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Comprehensive Scale Catalog: Six-Tone Scales in Equal Temperament

This page is part of Flutopedia's Comprehensive Scale Catalog ... a listing of many (many) scales that can be played on Native American flutes.

This page shows only scales with six tones per octave and using 12-tone Equal Temperament.

The root note of each scale is shown in blue, such as Finger diagram closed closed closed closed closed closed.

Minor Hexatonic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open open closed open open open

Scale steps in semitones: 3–2–2–1–2–2

Scale degrees:
  in semitones: 0–3–5–7–8–10–12
  intervals: 1–m3–4–5–m6–m7–8
  Root, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D♯ F G G♯ A♯ c
  C E♭ F G A♭ B♭ c

G cleffCD sharpFGG sharpA sharpCbarlineCE flatFGA flatB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Scottish Hexatonic
  Mode 3 of: Yo
  Mode 4 of: Ritsu
  Mode 5 of: Raga Kumud
  Mode 6 of: Mixolydian Hexatonic

The name I use for this scale comes from: Clint's Invented Name

Entry on the Map of Native American Flute Tunings page: Six-hole Pentatonic Minor (Mode 1/4)

Scala names: Raga Gopikavasantam, Desya Todi, Jayantasri, Phrygian Hexatonic

Piano Encyclopedia names: Phrygian Hexatonic; Raga Desya Todi; Raga Gopikavasantam

Scale Omnibus names: Phrygian Hexatonic; Raga Desya Todi; Raga Gopikacasantam

Scottish Hexatonic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 2–2–1–2–2–3

Scale degrees:
  in semitones: 0–2–4–5–7–9–12
  intervals: 1–2–3–4–5–6–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Octave

Pitches starting from C: C D E F G A c

G cleffCDEFGACEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Yo
  Mode 3 of: Ritsu
  Mode 4 of: Raga Kumud
  Mode 5 of: Mixolydian Hexatonic
  Mode 6 of: Minor Hexatonic

The name I use for this scale comes from: Scala

Entry on the Map of Native American Flute Tunings page: Bawu Seven-hole

Scala names: Arezzo Major Diatonic Hexachord, Raga Kambhoji, Devarangini, Sama (Syama), Scottish Hexatonic

Piano Encyclopedia names: Arezzo Major Diatonic Hexachord [Italian]; Raga Devarangini; Raga Kambhoji; Scottish Hexatonic

Scale Omnibus names: Arezzo Major Diatonic Hexachord; Raga Devarangini 2; Raga Kambhoji; Raga Kambodhi ascending; Raga Yaduka Kambodi descending; Scottish Hexatonic

Malavasri

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open open closed open open open

Scale steps in semitones: 3–2–2–2–1–2

Scale degrees:
  in semitones: 0–3–5–7–9–10–12
  intervals: 1–m3–4–5–6–m7–8
  Root, Minor 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D♯ F G A A♯ c
  C E♭ F G A B♭ c

G cleffCD sharpFGAA sharpCbarlineCE flatFGAB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Yamuna Kalyani
  Mode 3 of: Raga Siva Kambhoji
  Mode 5 of: Raga Bhavani 2
  Mode 6 of: Raga Nagagandhari

The name I use for this scale comes from: Scala

Scala names: Raga Manohari, Malavasri

Piano Encyclopedia names: Pentatonic Minor added 6; Raga Manohari

Scale Omnibus names: Raga Malavastri [India]; Raga Manohari

Takka

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram open closed closed open open openFinger diagram open open closed open open open

Scale steps in semitones: 3–2–2–1–3–1

Scale degrees:
  in semitones: 0–3–5–7–8–11–12
  intervals: 1–m3–4–5–m6–7–8
  Root, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C D♯ F G G♯ B c
  C E♭ F G A♭ B c

G cleffCD sharpFGG sharpBCbarlineCE flatFGA flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Raga Simharava
  Mode 4 of: Raga Vasantabhairavi
  Mode 6 of: Raga Hejjajji

The name I use for this scale comes from: Scala

Scala name: Raga Takka

Piano Encyclopedia name: Raga Takka [Indian]

Scale Omnibus name: Raga Takka [India]

Whole Tone

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed   or  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 2–2–2–2–2–2

Scale degrees:
  in semitones: 0–2–4–6–8–10–12
  intervals: 1–2–3–d5–m6–m7–8
  Root, Major 2nd, Major 3rd, Diminished 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D E F♯ G♯ A♯ c
  C D E G♭ A♭ B♭ c

G cleffCDEF sharpG sharpA sharpCbarlineCDEG flatA flatB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Whole Tone
  Mode 3 of: Whole Tone
  Mode 4 of: Whole Tone
  Mode 5 of: Whole Tone
  Mode 6 of: Whole Tone

The name I use for this scale comes from: Scala

Entry on the Map of Native American Flute Tunings page: Six-hole Whole-tone

Scala names: Whole-tone, Messiaen mode 1, Raga Gopriya, Anhemitonic Hexatonic
ChordHouse names: Whole Tone; Auxiliary Augmented

Wikipedia page related to this scale:

Piano Encyclopedia names: Anhemitonic Hexatonic; Messiaen mode 1; Raga Gopriya; Raga Sahera; Whole-tone I

Scale Omnibus names: Anhemitonic Hexatonic; Hexatonic; Messiaen 1st Mode; Raga Gopriya; Raga Sahera; Whole-Tone

Blues 6-Tone

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed open closed open open openFinger diagram open open closed open open open   or  Finger diagram closed closed closed closed open openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open open

Scale steps in semitones: 3–2–1–1–3–2

Scale degrees:
  in semitones: 0–3–5–6–7–10–12
  intervals: 1–m3–4–d5–5–m7–8
  Root, Minor 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
  C D♯ F F♯ G A♯ c
  C E♭ F G♭ G B♭ c

G cleffCD sharpFF sharpGA sharpCbarlineCE flatFG flatGB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Blues Major Ascending
  Mode 4 of: Raga Hamsanandi

The name I use for this scale comes from: Clint's Invented Name

Entry on the Map of Native American Flute Tunings page: Blues Six-hole

Scala names: Blues scale I, Raga Nileshwari
ChordHouse names: Pentatonic Blues; Blues

Wikipedia pages related to this scale:

Piano Encyclopedia names: Blues Hexatonic [African]; Blues Minor ascending; Blues Minor descending; Minor Blues ascending; Minor Blues descending; Raga Nileshwari

Scale Omnibus names: Blues (or Blues Hexatonic); Raga Nileshwari

Sarasvati

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed   or  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 2–4–1–2–1–2

Scale degrees:
  in semitones: 0–2–6–7–9–10–12
  intervals: 1–2–d5–5–6–m7–8
  Root, Major 2nd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D F♯ G A A♯ c
  C D G♭ G A B♭ c

G cleffCDF sharpGAA sharpCbarlineCDG flatGAB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Kamalamanohari
  Mode 4 of: Raga Sindhura Kafi

The name I use for this scale comes from: Scala

Scala name: Raga Sarasvati

Piano Encyclopedia name: Raga Sarasvati [Indian]

Scale Omnibus name: Raga Sarasvati [India]

Hirajōshi Mode 1 Leading Tone

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–4–1–3–1

Scale degrees:
  in semitones: 0–2–3–7–8–11–12
  intervals: 1–2–m3–5–m6–7–8
  Root, Major 2nd, Minor 3rd, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ G G♯ B c
  C D E♭ G A♭ B c

G cleffCDD sharpGG sharpBCbarlineCDE flatGA flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Raga Purna Pancama
  Mode 5 of: Raga Rasamanjari

The name I use for this scale comes from: Clint's invented name, based on description in an email 4/2/2016 from Jon Norris

Entry on the Map of Native American Flute Tunings page: Akebono + Major Seventh

Notes: Primary scale for an alternate-tuned flute crafted by Jon Norris.

Augmented

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed open closed openFinger diagram closed closed open closed open openFinger diagram open closed closed open open openFinger diagram open open closed open open open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 3–1–2–2–3–1

Scale degrees:
  in semitones: 0–3–4–6–8–11–12
  intervals: 1–m3–3–d5–m6–7–8
  Root, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F♯ G♯ B c
  C E♭ E G♭ A♭ B c

G cleffCD sharpEF sharpG sharpBCbarlineCE flatEG flatA flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Raga Latika
  Mode 6 of: Raga Kalavati

The name I use for this scale comes from: ChordHouse

ChordHouse name: Augmented

Prometheus

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed   or  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 2–2–2–3–1–2

Scale degrees:
  in semitones: 0–2–4–6–9–10–12
  intervals: 1–2–3–d5–6–m7–8
  Root, Major 2nd, Major 3rd, Diminished 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D E F♯ A A♯ c
  C D E G♭ A B♭ c

G cleffCDEF sharpAA sharpCbarlineCDEG flatAB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 6 of: Eskimo Hexatonic 2

The name I use for this scale comes from: ChordHouse

Scala names: Prometheus (Scriabin), Mystic, Raga Barbara
ChordHouse name: Prometheus

Wikipedia pages related to this scale:

Piano Encyclopedia names: Prometheus; Raga Barbara

Scale Omnibus names: Prometheus; Raga Barbara

Prometheus Neapolitan

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–3–2–3–1–2

Scale degrees:
  in semitones: 0–1–4–6–9–10–12
  intervals: 1–m2–3–d5–6–m7–8
  Root, Minor 2nd, Major 3rd, Diminished 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ E F♯ A A♯ c
  C D♭ E G♭ A B♭ c

G cleffCC sharpEF sharpAA sharpCbarlineCD flatEG flatAB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 6 of: Takemitsu Tree Line Mode 1

The name I use for this scale comes from: ChordHouse

Scala name: Prometheus Neapolitan
ChordHouse name: Prometheus Neopolitan

Piano Encyclopedia name: Prometheus Neapolitan

Scale Omnibus name: Prometheus Neapolitan [Italy]

Six Tone Symmetric

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open   or  Finger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed open open open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–3–1–3–1–3

Scale degrees:
  in semitones: 0–1–4–5–8–9–12
  intervals: 1–m2–3–4–m6–6–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ E F G♯ A c
  C D♭ E F A♭ A c

G cleffCC sharpEFG sharpACbarlineCD flatEFA flatACEnd of staff

Corresponding Chords: "Ode-to-Napoleon" Hexachord (magic hexachord, hexatonic collection)

