Root, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D♯ F F♯ G A♯ B c
  C E♭ F G♭ G B♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Chromatic Hypodorian
  Mode 3 of: Chromatic Mixolydian
  Mode 4 of: Chromatic Lydian
  Mode 5 of: Chromatic Phrygian
  Mode 6 of: Kanakangi
  Mode 7 of: Purvi Theta

The name I use for this scale comes from: Clint's Invented Name

Scala names: Chromatic Hypophrygian, Blues scale III

Piano Encyclopedia name: Chromatic Hypophrygian

Scale Omnibus name: Blues Leading Tone

Melodic Minor Ascending

Scale steps in semitones: 2–1–2–2–2–2–1

Scale degrees:
  in semitones: 0–2–3–5–7–9–11–12
  intervals: 1–2–m3–4–5–6–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F G A B c
  C D E♭ F G A B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Javaneese
  Mode 3 of: Lydian Augmented
  Mode 4 of: Vachaspati
  Mode 5 of: Hindu
  Mode 6 of: Half Diminished
  Mode 7 of: Diminished Whole Tone

The name I use for this scale comes from: Scala

Melakarta name: Gourimanohari
Scala names: Melodic Minor ascending, Jazz Minor, Minor-Major, Mela Gaurimanohari, Raga Patdip, Velavali, Deshi(2), Mischung 1, Hawaiian
ChordHouse names: Melodic Minor (Ascending); Hawaiian; Mela Gaurimanohari
Melakarta Raga: Gourimanohari
  Chakra: Veda
  Carnatic Degrees: R2—G2—M1—P—D2—N3

Wikipedia pages related to this scale:

• Jazz Minor ⇒ Jazz minor scale
• Melodic Minor Ascending ⇒ Minor scale ⇒ Melodic minor scale

Piano Encyclopedia names: Bilawal Thaat [North Indian]; Hawaiian; Heptonia seconda; Jazz Minor; Mela Gaurimanohari; Melodic Minor ascending; Minor-Major; Mischung 1; Raga Deshi 2; Raga Patdip; Raga Velavali

Scale Omnibus names: Ascending Minor; Mela Gaurimanohari; Melodic Minor; Mischung 1; Raga Deshi 2; Raga Patdip; Raga Velavali

Spanish Gypsy

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–3–1–2–1–2–2

Scale degrees:
  in semitones: 0–1–4–5–7–8–10–12
  intervals: 1–m2–3–4–5–m6–m7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ E F G G♯ A♯ c
  C D♭ E F G A♭ B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Kosalam
  Mode 3 of: Ultra Locrian
  Mode 4 of: Harmonic Minor
  Mode 5 of: Maqam Tarznauyn
  Mode 6 of: Ionian Sharp 5
  Mode 7 of: Roumanian Minor

The name I use for this scale comes from: Scala

Entry on the Map of Native American Flute Tunings page: Six-hole Spanish Gypsy OT: Seven-hole Spanish Gypsy

Melakarta name: Vakulabharanam
Scala names: Phrygian Dominant, Phrygian Major, Mela Vakulabharanam, Raga Jogiya, Ahiri, Vativasantabhairavi, Zilof, Ahava Rabba, Freygish: Jewish, Maqam Hijaz-Nahawand, Humayun, Spanish Gipsy, Dorico Flamenco: Spain, Hitzaz: Greece, Harmonic Major inverse
ChordHouse names: Ahaba Rabba; Spanish Gypsy
Melakarta Raga: Vakulabharanam
  Chakra: Agni
  Carnatic Degrees: R1—G3—M1—P—D1—N2

Wikipedia pages related to this scale:

• Phrygian dominant ⇒ Double harmonic scale ⇒ Relationship to Phrygian major (Jewish scale)
• Phrygian Dominant ⇒ Phrygian dominant scale

Piano Encyclopedia names: Alhijaz [Saudi Arabian]; Arabic; Dorico Flamenco; Jewish II; Maqam Humayun; Maqam Zengule; Mela Vakulabharanam; Mixolydian b6 b9; Mixolydian b9 b13; Phrygian Dominant; Phrygian Major; Raga Jogiya; Raga Vativasanta (bhairavi); Spanish Gypsy; Spanish Major; Spanish Phrygian I

Scale Omnibus names: Alhijaz [Arabia]; Avaha or Ahava Rabba; Dorico Flamenco; Freygish or Fraigish; Harmonic Major Inverse; Hitzaz or Hijaz; Humayun; Maqam Hijaz-Nahawand; Maqam Humayun; Maqam Zengule; Mela Vakulabharanam; Phrygian Dominant; Phrygian Major; Raga Jogiya; Raga Vativasanta; Spanish (or Spanish Gypsy); Zilof

Byzantine

Scale steps in semitones: 1–3–1–2–1–3–1

Scale degrees:
  in semitones: 0–1–4–5–7–8–11–12
  intervals: 1–m2–3–4–5–m6–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F G G♯ B c
  C D♭ E F G A♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Rasikapriya
  Mode 3 of: Ultraphrygian
  Mode 4 of: Maqam Nawa Athar
  Mode 5 of: Oriental B
  Mode 6 of: Ionian Augmented #2
  Mode 7 of: Locrian Bb3 Bb7

The name I use for this scale comes from: Scala

Entry on the Map of Native American Flute Tunings page: Six-hole Byzantine; Seven-hole Byzantine

Melakarta name: Mayamalavagowla
Scala names: Major Gipsy, Double Harmonic Major, Bhairav That, Mela Mayamalavagaula, Raga Paraj, Kalingada, Gaulipantu, Lalitapancamam, Chromatic 2nd Byzantine Liturgical, Hitzazkiar: Greece, Maqam Zengule, Hijaz Kar, Suzidil
ChordHouse names: Byzantine; Double Harmonic; Hungarian Gypsy Persian; Theta, Bhairav
Melakarta Raga: Mayamalavagowla
  Chakra: Agni
  Carnatic Degrees: R1—G3—M1—P—D1—N3

Wikipedia pages related to this scale:

• Double Harmonic Major ⇒ Double harmonic scale
• Flamenco mode ⇒ Flamenco mode

Piano Encyclopedia names: Bhairav Thaat [North Indian]; Byzantine Liturgical Chromatic; Byzantine; Double Harmonic Major; Gypsy II; Hijazskiar major; Major Gipsy; Maqam Hijaz Kar; Maqam Suzidil; Mela Mayamalavagaula; Persian; Raga Kalingada; Raga Paraj

Scale Omnibus names: Arabic [Arabia]; Byzantine (or Byzantine Liturgical Chromatic); Double Harmonic; Hijaz Kar; Hitzazkiar (or Hijazskiar); Hungarian Folk; Major Gypsy; Major Phrygian; Maqam Hijaz Kar; Maqam Suzidil; Mela Mayamalavagowla; Raga Bhairav That; Raga Gaulipantu; Raga Kalingada; Raga Lalita Panchami; Raga Paraj; Raga Saveri descending

Arabian

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–2–1–1–2–2–2

Scale degrees:
  in semitones: 0–2–4–5–6–8–10–12
  intervals: 1–2–3–4–d5–m6–m7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D E F F♯ G♯ A♯ c
  C D E F G♭ A♭ B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Leading Whole-tone Inverse
  Mode 4 of: Neapolitan Major
  Mode 5 of: Leading Whole Tone
  Mode 6 of: Synthetic Mixture #5
  Mode 7 of: Lydian Minor

The name I use for this scale comes from: ChordHouse

Scala name: Major Locrian
ChordHouse name: Arabian (b)

Wikipedia page related to this scale:

• Major Locrian ⇒ Major Locrian scale

Piano Encyclopedia name: Major Locrian mode

Scale Omnibus name: Major Locrian

Diminished Whole Tone

Scale steps in semitones: 1–2–1–2–2–2–2

Scale degrees:
  in semitones: 0–1–3–4–6–8–10–12
  intervals: 1–m2–m3–3–d5–m6–m7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F♯ G♯ A♯ c
  C D♭ E♭ E G♭ A♭ B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Melodic Minor Ascending
  Mode 3 of: Javaneese
  Mode 4 of: Lydian Augmented
  Mode 5 of: Vachaspati
  Mode 6 of: Hindu
  Mode 7 of: Half Diminished

The name I use for this scale comes from: ChordHouse

Scala names: Superlocrian, Altered Dominant, Diminished Whole-tone, Locrian flat 4, Pomeroy, Ravel
ChordHouse names: Diminished Whole Tone; Super Locrian

Wikipedia page related to this scale:

• Altered ⇒ Altered scale

Piano Encyclopedia names: Altered Dominant; Altered \xa0I; Altered \xa0II; Diminished Whole-tone I; Diminished Whole-tone II; Locrian b4; Pomeroy; Ravel; Super Locrian

Scale Omnibus names: Altered (or Altered Dominant); Locrian b4; Pomeroy; Ravel; Superlocrian

Enigmatic

Scale steps in semitones: 1–3–2–2–2–1–1

Scale degrees:
  in semitones: 0–1–4–6–8–10–11–12
  intervals: 1–m2–3–d5–m6–m7–7–8
  Root, Minor 2nd, Major 3rd, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F♯ G♯ A♯ B c
  C D♭ E G♭ A♭ B♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Kantamani
  Mode 7 of: Manavati

The name I use for this scale comes from: ChordHouse

Scala name: Verdi's Scala enigmatica ascending
ChordHouse name: Enigmatic

Wikipedia page related to this scale:

• Enigmatic ⇒ Enigmatic scale

Piano Encyclopedia names: Enigmatic [Italian]; Verdi's Enigmatic ascending

Scale Omnibus name: Enigmatic

Half Diminished

Scale steps in semitones: 2–1–2–1–2–2–2

Scale degrees:
  in semitones: 0–2–3–5–6–8–10–12
  intervals: 1–2–m3–4–d5–m6–m7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F F♯ G♯ A♯ c
  C D E♭ F G♭ A♭ B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Diminished Whole Tone
  Mode 3 of: Melodic Minor Ascending
  Mode 4 of: Javaneese
  Mode 5 of: Lydian Augmented
  Mode 6 of: Vachaspati
  Mode 7 of: Hindu

The name I use for this scale comes from: ChordHouse

Scala names: Minor Locrian, Half Diminished, Locrian sharp 2, Minor flat 5
ChordHouse names: Half Diminished #2; Locrian #2

Wikipedia pages related to this scale:

• Half Diminished ⇒ Half diminished scale
• Locian ♮2 ⇒ Half diminished scale

Piano Encyclopedia names: Half-Diminished; Locrian Nat. 2; Locrian #2; Minor b5; Minor Locrian

Scale Omnibus names: Altered Diminished; Half Diminished; Locrian Natural 2; Minor b5; Minor Locrian; Semilocrian

Hindu

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–2–1–2–1–2–2

Scale degrees:
  in semitones: 0–2–4–5–7–8–10–12
  intervals: 1–2–3–4–5–m6–m7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D E F G G♯ A♯ c
  C D E F G A♭ B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Half Diminished
  Mode 3 of: Diminished Whole Tone
  Mode 4 of: Melodic Minor Ascending
  Mode 5 of: Javaneese
  Mode 6 of: Lydian Augmented
  Mode 7 of: Vachaspati

The name I use for this scale comes from: ChordHouse

Melakarta name: Charukesi
Scala names: Major-Minor, Melodic Major, Mischung 6, Mixolydian flat 6, Mela Carukesi, Raga Charukeshi, Tarangini
ChordHouse names: Hindu; Hindustan; Mela Charukesi
Melakarta Raga: Charukesi
  Chakra: Bana
  Carnatic Degrees: R2—G3—M1—P—D1—N2

Wikipedia page related to this scale:

• Mixolydian ♭6 ⇒ Aeolian dominant scale

Piano Encyclopedia names: Aeolian Major [Greek]; Hindu; Major-Minor; Maqam Uss\xe2k; Mela Carukesi; Melodic Major; Mischung 6; Mixolydian b6; Raga Charukeshi; Raga Tarangini

Scale Omnibus names: Aeolian Major; Hindu; Major Minor; Maqam Ussak; Mela Carukesi; Melodic Major; Mischung 6; Mixolydian b6 (or Mixolydian b13); Raga Tarangini

Hungarian Major

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–1–2–1–2–1–2

Scale degrees:
  in semitones: 0–3–4–6–7–9–10–12
  intervals: 1–m3–3–d5–5–6–m7–8
  Root, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D♯ E F♯ G A A♯ c
  C E♭ E G♭ G A B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Locrian 2
  Mode 6 of: Shadvidamargini
  Mode 7 of: Nohkan Flute

The name I use for this scale comes from: ChordHouse

Melakarta name: Nasikabhooshani
Scala names: Hungarian Major, Mela Nasikabhusani, Raga Nasamani
ChordHouse names: Hungarian Major; Mela Nasikabhusani
Melakarta Raga: Nasikabhooshani
  Chakra: Aditya
  Carnatic Degrees: R3—G3—M2—P—D2—N2

Piano Encyclopedia names: Hungarian Major [Hungarian]; Mela Nasikabhusani; Raga Nasamani

Scale Omnibus names: Hungarian Major [Hungary]; Mela Nasikabhusani; Raga Nasamani

Javaneese

Scale steps in semitones: 1–2–2–2–2–1–2

Scale degrees:
  in semitones: 0–1–3–5–7–9–10–12
  intervals: 1–m2–m3–4–5–6–m7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ F G A A♯ c
  C D♭ E♭ F G A B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Lydian Augmented
  Mode 3 of: Vachaspati
  Mode 4 of: Hindu
  Mode 5 of: Half Diminished
  Mode 6 of: Diminished Whole Tone
  Mode 7 of: Melodic Minor Ascending

The name I use for this scale comes from: ChordHouse

Melakarta name: Natakapriya
Scala names: Mela Natakapriya, Jazz Minor inverse, Phrygian-Mixolydian, Dorian flat 2, Raga Natabharanam, Ahiri Todi
ChordHouse names: Javaneese; Mela Natakapriya
Melakarta Raga: Natakapriya
  Chakra: Netra
  Carnatic Degrees: R1—G2—M1—P—D2—N2

Wikipedia page related to this scale:

• Dorian ♭2 ⇒ Dorian ♭2 scale

Piano Encyclopedia names: Dorian b2; Jazz Minor inverse; Mela Natakapriya; Phrygian-Mixolydian; Phrygian Nat. 6; Phrygian #6; Raga Ahiri Todi; Raga Natabharanam

Scale Omnibus names: Dorian b2; Javanese; Jazz Minor Inverse; Mela Natakapriya; Phrygian Mixolydian; Phrygian Natural 6; Raga Ahiri Todi; Raga Natabharanam

Leading Whole Tone

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–2–2–2–2–1–1

Scale degrees:
  in semitones: 0–2–4–6–8–10–11–12
  intervals: 1–2–3–d5–m6–m7–7–8
  Root, Major 2nd, Major 3rd, Diminished 5th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D E F♯ G♯ A♯ B c
  C D E G♭ A♭ B♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Synthetic Mixture #5
  Mode 3 of: Lydian Minor
  Mode 4 of: Arabian
  Mode 6 of: Leading Whole-tone Inverse
  Mode 7 of: Neapolitan Major

The name I use for this scale comes from: ChordHouse

Scala name: Leading Whole-tone
ChordHouse name: Leading Whole Tone

Piano Encyclopedia name: Leading Whole-tone

Scale Omnibus name: Leading Whole-Tone

Lydian Augmented

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–2–2–2–1–2–1

Scale degrees:
  in semitones: 0–2–4–6–8–9–11–12
  intervals: 1–2–3–d5–m6–6–7–8
  Root, Major 2nd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D E F♯ G♯ A B c
  C D E G♭ A♭ A B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Vachaspati
  Mode 3 of: Hindu
  Mode 4 of: Half Diminished
  Mode 5 of: Diminished Whole Tone
  Mode 6 of: Melodic Minor Ascending
  Mode 7 of: Javaneese

The name I use for this scale comes from: ChordHouse

Scala names: Lydian Augmented, Lydian sharp 5
ChordHouse name: Lydian Augmented

Wikipedia page related to this scale:

• Lydian Augmented ⇒ Lydian augmented scale

Piano Encyclopedia names: Altered Lydian; Lydian Augmented; Lydian #5

Scale Omnibus names: Altered Lydian; Lydian #5; Lydian Augmented

Lydian Minor

Fingerings on Anasazi-7 tuned Native American flutes:

            or           

Scale steps in semitones: 2–2–2–1–1–2–2

Scale degrees:
  in semitones: 0–2–4–6–7–8–10–12
  intervals: 1–2–3–d5–5–m6–m7–8
  Root, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D E F♯ G G♯ A♯ c
  C D E G♭ G A♭ B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Arabian
  Mode 4 of: Leading Whole-tone Inverse
  Mode 5 of: Neapolitan Major
  Mode 6 of: Leading Whole Tone
  Mode 7 of: Synthetic Mixture #5

The name I use for this scale comes from: ChordHouse

Melakarta name: Rishabhapriya
Scala names: Lydian Minor, Mela Risabhapriya, Raga Ratipriya
ChordHouse names: Lydian Minor; Mela Risabhapriya
Melakarta Raga: Rishabhapriya
  Chakra: Rudra
  Carnatic Degrees: R2—G3—M2—P—D1—N2

Piano Encyclopedia names: Mela Risabhapriya [South Indian]; Raga Ratipriya

Scale Omnibus names: Lydian Dominant b6; Lydian Minor; Raga Ratipriya; Raga Rishabapriya

Lydian Diminished

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–1–3–1–2–2–1

Scale degrees:
  in semitones: 0–2–3–6–7–9–11–12
  intervals: 1–2–m3–d5–5–6–7–8
  Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F♯ G A B c
  C D E♭ G♭ G A B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Chakravakam
  Mode 3 of: Aeolian Flat 1
  Mode 4 of: Locrian Double-flat 7
  Mode 5 of: Sarasangi
  Mode 6 of: Maqam Karcigar
  Mode 7 of: Maqam Huzzam

The name I use for this scale comes from: ChordHouse

Melakarta name: Dharmavati
Scala names: Lydian Diminished, Mela Dharmavati, Raga Arunajualita, Dumyaraga, Madhuvanti, Ambika
ChordHouse names: Lydian Diminished; Mela Dharmavati
Melakarta Raga: Dharmavati
  Chakra: Disi
  Carnatic Degrees: R2—G2—M2—P—D2—N3

Piano Encyclopedia names: Lydian Diminished; Lydian b3; Mela Dharmavati; Melodic Minor #11; Raga Ambika; Raga Arunajualita; Raga Dumyaraga; Raga Madhuvanti

Scale Omnibus names: Lydian b3; Lydian Diminished; Mela Dharmavati; Melodic Minor #4; Raga Ambika; Raga Arunajualita; Raga Dumyaraga; Raga Madhuvanti

Neapolitan Major

Scale steps in semitones: 1–2–2–2–2–2–1

Scale degrees:
  in semitones: 0–1–3–5–7–9–11–12
  intervals: 1–m2–m3–4–5–6–7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F G A B c
  C D♭ E♭ F G A B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Leading Whole Tone
  Mode 3 of: Synthetic Mixture #5
  Mode 4 of: Lydian Minor
  Mode 5 of: Arabian
  Mode 7 of: Leading Whole-tone Inverse

The name I use for this scale comes from: ChordHouse

Melakarta name: Kokilapriya
Scala names: Neapolitan Major, Lydian Major, Mela Kokilapriya, Raga Kokilaravam
ChordHouse names: Neoploitan Major; Mela Kokilapriya
Melakarta Raga: Kokilapriya
  Chakra: Netra
  Carnatic Degrees: R1—G2—M1—P—D2—N3

Wikipedia page related to this scale:

• Neapolitan Major ⇒ Neapolitan scale

Piano Encyclopedia names: Mela Kokilapriya [South Indian]; Neapolitan Major; Raga Kokilaravam

Scale Omnibus names: Mela Kokilapriya [India]; Neapolitan Major (or Neapolitan); Raga Kokilaravam

Notes: Sometimes mis-spelled as "Neopolitan"

Oriental A

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–3–1–1–2–2–2

Scale degrees:
  in semitones: 0–1–4–5–6–8–10–12
  intervals: 1–m2–3–4–d5–m6–m7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ E F F♯ G♯ A♯ c
  C D♭ E F G♭ A♭ B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Shoolini
  Mode 4 of: Neapolitan Minor
  Mode 5 of: Chitrambari
  Mode 7 of: Shanmukhapriya

The name I use for this scale comes from: ChordHouse

ChordHouse name: Oriental (a)

Scale Omnibus names: Locrian Dominant; Rahawi

Oriental B

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–3–1–1–3–1–2

Scale degrees:
  in semitones: 0–1–4–5–6–9–10–12
  intervals: 1–m2–3–4–d5–6–m7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ E F F♯ A A♯ c
  C D♭ E F G♭ A B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Ionian Augmented #2
  Mode 3 of: Locrian Bb3 Bb7
  Mode 4 of: Byzantine
  Mode 5 of: Rasikapriya
  Mode 6 of: Ultraphrygian
  Mode 7 of: Maqam Nawa Athar

The name I use for this scale comes from: ChordHouse

Scala names: Oriental, Raga Ahira-Lalita, Hungarian Minor inverse, Tsinganikos: Greece
ChordHouse name: Oriental (b)

Wikipedia page related to this scale:

• Oriental ⇒ Double harmonic scale ⇒ Modes

Piano Encyclopedia names: Minor Gipsy inverse [Romanian]; Oriental; Raga Ahira-Lalita; Tsinganikos

Scale Omnibus names: Hungarian Minor Inverse [Hungary]; Minor Gypsy Inverse; Oriental; Raga Ahira Lalita; Tsinganikos

Persian

Scale steps in semitones: 1–3–1–1–2–3–1

Scale degrees:
  in semitones: 0–1–4–5–6–8–11–12
  intervals: 1–m2–3–4–d5–m6–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F F♯ G♯ B c
  C D♭ E F G♭ A♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Chalanata
  Mode 3 of: Chromatic Phrygian Inverse
  Mode 4 of: Maqam Athar Kurd
  Mode 5 of: Chromatic Mixolydian Inverse
  Mode 6 of: Chromatic Hypodorian Inverse
  Mode 7 of: Chromatic Hypophrygian Inverse

The name I use for this scale comes from: ChordHouse

Scala names: Raga Lalita, Persian, Chromatic Hypolydian inverse, Raga Suddha Pancama
ChordHouse name: Persian

Wikipedia page related to this scale:

• Persian ⇒ Persian scale

Piano Encyclopedia names: Chromatic Hypolydian Inverse; Raga Lalita; Raga Suddha Pancama

Scale Omnibus names: Chromatic Hypolydian Inverse; Persian; Raga Suddha Pancama

Purvi Theta

Scale steps in semitones: 1–3–2–1–1–3–1

Scale degrees:
  in semitones: 0–1–4–6–7–8–11–12
  intervals: 1–m2–3–d5–5–m6–7–8
  Root, Minor 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F♯ G G♯ B c
  C D♭ E G♭ G A♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Blues 7-Tone
  Mode 3 of: Chromatic Hypodorian
  Mode 4 of: Chromatic Mixolydian
  Mode 5 of: Chromatic Lydian
  Mode 6 of: Chromatic Phrygian
  Mode 7 of: Kanakangi