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Messiaen Truncated Mode 3 Inverse
  Mode 3 of: Six Tone Symmetric
  Mode 4 of: Messiaen Truncated Mode 3 Inverse
  Mode 5 of: Six Tone Symmetric
  Mode 6 of: Messiaen Truncated Mode 3 Inverse

The name I use for this scale comes from: ChordHouse

Scala names: Messiaen truncated mode 3, Prometheus (Liszt)
ChordHouse name: Six Tone Symmetrical

Wikipedia page related to this scale:

Piano Encyclopedia names: Inverted Augmented; Prometheus Liszt

Scale Omnibus names: Inverted Augmented; Messiaen 2nd Mode; Prometheus Liszt

Mixolydian Hexatonic

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 2–3–2–2–1–2

Scale degrees:
  in semitones: 0–2–5–7–9–10–12
  intervals: 1–2–4–5–6–m7–8
  Root, Major 2nd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D F G A A♯ c
  C D F G A B♭ c

G cleffCDFGAA sharpCbarlineCDFGAB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Minor Hexatonic
  Mode 3 of: Scottish Hexatonic
  Mode 4 of: Yo
  Mode 5 of: Ritsu
  Mode 6 of: Raga Kumud

The name I use for this scale comes from: Scala name

Scala names: Mixolydian Hexatonic, P'yongjo: Korea, Yosen: Japan, Raga Darbar, Narayani, Suposhini, Andolika, Gorakh Kalyan

Piano Encyclopedia names: Dominant 7th; Mixolydian Hexatonic; P'yongjo; Raga Andolika; Raga Darbar; Raga Gorakh Kalyan; Raga Narayani; Raga Suposhini; Yosen

Scale Omnibus names: Mixolydian Hexatonic; P’Yongjo; Raga Andolika; Raga Darbar; Raga Devamanohari; Raga Gorakh; Raga Suposhini; Ragta Narayani; Yosen

Ritsu

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open open

Scale steps in semitones: 1–2–2–3–2–2

Scale degrees:
  in semitones: 0–1–3–5–8–10–12
  intervals: 1–m2–m3–4–m6–m7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ F G♯ A♯ c
  C D♭ E♭ F A♭ B♭ c

G cleffCC sharpD sharpFG sharpA sharpCbarlineCD flatE flatFA flatB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Kumud
  Mode 3 of: Mixolydian Hexatonic
  Mode 4 of: Minor Hexatonic
  Mode 5 of: Scottish Hexatonic
  Mode 6 of: Yo

The name I use for this scale comes from: Scala name

Scala names: Ritsu: Japan, Raga Suddha Todi

Piano Encyclopedia names: Raga Suddha Todi [Indian]; Ritsu

Scale Omnibus names: Raga Suddha Todi [India]; Ritzu

Yo

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open open

Scale steps in semitones: 2–1–2–2–3–2

Scale degrees:
  in semitones: 0–2–3–5–7–10–12
  intervals: 1–2–m3–4–5–m7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F G A♯ c
  C D E♭ F G B♭ c

G cleffCDD sharpFGA sharpCbarlineCDE flatFGB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Ritsu
  Mode 3 of: Raga Kumud
  Mode 4 of: Mixolydian Hexatonic
  Mode 5 of: Minor Hexatonic
  Mode 6 of: Scottish Hexatonic

The name I use for this scale comes from: Clint's selection from an alternate name in Scala, to avoid a conflict with Minor Hexatonic. This is scale is called "Minor Hexatonic" in Scala.

Scala names: Minor Hexatonic, Raga Manirangu, Nayaki, Palasi, Pushpalithika (Puspalatika), Suha Sughrai, Yo: Japan, Eskimo Hexatonic 1 (Alaska: King Island)

Piano Encyclopedia names: Eskimo Hexatonic 1 [Alaska]; Minor Hexatonic; Raga Manirangu; Raga Nayaki; Raga Palasi; Raga Pushpalithika; Raga Suha Sughrai

Scale Omnibus names: Minor Hexatonic; Raga Manirangu; Raga Nayaki; Raga Palasi; Raga Raga Pushpalithika; Raga Suha Sughrai

Eskimo Hexatonic 2

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–2–2–2–3–1

Scale degrees:
  in semitones: 0–2–4–6–8–11–12
  intervals: 1–2–3–d5–m6–7–8
  Root, Major 2nd, Major 3rd, Diminished 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C D E F♯ G♯ B c
  C D E G♭ A♭ B c

G cleffCDEF sharpG sharpBCbarlineCDEG flatA flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Prometheus

The name I use for this scale comes from: Scala name

Scala name: Eskimo Hexatonic 2 (Alaska: Point Hope)

Piano Encyclopedia name: Eskimo Hexatonic 2 (Alaska : Point Hope) [Alaska]

Hawaiian

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–4–2–2–1

Scale degrees:
  in semitones: 0–2–3–7–9–11–12
  intervals: 1–2–m3–5–6–7–8
  Root, Major 2nd, Minor 3rd, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ G A B c
  C D E♭ G A B c

G cleffCDD sharpGABCbarlineCDE flatGABCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Rasavali

The name I use for this scale comes from: Scala name

Entry on the Map of Native American Flute Tunings page: Six-hole Hawaiian

Scala name: Hawaiian

Piano Encyclopedia name: Hawaiian 2 [Hawaiian]

Scale Omnibus name: Hawaiian [Hawaii]

Pyramid Hexatonic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Scale steps in semitones: 2–1–2–1–3–3

Scale degrees:
  in semitones: 0–2–3–5–6–9–12
  intervals: 1–2–m3–4–d5–6–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Major 6th, Octave

Pitches starting from C:
  C D D♯ F F♯ A c
  C D E♭ F G♭ A c

G cleffCDD sharpFF sharpACbarlineCDE flatFG flatACEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Raga Ranjani
  Mode 4 of: Raga Malayamarutam

The name I use for this scale comes from: Scala name

Scala name: Pyramid Hexatonic

Piano Encyclopedia name: Pyramid Hexatonic

Scale Omnibus name: Pyramid Hexatonic

Istrian

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram closed closed closed closed closed open   or  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open open

Scale steps in semitones: 1–2–1–2–1–5

Scale degrees:
  in semitones: 0–1–3–4–6–7–12
  intervals: 1–m2–m3–3–d5–5–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Octave

Pitches starting from C:
  C C♯ D♯ E F♯ G c
  C D♭ E♭ E G♭ G c

G cleffCC sharpD sharpEF sharpGCbarlineCD flatE flatEG flatGCEnd of staff

The name I use for this scale comes from: Scala name

Scala name: Istrian: Croatia

Scale Omnibus name: Istrian [Croatia]

Double-Phrygian Hexatonic

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed open closed openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Scale steps in semitones: 1–2–2–1–3–3

Scale degrees:
  in semitones: 0–1–3–5–6–9–12
  intervals: 1–m2–m3–4–d5–6–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Major 6th, Octave

Pitches starting from C:
  C C♯ D♯ F F♯ A c
  C D♭ E♭ F G♭ A c

G cleffCC sharpD sharpFF sharpACbarlineCD flatE flatFG flatACEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Sarasanana
  Mode 6 of: Equal Temperaments 3/4 Mixed

The name I use for this scale comes from: Scala name

Scala name: Double-Phrygian Hexatonic

Piano Encyclopedia name: Double-Phrygian Hexatonic

Scale Omnibus name: Double Phrygian

Raga Amarasenapriya

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–3–1–4–1

Scale degrees:
  in semitones: 0–2–3–6–7–11–12
  intervals: 1–2–m3–d5–5–7–8
  Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F♯ G B c
  C D E♭ G♭ G B c

G cleffCDD sharpF sharpGBCbarlineCDE flatG flatGBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Rudra Pancama
  Mode 5 of: Raga Paraju

The name I use for this scale comes from: Scala name

Scala name: Raga Amarasenapriya

Piano Encyclopedia name: Raga Amarasenapriya [Indian]

Scale Omnibus name: Raga Amarasenapriya [India]

Raga Bagesri

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open open

Scale steps in semitones: 2–1–2–4–1–2

Scale degrees:
  in semitones: 0–2–3–5–9–10–12
  intervals: 1–2–m3–4–6–m7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F A A♯ c
  C D E♭ F A B♭ c

G cleffCDD sharpFAA sharpCbarlineCDE flatFAB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Kashyapi
  Mode 3 of: Raga Nishadi
  Mode 4 of: Raga Khamas
  Mode 6 of: Raga Nalinakanti

The name I use for this scale comes from: Scala name

Scala names: Raga Bagesri, Sriranjani, Kapijingla, Jayamanohari

Piano Encyclopedia names: Raga Bageshri 2 [Indian]; Raga Kapijingla; Raga Sriranjani

Scale Omnibus names: Raga Begeshri 2 [India]; Raga Jayamanohari; Raga Kapijangla; Raga Shreeranjani (or Shee Ranjani or Sriranjani)

Raga Bauli

Scale steps in semitones: 1–3–3–1–3–1

Scale degrees:
  in semitones: 0–1–4–7–8–11–12
  intervals: 1–m2–3–5–m6–7–8
  Root, Minor 2nd, Major 3rd, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ E G G♯ B c
  C D♭ E G A♭ B c

G cleffCC sharpEGG sharpBCbarlineCD flatEGA flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Jivantini
  Mode 6 of: Raga Suddha Mukhari

The name I use for this scale comes from: Scala name

Scala name: Raga Bauli

Piano Encyclopedia name: Raga Bauli [Indian]

Scale Omnibus name: Raga Bauli [India]

Raga Bhanumanjari

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed open closed open open openFinger diagram open open closed open open open   or  Finger diagram closed closed closed closed open openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open open

Scale steps in semitones: 3–1–1–2–3–2

Scale degrees:
  in semitones: 0–3–4–5–7–10–12
  intervals: 1–m3–3–4–5–m7–8
  Root, Minor 3rd, Major 3rd, Perfect 4th, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
  C D♯ E F G A♯ c
  C E♭ E F G B♭ c

G cleffCD sharpEFGA sharpCbarlineCE flatEFGB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Raga Gurjari Todi
  Mode 4 of: Raga Brindabani Sarang