The name I use for this scale comes from: ChordHouse

Melakarta name: Kamavardini
Scala names: Chromatic Hypolydian, Purvi That, Mela Kamavardhani, Raga Shri, Pantuvarali, Basant, Kasiramakriya, Suddharamakriya, Puriya Dhanashri, Dhipaka, Pireotikos: Greece
ChordHouse names: Purvi Theta; Mela Kamavardhani
Melakarta Raga: Kamavardini
  Chakra: Brama
  Carnatic Degrees: R1—G3—M2—P—D1—N3

Piano Encyclopedia names: Chromatic Hypolydian; Mela Kamavardhani; Pireotikos; Raga Basant; Raga Dhipaka; Raga Kasiramakriya; Raga Pantuvarali; Raga Puriya Dhanashri; Raga Shri; Raga Suddha Ramakriya

Scale Omnibus names: Chromatic Hypolydian; Mela Kamavardhani; Pireotikos; Puravi b6; Raga Basant; Raga Dhipaka; Raga Kasiramakryia; Raga Pantuvarali; Raga Puriya Dhanashri; Raga Purvi; Raga Shri; Raga Suddha Ramakriya

Roumanian Minor

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–1–3–1–2–1–2

Scale degrees:
  in semitones: 0–2–3–6–7–9–10–12
  intervals: 1–2–m3–d5–5–6–m7–8
  Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F♯ G A A♯ c
  C D E♭ G♭ G A B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Spanish Gypsy
  Mode 3 of: Kosalam
  Mode 4 of: Ultra Locrian
  Mode 5 of: Harmonic Minor
  Mode 6 of: Maqam Tarznauyn
  Mode 7 of: Ionian Sharp 5

The name I use for this scale comes from: ChordHouse

Melakarta name: Hemavati
Scala names: Mela Hemavati, Raga Desisimharavam, Maqam Nakriz, Tunisian, Dorian sharp 4, Misheberekh: Jewish, Souzinak (Peiraiotikos Minor), Nigriz: Greece, Ukrainian Minor, Kaffa, Gnossiennes
ChordHouse names: Roumanian Minor; Mela Hemavati
Melakarta Raga: Hemavati
  Chakra: Disi
  Carnatic Degrees: R2—G2—M2—P—D2—N2

Wikipedia pages related to this scale:

• Ukranian Dorian ⇒ Ukrainian Dorian scale
• Misheberak ⇒ Ukrainian Dorian scale ⇒ Misheberak

Piano Encyclopedia names: Dorian #4; Dorian #11; Gnossiennes (Satie); Kaffa; Lydian Minor b7; Maqam Hedjaz; Maqam Nakriz; Mela Hemavati; Misheberekh; Nigriz; Peiraiotikos Minor; Raga Desisimharavam; Romanian Minor; Souzinak minor; Spanish Phrygian III; Tunisian

Scale Omnibus names: Dorian #4; Gnossiennes; Kaffa; Maqam Hedjaz; Maqam Nakriz; Mela Hemavati; Misheberekh; Nigriz; Periaiotikos Minor; Raga Disisimharavam; Romanian Minor; Souzinak; Tunisian; Ukrainian Minor; Ukranian Dorian

Marva

Scale steps in semitones: 1–3–2–1–2–2–1

Scale degrees:
  in semitones: 0–1–4–6–7–9–11–12
  intervals: 1–m2–3–d5–5–6–7–8
  Root, Minor 2nd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F♯ G A B c
  C D♭ E G♭ G A B c

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Jhankaradhwani
  Mode 6 of: Banshikicho
  Mode 7 of: Ratnangi

The name I use for this scale comes from: ChordHouse

Melakarta name: Gamanashrama
Scala names: Marva That, Mela Gamanasrama, Raga Partiravam, Puriya, Puriya Kalyan, Purvikalyani, Sohani, Bairari, Harsh-intense Major, Peiraiotikos: Greece
ChordHouse names: Mela Gamanasrama; Theta, Marva
Melakarta Raga: Gamanashrama
  Chakra: Brama
  Carnatic Degrees: R1—G3—M2—P—D2—N3

Piano Encyclopedia names: Houzam II [Greek]; Marwa Thaat; Mela Gamanasrama; Peiraiotikos; Raga Partiravam; Raga Puriya; Raga Puriya Kalyan; Raga Sohani

Scale Omnibus names: Mela Gamanasrama [India]; Peiraiotikos; Raga Bairari; Raga Marwa Thaat; Raga Partivaran; Raga Puriya (or Puriya Kalyan); Raga Purvikalyani; Raga Sohani

Chromatic Mixolydian

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–3–1–1–3–2

Scale degrees:
  in semitones: 0–1–2–5–6–7–10–12
  intervals: 1–m2–2–4–d5–5–m7–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D F F♯ G A♯ c
  C D♭ D F G♭ G B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Chromatic Lydian
  Mode 3 of: Chromatic Phrygian
  Mode 4 of: Kanakangi
  Mode 5 of: Purvi Theta
  Mode 6 of: Blues 7-Tone
  Mode 7 of: Chromatic Hypodorian

The name I use for this scale comes from: Scala name

Scala name: Chromatic Mixolydian

Piano Encyclopedia name: Chromatic Mixolydian

Scale Omnibus name: Chromatic Mixolydian

Chromatic Lydian

Scale steps in semitones: 1–3–1–1–3–2–1

Scale degrees:
  in semitones: 0–1–4–5–6–9–11–12
  intervals: 1–m2–3–4–d5–6–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F F♯ A B c
  C D♭ E F G♭ A B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Chromatic Phrygian
  Mode 3 of: Kanakangi
  Mode 4 of: Purvi Theta
  Mode 5 of: Blues 7-Tone
  Mode 6 of: Chromatic Hypodorian
  Mode 7 of: Chromatic Mixolydian

The name I use for this scale comes from: Scala name

Scala names: Chromatic Lydian, Raga Lalit, Bhankar

Piano Encyclopedia names: Chromatic Lydian; Raga Lalit

Scale Omnibus names: Chromatic Lydian; Raga Bhankar; Raga Lalit

Chromatic Phrygian

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

            or           

Scale steps in semitones: 3–1–1–3–2–1–1

Scale degrees:
  in semitones: 0–3–4–5–8–10–11–12
  intervals: 1–m3–3–4–m6–m7–7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F G♯ A♯ B c
  C E♭ E F A♭ B♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Kanakangi
  Mode 3 of: Purvi Theta
  Mode 4 of: Blues 7-Tone
  Mode 5 of: Chromatic Hypodorian
  Mode 6 of: Chromatic Mixolydian
  Mode 7 of: Chromatic Lydian

The name I use for this scale comes from: Scala name

Scala name: Chromatic Phrygian

Piano Encyclopedia name: Chromatic Phrygian

Scale Omnibus name: Chromatic Phrygian

Chromatic Hypodorian

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–1–1–3–1–1–3

Scale degrees:
  in semitones: 0–2–3–4–7–8–9–12
  intervals: 1–2–m3–3–5–m6–6–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C D D♯ E G G♯ A c
  C D E♭ E G A♭ A c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Chromatic Mixolydian
  Mode 3 of: Chromatic Lydian
  Mode 4 of: Chromatic Phrygian
  Mode 5 of: Kanakangi
  Mode 6 of: Purvi Theta
  Mode 7 of: Blues 7-Tone

The name I use for this scale comes from: Scala name

Scala names: Chromatic Hypodorian, Relative Blues scale, Raga Dvigandharabushini

Piano Encyclopedia names: Chromatic Hypodorian; Raga Dvigandharabushini

Scale Omnibus names: Chromatic Hypodorian; Relative Blues

Chromatic Mixolydian Inverse

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 2–3–1–1–3–1–1

Scale degrees:
  in semitones: 0–2–5–6–7–10–11–12
  intervals: 1–2–4–d5–5–m7–7–8
  Root, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D F F♯ G A♯ B c
  C D F G♭ G B♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Chromatic Hypodorian Inverse
  Mode 3 of: Chromatic Hypophrygian Inverse
  Mode 4 of: Persian
  Mode 5 of: Chalanata
  Mode 6 of: Chromatic Phrygian Inverse
  Mode 7 of: Maqam Athar Kurd

The name I use for this scale comes from: Scala name

Scala name: Chromatic Mixolydian inverse

Piano Encyclopedia name: Chromatic Mixolydian Inverse

Scale Omnibus name: Chromatic Mixolydian Inverse

Chromatic Phrygian Inverse

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–2–3–1–1–3

Scale degrees:
  in semitones: 0–1–2–4–7–8–9–12
  intervals: 1–m2–2–3–5–m6–6–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D E G G♯ A c
  C D♭ D E G A♭ A c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Maqam Athar Kurd
  Mode 3 of: Chromatic Mixolydian Inverse
  Mode 4 of: Chromatic Hypodorian Inverse
  Mode 5 of: Chromatic Hypophrygian Inverse
  Mode 6 of: Persian
  Mode 7 of: Chalanata

The name I use for this scale comes from: Scala name

Scala name: Chromatic Phrygian inverse

Piano Encyclopedia name: Chromatic Phrygian Inverse

Scale Omnibus name: Chromatic Phrygian Inverse

Chromatic Hypophrygian Inverse

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–3–1–1–2–3

Scale degrees:
  in semitones: 0–1–2–5–6–7–9–12
  intervals: 1–m2–2–4–d5–5–6–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Octave

Pitches starting from C:
  C C♯ D F F♯ G A c
  C D♭ D F G♭ G A c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Persian
  Mode 3 of: Chalanata
  Mode 4 of: Chromatic Phrygian Inverse
  Mode 5 of: Maqam Athar Kurd
  Mode 6 of: Chromatic Mixolydian Inverse
  Mode 7 of: Chromatic Hypodorian Inverse

The name I use for this scale comes from: Scala name

Scala name: Chromatic Hypophrygian inverse

Piano Encyclopedia name: Chromatic Hypophrygian Inverse

Scale Omnibus name: Chromatic Hypophrygian Inverse

Chromatic Hypodorian Inverse

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

            or           

Scale steps in semitones: 3–1–1–3–1–1–2

Scale degrees:
  in semitones: 0–3–4–5–8–9–10–12
  intervals: 1–m3–3–4–m6–6–m7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D♯ E F G♯ A A♯ c
  C E♭ E F A♭ A B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Chromatic Hypophrygian Inverse
  Mode 3 of: Persian
  Mode 4 of: Chalanata
  Mode 5 of: Chromatic Phrygian Inverse
  Mode 6 of: Maqam Athar Kurd
  Mode 7 of: Chromatic Mixolydian Inverse

The name I use for this scale comes from: Scala name

Scala name: Chromatic Hypodorian inverse

Piano Encyclopedia name: Chromatic Hypodorian Inverse

Scale Omnibus name: Raga Dvigandharabushini [India]

Ionian Sharp 5

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 2–2–1–3–1–2–1

Scale degrees:
  in semitones: 0–2–4–5–8–9–11–12
  intervals: 1–2–3–4–m6–6–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D E F G♯ A B c
  C D E F A♭ A B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Roumanian Minor
  Mode 3 of: Spanish Gypsy
  Mode 4 of: Kosalam
  Mode 5 of: Ultra Locrian
  Mode 6 of: Harmonic Minor
  Mode 7 of: Maqam Tarznauyn

The name I use for this scale comes from: Scala name

Scala names: Ionian Augmented, Ionian sharp 5

Piano Encyclopedia names: Ionian Augmented; Ionian #5; Major Augmented

Scale Omnibus names: Harmonic Major 2; Ioanian Augmented; Ionian #5

Locrian 2

Scale steps in semitones: 2–1–2–1–2–3–1

Scale degrees:
  in semitones: 0–2–3–5–6–8–11–12
  intervals: 1–2–m3–4–d5–m6–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F F♯ G♯ B c
  C D E♭ F G♭ A♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Shadvidamargini
  Mode 5 of: Nohkan Flute
  Mode 6 of: Hungarian Major