The name I use for this scale comes from: Scala name

Scala names: Raga Bhanumanjari, Jog

Piano Encyclopedia names: Mela Calanata [South Indian]; Raga Bhanumanjari; Raga Jog

Scale Omnibus names: Mela Calanata [India]; Raga Bhunumanjari; Raga Jog

Raga Bhavani 2

Scale steps in semitones: 1–2–3–2–2–2

Scale degrees:
  in semitones: 0–1–3–6–8–10–12
  intervals: 1–m2–m3–d5–m6–m7–8
  Root, Minor 2nd, Minor 3rd, Diminished 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ F♯ G♯ A♯ c
  C D♭ E♭ G♭ A♭ B♭ c

G cleffCC sharpD sharpF sharpG sharpA sharpCbarlineCD flatE flatG flatA flatB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Nagagandhari
  Mode 3 of: Malavasri
  Mode 4 of: Raga Yamuna Kalyani
  Mode 5 of: Raga Siva Kambhoji

The name I use for this scale comes from: Scala name

Scala name: Raga Bhavani

Piano Encyclopedia name: Raga Gurjari Todi [Indian]

Scale Omnibus name: Raga Gurjari Todi [India]

Raga Bhinna Pancama

Scale steps in semitones: 2–3–2–1–3–1

Scale degrees:
  in semitones: 0–2–5–7–8–11–12
  intervals: 1–2–4–5–m6–7–8
  Root, Major 2nd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C D F G G♯ B c
  C D F G A♭ B c

G cleffCDFGG sharpBCbarlineCDFGA flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Raga Vijayanagari
  Mode 4 of: Raga Gaula 2

The name I use for this scale comes from: Scala name

Scala name: Raga Bhinna Pancama

Piano Encyclopedia name: Raga Bhinna Pancama [Indian]

Scale Omnibus name: Raga Bhinna Pancama [India]

Raga Caturangini

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–2–2–1–4–1

Scale degrees:
  in semitones: 0–2–4–6–7–11–12
  intervals: 1–2–3–d5–5–7–8
  Root, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Major 7th, Octave

Pitches starting from C:
  C D E F♯ G B c
  C D E G♭ G B c

G cleffCDEF sharpGBCbarlineCDEG flatGBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Rageshri 2
  Mode 3 of: Raga Trimurti
  Mode 5 of: Raga Hari Nata
  Mode 6 of: Raga Suddha Simantini

The name I use for this scale comes from: Scala name

Scala names: Raga Caturangini, Ratnakanthi

Piano Encyclopedia names: Raga Chaturangini 2 [Indian]; Raga Ratnakanthi

Scale Omnibus names: Raga Chaturangini 2 [India]; Raga Ratnakanthi

Raga Chandrajyoti

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–1–4–1–2–3

Scale degrees:
  in semitones: 0–1–2–6–7–9–12
  intervals: 1–m2–2–d5–5–6–8
  Root, Minor 2nd, Major 2nd, Diminished 5th, Perfect 5th, Major 6th, Octave

Pitches starting from C:
  C C♯ D F♯ G A c
  C D♭ D G♭ G A c

G cleffCC sharpDF sharpGACbarlineCD flatDG flatGACEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Raga Tilang

The name I use for this scale comes from: Scala name

Scala name: Raga Chandrajyoti

Piano Encyclopedia name: Raga Chandrajyoti [Indian]

Scale Omnibus name: Raga Chandrajyoti [India]

Raga Dhavalangam

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram closed closed closed closed closed open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–3–2–1–1–4

Scale degrees:
  in semitones: 0–1–4–6–7–8–12
  intervals: 1–m2–3–d5–5–m6–8
  Root, Minor 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Octave

Pitches starting from C:
  C C♯ E F♯ G G♯ c
  C D♭ E G♭ G A♭ c

G cleffCC sharpEF sharpGG sharpCbarlineCD flatEG flatGA flatCEnd of staff

The name I use for this scale comes from: Scala name

Scala name: Raga Dhavalangam

Piano Encyclopedia names: Raga Dhavalangam [Indian]; Raga Indupriya

Scale Omnibus names: Raga Dhavalangam [India]; Raga Indupriya

Raga Dipak

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram closed closed closed closed closed open   or  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 2–2–1–1–1–5

Scale degrees:
  in semitones: 0–2–4–5–6–7–12
  intervals: 1–2–3–4–d5–5–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Diminished 5th, Perfect 5th, Octave

Pitches starting from C:
  C D E F F♯ G c
  C D E F G♭ G c

G cleffCDEFF sharpGCbarlineCDEFG flatGCEnd of staff

The name I use for this scale comes from: Scala name

Scala name: Raga Dipak

Piano Encyclopedia name: Raga Dipak [Indian]

Scale Omnibus name: Raga Dipak [India]

Raga Gandharavam

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open open

Scale steps in semitones: 1–2–2–2–3–2

Scale degrees:
  in semitones: 0–1–3–5–7–10–12
  intervals: 1–m2–m3–4–5–m7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ F G A♯ c
  C D♭ E♭ F G B♭ c

G cleffCC sharpD sharpFGA sharpCbarlineCD flatE flatFGB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Mruganandana
  Mode 4 of: Raga Navamanohari
  Mode 6 of: Raga Suddha Bangala

The name I use for this scale comes from: Scala name

Scala name: Raga Gandharavam

Piano Encyclopedia name: Raga Gandharavam [Indian]

Scale Omnibus name: Raga Gandharavam [India]

Raga Gaula

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Scale steps in semitones: 1–3–1–2–4–1

Scale degrees:
  in semitones: 0–1–4–5–7–11–12
  intervals: 1–m2–3–4–5–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F G B c
  C D♭ E F G B c

G cleffCC sharpEFGBCbarlineCD flatEFGBCEnd of staff

The name I use for this scale comes from: Scala name

Scala name: Raga Gaula

Raga Ghantana

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open open

Scale steps in semitones: 2–1–2–3–3–1

Scale degrees:
  in semitones: 0–2–3–5–8–11–12
  intervals: 1–2–m3–4–m6–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F G♯ B c
  C D E♭ F A♭ B c

G cleffCDD sharpFG sharpBCbarlineCDE flatFA flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Raga Madhukauns

The name I use for this scale comes from: Scala name

Scala names: Raga Ghantana, Kaushiranjani (Kaishikiranjani)

Piano Encyclopedia names: Raga Ghantana [Indian]; Raga Kaishikiranjani (Kaushiranjani); Raga Kaushiranjani / Kaishikiranjani

Scale Omnibus names: Raga Ghantana [India]; Raga Kaishikiranjani (or Kaushiranjani)

Raga Gurjari Todi

Scale steps in semitones: 1–2–3–2–3–1

Scale degrees:
  in semitones: 0–1–3–6–8–11–12
  intervals: 1–m2–m3–d5–m6–7–8
  Root, Minor 2nd, Minor 3rd, Diminished 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F♯ G♯ B c
  C D♭ E♭ G♭ A♭ B c

G cleffCC sharpD sharpF sharpG sharpBCbarlineCD flatE flatG flatA flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Brindabani Sarang
  Mode 5 of: Raga Bhanumanjari

The name I use for this scale comes from: Scala name

Scala name: Raga Gurjari Todi

Raga Hamsanandi

Scale steps in semitones: 1–3–2–3–2–1

Scale degrees:
  in semitones: 0–1–4–6–9–11–12
  intervals: 1–m2–3–d5–6–7–8
  Root, Minor 2nd, Major 3rd, Diminished 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F♯ A B c
  C D♭ E G♭ A B c

G cleffCC sharpEF sharpABCbarlineCD flatEG flatABCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Blues 6-Tone
  Mode 5 of: Blues Major Ascending

The name I use for this scale comes from: Scala name

Scala names: Raga Hamsanandi, Marva, Pancama, Puriya, Sohni

Piano Encyclopedia names: Raga Hamsanandi [Indian]; Raga \xa0Marva; Raga Pancama; Raga Puriya 2

Scale Omnibus names: Raga Hansanandi [India]; Raga Marva; Raga Pancama; Raga Puriya 2

Raga Hamsa Vinodini

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open open

Scale steps in semitones: 2–2–1–4–2–1

Scale degrees:
  in semitones: 0–2–4–5–9–11–12
  intervals: 1–2–3–4–6–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Major 6th, Major 7th, Octave

Pitches starting from C: C D E F A B c

G cleffCDEFABCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Manavi
  Mode 3 of: Raga Phenadyuti
  Mode 6 of: Honchoshi Plagal Form

The name I use for this scale comes from: Scala name

Scala name: Raga Hamsa Vinodini

Piano Encyclopedia name: Raga Hamsa Vinodini [Indian]

Scale Omnibus name: Raga Sohni [India]

Raga Hari Nata

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram open open closed open open open

Scale steps in semitones: 4–1–2–2–2–1

Scale degrees:
  in semitones: 0–4–5–7–9–11–12
  intervals: 1–3–4–5–6–7–8
  Root, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C: C E F G A B c

G cleffCEFGABCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Suddha Simantini
  Mode 3 of: Raga Caturangini
  Mode 4 of: Raga Rageshri 2
  Mode 5 of: Raga Trimurti

The name I use for this scale comes from: Scala name

Scala names: Raga Hari Nata, Genus secundum

Piano Encyclopedia names: Genus secundum [Latin]; Raga Hari Nata

Scale Omnibus names: Genus Secundum; Raga Hari Nata

Raga Hejjajji

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed open open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–3–2–2–1–3

Scale degrees:
  in semitones: 0–1–4–6–8–9–12
  intervals: 1–m2–3–d5–m6–6–8
  Root, Minor 2nd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ E F♯ G♯ A c
  C D♭ E G♭ A♭ A c

G cleffCC sharpEF sharpG sharpACbarlineCD flatEG flatA flatACEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Takka
  Mode 4 of: Raga Simharava
  Mode 5 of: Raga Vasantabhairavi

The name I use for this scale comes from: Scala name

Scala name: Raga Hejjajji

Piano Encyclopedia name: Raga Hejjajji [Indian]

Scale Omnibus name: Raga Hejjajji [India]

Raga Jaganmohanam

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed   or  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 2–4–1–1–2–2

Scale degrees:
  in semitones: 0–2–6–7–8–10–12
  intervals: 1–2–d5–5–m6–m7–8
  Root, Major 2nd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D F♯ G G♯ A♯ c
  C D G♭ G A♭ B♭ c

G cleffCDF sharpGG sharpA sharpCbarlineCDG flatGA flatB flatCEnd of staff

The name I use for this scale comes from: Scala name

Scala name: Raga Jaganmohanam

Piano Encyclopedia name: Raga Jaganmohanam [Indian]

Scale Omnibus name: Raga Jaganmohanam [India]

Raga Jivantika

Scale steps in semitones: 1–4–2–2–2–1

Scale degrees:
  in semitones: 0–1–5–7–9–11–12
  intervals: 1–m2–4–5–6–7–8
  Root, Minor 2nd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ F G A B c
  C D♭ F G A B c

G cleffCC sharpFGABCbarlineCD flatFGABCEnd of staff

The name I use for this scale comes from: Scala name

Scala name: Raga Jivantika

Piano Encyclopedia name: Raga Jivantika [Indian]

Scale Omnibus name: Raga Jivantika [India]

Raga Jivantini

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open open   or  Finger diagram closed closed closed closed open openFinger diagram closed closed open closed open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 3–3–1–3–1–1

Scale degrees:
  in semitones: 0–3–6–7–10–11–12
  intervals: 1–m3–d5–5–m7–7–8
  Root, Minor 3rd, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D♯ F♯ G A♯ B c
  C E♭ G♭ G B♭ B c

G cleffCD sharpF sharpGA sharpBCbarlineCE flatG flatGB flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 5 of: Raga Suddha Mukhari
  Mode 6 of: Raga Bauli

The name I use for this scale comes from: Scala name

Scala names: Raga Jivantini, Gaurikriya

Piano Encyclopedia names: Raga Gaurikriya [Indian]; Raga Jivantini

Scale Omnibus names: Raga Gaurikriya [India]; Raga Jivantini

Raga Jyoti

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open open closed open open open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed   or  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 4–2–1–1–2–2

Scale degrees:
  in semitones: 0–4–6–7–8–10–12
  intervals: 1–3–d5–5–m6–m7–8
  Root, Major 3rd, Diminished 5th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C E F♯ G G♯ A♯ c
  C E G♭ G A♭ B♭ c

G cleffCEF sharpGG sharpA sharpCbarlineCEG flatGA flatB flatCEnd of staff

The name I use for this scale comes from: Scala name

Scala name: Raga Jyoti

Piano Encyclopedia name: Raga Jyoti [Indian]

Scale Omnibus name: Raga Jyoty [India]

Raga Kalagada

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–3–3–1–1–3

Scale degrees:
  in semitones: 0–1–4–7–8–9–12
  intervals: 1–m2–3–5–m6–6–8
  Root, Minor 2nd, Major 3rd, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ E G G♯ A c
  C D♭ E G A♭ A c

G cleffCC sharpEGG sharpACbarlineCD flatEGA flatACEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 5 of: Raga Lalita

The name I use for this scale comes from: Scala name

Scala name: Raga Kalagada (Kalgada)

Piano Encyclopedia name: Raga Kalagada [Indian]

Scale Omnibus name: Raga Kalagada [India]

Raga Kalakanthi

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–4–2–1–1–3

Scale degrees:
  in semitones: 0–1–5–7–8–9–12
  intervals: 1–m2–4–5–m6–6–8
  Root, Minor 2nd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ F G G♯ A c
  C D♭ F G A♭ A c

G cleffCC sharpFGG sharpACbarlineCD flatFGA flatACEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 5 of: Raga Vasanta

The name I use for this scale comes from: Scala name

Scala name: Raga Kalakanthi

Piano Encyclopedia name: Raga Kalakanthi 2 [Indian]

Scale Omnibus name: Raga Kalakanthi 2 [India]

Raga Kalavati

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–3–1–2–2–3

Scale degrees:
  in semitones: 0–1–4–5–7–9–12
  intervals: 1–m2–3–4–5–6–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Octave

Pitches starting from C:
  C C♯ E F G A c
  C D♭ E F G A c

G cleffCC sharpEFGACbarlineCD flatEFGACEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Augmented
  Mode 4 of: Raga Latika

The name I use for this scale comes from: Scala name

Scala names: Raga Kalavati, Ragamalini

Piano Encyclopedia names: Raga Kalavati [Indian]; Raga Ragamalini

Scale Omnibus names: Raga Kalavati [India]; Raga Ragamalini

Raga Kamalamanohari

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open open closed open open open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 4–1–2–1–2–2

Scale degrees:
  in semitones: 0–4–5–7–8–10–12
  intervals: 1–3–4–5–m6–m7–8
  Root, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C E F G G♯ A♯ c
  C E F G A♭ B♭ c

G cleffCEFGG sharpA sharpCbarlineCEFGA flatB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Raga Sindhura Kafi
  Mode 6 of: Sarasvati

The name I use for this scale comes from: Scala name

Scala name: Raga Kamalamanohari

Piano Encyclopedia name: Raga Kamalamanohari 2 [Indian]

Scale Omnibus name: Raga Kamalamanohari 2 [India]

Raga Kashyapi

Scale steps in semitones: 1–2–4–1–2–2

Scale degrees:
  in semitones: 0–1–3–7–8–10–12
  intervals: 1–m2–m3–5–m6–m7–8
  Root, Minor 2nd, Minor 3rd, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ G G♯ A♯ c
  C D♭ E♭ G A♭ B♭ c

G cleffCC sharpD sharpGG sharpA sharpCbarlineCD flatE flatGA flatB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Nishadi
  Mode 3 of: Raga Khamas
  Mode 5 of: Raga Nalinakanti
  Mode 6 of: Raga Bagesri

The name I use for this scale comes from: Scala name

Scala name: Raga Kashyapi

Piano Encyclopedia name: Raga Kashyapi [Indian]

Scale Omnibus name: Raga Kashyapi [India]

Raga Khamas

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open open closed open open open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 4–1–2–2–1–2

Scale degrees:
  in semitones: 0–4–5–7–9–10–12
  intervals: 1–3–4–5–6–m7–8
  Root, Major 3rd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C E F G A A♯ c
  C E F G A B♭ c

G cleffCEFGAA sharpCbarlineCEFGAB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Raga Nalinakanti
  Mode 4 of: Raga Bagesri
  Mode 5 of: Raga Kashyapi
  Mode 6 of: Raga Nishadi

The name I use for this scale comes from: Scala name

Scala names: Raga Khamas, Desya Khamas, Bahudari

Piano Encyclopedia names: Raga Baduhari [Indian]; Raga Khamas

Scale Omnibus names: Raga Bahudari [India]; Raga Desya Khamas; Raga Khamas; Raga Vegavahini

Raga Kumud

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–2–3–2–2–1

Scale degrees:
  in semitones: 0–2–4–7–9–11–12
  intervals: 1–2–3–5–6–7–8
  Root, Major 2nd, Major 3rd, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C: C D E G A B c

G cleffCDEGABCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Mixolydian Hexatonic
  Mode 3 of: Minor Hexatonic
  Mode 4 of: Scottish Hexatonic
  Mode 5 of: Yo
  Mode 6 of: Ritsu

The name I use for this scale comes from: Scala name

Scala names: Raga Kumud, Sankara (Shankara), Prabhati, Lydian Hexatonic

Piano Encyclopedia names: Raga Kumud [Indian]; Raga Sankara (Shankara)

Scale Omnibus names: Lydian Hexatonic; Raga Kamud; Raga Prabhati; Raga Sankara (or Shankara)

Raga Lalita

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open open

Scale steps in semitones: 1–3–1–3–3–1

Scale degrees:
  in semitones: 0–1–4–5–8–11–12
  intervals: 1–m2–3–4–m6–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F G♯ B c
  C D♭ E F A♭ B c

G cleffCC sharpEFG sharpBCbarlineCD flatEFA flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Raga Kalagada

The name I use for this scale comes from: Scala name

Scala names: Raga Lalita, Sohini, Hamsanandi, Lalit Bhairav

Piano Encyclopedia names: Raga Hamsanandi 2 [Indian]; Raga Lalita 2; Raga Sohini

Scale Omnibus names: Raga Lalita [India]; Raga Sohini

Raga Latika

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–2–3–1–3–1

Scale degrees:
  in semitones: 0–2–4–7–8–11–12
  intervals: 1–2–3–5–m6–7–8
  Root, Major 2nd, Major 3rd, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C D E G G♯ B c
  C D E G A♭ B c

G cleffCDEGG sharpBCbarlineCDEGA flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Raga Kalavati
  Mode 5 of: Augmented

The name I use for this scale comes from: Scala name

Scala name: Raga Latika

Piano Encyclopedia name: Raga Latika [Indian]

Scale Omnibus name: Raga Latika [India]

Raga Madhukauns

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open open closed open open open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 3–3–1–2–1–2

Scale degrees:
  in semitones: 0–3–6–7–9–10–12
  intervals: 1–m3–d5–5–6–m7–8
  Root, Minor 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D♯ F♯ G A A♯ c
  C E♭ G♭ G A B♭ c

G cleffCD sharpF sharpGAA sharpCbarlineCE flatG flatGAB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Raga Ghantana

The name I use for this scale comes from: Scala name

Scala name: Raga Madhukauns (hexatonic)

Piano Encyclopedia name: Raga Madhukauns (hexatonic) [Indian]

Scale Omnibus name: Raga Madhukauns [India]

Raga Malarani

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–4–1–3–1–1

Scale degrees:
  in semitones: 0–2–6–7–10–11–12
  intervals: 1–2–d5–5–m7–7–8
  Root, Major 2nd, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D F♯ G A♯ B c
  C D G♭ G B♭ B c

G cleffCDF sharpGA sharpBCbarlineCDG flatGB flatBCEnd of staff

The name I use for this scale comes from: Scala name

Scala names: Raga Malarani, Hamsanada

Piano Encyclopedia name: Raga Malarani (Hamsanada) [Indian]

Scale Omnibus name: Raga Malarani [India]

Raga Malayamarutam

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–3–3–2–1–2

Scale degrees:
  in semitones: 0–1–4–7–9–10–12
  intervals: 1–m2–3–5–6–m7–8
  Root, Minor 2nd, Major 3rd, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ E G A A♯ c
  C D♭ E G A B♭ c

G cleffCC sharpEGAA sharpCbarlineCD flatEGAB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Pyramid Hexatonic
  Mode 6 of: Raga Ranjani