The name I use for this scale comes from: Scala name, modified by Clint

Scala name: Locrian nr.2

Scale Omnibus name: Harmonic Minor b5

Ultra Locrian

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 1–2–1–2–2–1–3

Scale degrees:
  in semitones: 0–1–3–4–6–8–9–12
  intervals: 1–m2–m3–3–d5–m6–6–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D♯ E F♯ G♯ A c
  C D♭ E♭ E G♭ A♭ A c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Harmonic Minor
  Mode 3 of: Maqam Tarznauyn
  Mode 4 of: Ionian Sharp 5
  Mode 5 of: Roumanian Minor
  Mode 6 of: Spanish Gypsy
  Mode 7 of: Kosalam

The name I use for this scale comes from: Scala name

Scala names: Ultralocrian, Superlocrian Diminished, Mixolydian sharp 1

Piano Encyclopedia names: Altered Diminished; Diminished Locrian; Locrian Diminished; Mixolydian #1; Super Locrian diminished; Ultra Locrian

Scale Omnibus names: Mixolydian #1; Ultralocrian

Locrian Double-flat 7

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 1–2–2–1–2–1–3

Scale degrees:
  in semitones: 0–1–3–5–6–8–9–12
  intervals: 1–m2–m3–4–d5–m6–6–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D♯ F F♯ G♯ A c
  C D♭ E♭ F G♭ A♭ A c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Sarasangi
  Mode 3 of: Maqam Karcigar
  Mode 4 of: Maqam Huzzam
  Mode 5 of: Lydian Diminished
  Mode 6 of: Chakravakam
  Mode 7 of: Aeolian Flat 1

The name I use for this scale comes from: Scala name

Scala name: Locrian double-flat 7

Piano Encyclopedia names: Diminished b9; Locrian b7; Locrian bb7

Scale Omnibus name: Locrian bb7

Nohkan Flute

Scale steps in semitones: 2–3–1–2–1–2–1

Scale degrees:
  in semitones: 0–2–5–6–8–9–11–12
  intervals: 1–2–4–d5–m6–6–7–8
  Root, Major 2nd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D F F♯ G♯ A B c
  C D F G♭ A♭ A B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Hungarian Major
  Mode 4 of: Locrian 2
  Mode 7 of: Shadvidamargini

The name I use for this scale comes from: Scala

Entry on the Map of Native American Flute Tunings page: Six-hole Nohkan; Seven-hole Nohkan

Scala name: Nohkan Flute scale: Japan

Piano Encyclopedia names: Hijaz [Armenian]; Nohkan Flute

Scale Omnibus names: Lydian Augmented #3; Nohkan

Blues Heptatonic II

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 3–2–1–1–2–1–2

Scale degrees:
  in semitones: 0–3–5–6–7–9–10–12
  intervals: 1–m3–4–d5–5–6–m7–8
  Root, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D♯ F F♯ G A A♯ c
  C E♭ F G♭ G A B♭ c

The name I use for this scale comes from: Scala name

Scala name: Blues Heptatonic II

Scale Omnibus name: Blues Heptatonic 2

Jeths' Mode

Scale steps in semitones: 2–1–2–1–3–2–1

Scale degrees:
  in semitones: 0–2–3–5–6–9–11–12
  intervals: 1–2–m3–4–d5–6–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F F♯ A B c
  C D E♭ F G♭ A B c

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Ramapriya
  Mode 6 of: Hungarian Major Inverse

The name I use for this scale comes from: Scala name

Scala name: Jeths' mode

Piano Encyclopedia name: Jeths' mode

Scale Omnibus names: Jeths; Zangula

Modified Blues

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 2–1–2–1–1–3–2

Scale degrees:
  in semitones: 0–2–3–5–6–7–10–12
  intervals: 1–2–m3–4–d5–5–m7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F F♯ G A♯ c
  C D E♭ F G♭ G B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Anasazi
  Mode 4 of: Vanaspati
  Mode 7 of: Mararanjani

The name I use for this scale comes from: Scala name

Scala name: Modified Blues

Piano Encyclopedia name: Modified Blues

Scale Omnibus name: Blues Modified

Enigmatic Descending

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 1–3–1–3–2–1–1

Scale degrees:
  in semitones: 0–1–4–5–8–10–11–12
  intervals: 1–m2–3–4–m6–m7–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Minor 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F G♯ A♯ B c
  C D♭ E F A♭ B♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Dhavalambari

The name I use for this scale comes from: Wikipedia name

Scala name: Verdi's Scala enigmatica descending

Wikipedia page related to this scale:

• Enigmatic Descending ⇒ Enigmatic scale

Hungarian Major Inverse

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 2–1–2–1–2–1–3

Scale degrees:
  in semitones: 0–2–3–5–6–8–9–12
  intervals: 1–2–m3–4–d5–m6–6–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C D D♯ F F♯ G♯ A c
  C D E♭ F G♭ A♭ A c

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Jeths' Mode
  Mode 6 of: Ramapriya

The name I use for this scale comes from: Scala name

Scala names: Moravian Pistalkova, Hungarian Major inverse

Piano Encyclopedia names: Locrian Nat. 2 b7; Locrian #2 bb7

Scale Omnibus name: Hungarian Major Inverse [Hungary]

Minor Gypsy Inverse

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–2–1–1–3–1–2

Scale degrees:
  in semitones: 0–2–4–5–6–9–10–12
  intervals: 1–2–3–4–d5–6–m7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D E F F♯ A A♯ c
  C D E F G♭ A B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Sabach
  Mode 4 of: Sooryakantam
  Mode 6 of: Senavati
  Mode 7 of: Latangi

The name I use for this scale comes from: Scala name, modified by Clint

Scala name: Minor Gipsy inverse

Scale Omnibus name: Mixolydian b5

Raga Rageshri

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 2–2–1–4–1–1–1

Scale degrees:
  in semitones: 0–2–4–5–9–10–11–12
  intervals: 1–2–3–4–6–m7–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D E F A A♯ B c
  C D E F A B♭ B c

The name I use for this scale comes from: Scala name

Scala name: Raga Rageshri

Piano Encyclopedia name: Raga Rageshri [Indian]

Scale Omnibus name: Raga Rageshri [India]

Raga Sorati

Scale steps in semitones: 2–3–2–2–1–1–1

Scale degrees:
  in semitones: 0–2–5–7–9–10–11–12
  intervals: 1–2–4–5–6–m7–7–8
  Root, Major 2nd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D F G A A♯ B c
  C D F G A B♭ B c

The name I use for this scale comes from: Scala name

Scala names: Raga Sorati, Sur Malhar

Piano Encyclopedia names: Raga Sorati [Indian]; Raga Sur Malhar

Scale Omnibus names: Raga Sorati [India]; Raga Sur Malhar

Aeolian Flat 1

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–1–2–2–1–2–1

Scale degrees:
  in semitones: 0–3–4–6–8–9–11–12
  intervals: 1–m3–3–d5–m6–6–7–8
  Root, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F♯ G♯ A B c
  C E♭ E G♭ A♭ A B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Locrian Double-flat 7
  Mode 3 of: Sarasangi
  Mode 4 of: Maqam Karcigar
  Mode 5 of: Maqam Huzzam
  Mode 6 of: Lydian Diminished
  Mode 7 of: Chakravakam

The name I use for this scale comes from: Scala name

Scala name: Aeolian flat 1

Piano Encyclopedia names: Aeolian b1 [Greek]; Lydian Augmented #2

Scale Omnibus names: Aeolian b1; Lydian Augmented #2

Raga Madhuri

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 4–1–2–2–1–1–1

Scale degrees:
  in semitones: 0–4–5–7–9–10–11–12
  intervals: 1–3–4–5–6–m7–7–8
  Root, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C E F G A A♯ B c
  C E F G A B♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 6 of: Pavani

The name I use for this scale comes from: Scala name

Scala name: Raga Madhuri

Piano Encyclopedia name: Raga Madhuri [Indian]

Scale Omnibus names: Raga Khamach [India]; Raga Madhuri

Leading Whole-tone Inverse

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–2–2–2–2–2

Scale degrees:
  in semitones: 0–1–2–4–6–8–10–12
  intervals: 1–m2–2–3–d5–m6–m7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Diminished 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D E F♯ G♯ A♯ c
  C D♭ D E G♭ A♭ B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Neapolitan Major
  Mode 3 of: Leading Whole Tone
  Mode 4 of: Synthetic Mixture #5
  Mode 5 of: Lydian Minor
  Mode 6 of: Arabian

The name I use for this scale comes from: Scala name

Scala name: Leading Whole-tone inverse

Scale Omnibus names: Leading Whole-Tone Inverse; Superlocrian bb3

Debussy's Heptatonic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 2–1–1–1–1–3–3

Scale degrees:
  in semitones: 0–2–3–4–5–6–9–12
  intervals: 1–2–m3–3–4–d5–6–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Major 6th, Octave

Pitches starting from C:
  C D D♯ E F F♯ A c
  C D E♭ E F G♭ A c

The name I use for this scale comes from: Scala name

Scala name: Debussy's Heptatonic

Ultraphrygian

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 1–2–1–3–1–1–3

Scale degrees:
  in semitones: 0–1–3–4–7–8–9–12
  intervals: 1–m2–m3–3–5–m6–6–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D♯ E G G♯ A c
  C D♭ E♭ E G A♭ A c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Maqam Nawa Athar
  Mode 3 of: Oriental B
  Mode 4 of: Ionian Augmented #2
  Mode 5 of: Locrian Bb3 Bb7
  Mode 6 of: Byzantine
  Mode 7 of: Rasikapriya

The name I use for this scale comes from: Wikipedia

Wikipedia page related to this scale:

• Ultraphrygian ⇒ Double harmonic scale ⇒ Modes

Scale Omnibus name: Ultraphrygian

Ionian Augmented #2

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

            or           

Scale steps in semitones: 3–1–1–3–1–2–1

Scale degrees:
  in semitones: 0–3–4–5–8–9–11–12
  intervals: 1–m3–3–4–m6–6–7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F G♯ A B c
  C E♭ E F A♭ A B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Locrian Bb3 Bb7
  Mode 3 of: Byzantine
  Mode 4 of: Rasikapriya
  Mode 5 of: Ultraphrygian
  Mode 6 of: Maqam Nawa Athar
  Mode 7 of: Oriental B

The name I use for this scale comes from: Wikipedia

Wikipedia page related to this scale:

• Ionian Augmented #2 ⇒ Double harmonic scale ⇒ Modes

Scale Omnibus name: Ionian Augmented #2

Locrian Bb3 Bb7

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–3–1–2–1–3

Scale degrees:
  in semitones: 0–1–2–5–6–8–9–12
  intervals: 1–m2–2–4–d5–m6–6–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D F F♯ G♯ A c
  C D♭ D F G♭ A♭ A c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Byzantine
  Mode 3 of: Rasikapriya
  Mode 4 of: Ultraphrygian
  Mode 5 of: Maqam Nawa Athar
  Mode 6 of: Oriental B
  Mode 7 of: Ionian Augmented #2

The name I use for this scale comes from: Wikipedia

Wikipedia page related to this scale:

• Locrian bb3 bb7 ⇒ Double harmonic scale ⇒ Modes

Scale Omnibus name: Locrian bb3 bb7

Kanakangi

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–3–2–1–1–3

Scale degrees:
  in semitones: 0–1–2–5–7–8–9–12
  intervals: 1–m2–2–4–5–m6–6–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D F G G♯ A c
  C D♭ D F G A♭ A c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Purvi Theta
  Mode 3 of: Blues 7-Tone
  Mode 4 of: Chromatic Hypodorian
  Mode 5 of: Chromatic Mixolydian
  Mode 6 of: Chromatic Lydian
  Mode 7 of: Chromatic Phrygian

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Kanakangi
Scala names: Chromatic Dorian, Mela Kanakangi, Raga Kanakambari
ChordHouse names: Mela Bhavapriya; Mela Kanakangi
Melakarta Raga: Kanakangi
  Chakra: Indu
  Carnatic Degrees: R1—G3—M1—P—D1—N1

Wikipedia page related to this scale:

• Greek Dorian Mode ⇒ Dorian mode ⇒ Greek Dorian mode

Piano Encyclopedia names: Chromatic Dorian; In; Mela Kanakangi; Miyako-bushi I; Raga Kanakambari

Scale Omnibus names: Chromatic Dorian; Mela Kanakangi; Raga Kanakambari

Ratnangi

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–3–2–1–2–2

Scale degrees:
  in semitones: 0–1–2–5–7–8–10–12
  intervals: 1–m2–2–4–5–m6–m7–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D F G G♯ A♯ c
  C D♭ D F G A♭ B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Marva
  Mode 4 of: Jhankaradhwani
  Mode 7 of: Banshikicho

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Ratnangi
Scala names: Mela Ratnangi, Raga Phenadyuti
ChordHouse name: Mela Ratnangi
Melakarta Raga: Ratnangi
  Chakra: Indu
  Carnatic Degrees: R1—G3—M1—P—D1—N2

Piano Encyclopedia names: Mela Ratnangi [South Indian]; Raga Phenadyuti

Scale Omnibus names: Mela Ratnangi [India]; Raga Phenadyuti

Ganamoorti

Scale steps in semitones: 1–1–3–2–1–3–1

Scale degrees:
  in semitones: 0–1–2–5–7–8–11–12
  intervals: 1–m2–2–4–5–m6–7–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D F G G♯ B c
  C D♭ D F G A♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Vishwambari
  Mode 4 of: Shamalangi

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Ganamoorti
Scala names: Mela Ganamurti, Raga Ganasamavarali
ChordHouse name: Mela Ganamurti
Melakarta Raga: Ganamoorti
  Chakra: Indu
  Carnatic Degrees: R1—G3—M1—P—D1—N3

Piano Encyclopedia names: Mela Ganamurti [South Indian]; Raga Ganasamavarali

Scale Omnibus names: Mela Ganamurti [India]; Raga Ganasamavarali

Vanaspati

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–3–2–2–1–2

Scale degrees:
  in semitones: 0–1–2–5–7–9–10–12
  intervals: 1–m2–2–4–5–6–m7–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D F G A A♯ c
  C D♭ D F G A B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Mararanjani
  Mode 5 of: Modified Blues
  Mode 7 of: Anasazi

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Vanaspati
Scala names: Mela Vanaspati, Raga Bhanumati
ChordHouse name: Mela Vanaspati
Melakarta Raga: Vanaspati
  Chakra: Indu
  Carnatic Degrees: R1—G3—M1—P—D2—N2

Piano Encyclopedia names: Mela Vanaspati [South Indian]; Raga Bhanumati

Scale Omnibus names: Mela Venaspati [India]; Raga Bhanumati

Manavati

Scale steps in semitones: 1–1–3–2–2–2–1

Scale degrees:
  in semitones: 0–1–2–5–7–9–11–12
  intervals: 1–m2–2–4–5–6–7–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D F G A B c
  C D♭ D F G A B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Enigmatic
  Mode 4 of: Kantamani

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Manavati
Scala names: Mela Manavati, Raga Manoranjani
ChordHouse name: Mela Manavati
Melakarta Raga: Manavati
  Chakra: Indu
  Carnatic Degrees: R1—G3—M1—P—D2—N3

Piano Encyclopedia names: Mela Manavati [South Indian]; Raga Manoranjani

Scale Omnibus names: Mela Manavati [India]; Raga Manoranjani

Tanaroopi

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 1–1–3–2–3–1–1

Scale degrees:
  in semitones: 0–1–2–5–7–10–11–12
  intervals: 1–m2–2–4–5–m7–7–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D F G A♯ B c
  C D♭ D F G B♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 5 of: Blues Heptatonic

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Tanaroopi
Scala names: Mela Tanarupi, Raga Tanukirti
ChordHouse name: Mela Tanarupi
Melakarta Raga: Tanaroopi
  Chakra: Indu
  Carnatic Degrees: R1—G3—M1—P—D3—N3

Piano Encyclopedia names: Mela Tanarupi [South Indian]; Raga Tanukirti

Scale Omnibus names: Mela Tenarupi [India]; Raga Tanukirti

Senavati

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 1–2–2–2–1–1–3

Scale degrees:
  in semitones: 0–1–3–5–7–8–9–12
  intervals: 1–m2–m3–4–5–m6–6–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D♯ F G G♯ A c
  C D♭ E♭ F G A♭ A c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Latangi
  Mode 3 of: Minor Gypsy Inverse
  Mode 4 of: Sabach
  Mode 6 of: Sooryakantam

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Senavati
Scala names: Mela Senavati, Raga Senagrani, Malini
ChordHouse name: Mela Senavati
Melakarta Raga: Senavati
  Chakra: Netra
  Carnatic Degrees: R1—G2—M1—P—D1—N1

Piano Encyclopedia names: Mela Senavati [South Indian]; Raga Malini; Raga Senagrani

Scale Omnibus names: Raga Malini [India]; Raga Senagrani

Roopavati

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 1–2–2–2–3–1–1

Scale degrees:
  in semitones: 0–1–3–5–7–10–11–12
  intervals: 1–m2–m3–4–5–m7–7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F G A♯ B c
  C D♭ E♭ F G B♭ B c

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Roopavati
Scala name: Mela Rupavati
ChordHouse name: Mela Rupavati
Melakarta Raga: Roopavati
  Chakra: Netra
  Carnatic Degrees: R1—G2—M1—P—D3—N3

Piano Encyclopedia name: Mela Rupavati [South Indian]

Scale Omnibus name: Mela Rupavati [India]

Gayakapriya

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–3–1–2–1–1–3

Scale degrees:
  in semitones: 0–1–4–5–7–8–9–12
  intervals: 1–m2–3–4–5–m6–6–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ E F G G♯ A c
  C D♭ E F G A♭ A c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Dhatuvardani

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Gayakapriya
Scala names: Mela Gayakapriya, Raga Kalakanti, Gipsy Hexatonic
ChordHouse names: Mela Gayakapriya; Mela Mayamalavagaula
Melakarta Raga: Gayakapriya
  Chakra: Agni
  Carnatic Degrees: R1—G3—M1—P—D1—N1

Piano Encyclopedia names: Gypsy Hexatonic [Romanian]; Mela Gayakapriya; Raga Kalakanthi

Scale Omnibus names: Gypsy Hexatonic [Hungarian]; Raga Kalakanthi

Chakravakam

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–3–1–2–2–1–2

Scale degrees:
  in semitones: 0–1–4–5–7–9–10–12
  intervals: 1–m2–3–4–5–6–m7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ E F G A A♯ c
  C D♭ E F G A B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Aeolian Flat 1
  Mode 3 of: Locrian Double-flat 7
  Mode 4 of: Sarasangi
  Mode 5 of: Maqam Karcigar
  Mode 6 of: Maqam Huzzam
  Mode 7 of: Lydian Diminished

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Chakravakam
Scala names: Harmonic Minor inverse, Mela Cakravaka, Raga Ahir Bhairav, Bindumalini, Vegavahini, Makam Hicaz, Zanjaran
ChordHouse name: Mela Chakravakam
Melakarta Raga: Chakravakam
  Chakra: Agni
  Carnatic Degrees: R1—G3—M1—P—D2—N2

Piano Encyclopedia names: Maqam Hicaz [Iraqian]; Maqam Zanjaran; Mela Cakravaka; Mixolydian b2; Mixolydian b9; Raga Ahir Bhairav; Raga Bindumalini; Raga Vegavahini

Scale Omnibus names: Harmonic Minor Inverse; Maqam Hicaz; Maqam Zanjaran; Mela Cakravka; Mixolydian b2 (or Mixolydian b9); Raga Ahir Bhairav; Raga Bindumalini; Raga Chakravakam; Raga Vagedeeshwari; Raga Vegavahini descending

Sooryakantam

Scale steps in semitones: 1–3–1–2–2–2–1

Scale degrees:
  in semitones: 0–1–4–5–7–9–11–12
  intervals: 1–m2–3–4–5–6–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F G A B c
  C D♭ E F G A B c

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Senavati
  Mode 4 of: Latangi
  Mode 5 of: Minor Gypsy Inverse
  Mode 6 of: Sabach

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Sooryakantam
Scala names: Mela Suryakanta, Bhairubahar That, Raga Supradhipam, Sowrashtram, Jaganmohini, Major-Melodic Phrygian, Hungarian Gipsy inverse
ChordHouse name: Mela Suryakantam
Melakarta Raga: Sooryakantam
  Chakra: Agni
  Carnatic Degrees: R1—G3—M1—P—D2—N3

Piano Encyclopedia names: Bhairubahar Thaat [North Indian]; Mela Suryakanta; Raga Sowrashtram; Raga Supradhipam

Scale Omnibus names: Gypsy Inverse [Hungary]; Mela Suryakanta; Raga Bhairubahar; Raga Sowrashtram; Raga Supradhipam

Hatakambari

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 1–3–1–2–3–1–1

Scale degrees:
  in semitones: 0–1–4–5–7–10–11–12
  intervals: 1–m2–3–4–5–m7–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F G A♯ B c
  C D♭ E F G B♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Gavambhodi

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Hatakambari
Scala names: Mela Hatakambari, Raga Jeyasuddhamalavi
ChordHouse name: Mela Hatakambari
Melakarta Raga: Hatakambari
  Chakra: Agni
  Carnatic Degrees: R1—G3—M1—P—D3—N3

Piano Encyclopedia names: Mela Hatakambari [South Indian]; Raga Jeyasuddhamalavi

Scale Omnibus names: Mela Hatakambari [India]; Raga Jeyasuddhamalavi

Jhankaradhwani

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 2–1–2–2–1–1–3

Scale degrees:
  in semitones: 0–2–3–5–7–8–9–12
  intervals: 1–2–m3–4–5–m6–6–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C D D♯ F G G♯ A c
  C D E♭ F G A♭ A c

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Banshikicho
  Mode 5 of: Ratnangi
  Mode 6 of: Marva

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Jhankaradhwani
Scala names: Mela Jhankaradhvani, Raga Jhankara Bhramavi
ChordHouse name: Mela Jhankaradhvani
Melakarta Raga: Jhankaradhwani
  Chakra: Veda
  Carnatic Degrees: R2—G2—M1—P—D1—N1

Piano Encyclopedia names: Mela Jhankaradhvani [South Indian]; Raga Jhankara Bhramavi

Scale Omnibus names: Mela Jhankaradhvani [India]; Raga Jhankara Bhramavi

Varunapriya

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 2–1–2–2–3–1–1

Scale degrees:
  in semitones: 0–2–3–5–7–10–11–12
  intervals: 1–2–m3–4–5–m7–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F G A♯ B c
  C D E♭ F G B♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 5 of: Ragavardini

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Varunapriya
Scala names: Mela Varunapriya, Viravasantham
ChordHouse name: Mela Varunapriya
Melakarta Raga: Varunapriya
  Chakra: Veda
  Carnatic Degrees: R2—G2—M1—P—D3—N3

Piano Encyclopedia names: Mela Varunapriya [South Indian]; Raga Viravasantham

Scale Omnibus names: Mela Varunapriya [India]; Raga Viravasantham

Mararanjani

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–2–1–2–1–1–3

Scale degrees:
  in semitones: 0–2–4–5–7–8–9–12
  intervals: 1–2–3–4–5–m6–6–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C D E F G G♯ A c
  C D E F G A♭ A c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Modified Blues
  Mode 4 of: Anasazi
  Mode 5 of: Vanaspati