The name I use for this scale comes from: Scala name

Scala name: Raga Malayamarutam

Piano Encyclopedia name: Raga Malayamarutam [Indian]

Scale Omnibus name: Raga Malayamarutam [India]

Raga Manavi

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–4–2–1–2

Scale degrees:
  in semitones: 0–2–3–7–9–10–12
  intervals: 1–2–m3–5–6–m7–8
  Root, Major 2nd, Minor 3rd, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ G A A♯ c
  C D E♭ G A B♭ c

G cleffCDD sharpGAA sharpCbarlineCDE flatGAB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Phenadyuti
  Mode 5 of: Honchoshi Plagal Form
  Mode 6 of: Raga Hamsa Vinodini

The name I use for this scale comes from: Scala name

Scala name: Raga Manavi

Piano Encyclopedia name: Raga Manavi [Indian]

Scale Omnibus name: Raga Manavi [India]

Raga Mandari

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Scale steps in semitones: 1–3–2–1–4–1

Scale degrees:
  in semitones: 0–1–4–6–7–11–12
  intervals: 1–m2–3–d5–5–7–8
  Root, Minor 2nd, Major 3rd, Diminished 5th, Perfect 5th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F♯ G B c
  C D♭ E G♭ G B c

G cleffCC sharpEF sharpGBCbarlineCD flatEG flatGBCEnd of staff

The name I use for this scale comes from: Scala name

Scala names: Raga Mandari, Gamakakriya, Hamsanarayani

Piano Encyclopedia names: Raga Gamakakriya [Indian]; Raga Hamsanarayani; Raga Mandari

Scale Omnibus names: Raga Gamakakriya [India]; Raga Hamsanarayami; Raga Mandari

Raga Mruganandana

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–2–2–3–2–1

Scale degrees:
  in semitones: 0–2–4–6–9–11–12
  intervals: 1–2–3–d5–6–7–8
  Root, Major 2nd, Major 3rd, Diminished 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D E F♯ A B c
  C D E G♭ A B c

G cleffCDEF sharpABCbarlineCDEG flatABCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Raga Navamanohari
  Mode 5 of: Raga Suddha Bangala
  Mode 6 of: Raga Gandharavam

The name I use for this scale comes from: Scala name

Scala name: Raga Mruganandana

Piano Encyclopedia name: Raga Mruganandana [Indian]

Scale Omnibus name: Raga Mruganandana [India]

Raga Nagagandhari

Scale steps in semitones: 2–3–2–2–2–1

Scale degrees:
  in semitones: 0–2–5–7–9–11–12
  intervals: 1–2–4–5–6–7–8
  Root, Major 2nd, Perfect 4th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C: C D F G A B c

G cleffCDFGABCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Malavasri
  Mode 3 of: Raga Yamuna Kalyani
  Mode 4 of: Raga Siva Kambhoji
  Mode 6 of: Raga Bhavani 2

The name I use for this scale comes from: Scala name

Scala name: Raga Nagagandhari

Piano Encyclopedia names: Lydian Hexatonic; Raga Nagagandhari

Scale Omnibus name: Raga Nagagandhari [India]

Raga Nalinakanti

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Scale steps in semitones: 2–2–1–2–4–1

Scale degrees:
  in semitones: 0–2–4–5–7–11–12
  intervals: 1–2–3–4–5–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Major 7th, Octave

Pitches starting from C: C D E F G B c

G cleffCDEFGBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Bagesri
  Mode 3 of: Raga Kashyapi
  Mode 4 of: Raga Nishadi
  Mode 5 of: Raga Khamas

The name I use for this scale comes from: Scala name

Scala names: Raga Nalinakanti, Kedaram, Vilasini

Piano Encyclopedia names: Raga Kedaram [Indian]; Raga Nalinakanti; Raga Vilasini

Scale Omnibus name: Raga Vilasini [India]

Raga Navamanohari

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 2–3–2–1–2–2

Scale degrees:
  in semitones: 0–2–5–7–8–10–12
  intervals: 1–2–4–5–m6–m7–8
  Root, Major 2nd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D F G G♯ A♯ c
  C D F G A♭ B♭ c

G cleffCDFGG sharpA sharpCbarlineCDFGA flatB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Raga Suddha Bangala
  Mode 4 of: Raga Gandharavam
  Mode 5 of: Raga Mruganandana

The name I use for this scale comes from: Scala name

Scala name: Raga Navamanohari

Piano Encyclopedia name: Raga Navamanohari [Indian]

Scale Omnibus name: Raga Navamanohari [India]

Raga Neelangi

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–3–2–1–3

Scale degrees:
  in semitones: 0–2–3–6–8–9–12
  intervals: 1–2–m3–d5–m6–6–8
  Root, Major 2nd, Minor 3rd, Diminished 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C D D♯ F♯ G♯ A c
  C D E♭ G♭ A♭ A c

G cleffCDD sharpF sharpG sharpACbarlineCDE flatG flatA flatACEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Indupriya
  Mode 4 of: Raga Neelangi
  Mode 5 of: Indupriya

The name I use for this scale comes from: Scala name

Scala name: Raga Neelangi

Piano Encyclopedia name: Raga Neelangi [Indian]

Scale Omnibus name: Raga Neelangi

Raga Nishadi

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–4–1–2–2–1

Scale degrees:
  in semitones: 0–2–6–7–9–11–12
  intervals: 1–2–d5–5–6–7–8
  Root, Major 2nd, Diminished 5th, Perfect 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D F♯ G A B c
  C D G♭ G A B c

G cleffCDF sharpGABCbarlineCDG flatGABCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Khamas
  Mode 4 of: Raga Nalinakanti
  Mode 5 of: Raga Bagesri
  Mode 6 of: Raga Kashyapi

The name I use for this scale comes from: Scala name

Scala name: Raga Nishadi

Piano Encyclopedia name: Raga Nishadi [Indian]

Scale Omnibus name: Raga Nishadi [India]

Raga Padi

Scale steps in semitones: 1–4–2–1–3–1

Scale degrees:
  in semitones: 0–1–5–7–8–11–12
  intervals: 1–m2–4–5–m6–7–8
  Root, Minor 2nd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ F G G♯ B c
  C D♭ F G A♭ B c

G cleffCC sharpFGG sharpBCbarlineCD flatFGA flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Vijayavasanta
  Mode 3 of: Raga Syamalam

The name I use for this scale comes from: Scala name

Scala name: Raga Padi

Piano Encyclopedia name: Raga Padi [Indian]

Scale Omnibus name: Raga Padi [India]

Raga Paraju

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram open closed closed open open openFinger diagram open open closed open open open

Scale steps in semitones: 4–1–2–1–3–1

Scale degrees:
  in semitones: 0–4–5–7–8–11–12
  intervals: 1–3–4–5–m6–7–8
  Root, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C E F G G♯ B c
  C E F G A♭ B c

G cleffCEFGG sharpBCbarlineCEFGA flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Raga Amarasenapriya
  Mode 4 of: Raga Rudra Pancama

The name I use for this scale comes from: Scala name

Scala names: Raga Paraju (Paraz, Pharas), Ramamanohari, Sindhu Ramakriya, Kamalamanohari

Piano Encyclopedia names: Raga Kamalamanohari [Indian]; Raga Paraju; Raga Ramamanohari 2; Raga Simhavahini; Raga Sindhu Ramakriya

Scale Omnibus names: Raga Kamalamanohari [India]; Raga Paras (or Pharas or Paraju); Raga Ramamanohari 2; Raga Simhavahini; Raga Sindhu Ramakriya

Raga Phenadyuti

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–4–2–1–2–2

Scale degrees:
  in semitones: 0–1–5–7–8–10–12
  intervals: 1–m2–4–5–m6–m7–8
  Root, Minor 2nd, Perfect 4th, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ F G G♯ A♯ c
  C D♭ F G A♭ B♭ c

G cleffCC sharpFGG sharpA sharpCbarlineCD flatFGA flatB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Honchoshi Plagal Form
  Mode 5 of: Raga Hamsa Vinodini
  Mode 6 of: Raga Manavi

The name I use for this scale comes from: Scala name

Scala names: Raga Phenadyuti, Insen, Honchoshi, Niagari: Japan

Piano Encyclopedia names: Honchoshi [Japanese]; Insen; Niagari; Raga Phenadyuti 2

Scale Omnibus names: Insen [Japan]; Niagari; Raga Phenadyuti 2

Honchoshi Plagal Form

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open open

Scale steps in semitones: 1–2–2–1–4–2

Scale degrees:
  in semitones: 0–1–3–5–6–10–12
  intervals: 1–m2–m3–4–d5–m7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Diminished 5th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ F F♯ A♯ c
  C D♭ E♭ F G♭ B♭ c

G cleffCC sharpD sharpFF sharpA sharpCbarlineCD flatE flatFG flatB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Hamsa Vinodini
  Mode 3 of: Raga Manavi
  Mode 4 of: Raga Phenadyuti

The name I use for this scale comes from: Scala name

Scala name: Honchoshi plagal form: Japan

Piano Encyclopedia name: Honchoshi plagal form [Japanese]

Scale Omnibus name: Honkoshi [Japan]

Raga Purna Pancama

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram closed closed closed closed closed open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–3–1–2–1–4

Scale degrees:
  in semitones: 0–1–4–5–7–8–12
  intervals: 1–m2–3–4–5–m6–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Octave

Pitches starting from C:
  C C♯ E F G G♯ c
  C D♭ E F G A♭ c

G cleffCC sharpEFGG sharpCbarlineCD flatEFGA flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Rasamanjari
  Mode 4 of: Hirajōshi Mode 1 Leading Tone

The name I use for this scale comes from: Scala name

Entry on the Map of Native American Flute Tunings page: Middle Eastern Five-hole

Scala names: Raga Purna Pancama, Malahari, Geyahejjajji, Kannadabangala

Piano Encyclopedia names: Raga Geyahejjajji [Indian]; Raga Kannadabangala; Raga Malahari; Raga Purna Pancama

Scale Omnibus name: Raga Purna Pancama [India]

Raga Rageshri 2

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 2–2–1–4–1–2

Scale degrees:
  in semitones: 0–2–4–5–9–10–12
  intervals: 1–2–3–4–6–m7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C D E F A A♯ c
  C D E F A B♭ c