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Mararanjani
Scala names: Mela Mararanjani, Raga Keseri, Major Bebop Heptatonic
ChordHouse name: Mela Mararanjani
Melakarta Raga: Mararanjani
  Chakra: Bana
  Carnatic Degrees: R2—G3—M1—P—D1—N1

Piano Encyclopedia names: Mela Mararanjani [South Indian]; Raga Keseri

Scale Omnibus names: Bebop Major Heptatonic; Mela Mararanjani; Raga Keseri

Sarasangi

Scale steps in semitones: 2–2–1–2–1–3–1

Scale degrees:
  in semitones: 0–2–4–5–7–8–11–12
  intervals: 1–2–3–4–5–m6–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C D E F G G♯ B c
  C D E F G A♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Maqam Karcigar
  Mode 3 of: Maqam Huzzam
  Mode 4 of: Lydian Diminished
  Mode 5 of: Chakravakam
  Mode 6 of: Aeolian Flat 1
  Mode 7 of: Locrian Double-flat 7

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Sarasangi
Scala names: Harmonic Major, Mela Sarasangi, Raga Haripriya, Simhavahini, Mischung 2, Ethiopian, Tabahaniotikos: Greece
ChordHouse name: Mela Sarasangi
Melakarta Raga: Sarasangi
  Chakra: Bana
  Carnatic Degrees: R2—G3—M1—P—D1—N3

Wikipedia page related to this scale:

• Harmonic Major ⇒ Harmonic major scale

Piano Encyclopedia names: Ethiopian [Ethiopian]; Harmonic Major; Harmonic Major; Mela Sarasangi; Mischung 2; Raga Haripriya; Tabahaniotiko

Scale Omnibus names: Harmonic Major; Mela Sarasangi; Mischung 2; Raga Haripriya; Segiah; Tabahaniotiko

Naganandini

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 2–2–1–2–3–1–1

Scale degrees:
  in semitones: 0–2–4–5–7–10–11–12
  intervals: 1–2–3–4–5–m7–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D E F G A♯ B c
  C D E F G B♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Bhavapriya
  Mode 5 of: Vagadheeshwari

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Naganandini
Scala names: Mela Naganandini, Raga Nagabharanam, Samanta
ChordHouse name: Mela Naganandini
Melakarta Raga: Naganandini
  Chakra: Bana
  Carnatic Degrees: R2—G3—M1—P—D3—N3

Piano Encyclopedia names: Mela Naganandini [South Indian]; Raga Nagabharanam; Raga Samanta

Scale Omnibus names: Mela Naganandini [India]; Raga Nagabharanam; Raga Samanta

Yagapriya

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

            or           

Scale steps in semitones: 3–1–1–2–1–1–3

Scale degrees:
  in semitones: 0–3–4–5–7–8–9–12
  intervals: 1–m3–3–4–5–m6–6–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C D♯ E F G G♯ A c
  C E♭ E F G A♭ A c

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Yagapriya
Scala names: Mela Yagapriya, Raga Kalahamsa
ChordHouse name: Mela Yagapriya
Melakarta Raga: Yagapriya
  Chakra: Ritu
  Carnatic Degrees: R3—G3—M1—P—D1—N1

Piano Encyclopedia names: Mela Yagapriya [South Indian]; Raga Kalahamsa

Scale Omnibus names: Mela Yagapriya [India]; Raga Kalahamsa

Ragavardini

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 3–1–1–2–1–2–2

Scale degrees:
  in semitones: 0–3–4–5–7–8–10–12
  intervals: 1–m3–3–4–5–m6–m7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D♯ E F G G♯ A♯ c
  C E♭ E F G A♭ B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Varunapriya

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Ragavardini
Scala names: Mela Ragavardhani, Raga Cudamani
ChordHouse names: Mela Ragavardhani; Mela Vakulabharanam
Melakarta Raga: Ragavardini
  Chakra: Ritu
  Carnatic Degrees: R3—G3—M1—P—D1—N2

Piano Encyclopedia names: Mela Ragavardhani [South Indian]; Raga Cudamani

Scale Omnibus names: Mela Ragavardhani [India]; Raga Cudamani

Gangeyabhooshani

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 3–1–1–2–1–3–1

Scale degrees:
  in semitones: 0–3–4–5–7–8–11–12
  intervals: 1–m3–3–4–5–m6–7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F G G♯ B c
  C E♭ E F G A♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Neetimati
  Mode 7 of: Raga Bhankar

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Gangeyabhooshani
Scala names: Mela Gangeyabhusani, Raga Gangatarangini, Segiah: Greece, Gipsy Hexatonic inverse
ChordHouse name: Mela Gangeyabhusani
Melakarta Raga: Gangeyabhooshani
  Chakra: Ritu
  Carnatic Degrees: R3—G3—M1—P—D1—N3

Piano Encyclopedia names: Mela Gangeyabhusani [South Indian]; Sengah

Scale Omnibus names: Gypsy Hexatonic Inverse [Hungary]; Mela Gangeyabhusani; Sengiach (or Sengah)

Vagadheeshwari

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 3–1–1–2–2–1–2

Scale degrees:
  in semitones: 0–3–4–5–7–9–10–12
  intervals: 1–m3–3–4–5–6–m7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D♯ E F G A A♯ c
  C E♭ E F G A B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Naganandini
  Mode 6 of: Bhavapriya

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Vagadheeshwari
Scala names: Mela Vagadhisvari, Raga Bhogachayanata, Nandkauns, Ganavaridhi, Chayanata, Bluesy Rock 'n Roll
ChordHouse name: Mela Vagadhisvari
Melakarta Raga: Vagadheeshwari
  Chakra: Ritu
  Carnatic Degrees: R3—G3—M1—P—D2—N2

Piano Encyclopedia names: Bluesy R and R [African]; Mela Vagadhisvari; Raga Bhogachayanata; Raga Ganavaridhi; Raga Nandkauns

Scale Omnibus names: Mela Vagadhisvari [India]; Raga Bhogachayanata; Raga Chayanata; Raga Ganavaridhi; Raga Nandkauns; Rock ‘n Roll

Shoolini

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 3–1–1–2–2–2–1

Scale degrees:
  in semitones: 0–3–4–5–7–9–11–12
  intervals: 1–m3–3–4–5–6–7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F G A B c
  C E♭ E F G A B c

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Neapolitan Minor
  Mode 4 of: Chitrambari
  Mode 6 of: Shanmukhapriya
  Mode 7 of: Oriental A

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Shoolini
Scala names: Mela Sulini, Raga Sailadesakshi, Raga Trishuli, Houzam: Greece
ChordHouse name: Mela Sulini
Melakarta Raga: Shoolini
  Chakra: Ritu
  Carnatic Degrees: R3—G3—M1—P—D2—N3

Piano Encyclopedia names: Houzam I Major [Greek]; Mela Sulini; Raga Sailadesakshi; Raga Trishuli

Scale Omnibus names: Houzam (or Huzam) [Greece]; Ionian #2; Mela Sulini; Raga Sailadesakshi; Raga Trishuli

Chalanata

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

            or           

Scale steps in semitones: 3–1–1–2–3–1–1

Scale degrees:
  in semitones: 0–3–4–5–7–10–11–12
  intervals: 1–m3–3–4–5–m7–7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F G A♯ B c
  C E♭ E F G B♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Chromatic Phrygian Inverse
  Mode 3 of: Maqam Athar Kurd
  Mode 4 of: Chromatic Mixolydian Inverse
  Mode 5 of: Chromatic Hypodorian Inverse
  Mode 6 of: Chromatic Hypophrygian Inverse
  Mode 7 of: Persian

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Chalanata
Scala names: Mela Calanata, Raga None, Chromatic Dorian inverse
ChordHouse name: Mela Chalanata
Melakarta Raga: Chalanata
  Chakra: Ritu
  Carnatic Degrees: R3—G3—M1—P—D3—N3

Piano Encyclopedia name: Raga None [Indian]

Scale Omnibus names: Chromatic Dorian Inverse; Raga Madhuranjani; Raga Nata; Raga Nattai; Raga None

Salagam

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–4–1–1–1–3

Scale degrees:
  in semitones: 0–1–2–6–7–8–9–12
  intervals: 1–m2–2–d5–5–m6–6–8
  Root, Minor 2nd, Major 2nd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D F♯ G G♯ A c
  C D♭ D G♭ G A♭ A c

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Salagam
Scala name: Mela Salaga
ChordHouse name: Mela Salagam
Melakarta Raga: Salagam
  Chakra: Rishi
  Carnatic Degrees: R1—G1—M2—P—D1—N1

Piano Encyclopedia name: Mela Salaga [South Indian]

Scale Omnibus name: Mela Salaga [India]

Jalarnavam

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–4–1–1–2–2

Scale degrees:
  in semitones: 0–1–2–6–7–8–10–12
  intervals: 1–m2–2–d5–5–m6–m7–8
  Root, Minor 2nd, Major 2nd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D F♯ G G♯ A♯ c
  C D♭ D G♭ G A♭ B♭ c

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Jalarnavam
Scala name: Mela Jalarnava
ChordHouse name: Mela Jalarnavam
Melakarta Raga: Jalarnavam
  Chakra: Rishi
  Carnatic Degrees: R1—G1—M2—P—D1—N2

Piano Encyclopedia name: Mela Jalarnava [South Indian]

Jhalavarali

Scale steps in semitones: 1–1–4–1–1–3–1

Scale degrees:
  in semitones: 0–1–2–6–7–8–11–12
  intervals: 1–m2–2–d5–5–m6–7–8
  Root, Minor 2nd, Major 2nd, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D F♯ G G♯ B c
  C D♭ D G♭ G A♭ B c

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Jhalavarali
Scala names: Mela Jhalavarali, Raga Varali, Jinavali
Melakarta Raga: Jhalavarali
  Chakra: Rishi
  Carnatic Degrees: R1—G1—M2—P—D1—N3

Piano Encyclopedia names: Mela Jhalavarali [South Indian]; Raga Jinavali; Raga Varali

Navaneetam

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–1–4–1–2–1–2

Scale degrees:
  in semitones: 0–1–2–6–7–9–10–12
  intervals: 1–m2–2–d5–5–6–m7–8
  Root, Minor 2nd, Major 2nd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D F♯ G A A♯ c
  C D♭ D G♭ G A B♭ c

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Navaneetam
Scala names: Mela Navanitam, Raga Nabhomani
ChordHouse names: Mela Jhalavarali; Mela Navanitam
Melakarta Raga: Navaneetam
  Chakra: Rishi
  Carnatic Degrees: R1—G1—M2—P—D2—N2

Piano Encyclopedia names: Mela Navanitam [South Indian]; Raga Nabhomani

Scale Omnibus name: Mela Navanitam [India]

Pavani

Scale steps in semitones: 1–1–4–1–2–2–1

Scale degrees:
  in semitones: 0–1–2–6–7–9–11–12
  intervals: 1–m2–2–d5–5–6–7–8
  Root, Minor 2nd, Major 2nd, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D F♯ G A B c
  C D♭ D G♭ G A B c

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Raga Madhuri

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Pavani
Scala names: Mela Pavani, Raga Kumbhini
ChordHouse names: Mela Pavani; Mela Suvarnangi
Melakarta Raga: Pavani
  Chakra: Rishi
  Carnatic Degrees: R1—G1—M2—P—D2—N3

Piano Encyclopedia names: Mela Pavani [South Indian]; Raga Kumbhini

Scale Omnibus names: Mela Pavani [India]; Raga Kunbhini

Raghupriya

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 1–1–4–1–3–1–1

Scale degrees:
  in semitones: 0–1–2–6–7–10–11–12
  intervals: 1–m2–2–d5–5–m7–7–8
  Root, Minor 2nd, Major 2nd, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D F♯ G A♯ B c
  C D♭ D G♭ G B♭ B c

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Raghupriya
Scala names: Mela Raghupriya, Raga Ravikriya, Ghandarva
ChordHouse name: Mela Raghupriya
Melakarta Raga: Raghupriya
  Chakra: Rishi
  Carnatic Degrees: R1—G1—M2—P—D3—N3

Piano Encyclopedia names: Mela Raghupriya [South Indian]; Raga Ghandarva; Raga Ravikriya

Scale Omnibus names: Mela Raghupriya [India]; Raga Ghandarva; Raga Ravikriya

Gavambhodi

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 1–2–3–1–1–1–3

Scale degrees:
  in semitones: 0–1–3–6–7–8–9–12
  intervals: 1–m2–m3–d5–5–m6–6–8
  Root, Minor 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D♯ F♯ G G♯ A c
  C D♭ E♭ G♭ G A♭ A c

This scale is a mode (rotation) of these other scales:
  Mode 6 of: Hatakambari

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Gavambhodi
Scala names: Mela Gavambodhi, Raga Girvani
ChordHouse name: Mela Gavambodhi
Melakarta Raga: Gavambhodi
  Chakra: Vasu
  Carnatic Degrees: R1—G2—M2—P—D1—N1

Piano Encyclopedia names: Mela Gavambodhi [South Indian]; Raga Girvani

Scale Omnibus names: Mela Gavambodhi [India]; Raga Girvani

Bhavapriya

Scale steps in semitones: 1–2–3–1–1–2–2

Scale degrees:
  in semitones: 0–1–3–6–7–8–10–12
  intervals: 1–m2–m3–d5–5–m6–m7–8
  Root, Minor 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ F♯ G G♯ A♯ c
  C D♭ E♭ G♭ G A♭ B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Vagadheeshwari
  Mode 6 of: Naganandini

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Bhavapriya
Scala names: Mela Bhavapriya, Raga Bhavani, Kalamurti
Melakarta Raga: Bhavapriya
  Chakra: Vasu
  Carnatic Degrees: R1—G2—M2—P—D1—N2

Wikipedia page related to this scale:

• Pelog 12TET Approximation ⇒ Pelog

Piano Encyclopedia names: Mela Bhavapriya [South Indian]; Raga Bhavani; Raga Kalamurti

Scale Omnibus names: Mela Bhavapriya [India]; Raga Bhavani; Raga Kalamurti

Shadvidamargini

Scale steps in semitones: 1–2–3–1–2–1–2

Scale degrees:
  in semitones: 0–1–3–6–7–9–10–12
  intervals: 1–m2–m3–d5–5–6–m7–8
  Root, Minor 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ F♯ G A A♯ c
  C D♭ E♭ G♭ G A B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Nohkan Flute
  Mode 3 of: Hungarian Major
  Mode 5 of: Locrian 2

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Shadvidamargini
Scala names: Mela Sadvidhamargini, Raga Sthavarajam, Tivravahini
ChordHouse name: Mela Sadvidhamargini
Melakarta Raga: Shadvidamargini
  Chakra: Vasu
  Carnatic Degrees: R1—G2—M2—P—D2—N2

Piano Encyclopedia names: Mela Sadvidhamargini [South Indian]; Raga Sthavarajam; Raga Tivravahini

Scale Omnibus names: Dorian b9 #11; Hindi b2 b3 b7; Mela Sadvidhmargini; Raga Sthavarajam; Raga Tivravahini; Todi b7

Suvarnangi

Scale steps in semitones: 1–2–3–1–2–2–1

Scale degrees:
  in semitones: 0–1–3–6–7–9–11–12
  intervals: 1–m2–m3–d5–5–6–7–8
  Root, Minor 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F♯ G A B c
  C D♭ E♭ G♭ G A B c

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Suvarnangi
Scala names: Mela Suvarnangi, Raga Sauviram
Melakarta Raga: Suvarnangi
  Chakra: Vasu
  Carnatic Degrees: R1—G2—M2—P—D2—N3

Piano Encyclopedia names: Mela Suvarnangi [South Indian]; Raga Sauviram

Scale Omnibus names: Mela Suvarnangi [India]; Raga Sauviram

Divyamani

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 1–2–3–1–3–1–1

Scale degrees:
  in semitones: 0–1–3–6–7–10–11–12
  intervals: 1–m2–m3–d5–5–m7–7–8
  Root, Minor 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F♯ G A♯ B c
  C D♭ E♭ G♭ G B♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 7 of: Verdi's Enigmatic Descending

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Divyamani
Scala name: Mela Divyamani
ChordHouse name: Mela Divyamani
Melakarta Raga: Divyamani
  Chakra: Vasu
  Carnatic Degrees: R1—G2—M2—P—D3—N3

Piano Encyclopedia names: Mela Divyamani [South Indian]; Raga Vamsavathi

Scale Omnibus names: Mela Divyamani [India]; Raga Vamsavathi

Dhavalambari

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–3–2–1–1–1–3

Scale degrees:
  in semitones: 0–1–4–6–7–8–9–12
  intervals: 1–m2–3–d5–5–m6–6–8
  Root, Minor 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ E F♯ G G♯ A c
  C D♭ E G♭ G A♭ A c

This scale is a mode (rotation) of these other scales:
  Mode 6 of: Enigmatic Descending

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Dhavalambari
Scala names: Mela Dhavalambari, Foulds' Mantra of Will scale
ChordHouse name: Mela Dhavalambari
Melakarta Raga: Dhavalambari
  Chakra: Brama
  Carnatic Degrees: R1—G3—M2—P—D1—N1

Piano Encyclopedia names: John Foulds' 'Mantra of Will'; Mela Dhavalambari

Scale Omnibus names: John Foulds' "Mantra Of Will"; Mela Dhavalambari

Namanarayani

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–3–2–1–1–2–2

Scale degrees:
  in semitones: 0–1–4–6–7–8–10–12
  intervals: 1–m2–3–d5–5–m6–m7–8
  Root, Minor 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ E F♯ G G♯ A♯ c
  C D♭ E G♭ G A♭ B♭ c

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Namanarayani
Scala names: Mela Namanarayani, Raga Narmada, Pratapa, Harsh Major-Minor
ChordHouse name: Mela Namanarayani
Melakarta Raga: Namanarayani
  Chakra: Brama
  Carnatic Degrees: R1—G3—M2—P—D1—N2

Piano Encyclopedia names: Mela Namanarayani [South Indian]; Purvi Thaat; Raga Narmada; Raga Pratapa

Scale Omnibus names: Mela Namanarayani [India]; Raga Narmada; Raga Pratapa; Raga Purvi Thaat

Ramapriya

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–3–2–1–2–1–2

Scale degrees:
  in semitones: 0–1–4–6–7–9–10–12
  intervals: 1–m2–3–d5–5–6–m7–8
  Root, Minor 2nd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ E F♯ G A A♯ c
  C D♭ E G♭ G A B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Hungarian Major Inverse
  Mode 5 of: Jeths' Mode

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Ramapriya
Scala names: Mela Ramapriya, Raga Ramamanohari, Romanian Major, Petrushka chord
ChordHouse name: Mela Ramapriya
Melakarta Raga: Ramapriya
  Chakra: Brama
  Carnatic Degrees: R1—G3—M2—P—D2—N2

Piano Encyclopedia names: Mela Ramapriya [South Indian]; Petrushka chord; Raga Ramamanohari; Romanian Major

Scale Omnibus names: Mela Ramapriya [India]; Raga Nasikabhusani; Raga Ramamahohari; Romanian Major

Vishwambari

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Scale steps in semitones: 1–3–2–1–3–1–1

Scale degrees:
  in semitones: 0–1–4–6–7–10–11–12
  intervals: 1–m2–3–d5–5–m7–7–8
  Root, Minor 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F♯ G A♯ B c
  C D♭ E G♭ G B♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Shamalangi
  Mode 7 of: Ganamoorti

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Vishwambari
Scala names: Mela Visvambhari, Raga Vamsavathi
Melakarta Raga: Vishwambari
  Chakra: Brama
  Carnatic Degrees: R1—G3—M2—P—D3—N3

Piano Encyclopedia name: Mela Visvambhari [South Indian]

Scale Omnibus name: Mela Visvambhari [India]

Shamalangi

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–1–3–1–1–1–3

Scale degrees:
  in semitones: 0–2–3–6–7–8–9–12
  intervals: 1–2–m3–d5–5–m6–6–8
  Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C D D♯ F♯ G G♯ A c
  C D E♭ G♭ G A♭ A c

This scale is a mode (rotation) of these other scales:
  Mode 5 of: Ganamoorti
  Mode 6 of: Vishwambari

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Shamalangi
Scala names: Mela Syamalangi, Raga Shyamalam
ChordHouse name: Mela Syamalangi
Melakarta Raga: Shamalangi
  Chakra: Disi
  Carnatic Degrees: R2—G2—M2—P—D1—N1

Scale Omnibus names: Mela Syamalangi [India]; Raga Shyamalam

Shanmukhapriya

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–1–3–1–1–2–2

Scale degrees:
  in semitones: 0–2–3–6–7–8–10–12
  intervals: 1–2–m3–d5–5–m6–m7–8
  Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F♯ G G♯ A♯ c
  C D E♭ G♭ G A♭ B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Oriental A
  Mode 3 of: Shoolini
  Mode 5 of: Neapolitan Minor
  Mode 6 of: Chitrambari

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Shanmukhapriya
Scala names: Minor Gipsy, Ukrainian Dorian, Mela Sanmukhapriya, Raga Camara, Chinthamani
ChordHouse name: Mela Sanmukhapriya
Melakarta Raga: Shanmukhapriya
  Chakra: Disi
  Carnatic Degrees: R2—G2—M2—P—D1—N2

Wikipedia page related to this scale:

• Hungarian Gypsy ⇒ Hungarian gypsy scale

Piano Encyclopedia names: Mela Sanmukhapriya [South Indian]; Raga Camara; Raga Chinthamani 2

Scale Omnibus names: Damian Emmanuel; Gypsy; Gypsy 2; Hungarian Gypsy; Mela Sanmukhapriya; Raga Camara; Raga Simmendramadhyamam

Neetimati

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–1–3–1–3–1–1

Scale degrees:
  in semitones: 0–2–3–6–7–10–11–12
  intervals: 1–2–m3–d5–5–m7–7–8
  Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F♯ G A♯ B c
  C D E♭ G♭ G B♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Raga Bhankar
  Mode 5 of: Gangeyabhooshani

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Neetimati
Scala names: Mela Nitimati, Raga Nisada, Kaikavasi
ChordHouse name: Mela Nitimati
Melakarta Raga: Neetimati
  Chakra: Disi
  Carnatic Degrees: R2—G2—M2—P—D3—N3

Piano Encyclopedia names: Mela Nitimati [South Indian]; Raga Kaikavasi; Raga Nisada

Scale Omnibus names: Mela Nitimati [India]; Raga Kaihavasi; Raga Nisada

Kantamani

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

            or          

Scale steps in semitones: 2–2–2–1–1–1–3

Scale degrees:
  in semitones: 0–2–4–6–7–8–9–12
  intervals: 1–2–3–d5–5–m6–6–8
  Root, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C D E F♯ G G♯ A c
  C D E G♭ G A♭ A c

This scale is a mode (rotation) of these other scales:
  Mode 5 of: Manavati
  Mode 6 of: Enigmatic

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Kantamani
Scala names: Mela Kantamani, Raga Kuntala, Srutiranjani
ChordHouse name: Mela Kantamani
Melakarta Raga: Kantamani
  Chakra: Rudra
  Carnatic Degrees: R2—G3—M2—P—D1—N1

Piano Encyclopedia names: Mela Kantamani [South Indian]; Raga Kuntala; Raga Srutiranjani