G cleffCDEFAA sharpCbarlineCDEFAB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Trimurti
  Mode 4 of: Raga Hari Nata
  Mode 5 of: Raga Suddha Simantini
  Mode 6 of: Raga Caturangini

The name I use for this scale comes from: Piano Encyclopedia Name, to distinguish from the other Raga Rageshiri scale

Scala names: Raga Rageshri (Rageshwari), Nattaikurinji (Natakuranji)

Piano Encyclopedia names: Raga Nattaikurinji [Indian]; Raga Rageshri 2 (Rageshwari)

Scale Omnibus names: Raga Nattaikurinji [India]; Raga Regeshri (or Rageshwari)

Raga Ranjani

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–3–3–2–1

Scale degrees:
  in semitones: 0–2–3–6–9–11–12
  intervals: 1–2–m3–d5–6–7–8
  Root, Major 2nd, Minor 3rd, Diminished 5th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F♯ A B c
  C D E♭ G♭ A B c

G cleffCDD sharpF sharpABCbarlineCDE flatG flatABCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Malayamarutam
  Mode 5 of: Pyramid Hexatonic

The name I use for this scale comes from: Scala name

Scala names: Raga Ranjani, Rangini

Piano Encyclopedia names: Raga Rangini [Indian]; Raga Ranjani

Scale Omnibus names: Raga Rangini [India]; Raga Ranjiani

Raga Rasamanjari

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open open   or  Finger diagram closed closed closed closed open openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 3–1–2–1–4–1

Scale degrees:
  in semitones: 0–3–4–6–7–11–12
  intervals: 1–m3–3–d5–5–7–8
  Root, Minor 3rd, Major 3rd, Diminished 5th, Perfect 5th, Major 7th, Octave

Pitches starting from C:
  C D♯ E F♯ G B c
  C E♭ E G♭ G B c

G cleffCD sharpEF sharpGBCbarlineCE flatEG flatGBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Hirajōshi Mode 1 Leading Tone
  Mode 6 of: Raga Purna Pancama

The name I use for this scale comes from: Scala name

Scala name: Raga Rasamanjari

Piano Encyclopedia name: Raga Rasamanjari 2 [Indian]

Scale Omnibus name: Raga Rasamanjari 2 [India]

Raga Rasavali

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–4–2–2–1–2

Scale degrees:
  in semitones: 0–1–5–7–9–10–12
  intervals: 1–m2–4–5–6–m7–8
  Root, Minor 2nd, Perfect 4th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ F G A A♯ c
  C D♭ F G A B♭ c

G cleffCC sharpFGAA sharpCbarlineCD flatFGAB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 6 of: Hawaiian

The name I use for this scale comes from: Scala name

Scala name: Raga Rasavali

Piano Encyclopedia name: Raga Rasavali [Indian]

Scale Omnibus name: Raga Rasavali [India]

Raga Rudra Pancama

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–3–1–4–1–2

Scale degrees:
  in semitones: 0–1–4–5–9–10–12
  intervals: 1–m2–3–4–6–m7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ E F A A♯ c
  C D♭ E F A B♭ c

G cleffCC sharpEFAA sharpCbarlineCD flatEFAB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Raga Paraju
  Mode 6 of: Raga Amarasenapriya

The name I use for this scale comes from: Scala name

Scala name: Raga Rudra Pancama

Piano Encyclopedia name: Raga Rudra Pancama [Indian]

Scale Omnibus name: Raga Rudra Pancama [India]

Raga Salagavarali

Scale steps in semitones: 1–2–4–2–1–2

Scale degrees:
  in semitones: 0–1–3–7–9–10–12
  intervals: 1–m2–m3–5–6–m7–8
  Root, Minor 2nd, Minor 3rd, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ G A A♯ c
  C D♭ E♭ G A B♭ c

G cleffCC sharpD sharpGAA sharpCbarlineCD flatE flatGAB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Raga Vutari
  Mode 5 of: Super-Locrian Hexamirror

The name I use for this scale comes from: Scala name

Scala name: Raga Salagavarali

Piano Encyclopedia name: Raga Salagavarali [Indian]

Scale Omnibus name: Raga Salagavarali [India]

Raga Brindabani Sarang

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Scale steps in semitones: 2–3–2–3–1–1

Scale degrees:
  in semitones: 0–2–5–7–10–11–12
  intervals: 1–2–4–5–m7–7–8
  Root, Major 2nd, Perfect 4th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C D F G A♯ B c
  C D F G B♭ B c

G cleffCDFGA sharpBCbarlineCDFGB flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Raga Bhanumanjari
  Mode 6 of: Raga Gurjari Todi

The name I use for this scale comes from: Scala name

Scala names: Raga Brindabani Sarang, Megh (Megh Malhar)

Piano Encyclopedia names: Raga Brindabani Sarang [Indian]; Raga Megh (Megh Malhar)

Scale Omnibus names: Raga Brindabani (or Brindabani Serang) [India]; Raga Megh (or Megh Malhar)

Raga Sarasanana

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open open

Scale steps in semitones: 2–2–1–3–3–1

Scale degrees:
  in semitones: 0–2–4–5–8–11–12
  intervals: 1–2–3–4–m6–7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C D E F G♯ B c
  C D E F A♭ B c

G cleffCDEFG sharpBCbarlineCDEFA flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 5 of: Equal Temperaments 3/4 Mixed
  Mode 6 of: Double-Phrygian Hexatonic

The name I use for this scale comes from: Scala name

Scala name: Raga Sarasanana

Piano Encyclopedia name: Raga Sarasanana [Indian]

Scale Omnibus name: Raga Sarasanana [India]

Raga Saravati

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram open open closed open open open   or  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 4–1–2–1–1–3

Scale degrees:
  in semitones: 0–4–5–7–8–9–12
  intervals: 1–3–4–5–m6–6–8
  Root, Major 3rd, Perfect 4th, Perfect 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C E F G G♯ A c
  C E F G A♭ A c

G cleffCEFGG sharpACbarlineCEFGA flatACEnd of staff

The name I use for this scale comes from: Scala name

Scala name: Raga Saravati (Sharavati)

Piano Encyclopedia name: Raga Saravati (Sharavati) [Indian]

Scale Omnibus name: Raga Saravati [India]

Raga Simharava

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–3–1–3–2

Scale degrees:
  in semitones: 0–2–3–6–7–10–12
  intervals: 1–2–m3–d5–5–m7–8
  Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F♯ G A♯ c
  C D E♭ G♭ G B♭ c

G cleffCDD sharpF sharpGA sharpCbarlineCDE flatG flatGB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Vasantabhairavi
  Mode 4 of: Raga Hejjajji
  Mode 5 of: Takka

The name I use for this scale comes from: Scala name

Scala names: Raga Simharava (Sinharavam), Gopikatilaka

Piano Encyclopedia names: Raga Gopikatilaka [Indian]; Raga Simharava (Sinharavam)

Scale Omnibus names: Raga Gopikatilaka [India]; Raga Simharava

Raga Sindhura Kafi

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Scale steps in semitones: 2–1–2–2–4–1

Scale degrees:
  in semitones: 0–2–3–5–7–11–12
  intervals: 1–2–m3–4–5–7–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F G B c
  C D E♭ F G B c

G cleffCDD sharpFGBCbarlineCDE flatFGBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Sarasvati
  Mode 5 of: Raga Kamalamanohari

The name I use for this scale comes from: Scala name

Scala name: Raga Sindhura Kafi

Piano Encyclopedia name: Raga Sindhura Kafi [Indian]

Scale Omnibus name: Raga Sindhura Kafi [India]

Raga Siva Kambhoji

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 2–2–1–2–3–2

Scale degrees:
  in semitones: 0–2–4–5–7–10–12
  intervals: 1–2–3–4–5–m7–8
  Root, Major 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
  C D E F G A♯ c
  C D E F G B♭ c

G cleffCDEFGA sharpCbarlineCDEFGB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Raga Bhavani 2
  Mode 4 of: Raga Nagagandhari
  Mode 5 of: Malavasri
  Mode 6 of: Raga Yamuna Kalyani

The name I use for this scale comes from: Scala name

Scala names: Raga Siva Kambhoji, Vivardhini, Andhali

Piano Encyclopedia names: Fifth Mode; Raga Siva Kambhoji; Raga Vivardhini

Scale Omnibus names: Raga Andhali [India]; Raga Siva Kambhoji; Raga Vivardhini

Raga Suddha Bangala

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Scale steps in semitones: 2–1–2–2–2–3

Scale degrees:
  in semitones: 0–2–3–5–7–9–12
  intervals: 1–2–m3–4–5–6–8
  Root, Major 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Major 6th, Octave

Pitches starting from C:
  C D D♯ F G A c
  C D E♭ F G A c

G cleffCDD sharpFGACbarlineCDE flatFGACEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Gandharavam
  Mode 3 of: Raga Mruganandana
  Mode 5 of: Raga Navamanohari

The name I use for this scale comes from: Scala name

Scala names: Raga Suddha Bangala, Gauri Velavali

Piano Encyclopedia names: Raga Gauri Velavali [Indian]; Raga Suddha Bangala

Scale Omnibus names: Raga Gauri Velavali [India]; Raga Suddha Bangala; Sho

Raga Suddha Mukhari

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed open closed open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open   or  Finger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed open open open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–1–3–3–1–3

Scale degrees:
  in semitones: 0–1–2–5–8–9–12
  intervals: 1–m2–2–4–m6–6–8
  Root, Minor 2nd, Major 2nd, Perfect 4th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C C♯ D F G♯ A c
  C D♭ D F A♭ A c

G cleffCC sharpDFG sharpACbarlineCD flatDFA flatACEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Bauli
  Mode 3 of: Raga Jivantini

The name I use for this scale comes from: Scala name

Scala name: Raga Suddha Mukhari

Piano Encyclopedia name: Raga Suddha Mukhari [Indian]

Scale Omnibus name: Raga Suddha Mukhari [India]

Raga Suddha Simantini

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed open closed openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram closed closed closed closed closed open

Scale steps in semitones: 1–2–2–2–1–4

Scale degrees:
  in semitones: 0–1–3–5–7–8–12
  intervals: 1–m2–m3–4–5–m6–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Perfect 5th, Minor 6th, Octave

Pitches starting from C:
  C C♯ D♯ F G G♯ c
  C D♭ E♭ F G A♭ c

G cleffCC sharpD sharpFGG sharpCbarlineCD flatE flatFGA flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Caturangini
  Mode 3 of: Raga Rageshri 2
  Mode 4 of: Raga Trimurti
  Mode 6 of: Raga Hari Nata

The name I use for this scale comes from: Scala name

Scala name: Raga Suddha Simantini

Piano Encyclopedia name: Raga Suddha Simantini [Indian]

Scale Omnibus name: Raga Suddha Simantini [India]

Raga Syamalam

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram closed closed closed closed closed open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–3–1–1–4

Scale degrees:
  in semitones: 0–2–3–6–7–8–12
  intervals: 1–2–m3–d5–5–m6–8
  Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Minor 6th, Octave

Pitches starting from C:
  C D D♯ F♯ G G♯ c
  C D E♭ G♭ G A♭ c

G cleffCDD sharpF sharpGG sharpCbarlineCDE flatG flatGA flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 5 of: Raga Padi
  Mode 6 of: Raga Vijayavasanta

The name I use for this scale comes from: Scala name

Scala name: Raga Syamalam

Piano Encyclopedia name: Raga Syamalam [Indian]

Scale Omnibus name: Raga Syamalam [India]

Raga Tilang

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open open   or  Finger diagram closed closed closed closed open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Scale steps in semitones: 4–1–2–3–1–1

Scale degrees:
  in semitones: 0–4–5–7–10–11–12
  intervals: 1–3–4–5–m7–7–8
  Root, Major 3rd, Perfect 4th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C E F G A♯ B c
  C E F G B♭ B c

G cleffCEFGA sharpBCbarlineCEFGB flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 5 of: Raga Chandrajyoti

The name I use for this scale comes from: Scala name

Scala names: Raga Tilang, Savitri, Brindabani Tilang

Piano Encyclopedia names: Raga Brindabani Tilang [Indian]; Raga Savitri; Raga Tilang

Scale Omnibus names: Raga Savitri [India]; Raga Tilang; Raga Tilang (or Bridabani Tilang)

Raga Trimurti

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–4–1–2–2

Scale degrees:
  in semitones: 0–2–3–7–8–10–12
  intervals: 1–2–m3–5–m6–m7–8
  Root, Major 2nd, Minor 3rd, Perfect 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ G G♯ A♯ c
  C D E♭ G A♭ B♭ c

G cleffCDD sharpGG sharpA sharpCbarlineCDE flatGA flatB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Raga Hari Nata
  Mode 4 of: Raga Suddha Simantini
  Mode 5 of: Raga Caturangini
  Mode 6 of: Raga Rageshri 2

The name I use for this scale comes from: Scala name

Scala name: Raga Trimurti

Piano Encyclopedia names: Maqam Nahawand [Iraqian]; Raga Suha Kanada; Raga Trimurti

Scale Omnibus name: Raga Trimurti [India]

Raga Vasanta

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open open

Scale steps in semitones: 1–3–1–4–2–1

Scale degrees:
  in semitones: 0–1–4–5–9–11–12
  intervals: 1–m2–3–4–6–7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Major 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ E F A B c
  C D♭ E F A B c

G cleffCC sharpEFABCbarlineCD flatEFABCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Raga Kalakanthi

The name I use for this scale comes from: Scala name

Scala names: Raga Vasanta, Chayavati

Piano Encyclopedia names: Raga Chaya Vati [Indian]; Raga Vasantha 2

Scale Omnibus name: Raga Chaya Vati [India]

Raga Vasantabhairavi

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–3–1–3–2–2

Scale degrees:
  in semitones: 0–1–4–5–8–10–12
  intervals: 1–m2–3–4–m6–m7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C C♯ E F G♯ A♯ c
  C D♭ E F A♭ B♭ c

G cleffCC sharpEFG sharpA sharpCbarlineCD flatEFA flatB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Raga Hejjajji
  Mode 4 of: Takka
  Mode 6 of: Raga Simharava

The name I use for this scale comes from: Scala name

Scala name: Raga Vasantabhairavi

Piano Encyclopedia names: Raga Lalit Bhairav [Indian]; Raga Vasantha (bhairavi)

Scale Omnibus names: Raga Lalita Bhairav [India]; Raga Vasantha

Raga Vijayanagari

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–3–1–2–3

Scale degrees:
  in semitones: 0–2–3–6–7–9–12
  intervals: 1–2–m3–d5–5–6–8
  Root, Major 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Major 6th, Octave

Pitches starting from C:
  C D D♯ F♯ G A c
  C D E♭ G♭ G A c

G cleffCDD sharpF sharpGACbarlineCDE flatG flatGACEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Gaula 2
  Mode 5 of: Raga Bhinna Pancama

The name I use for this scale comes from: Scala name

Scala name: Raga Vijayanagari

Piano Encyclopedia name: Raga Vijayanagari [Indian]

Scale Omnibus name: Raga Vijayanagari [India]

Raga Vijayasri

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Scale steps in semitones: 1–1–4–1–4–1

Scale degrees:
  in semitones: 0–1–2–6–7–11–12
  intervals: 1–m2–2–d5–5–7–8
  Root, Minor 2nd, Major 2nd, Diminished 5th, Perfect 5th, Major 7th, Octave

Pitches starting from C:
  C C♯ D F♯ G B c
  C D♭ D G♭ G B c

G cleffCC sharpDF sharpGBCbarlineCD flatDG flatGBCEnd of staff

The name I use for this scale comes from: Scala name

Scala name: Raga Vijayasri

Piano Encyclopedia name: Raga Vijayasri [Indian]

Scale Omnibus name: Raga Vijayasri [India]

Raga Vijayavasanta

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open open   or  Finger diagram closed closed closed closed open openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 4–2–1–3–1–1

Scale degrees:
  in semitones: 0–4–6–7–10–11–12
  intervals: 1–3–d5–5–m7–7–8
  Root, Major 3rd, Diminished 5th, Perfect 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C E F♯ G A♯ B c
  C E G♭ G B♭ B c

G cleffCEF sharpGA sharpBCbarlineCEG flatGB flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Syamalam
  Mode 6 of: Raga Padi

The name I use for this scale comes from: Scala name

Scala name: Raga Vijayavasanta

Piano Encyclopedia name: Raga Vijayavasanta [Indian]

Scale Omnibus name: Raga Vijayavasanta [India]

Raga Viyogavarali

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open open

Scale steps in semitones: 1–2–2–3–3–1

Scale degrees:
  in semitones: 0–1–3–5–8–11–12
  intervals: 1–m2–m3–4–m6–7–8
  Root, Minor 2nd, Minor 3rd, Perfect 4th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C C♯ D♯ F G♯ B c
  C D♭ E♭ F A♭ B c

G cleffCC sharpD sharpFG sharpBCbarlineCD flatE flatFA flatBCEnd of staff

The name I use for this scale comes from: Scala name

Scala name: Raga Viyogavarali

Piano Encyclopedia name: Raga Viyogavarali [Indian]

Scale Omnibus name: Raga Viyogavarali [India]

Raga Vutari

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open open closed open open open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed   or  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 4–2–1–2–1–2

Scale degrees:
  in semitones: 0–4–6–7–9–10–12
  intervals: 1–3–d5–5–6–m7–8
  Root, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Minor 7th, Octave

Pitches starting from C:
  C E F♯ G A A♯ c
  C E G♭ G A B♭ c

G cleffCEF sharpGAA sharpCbarlineCEG flatGAB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Super-Locrian Hexamirror
  Mode 5 of: Raga Salagavarali

The name I use for this scale comes from: Scala name

Scala name: Raga Vutari

Piano Encyclopedia name: Raga Vutari [Indian]

Scale Omnibus names: Raga Vutari [India]; Raga Zilaf

Raga Yamuna Kalyani

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open openFinger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed   or  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram open open open open open open openSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 2–2–2–1–2–3

Scale degrees:
  in semitones: 0–2–4–6–7–9–12
  intervals: 1–2–3–d5–5–6–8
  Root, Major 2nd, Major 3rd, Diminished 5th, Perfect 5th, Major 6th, Octave

Pitches starting from C:
  C D E F♯ G A c
  C D E G♭ G A c

G cleffCDEF sharpGACbarlineCDEG flatGACEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Raga Siva Kambhoji
  Mode 4 of: Raga Bhavani 2
  Mode 5 of: Raga Nagagandhari
  Mode 6 of: Malavasri

The name I use for this scale comes from: Scala name

Scala names: Raga Yamuna Kalyani, Kalyani Keseri, Airavati, Ancient Chinese

Piano Encyclopedia names: Ancient Chinese [Chinese]; Raga Airavati; Raga Kalyani Keseri; Raga Yamuna Kalyani

Scale Omnibus names: Ancient Chinese [China]; Raga Aivarati; Raga Kalyani; Raga Kalyani Keseri; Raga Yamuna Kalyani

Messiaen Mode 5

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram closed closed closed closed closed open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram closed open open open open open openSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–1–4–1–1–4

Scale degrees:
  in semitones: 0–1–2–6–7–8–12
  intervals: 1–m2–2–d5–5–m6–8
  Root, Minor 2nd, Major 2nd, Diminished 5th, Perfect 5th, Minor 6th, Octave

Pitches starting from C:
  C C♯ D F♯ G G♯ c
  C D♭ D G♭ G A♭ c

G cleffCC sharpDF sharpGG sharpCbarlineCD flatDG flatGA flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Messiaen Mode 5 Inverse
  Mode 4 of: Messiaen Mode 5
  Mode 6 of: Messiaen Mode 5 Inverse

The name I use for this scale comes from: Scala name

Scala names: Messiaen mode 5, Two-semitone Tritone scale

Wikipedia page related to this scale:

Scale Omnibus name: Two-semitone Tritone

Messiaen Mode 5 Inverse

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram open open closed open open open   or  Finger diagram closed closed closed closed open openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open closed closed open open openFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open open

Scale steps in semitones: 4–1–1–4–1–1

Scale degrees:
  in semitones: 0–4–5–6–10–11–12
  intervals: 1–3–4–d5–m7–7–8
  Root, Major 3rd, Perfect 4th, Diminished 5th, Minor 7th, Major 7th, Octave