Scale Omnibus names: Mela Kantamani [India]; Raga Kuntala; Raga Srutiranjani

Latangi

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–2–2–1–1–3–1

Scale degrees:
  in semitones: 0–2–4–6–7–8–11–12
  intervals: 1–2–3–d5–5–m6–7–8
  Root, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C D E F♯ G G♯ B c
  C D E G♭ G A♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Minor Gypsy Inverse
  Mode 3 of: Sabach
  Mode 5 of: Sooryakantam
  Mode 7 of: Senavati

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Latangi
Scala names: Harmonic Lydian, Mela Latangi, Raga Gitapriya, Hamsalata
ChordHouse name: Mela Latangi
Melakarta Raga: Latangi
  Chakra: Rudra
  Carnatic Degrees: R2—G3—M2—P—D1—N3

Piano Encyclopedia names: Mela Latangi [South Indian]; Raga Gitapriya; Raga Hamsalata

Scale Omnibus names: Mela Latangi [India]; Pelog; Raga Gitapriya; Raga Hamsalata

Vachaspati

Fingerings on Anasazi-7 tuned Native American flutes:

            or           

Scale steps in semitones: 2–2–2–1–2–1–2

Scale degrees:
  in semitones: 0–2–4–6–7–9–10–12
  intervals: 1–2–3–d5–5–6–m7–8
  Root, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D E F♯ G A A♯ c
  C D E G♭ G A B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Hindu
  Mode 3 of: Half Diminished
  Mode 4 of: Diminished Whole Tone
  Mode 5 of: Melodic Minor Ascending
  Mode 6 of: Javaneese
  Mode 7 of: Lydian Augmented

The name I use for this scale comes from: https://en.wikipedia.org/wiki/Vachaspati_(raga)

Melakarta name: Vachaspati
Scala names: Lydian Dominant, Mela Vacaspati, Raga Bhusavati, Bhusavali, Overtone, Lydian-Mixolydian, Bartok
ChordHouse names: Overtone; Overtone Dominant; Mela Vaschaspati
Melakarta Raga: Vachaspati
  Chakra: Rudra
  Carnatic Degrees: R2—G3—M2—P—D2—N2

Wikipedia page related to this scale:

• Acoustic ⇒ Acoustic scale

Piano Encyclopedia names: Acoustic; Bartok; Lydian Dominant; Lydian b7; Lydian-Mixolydian; Mela Vacaspati; Mixolydian #4; Overtone; Raga Bhusavati

Scale Omnibus names: Acoustic; Bartok; Lydian b7; Lydian Dominant; Mela Vacaspati; Mixolydian #4; Overtone; Raga Bhusavati (or Bhusavali)

Chitrambari

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–2–2–1–3–1–1

Scale degrees:
  in semitones: 0–2–4–6–7–10–11–12
  intervals: 1–2–3–d5–5–m7–7–8
  Root, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D E F♯ G A♯ B c
  C D E G♭ G B♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Shanmukhapriya
  Mode 4 of: Oriental A
  Mode 5 of: Shoolini
  Mode 7 of: Neapolitan Minor

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Chitrambari
Scala names: Mela Citrambari, Raga Chaturangini
ChordHouse name: Mela Chitrambari
Melakarta Raga: Chitrambari
  Chakra: Rudra
  Carnatic Degrees: R2—G3—M2—P—D3—N3

Piano Encyclopedia names: Mela Citrambari [South Indian]; Raga Chaturangini

Scale Omnibus names: Lydian #6; Mela Citrambari; Raga Chaturangini

Sucharitra

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

            or           

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–1–2–1–1–1–3

Scale degrees:
  in semitones: 0–3–4–6–7–8–9–12
  intervals: 1–m3–3–d5–5–m6–6–8
  Root, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C D♯ E F♯ G G♯ A c
  C E♭ E G♭ G A♭ A c

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Sucharitra
Scala names: Mela Sucaritra, Raga Santanamanjari
ChordHouse name: Mela Sucharitra
Melakarta Raga: Sucharitra
  Chakra: Aditya
  Carnatic Degrees: R3—G3—M2—P—D1—N1

Piano Encyclopedia names: Mela Sucaritra [South Indian]; Raga Santanamanjari

Scale Omnibus names: Raga Santanamanjari [India]; Raga Sucaritra

Jyotiswaroopini

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–1–2–1–1–2–2

Scale degrees:
  in semitones: 0–3–4–6–7–8–10–12
  intervals: 1–m3–3–d5–5–m6–m7–8
  Root, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D♯ E F♯ G G♯ A♯ c
  C E♭ E G♭ G A♭ B♭ c

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Jyotiswaroopini
Scala names: Mela Jyotisvarupini, Raga Jotismatti
ChordHouse name: Mela Jyotisvarupini
Melakarta Raga: Jyotiswaroopini
  Chakra: Aditya
  Carnatic Degrees: R3—G3—M2—P—D1—N2

Piano Encyclopedia names: Mela Jyotisvarupini [South Indian]; Raga Jotismatti

Scale Omnibus names: Mela Jyotisvarupini [India]; Raga Jotismatti

Dhatuvardani

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–1–2–1–1–3–1

Scale degrees:
  in semitones: 0–3–4–6–7–8–11–12
  intervals: 1–m3–3–d5–5–m6–7–8
  Root, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F♯ G G♯ B c
  C E♭ E G♭ G A♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 7 of: Gayakapriya

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Dhatuvardani
Scala names: Mela Dhatuvardhani, Raga Dhauta Pancama, Devarashtra
ChordHouse name: Mela Dhatuvardhani
Melakarta Raga: Dhatuvardani
  Chakra: Aditya
  Carnatic Degrees: R3—G3—M2—P—D1—N3

Piano Encyclopedia names: Mela Dhatuvardhani [South Indian]; Raga Devarashtra; Raga Dhauta Pancama

Scale Omnibus names: Mela Dhatuvardhani [India]; Raga Devarashtra; Raga Dhauta Pancama

Kosalam

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–1–2–1–2–2–1

Scale degrees:
  in semitones: 0–3–4–6–7–9–11–12
  intervals: 1–m3–3–d5–5–6–7–8
  Root, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F♯ G A B c
  C E♭ E G♭ G A B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Ultra Locrian
  Mode 3 of: Harmonic Minor
  Mode 4 of: Maqam Tarznauyn
  Mode 5 of: Ionian Sharp 5
  Mode 6 of: Roumanian Minor
  Mode 7 of: Spanish Gypsy

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Kosalam
Scala names: Aeolian Harmonic, Lydian sharp 2, Mela Kosalam, Raga Kusumakaram
ChordHouse name: Mela Kosalam
Melakarta Raga: Kosalam
  Chakra: Aditya
  Carnatic Degrees: R3—G3—M2—P—D2—N3

Piano Encyclopedia names: Aeolian Harmonic [Greek]; Lydian #2; Lydian #9; Mela Kosalam; Raga Kusumakaram

Scale Omnibus names: Aeolian Harmonic; Lydian #2; Mela Kosalam; Raga Kuksumakaram

Rasikapriya

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

            or           

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 3–1–2–1–3–1–1

Scale degrees:
  in semitones: 0–3–4–6–7–10–11–12
  intervals: 1–m3–3–d5–5–m7–7–8
  Root, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F♯ G A♯ B c
  C E♭ E G♭ G B♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Ultraphrygian
  Mode 3 of: Maqam Nawa Athar
  Mode 4 of: Oriental B
  Mode 5 of: Ionian Augmented #2
  Mode 6 of: Locrian Bb3 Bb7
  Mode 7 of: Byzantine

The name I use for this scale comes from: Wikipedia: Melakarta_ragams_(svg)

Melakarta name: Rasikapriya
Scala names: Mela Rasikapriya, Raga Rasamanjari, Hamsagiri
ChordHouse names: Mela Rasikapriya; Mela Visvambari
Melakarta Raga: Rasikapriya
  Chakra: Aditya
  Carnatic Degrees: R3—G3—M2—P—D3—N3

Wikipedia page related to this scale:

• Lydian #2 #6 ⇒ Double harmonic scale ⇒ Modes

Piano Encyclopedia names: Mela Rasikapriya [South Indian]; Raga Hamsagiri; Raga Rasamanjari

Scale Omnibus names: Lydian #2 #6; Mela Rasikapriya; Raga Hamsagiri; Raga Rasamanjari

Banshikicho

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 2–1–1–3–2–1–2

Scale degrees:
  in semitones: 0–2–3–4–7–9–10–12
  intervals: 1–2–m3–3–5–6–m7–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ E G A A♯ c
  C D E♭ E G A B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Ratnangi
  Mode 3 of: Marva
  Mode 5 of: Jhankaradhwani

The name I use for this scale comes from: Piano Encyclopedia / Simon Parker

Piano Encyclopedia name: Banshikicho [Japanese]

Scale Omnibus names: Banshikicho [Japan]; Bebop Minor

Blues Heptatonic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

            or           

Scale steps in semitones: 3–1–1–1–1–3–2

Scale degrees:
  in semitones: 0–3–4–5–6–7–10–12
  intervals: 1–m3–3–4–d5–5–m7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
  C D♯ E F F♯ G A♯ c
  C E♭ E F G♭ G B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Tanaroopi

The name I use for this scale comes from: Piano Encyclopedia / Simon Parker

Piano Encyclopedia name: Blues Heptatonic [African]

Scale Omnibus name: Blues Mixed

Hijaz Major

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–4–1–2–1–1–2

Scale degrees:
  in semitones: 0–1–5–6–8–9–10–12
  intervals: 1–m2–4–d5–m6–6–m7–8
  Root, Minor 2nd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ F F♯ G♯ A A♯ c
  C D♭ F G♭ A♭ A B♭ c

The name I use for this scale comes from: Piano Encyclopedia / Simon Parker

Piano Encyclopedia name: Hijaz Major [Greek]

Scale Omnibus name: Hijaz Major [Greece]

Raga Bhankar

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

Fingerings on Anasazi-7 tuned Native American flutes:

Scale steps in semitones: 1–3–1–1–2–1–3

Scale degrees:
  in semitones: 0–1–4–5–6–8–9–12
  intervals: 1–m2–3–4–d5–m6–6–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ E F F♯ G♯ A c
  C D♭ E F G♭ A♭ A c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Gangeyabhooshani
  Mode 5 of: Neetimati

The name I use for this scale comes from: Piano Encyclopedia / Simon Parker

Piano Encyclopedia name: Raga Bhankar [Indian]

Synthetic Mixture #5

Fingerings on Anasazi-7 tuned Native American flutes:

            or           

Scale steps in semitones: 2–2–2–2–1–1–2

Scale degrees:
  in semitones: 0–2–4–6–8–9–10–12
  intervals: 1–2–3–d5–m6–6–m7–8
  Root, Major 2nd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D E F♯ G♯ A A♯ c
  C D E G♭ A♭ A B♭ c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Lydian Minor
  Mode 3 of: Arabian
  Mode 5 of: Leading Whole-tone Inverse
  Mode 6 of: Neapolitan Major
  Mode 7 of: Leading Whole Tone

The name I use for this scale comes from: Piano Encyclopedia / Simon Parker

Piano Encyclopedia name: Synthetic Mixture #5

Scale Omnibus names: Lydian Augmented Dominant; Synthetic Mixture #5

Verdi's Enigmatic Descending

Scale steps in semitones: 1–1–2–3–1–3–1

Scale degrees:
  in semitones: 0–1–2–4–7–8–11–12
  intervals: 1–m2–2–3–5–m6–7–8
  Root, Minor 2nd, Major 2nd, Major 3rd, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D E G G♯ B c
  C D♭ D E G A♭ B c

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Divyamani

The name I use for this scale comes from: Piano Encyclopedia / Simon Parker

Piano Encyclopedia name: Verdi's Enigmatic descending [Italian]