Pitches starting from C:
  C E F F♯ A♯ B c
  C E F G♭ B♭ B c

G cleffCEFF sharpA sharpBCbarlineCEFG flatB flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Messiaen Mode 5
  Mode 4 of: Messiaen Mode 5 Inverse
  Mode 5 of: Messiaen Mode 5

The name I use for this scale comes from: Scala name

Scala name: Messiaen mode 5 inverse

Scale Omnibus name: Messiaen 5th Mode Inverse

Messiaen Truncated Mode 3 Inverse

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed open open openFinger diagram closed closed open closed open openFinger diagram open closed closed open open openFinger diagram open open closed open open open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 3–1–3–1–3–1

Scale degrees:
  in semitones: 0–3–4–7–8–11–12
  intervals: 1–m3–3–5–m6–7–8
  Root, Minor 3rd, Major 3rd, Perfect 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C D♯ E G G♯ B c
  C E♭ E G A♭ B c

G cleffCD sharpEGG sharpBCbarlineCE flatEGA flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Six Tone Symmetric
  Mode 3 of: Messiaen Truncated Mode 3 Inverse
  Mode 4 of: Six Tone Symmetric
  Mode 5 of: Messiaen Truncated Mode 3 Inverse
  Mode 6 of: Six Tone Symmetric

The name I use for this scale comes from: Scala name

Scala names: Messiaen truncated mode 3 inverse, Major Augmented, Genus tertium, Raga Devamani

Wikipedia page related to this scale:

Piano Encyclopedia names: Augmented Hexatonic; Genus tertium; Raga Devamani

Scale Omnibus names: Augmented; Genus Tertium; Major Augmented; Messiaen Truncated 3rd Mode Inverse; Raga Devamani

Messiaen Truncated Mode 2

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed open closed openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Scale steps in semitones: 1–2–3–1–2–3

Scale degrees:
  in semitones: 0–1–3–6–7–9–12
  intervals: 1–m2–m3–d5–5–6–8
  Root, Minor 2nd, Minor 3rd, Diminished 5th, Perfect 5th, Major 6th, Octave

Pitches starting from C:
  C C♯ D♯ F♯ G A c
  C D♭ E♭ G♭ G A c

G cleffCC sharpD sharpF sharpGACbarlineCD flatE flatG flatGACEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Messiaen Truncated Mode 2

The name I use for this scale comes from: Scala name

Scala name: Messiaen truncated mode 2

Scale Omnibus name: Messiaen 2nd Mode Truncated

Indupriya

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–3–2–1–3–2

Scale degrees:
  in semitones: 0–1–4–6–7–10–12
  intervals: 1–m2–3–d5–5–m7–8
  Root, Minor 2nd, Major 3rd, Diminished 5th, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
  C C♯ E F♯ G A♯ c
  C D♭ E G♭ G B♭ c

G cleffCC sharpEF sharpGA sharpCbarlineCD flatEG flatGB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Raga Neelangi
  Mode 4 of: Indupriya
  Mode 6 of: Raga Neelangi

The name I use for this scale comes from: Scala name

Scala names: Messiaen truncated mode 2, Raga Indupriya, Tritone scale

Wikipedia pages related to this scale:

Scale Omnibus names: Petrushka chord; Tritone

Equal Temperaments 3/4 Mixed

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open closedFinger diagram closed closed closed open closed openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram open open closed open open open   or  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed closed open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 3–1–2–2–1–3

Scale degrees:
  in semitones: 0–3–4–6–8–9–12
  intervals: 1–m3–3–d5–m6–6–8
  Root, Minor 3rd, Major 3rd, Diminished 5th, Minor 6th, Major 6th, Octave

Pitches starting from C:
  C D♯ E F♯ G♯ A c
  C E♭ E G♭ A♭ A c

G cleffCD sharpEF sharpG sharpACbarlineCE flatEG flatA flatACEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Double-Phrygian Hexatonic
  Mode 3 of: Raga Sarasanana

The name I use for this scale comes from: Scala name, abbreviated by Clint

Scala name: equal temperaments 3 and 4 mixed

Super-Locrian Hexamirror

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open closed open openFinger diagram closed closed open open open openFinger diagram open closed closed open open openFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open open

Scale steps in semitones: 1–2–1–2–4–2

Scale degrees:
  in semitones: 0–1–3–4–6–10–12
  intervals: 1–m2–m3–3–d5–m7–8
  Root, Minor 2nd, Minor 3rd, Major 3rd, Diminished 5th, Minor 7th, Octave

Pitches starting from C:
  C C♯ D♯ E F♯ A♯ c
  C D♭ E♭ E G♭ B♭ c

G cleffCC sharpD sharpEF sharpA sharpCbarlineCD flatE flatEG flatB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Raga Salagavarali
  Mode 5 of: Raga Vutari

The name I use for this scale comes from: Scala name

Scala name: Super-Locrian Hexamirror

Scale Omnibus name: Sho #2 [Japan]

Takemitsu Tree Line Mode 1

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram open open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–3–2–3–1

Scale degrees:
  in semitones: 0–2–3–6–8–11–12
  intervals: 1–2–m3–d5–m6–7–8
  Root, Major 2nd, Minor 3rd, Diminished 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C D D♯ F♯ G♯ B c
  C D E♭ G♭ A♭ B c

G cleffCDD sharpF sharpG sharpBCbarlineCDE flatG flatA flatBCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 2 of: Prometheus Neapolitan

The name I use for this scale comes from: Scala name

Scala name: Takemitsu Tree Line mode 1

Piano Encyclopedia name: Takemitsu Tree Line mode 1 [Japanese]

Scale Omnibus name: Takemitzu Tree 1 [Japan]

Takemitsu Tree Line Mode 2

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed open closed closed closed closedSeven hole finger diagram closed open open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–3–2–2–2

Scale degrees:
  in semitones: 0–2–3–6–8–10–12
  intervals: 1–2–m3–d5–m6–m7–8
  Root, Major 2nd, Minor 3rd, Diminished 5th, Minor 6th, Minor 7th, Octave

Pitches starting from C:
  C D D♯ F♯ G♯ A♯ c
  C D E♭ G♭ A♭ B♭ c

G cleffCDD sharpF sharpG sharpA sharpCbarlineCDE flatG flatA flatB flatCEnd of staff

The name I use for this scale comes from: Scala name

Scala name: Takemitsu Tree Line mode 2

Piano Encyclopedia name: Takemitsu Tree Line mode 2 [Japanese]

Scale Omnibus name: Takemitzu Tree 2 [Japan]

Blues Major Ascending

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed closed open open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed closed open open openSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closed

Scale steps in semitones: 2–1–1–3–2–3

Scale degrees:
  in semitones: 0–2–3–4–7–9–12
  intervals: 1–2–m3–3–5–6–8
  Root, Major 2nd, Minor 3rd, Major 3rd, Perfect 5th, Major 6th, Octave

Pitches starting from C:
  C D D♯ E G A c
  C D E♭ E G A c

G cleffCDD sharpEGACbarlineCDE flatEGACEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 3 of: Raga Hamsanandi
  Mode 6 of: Blues 6-Tone

The name I use for this scale comes from: Piano Encyclopedia / Simon Parker

Wikipedia page related to this scale:

Piano Encyclopedia names: Blues Major ascending [African]; Blues Major descending; Major Blues ascending; Major Blues descending

Raga Gangatarangini

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed open closedFinger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open closed open openFinger diagram open closed closed open open openFinger diagram open open closed open open open

Scale steps in semitones: 4–1–1–2–3–1

Scale degrees:
  in semitones: 0–4–5–6–8–11–12
  intervals: 1–3–4–d5–m6–7–8
  Root, Major 3rd, Perfect 4th, Diminished 5th, Minor 6th, Major 7th, Octave

Pitches starting from C:
  C E F F♯ G♯ B c
  C E F G♭ A♭ B c

G cleffCEFF sharpG sharpBCbarlineCEFG flatA flatBCEnd of staff

The name I use for this scale comes from: Piano Encyclopedia / Simon Parker

Piano Encyclopedia name: Raga Gangatarangini [Indian]

Scale Omnibus name: Raga Gangatarangini [India]

Raga Gaula 2

Fingerings on most contemporary six-hole pentatonic minor Native American flutes:

  Finger diagram closed closed closed closed open openFinger diagram closed closed closed open closed openFinger diagram closed closed open open open openFinger diagram closed open closed open open openFinger diagram open open closed open open openFinger diagram closed closed closed closed closed closedFinger diagram closed closed closed closed closed openFinger diagram closed closed closed closed open open

Fingerings on Anasazi-7 tuned Native American flutes:

  Seven hole finger diagram closed closed closed closed closed closed openSeven hole finger diagram closed closed closed closed closed open openSeven hole finger diagram closed closed closed open closed closed closedSeven hole finger diagram closed closed closed open open open openSeven hole finger diagram closed closed open open open open openSeven hole finger diagram second octave half-closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed closedSeven hole finger diagram closed closed closed closed closed closed open

Scale steps in semitones: 1–3–1–2–3–2

Scale degrees:
  in semitones: 0–1–4–5–7–10–12
  intervals: 1–m2–3–4–5–m7–8
  Root, Minor 2nd, Major 3rd, Perfect 4th, Perfect 5th, Minor 7th, Octave

Pitches starting from C:
  C C♯ E F G A♯ c
  C D♭ E F G B♭ c

G cleffCC sharpEFGA sharpCbarlineCD flatEFGB flatCEnd of staff

This scale is a mode (rotation) of these other scales:
  Mode 4 of: Raga Bhinna Pancama
  Mode 6 of: Raga Vijayanagari

The name I use for this scale comes from: Piano Encyclopedia / Simon Parker, modified by Clint to avoid a conflict with the existing Scala scale named "Raga Gaula"

Piano Encyclopedia name: Raga Gaula [Indian]

Scale Omnibus name: Raga Gaula [India]

 
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To cite this page on Wikipedia: <ref name="Goss_2017_csc_6tone_12tet"> {{cite web |last=Goss |first=Clint |title=Comprehensive Scale Catalog: Six-Tone Scales in Equal Temperament |url=http://www.Flutopedia.com/csc_6tone_12tet.htm |date=15 April 2017 |website=Flutopedia |access-date=<YOUR RETRIEVAL DATE> }}</ref>